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Lot 374
A George III silver bright cut engraved caddy spoon, hallmarked EM, London, 1807 together with a Modern silver bangle, by S&P, Chester, 1954, a Modern silver napkin holder, an Edwardian silver Egypt teaspoons, by Elkington & Co., Birmingham, 1909, combined weight 2.31 ozt together with plate servers, set of six silver handled butter knives boxed, a bottle holder, soup ladle with costume jewellery necklaces and diamante tennis bracelet (1 box)
Lot 690
A collection of Tiffany & Co jewellery "Please Return to Tiffany & Co' silver chain necklace, thick cable link chain suspending disc pendant stamped "Please Return to Tiffany & Co. / New York / 92" stamped with hallmarks together with bracelet of similar design and silver bangle by Tiffany & Co., stamped "925 T & Co 1837" dated 1997, stamped with hallmarks (3) total approx. chain length 35cm, total approx. length of bracelet 17cm, total approx. weight 3.90oztCondition:
Lot 540
A diamond-set parurecomprising a link torc necklace with pendant, a hinged bangle and a pair of ear clips, channel-set with a total of 32 brilliant-cut diamonds, all stamped '14K', the pendant with maker's marktotal approx. pendant length 3.9cm, total approx. width 1.8cm, bangle inner diameter 6.1cm, total approx. weight 30.8g, Condition: Overall condition very good - little sign of wearDiamonds: bright, mostly inclusion-free
Lot 632
A rock crystal and diamond-set hinged bangle by Stephen Websterfrom the 'Crystal Haze' collection, of bifurcated sprung form with top opening, the central oval rose-cut rock crystal with a closed back pale green backing (a/f), raised above a brilliant cut diamond and open-work tapering band, stamped "SW / 18k" and with maker's monogram and logo, with signed contemporary maroon box with interior cushion, both with maker's logoinner diameter 5.4cm approx, total weight 51.9gCondition: Overall condition fair: green backing to rock crystal creased but otherwise little sign of wearNot overlarge - fits closely to 16cm wristBox with minor wear to external corners/edges
Lot 638
An emerald and diamond-set demi parurethe front section of the necklace set with a graduated curved row of alternating vertical lines of rectangular-cut emeralds and brilliant-cut diamonds, the box clasp stamped '14K', the hinged bangle and the pair of quarter hoop earrings (post and clip fittings) en suite, all stamped '14K'necklace length approx 48cms, 25.9g; bangle inner diamter approx 6 cm, 19.7; earrings 4.8gCondition: Overall condition very good with little sign of any wearEmeralds: well matched, bright green, most with typical inclusionsDiamonds: bright
Lot 656
A collection of lady's accessories18ct gold band, stamped with hallmarks; 9ct gold signet ring, stamped with hallmarks; an opal set ring, featuring four cabochon opals, deficient of fifth setting, set to a scrolling mount, to a plain shank; an adjustable silver buckle bangle by Charles Horner, stamped with hallmarks; turquoise set bar brooch, central cabochon turquoise set above a seed pearl set bar brooch, stamped "9ct"; a green gem set ring, square step-cut green gem claw set to a plain mount, stamped "9ct" and a blue gem-set ring, deficient of two settings, stamped to shank "9ct" (7)ring size M/N, O, O, N, M, total approx. weight of 18ct gold 2.9g, total approx. weight of hallmarked gold 2.6g, total approx. weight of silver bangle 0.81ozt, total approx. weight of other items 7.8gCondition:
Lot 641
A collection of costume jewellery five stone diamond ring, illusion set to a scrolling mount, plain shank stamped "18ct"; a citrine single stone ring, oval mix-cut citrine set to a plain shank; an amber cabochon bar brooch and a pair of amber cabochon set earrings; two cameo set brooches and a cameo set stick pin; a scallop bangle, of pierced open-work design, depicting Egyptian scenes and an open-work necklace, stamped "sterling" and a five strand cultured pearl necklace with a pair of floral ear-clips set with a cultured pearl set to centre (qty)Condition: We recommend you view this group lot in person.
Lot 464
A group of six bangles a pair of 9ct gold twisted bangles, stamped with hallmarks; a bangle with a chased design, stamped "750"; twisted hinged bangle, stamped to clasp "filled" and stamped indistinctly and two other unmarked bangles (6)total approx. weight of hallmarked gold 5.6g, total approx. weight of bangle stamped "750" 3.3g, total approx. weight of unmarked bangles 12g, total approx. weight of filled bangle 15.3gCondition: Some bangles are misshapen, viewing recommended in person
Lot 649
A selection of costume jewellery 9ct gold and cultured pearl ring, set with diamond points, stamped with hallmarks; string of Mikimoto cultured pearls in original soft leather case; an amber set brooch and amber set earrings; silver hinged bangle, likely hollow, chased with a floral and foliate design to one half, stamped with hallmarks; Victorian silver brooch, with floral and foliate motifs, with sentimental window to reverse, stamped with Birmingham hallmarks; charm bracelet suspending various charms; a pair of ruby drop earrings, ovoid faceted ruby suspended from a beaded surmount; a pair of colourless paste pave-set earrings, stamped to reverse "Dior"; twisted cuff bangle, stamped "925"; gem-set flexible panel necklace; faceted beaded bracelet, featuring faceted dark purplish-red oblong gemstones, stamped to clasp "1/20 14k GF" and other items (qty) ring size L/M, total approx. weight of 9ct gold 2.5g, total approx. weight of silver bangle 0.93ozt, weight of silver brooch 0.20oztCondition: One ear stud deficient of one colourless paste setting
Lot 636
A jewellery box with costume jewellery a pair of 9ct gold twisted knot earrings, stamped with hallmarks to stem; a multi-strand coral necklace; a red hard stone beaded necklace; a red Bakelite beaded necklace; Scottish style horse shoe charm with hardstone settings; a pair of ovoid ear-clips, set with a black gem cabochon, stamped "HS 925S"; a cultured pearl necklace, clasp stamped "JKa 750"; a pair of mother of pearl earrings, set to 9ct gold backs, stamped to stem with hallmarks; cultured pearl cluster stud earrings; a green, blue and pink paste set brooch; a plaited hair memorial brooch; a pink and white gem set fob; a small gilt metal compass; a pair of marcasite set stud earrings and green hardstone bangle with beige jewellery box (qty)total approx. weight 2.9gCondition: Viewing recommended in person. Jewellery box has a broken lid.
Lot 122
AN 18K GOLD AND DIAMOND 'KELLY BRACELET' BY HERMÈS The polished oval gold bangle with 'Kelly' turn-clasp pavé-set with brilliant-cut diamonds, in 18K rose gold, signed Hermès, numbered, with maker's mark, French assay mark, with maker's case and outer box, accompanied with certificate of authenticity from Hermès, size SH, inner diameter approximately 5.6cm
Lot 7
A GOLD 'TRINITY' BANGLE, BY CARTIER Composed of three interlocking polished 18K tri-coloured gold bangles, signed Cartier Paris, with maker's mark 'SCA' for société cartier anonyme, with maker's mark 'AG' for Gross, French assay marks, with maker's pouch, inner diameter approximately 6.5cm Gross is a Parisian workshop founded in 1860 by August Gross. They were originally chain makers and have worked for Cartier amongst others. The Cartier Trinity collection is shrouded in numerous myths and tales rich with symbolism. However, the true story begins in the 1920s, amid its roaring Art Deco era, almost 80 years after Cartier was established and famed for its colourful and exotic creations in geometric forms, high-contrast colour combinations, and carved precious gemstones. Louis Cartier, the son of the namesake founder, designed an intertwined ring. This revolutionary creation would become a distinctive code of Cartier style. Louis dared to go back to the basics of pure design with no embellishments, a stark contrast to the trend then. With boldness, he created the renowned Cartier three-ring Trinity in 1924. The intertwining ring debuted at the 1925 Paris Exposition, when Cartier displayed the ring and bracelet alongside other more colourful, opulent jewellery. That year they were photographed by Edward Steichen for American Vogue and worn by the American interior designer and tastemaker Elsie de Wolfe. The design quickly gained a cult following with luminaries such as Cocteau and the Duke of Windsor, who famously adorned two rings on his pinkie. After its introduction, Cartier introduced the three-band ring in various colours and materials. Both ring and bracelet achieved resounding success, symbolizing elegance. With its flawless blend of clean lines, ideal proportions, and precise shapes, they emerged as a hallmark of design excellence achievable only by Cartier artisan jewellers. The ring's triumph owes much to its flawless design as well as its profound symbolism. Its interconnected nature invites myriad interpretations, from a symbol of family devotion passed down through generations to an emblem of enduring friendship or everlasting love. Objects imbued with such poetic significance effortlessly become cherished parts of our lives, resonating with memories and emotions. In 1997, following a decade of evolution, the three-band ring was officially christened Trinity. As part of the les must de Cartier line, the jewellery house crafted a version of the ring featuring an engraving of the slogan on the rose gold band. However, the brand later discontinued the slogan, and subsequent models of the ring did not include the engraving. As time passed, the style of the Trinity collection underwent various adaptations. Some iterations incorporated jewels into the design, while others saw shifts in shape and style to align with contemporary trends. In the 1990s, the ring was resized to larger proportions to reflect the prevailing preference for heavier jewellery. Over time, the Trinity collection evolved into a signature choice for a diverse array of personalities, from icons like Cary Grant and Grace Kelly to contemporary figures like Nicole Kidman, Paul Mescal, and Catherine, Princess of Wales. A century since its creation, both men and women still adorn themselves with the Trinity ring, necklace, earrings, and bracelet. This year, marking the Trinity's 100th anniversary, the Maison, reaffirming the enduring appeal of its innovative design. The charm of the Trinity collection remains as potent as ever.
Lot 197
A CONTEMPORARY AMETHYST AND DIAMOND BANGLE, BY MICHELE DELLA VALLE Set with a large rectangular-cut amethyst measuring approximately 33.00x25.28x16.52mm, enhanced with brilliant-cut diamonds, the band composed of titanium highlighted with circular-cut diamonds of black tint, mounted in 18K gold and black titanium, signed Michele della Valle, Italian registry mark, with maker's case, inner circumference approximately 15cm
Lot 124
A GOLD 'ROBERT MAPPLETHORPE' BANGLE, DESIGNED BY GAIA REPOSSI, FOR REPOSSI Limited Edition, discontinued. The polished gold bangle, in 18K rose gold, signed Repossi/Robert Mapplethorpe, numbered, Italian registry mark, inner diameter 5.4cm, size stamped 16 For more than four decades, Repossi has upheld a tradition of fine craftsmanship. Collaborating with longstanding Italian workshops, the house ensures a legacy of technical expertise and unwavering quality across generations, with a commitment to excellence. Across three generations of Italian designers, Repossi has epitomized timeless and innovative jewellery. Drawing inspiration from art and architecture, each piece reflects a fusion of artistic vision and meticulous craftsmanship. In 2007, Gaia Repossi assumed the role of creative and artistic director of her family business, renowned Italian jewellery house Repossi. Gaia has modernised the jewellery house’s aesthetic, favouring sculptural designs. Gaia has long admired the artistic prowess of renowned New York artis and photographer Robert Mapplethorpe, particularly evident in his jewellery pieces crafted from ready-mades and found objects. Gaia embarks on a journey to reinvent Mapplethorpe's works, infusing them with a fresh perspective. Remaining true to Mapplethorpe's original vision, Gaia opts for patinated gold over polished, resulting in her boldest collection to date. Extensive research, drawing from Mapplethorpe's entire works, served as the foundation for Gaia's creative process. Immersing herself in the Robert Mapplethorpe Foundation in New York and the Getty Research Institute's Mapplethorpe Archive in Los Angeles, Gaia found copious amounts of inspiration. Repossi & Robert Mapplethorpe collaboration is driven by Gaia's unwavering artistic vision, complemented by the expertise of Repossi's workshops. Each piece boasts meticulous detail and technical intricacy, handcrafted in France or Italy, adhering to the esteemed traditions of jewellery-making and the excellence synonymous with Place Vendome.
Lot 220
A Chinese silver bangle, 20th century, decorated with flowers in relief, the bangle with turquoise and lapis lazuli inserts amongst scrolls, stamp marked 'MADE IN CHINA', 'NO.23' and 'SILVER',9.5cm long122.6gCondition ReportOverall 122.6g / 3.94 ozt.Surface scratches and dents. Splits to edges. Some turquoise and lapis replaced.
Lot 358
A JADEITE BANGLE, A JADE HAIRPIN AND A PENDANTLate Qing to 20th centuryComprising: a bangle of pale green hue with brighter apple green inclusions; a pale green jade hairpin with carved ruyi terminal; and a pale green bean-pod form pendant.The hairpin: 14.2cm (5 5/8in) long (3).Footnotes:清晚期至二十世紀 翠玉手鐲, 玉髮簪及珮飾GIA certificate report 2215859319 confirms that the bangle is 'Grade A jade' and of natural colour with no indications of impregnation.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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88753 item(s)/page