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A Burmese Large Carved Wood Tiger Puppet, painted in black, white and yellow, with strung limbs, head, lower jaw, body and tail, 20cm (Provenance:- From the Collection of the late Dr Elizabeth Ann Carswell, nee Turner (1940-2019); a Batak Bamboo Medicine Container, Indonesia, the cylindrical body incised with charts of script and a lizard, the wood lid carved with a central seated figure flanked by stylised animals, 21.5cm; a Masai Gourd Flask, Kenya, the removable cover attached by a leather strap decorated with small coloured glass beads, 52cm (3)
Yellow gold pendant, monkey puppet, eyes and body set with brilliant cut diamonds, 750/000, gross w. 6.4 gr., max. length 4.5 cm. Possibly Pomellato.Geelgouden hanger in de vorm van een trekpop aapje, lijfje en ogen bezet met briljant geslepen diamanten, 750/000, br.gew. 6,4 gr., maximale lengte 4,5 cm. Mogelijk Pomellato.
Jimi Hendrix - Band of Gypsys, UK 1st pressing, Track records 2406002 A-1/B1, Puppet sleeve Gypsys on sleeve Gipsies on labels, together with Hendrix In The West, Polydore 2302 018 Deluxe. Jimi Hendrix Experience - Electric Ladyland Part 1, Track 613 010 and Smash Hits, Track 612 004. (4)Condition report: In the West: both sides with surface scratches, more prominent on side 1 above label at 11 o'clock. Wouldn't think it would affect play too much. A line running along the top and bottom of sleeve on both sides. Usual wear to openings and corners.Electric Ladyland: well played, numerous surface scratches to both sides. Sleeve with creases and bubbles to the cellophane near spine on cover and back.Smash Hits: Side 1 has two large scratches at 8 o'clock and 2 more at 3-4 o'clock. Side 2 large scratch below label at 3, heavy spindle wear, numerous surface scratches. Sleeve with silver sticker to front, heavily creased, usual wear at corners etc.Band of Gypsys: Light surface scratches to both sides, but generally good, sleeve with very light creases, light wear to edges generally very good.
Rufina Bazlova Fight Marker on Paper Signed on Front and Verso 10 x 15cm (3¾ x 5¾ in.) About Rufina Bazlova (1990) is a Prague-based Belarusian artist who is working in illustration, comics, art books, puppet making, scenography and performance. She received international recognition for her series The History of Belarusian Vyzhyvanka, which uses the traditional folk embroidery medium to depict the peaceful protests in Belarus. The artist is also known for the fully embroidered comic Ženokol (Feminnature), exploring the theme of feminism in folk traditions. Currently Rufina works on the social-art project "Framed in Belarus" dedicated to political prisoners in Belarus. The project is open to all solidarity comers. Education 2016-2020 The Akademy of Performing Arts in Prague, Department of Alternative and Puppet Theater - Scenography (BcA.) 2011-2015 Westbohemian University, Ladislav Sutnar Faculty of Design and Art - Illustration and Graphic design / Sculpture and Space (MgA.) 2008-2011 Westbohemian University, Institute of Art and Design - Illustration and Graphics (BcA.) Select Exhibitions/Awards Solo (2020-2022): - The History of Belarussian Vyzhyvanka // UCLA Library, online, Los Angeles [USA] - The article on WEPRESENT // Wetransfer, online [international] - Nici z demokracji // Galeria Browarna, Łowicz [PL] - Běloruský Folklór // Artwall gallery, Prague [CZ] Common (2020-2021): - Everything is different: 4+4 Days in Motion // New school in Strashnice, Prague [CZ] - Visual Acts of Radical Care: An Exhibition of Feminist Artists-Activists from Central and Eastern Europe // Yale MacMillan Center, online , Yale [USA] - Belarus / Art of Resistance // Arti et Amicitiae, Amsterdam [NL] - Three's a crowd // BWA Wrocław Główny Gallery, Wroclaw [PL] - Demo Mode Society // ASPN Gallery, Leipzig [DE] - Every Day. Art. Solidarity. Resistance // Mysteckyi Arsenal, Kyiv [UKR] - Sew Up Times // Matjö- Raum für Kunst, Köln [DE] - Screams of the Silenced // The Grey Space in the Middle, The Hague [NL] Statement about AOAP Submitted Artwork I think we have to help each other. Everyone will get joy out of it.
Rufina Bazlova (OMONa Rat) Riot Police Marker on Paper Signed on Front and Verso 15 x 10cm (5¾ x 3¾ in.) About Rufina Bazlova (1990) is a Prague-based Belarusian artist who is working in illustration, comics, art books, puppet making, scenography and performance. She received international recognition for her series The History of Belarusian Vyzhyvanka, which uses the traditional folk embroidery medium to depict the peaceful protests in Belarus. The artist is also known for the fully embroidered comic Ženokol (Feminnature), exploring the theme of feminism in folk traditions. Currently Rufina works on the social-art project "Framed in Belarus" dedicated to political prisoners in Belarus. The project is open to all solidarity comers. Education 2016-2020 The Akademy of Performing Arts in Prague, Department of Alternative and Puppet Theater - Scenography (BcA.) 2011-2015 Westbohemian University, Ladislav Sutnar Faculty of Design and Art - Illustration and Graphic design / Sculpture and Space (MgA.) 2008-2011 Westbohemian University, Institute of Art and Design - Illustration and Graphics (BcA.) Select Exhibitions/Awards Solo (2020-2022): - The History of Belarussian Vyzhyvanka // UCLA Library, online, Los Angeles [USA] - The article on WEPRESENT // Wetransfer, online [international] - Nici z demokracji // Galeria Browarna, Łowicz [PL] - Běloruský Folklór // Artwall gallery, Prague [CZ] Common (2020-2021): - Everything is different: 4+4 Days in Motion // New school in Strashnice, Prague [CZ] - Visual Acts of Radical Care: An Exhibition of Feminist Artists-Activists from Central and Eastern Europe // Yale MacMillan Center, online , Yale [USA] - Belarus / Art of Resistance // Arti et Amicitiae, Amsterdam [NL] - Three's a crowd // BWA Wrocław Główny Gallery, Wroclaw [PL] - Demo Mode Society // ASPN Gallery, Leipzig [DE] - Every Day. Art. Solidarity. Resistance // Mysteckyi Arsenal, Kyiv [UKR] - Sew Up Times // Matjö- Raum für Kunst, Köln [DE] - Screams of the Silenced // The Grey Space in the Middle, The Hague [NL] Statement about AOAP Submitted Artwork I think we have to help each other. Everyone will get joy out of it.
Rufina Bazolva Bloody 'Autozak' Marker on Paper Signed on Front and Verso 10 x 15cm (3¾ x 5¾ in.) About Rufina Bazlova (1990) is a Prague-based Belarusian artist who is working in illustration, comics, art books, puppet making, scenography and performance. She received international recognition for her series The History of Belarusian Vyzhyvanka, which uses the traditional folk embroidery medium to depict the peaceful protests in Belarus. The artist is also known for the fully embroidered comic Ženokol (Feminnature), exploring the theme of feminism in folk traditions. Currently Rufina works on the social-art project "Framed in Belarus" dedicated to political prisoners in Belarus. The project is open to all solidarity comers. Education 2016-2020 The Akademy of Performing Arts in Prague, Department of Alternative and Puppet Theater - Scenography (BcA.) 2011-2015 Westbohemian University, Ladislav Sutnar Faculty of Design and Art - Illustration and Graphic design / Sculpture and Space (MgA.) 2008-2011 Westbohemian University, Institute of Art and Design - Illustration and Graphics (BcA.) Select Exhibitions/Awards Solo (2020-2022): - The History of Belarussian Vyzhyvanka // UCLA Library, online, Los Angeles [USA] - The article on WEPRESENT // Wetransfer, online [international] - Nici z demokracji // Galeria Browarna, Łowicz [PL] - Běloruský Folklór // Artwall gallery, Prague [CZ] Common (2020-2021): - Everything is different: 4+4 Days in Motion // New school in Strashnice, Prague [CZ] - Visual Acts of Radical Care: An Exhibition of Feminist Artists-Activists from Central and Eastern Europe // Yale MacMillan Center, online , Yale [USA] - Belarus / Art of Resistance // Arti et Amicitiae, Amsterdam [NL] - Three's a crowd // BWA Wrocław Główny Gallery, Wroclaw [PL] - Demo Mode Society // ASPN Gallery, Leipzig [DE] - Every Day. Art. Solidarity. Resistance // Mysteckyi Arsenal, Kyiv [UKR] - Sew Up Times // Matjö- Raum für Kunst, Köln [DE] - Screams of the Silenced // The Grey Space in the Middle, The Hague [NL] Statement about AOAP Submitted Artwork I think we have to help each other. Everyone will get joy out of it.
Pippa Blake Little Amal: The Walk I Acrylic, Gouache and Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Pippa Blake was born in Portsmouth, England in 1954, and studied Fine Art (Painting) at Camberwell College of Art, London from 1972 to 1976 gaining BA Honours (First Class). In 2005 she graduated from the Visual Arts Programme, West Dean College, Sussex with a Postgraduate Diploma (Distinction). Blake has travelled the world extensively but now lives and works on Chichester Harbour near the Hampshire/Sussex border, UK. She exhibits frequently both in the UK and New Zealand. She serves as a founding Trustee for BLAKE, an organisation in New Zealand inspiring environmental leadership. Education Camberwell School of Art, 1972 - 76: BA Hons Fine Art (First Class) West Dean College , 2004-2005: Post Graduate Diploma (Distinction) Select Exhibitions/Awards Several solo exhibitions from 1995 onwards with the last 'On the Road 'at Candida Stevens Gallery in July 2020 - next solo show being there in October 2022. I have exhibited frequently in both New Zealand and the UK, I have twice been artist in residence at Chichester Festival Theatre with three large scale paintings being shown at Pallant House Gallery in 2016. I was also an artist in residence on a research vessel between Newfoundland and Iceland back in 2006. Gallery Representation Candida Stevens Gallery Statement about AOAP Submitted Artwork Being International Women's Day I looked for a subject that fitted, a deviation from my landscape-based work. I chose Little Amal, the 3.5 metre high puppet who 'walked' with puppeteers from Syria to Manchester on an art project called The Walk to highlight the urgent needs of young refugees. I feel she represents the many marginalised women having to deal with life under dire circumstances.
Pippa Blake Little Amal: The Walk II Acrylic, Gouache and Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Pippa Blake was born in Portsmouth, England in 1954, and studied Fine Art (Painting) at Camberwell College of Art, London from 1972 to 1976 gaining BA Honours (First Class). In 2005 she graduated from the Visual Arts Programme, West Dean College, Sussex with a Postgraduate Diploma (Distinction). Blake has travelled the world extensively but now lives and works on Chichester Harbour near the Hampshire/Sussex border, UK. She exhibits frequently both in the UK and New Zealand. She serves as a founding Trustee for BLAKE, an organisation in New Zealand inspiring environmental leadership. Education Camberwell School of Art, 1972 - 76: BA Hons Fine Art (First Class) West Dean College , 2004-2005: Post Graduate Diploma (Distinction) Select Exhibitions/Awards Several solo exhibitions from 1995 onwards with the last 'On the Road 'at Candida Stevens Gallery in July 2020 - next solo show being there in October 2022. I have exhibited frequently in both New Zealand and the UK, I have twice been artist in residence at Chichester Festival Theatre with three large scale paintings being shown at Pallant House Gallery in 2016. I was also an artist in residence on a research vessel between Newfoundland and Iceland back in 2006. Gallery Representation Candida Stevens Gallery Statement about AOAP Submitted Artwork Being International Women's Day I looked for a subject that fitted, a deviation from my landscape-based work. I chose Little Amal, the 3.5 metre high puppet who 'walked' with puppeteers from Syria to Manchester on an art project called The Walk to highlight the urgent needs of young refugees. I feel she represents the many marginalised women having to deal with life under dire circumstances.
Pippa Blake Little Amal: The Walk III Acrylic, Gouache and Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Pippa Blake was born in Portsmouth, England in 1954, and studied Fine Art (Painting) at Camberwell College of Art, London from 1972 to 1976 gaining BA Honours (First Class). In 2005 she graduated from the Visual Arts Programme, West Dean College, Sussex with a Postgraduate Diploma (Distinction). Blake has travelled the world extensively but now lives and works on Chichester Harbour near the Hampshire/Sussex border, UK. She exhibits frequently both in the UK and New Zealand. She serves as a founding Trustee for BLAKE, an organisation in New Zealand inspiring environmental leadership. Education Camberwell School of Art, 1972 - 76: BA Hons Fine Art (First Class) West Dean College , 2004-2005: Post Graduate Diploma (Distinction) Select Exhibitions/Awards Several solo exhibitions from 1995 onwards with the last 'On the Road 'at Candida Stevens Gallery in July 2020 - next solo show being there in October 2022. I have exhibited frequently in both New Zealand and the UK, I have twice been artist in residence at Chichester Festival Theatre with three large scale paintings being shown at Pallant House Gallery in 2016. I was also an artist in residence on a research vessel between Newfoundland and Iceland back in 2006. Gallery Representation Candida Stevens Gallery Statement about AOAP Submitted Artwork Being International Women's Day I looked for a subject that fitted, a deviation from my landscape-based work. I chose Little Amal, the 3.5 metre high puppet who 'walked' with puppeteers from Syria to Manchester on an art project called The Walk to highlight the urgent needs of young refugees. I feel she represents the many marginalised women having to deal with life under dire circumstances.
ITALIAN SOUNDTRACK RARITY LPs. Sensuous selection of 4 x killer LPs. Titles are Piero Piccioni - Colpo Rovente (1999 ltd edition double LP copy, ET 925 DLP - Ex+ and Ex records/Ex only light wear to the gatefold) and Puppet On A Chain (DC39LP - Ex/Ex+), Piero Umiliani - La Ragazza Fuori Strada (2003 ltd edition double LP copy, ET 921 DLP - Ex+/Ex+, lovely copy) and Beat At Cinecittà Volume 3 (Crippled Dick Hot Wax! German 1999 ltd edition release - Ex/Ex)
A Pelham Puppet Bimbo, SL17; together with a Pallitoys Playthings Archie Andrews ventriloquist doll, boxed (2)Condition report: Please see extra images.Archie: stamped on back of neck. Correct stamp. Wear to colouring on shoes and head. Clothing appears original and in tact. Box is worn but in tact.Bimbo: trousers badly stained. Wearing and fading to rest of clothing. Strings very badly twisted and entwined Marks to face. Box very poor condition.
Puppet. A Victorian painted wood music hall ball juggler marionette, c1890, in the form of an eastern man in rich braided and padded red and yellow silk costume and turban, deal box, approximately 43cm h Another example of a ball juggling marionette is amongst the troupe of 35 in the Tiller-Clowes Collection in the Victoria & Albert Museum Small chip to surface paint on tip of nose and hands, costume worn in places but in good overall and original condition
Puppetry and The Art of Performance - an early to mid-20th century marionette string puppet, the painted papier-mâché head with painted features, long protruding nose and oversized ears, long blonde hair, the carved wooden body covered in newspaper strips, hunched back, wearing a white shirt with collar and mother of pearl buttons, red waistcoat and black trousers, wooden control bar, 40cm high, unboxed Provenance - reputedly from the estate of an Artist and Potter, the puppet was discovered in a drawer
TWO BOXES OF PELHAM AND OTHER PUPPETS, PUPPET /DOLLS FURNITURE AND ACCESSORIES, to include ten puppets in need of restoration and restringing, characters to include a policeman, sailors, Father Christmas and poodles, a copy of The Puppet Theatre by Jan Bussell, assorted costumes, puppet parts, chairs, a bed, a stool, a cradle and a spinning wheel, etc (sd) (2 BOXES)
AVENGERS #63, 64, 68, 79 (4 in Lot) - (1969/70 - MARVEL - US Price, UK Cover Price & UK Price Variant) Includes Hawkeye becomes the new Goliath + Black Panther, Black Widow, Mad Thinker, Egghead, Puppet Master, Lethal Legion appearances - Flat/Unfolded - a photographic condition report is available on request

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11142 item(s)/page