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Lot 79
A fine Italian white metal and parcel gilt scent or Cologne casket, the interior with mirror plate to the lid, a cut glass powder jar and fitted with six cut glass Cologne bottles with gilded collars and stoppers, the casket with applied cast floral swags and raised on paw bracket feet. 20th century. 21' wide over handles
Lot 1788
A French gold, silver-gilt and gem-set compact by Boucheron, pierced with engraved silver-gilt rectangular section depicting birds amongst foliage and mounted with five red stones, striated and chequered silver and gold thumbpiece containing a sprung-loaded hinged mirror and compact, signed Boucheron Paris, numbered 875012, 7cm wide
Lot 1894
A Neoclassical white chalcedony intaglio, the oval-shaped agate plaque depicting 'Polyphemus the Cyclop, enamoured of Galatea, arranging his hair and looking at himself in the sea, which serves him as a mirror' also engraved with a pseudo signature for Kromos the ancient engraver, set within a metal frame, 4.5cm wide Provenance: From the collection of Prince Stanislas Poniatowski (1754 - 1833) ; offered at auction at Christie's London 29 April - 21 May 1839, withdrawn from the sale, purchased by John Tyrrell (35 Craven Street, London) Later in the collection of Charles Scarisbrick; offered at auction by Christie's London 16May 1861 Lot 181 Published: James Predeville, Explanatory catalogue of the proof-impressions of the antique gems possessed by the late Prince Poniatowski and now in the possession of John Tyrrell, Esq, London 1841, no.250 Catalogue des Pierres Gravées Antiques de S.A. le Prince Stanislas Poniatowski, Florence 1830-1832, class II no. 12
Lot 2094
A large gilt framed mirror with moulded Cupid finial and foliate scrolling, approx 171 x 95.5cm (af). CONDITION REPORT: Damage to the upper section where the entire section supporting finial and scrolling is loose and has come away at the front with numerous and clear losses to the moulding and decoration in the area, split all along from corner to corner, this will need attention, some of the moulding itself is damaged, split and/or loose, further general wear and tear throughout, chips and splits to the moulding, losses to the gilt finish, surface scratches, etc.
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