A MONUMENTAL GILTWOOD AND PLASTER MOUNTED WALL MIRROR19TH CENTURY AND LATEROf large impressive proportion, the central tablet with figures emblematic of war310cm high, 240cm wideCondition Report: Please note, it is likely that this mirror is constructed in the 20th century. Marks, knocks, scratches and abrasions commensurate with age and use. Old chips, splits and cracks. Meeting points of construction are clear to see - see images. Larger section of old fragmentary loss to upper left corner of the frame. Some areas of simulated aging to surface of plaster relief. Please refer to images online for visual reference to condition. Condition Report Disclaimer
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A VICTORIAN GOTHIC REVIVAL TRIPLE WARDROBEMANNER OF CHARLES EASTLAKE, CIRCA 1870The central arcaded mirror panel door enclosing slides and drawers, the flanking doors enclosing hanging space, the top of one drawer serial numbered 01471238cm high, 230cm wide, 66cm deep Condition Report: Central section 87cm wide without door: 90cm wide with door onSide sections 61cm wide without door: 64cm with doors onMarks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips - as illustrated. Some very minor depletion to mirror plate. Plate is a possible old replacement. No key present. Some fading overall. some dark marks and stains to timber in areas throughout. Colum to left hand door with area of white coloured blooming, possibly to a later area of varnish. Some tarnishing and wear to metal fixtures. Mahogany linings throughout drawers and trays. some movement to interior drawer linings causing small gaps - as often seen. Small loss to one central roundel of door. Evidence of white residue in areas perhaps suggesting previous gilding. Condition Report Disclaimer
A PAIR OF GOTHIC REVIVAL CARVED OAK MIRRORED CONSOLE TABLESTHIRD QUARTER 19TH CENTURY AND LATERThe marble top supported on a winged monopodium322cm high, 84cm wide, 64cm deepCondition Report: Both with marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Various losses to carved details of pilasters - as illustrated. Mirror plates are likely later associated. As catalogues these items consist period timbers and later associated elements. The lion consoles and marble are later elements. Cornice lacking to one. Condition Report Disclaimer
AN ITALIAN CARVED GILTWOOD AND COMPOSITION OVERMANTEL WALL MIRROR19TH CENTURYWith central shell and mask to the cresting, the whole on carved claw feet181cm high, 148cm wideCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Various losses - please see online images for visual reference. Crack to one side of the cresting resulting in area of loss. Area of loss to top of shell that centres cresting. Some minor depletion and sparkle to mirror plates. Some dark residue to ends of peripheral mirror plates. Rubbing and areas of loss to gilt surface. Condition Report Disclaimer
A PAIR OF GEORGE III STYLE CARVED AND WHITE PAINTED PIER MIRRORS MODERN, IN THE MANNER OF JOHN LINNELLThe crestings respectively in the form of a reclining Chinese man and Chinese woman each holding a parasol, above foliate lambrequin and balconied ornament, the multi-panelled mirror plates within elaborate shaped frames, carved with scrolling foliage and entwined branches162.5cm high, 61.5cm wide Condition Report: The surfaces of both mirrors with some scuffs and surface deposits to simulate greater age.The mirror plates with some artificial depletion and grey spots to simulate greater age. Both mirrors in generally good condition overall. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A PAIR OF ITALIAN GILT WOOD WALL MIRRORS19TH CENTURYThe pierced carved surrounds with opposing eagles heads and foliage91cm high, 67cm wide SALEROOM NOTICE:Please note these are Gilt composition (not wood)Condition Report: They are gilt composition not wood Report:Plaster composition framesOne section of acanthus crest repaired Same mirror with some loss to silvered backing of mirror Otherwise good condition Condition Report Disclaimer
ABDULLAH QANDEEL (SAUDI ARABIAN B.1988)SELF PROPHETIC VANITY, 2019Oil on mirror in a gilded frame 118 x 76cm (46¼ x 29¾ in.)Abdullah Qandeel was born in 1988 in Jeddah, Saudi Arabia. Qandeel lives and works in New York creating passionate and energetic large scale abstract paintings which he has exhibited across the world in exhibitions in Monte Carlo, New York and Jeddah. His colourful, bold and striking displays break from the traditional norms of the Arab world and signify the vastly changing cultural landscape. In 2012 one of his works was selected by the Saudi Arabian Mission to the UN to exhibit as a solo artist at the Waldorf Astoria in New York in celebration of Saudi Arabia's National Day and the Kingdom of Saudi Arabia gifted a work by Qandeel to the US Ambassador to the UN. Condition Report: There are minor chips and losses to the edges of the frame, but the paint surface appears to be in excellent original condition. Condition Report Disclaimer
A GILT METAL AND COLOURED AGATE INSECT WALL LIGHTHENRI FERNANDEZ FOR ATELIER JACQUES DUVAL-BRASSEUR, 1970SIn the form of a dragonfly58cm high, 62cm wideCondition Report: Please note there is no break in the brass legs - it is only a reflection from a mirror behind. additional images are available on request. Condition Report Disclaimer
A CARVED GILTWOOD AND COMPOSITION WALL MIRRORLATE 19TH CENTURY126cm high, 152cm wideCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Later screw used to front of frame to secure to wall.Gilding previously re-freshed. Various chip of loss to carved elements and gilt - see images. Some old splits. One corner with split opening slightly along the line of underlying construction. Mirror plate with the expected depletion, grey spots and bloom. Please refer to online images for visual reference to condition. Condition Report Disclaimer
A SUBSTANTIAL GILTWOOD AND COMPOSITION OVERMANTEL WALL MIRROREARLY 19TH CENTURYOf neo-classical architectural form, with flanking pilasters to the arched plate227cm high, 170cm wide Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Mirror plate is in good condition. We are unable to inspect this item away from the wall, it is possible the mirror plate could be a replacement. Some rubbing and losses to gilt surface. Section of dentil moulding lacking to one corner. Various chips and losses to lower edge - as illustrated. Please refer to online images for visual reference to condition. Condition Report Disclaimer
A GILTWOOD AND COMPOSITION CIRCULAR WALL MIRROREARLY 19TH CENTURY The egg and dart moulded frame surmounted by an eagle on a rocky base88cm high, 65cm diameterCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old minor splits and chips. Later block of timber glued to back to help secure surmount. It appear the mirror originally had a lower cresting (aperture present to the back). Mirror plate with the expected depletion and grey spots. An old and very well concealed repair made to split through one wing. Condition Report Disclaimer
YAYOI KUSAMA (JAPANESE B. 1929)PUMPKIN (GT) (KUSAMA 229)Screenprint in colours, 1996Signed in pencil, titled in Japanese, numbered 111/120 and dated 1996Image 29.5 x 22.5cm (11½ x 8¾ in.)Provenance: Mori Art Museum, TokyoAcquired from the above in 2004 during the exhibition 'Yayoi Kusama: Exhibition Kusamatrix'.Yayoi Kusama was born into a farming family in Matsumoto, Japan in 1929. Kusama recalls the first time she ever saw a pumpkin. When she was a young girl she visited a seed-harvesting ground with her grandfather and noted that she was 'enchanted by their charming and winsome form'. In her autobiography Infinity Net, Kusama quotes 'And there it was: a pumpkin the size of a man's head... it immediately began speaking to me in a most animated manner.' Consumed by drawing and painting from a young age Kusama's parents did not support her following her passion for art. Eventually her parents let her attend art school at the Yoto School of Arts and Crafts to study Nihonga, a traditional Japanese painting style. In 1958 Kusama moved to New York and became embedded within the pop-art movement coming into contact with artists including Andy Warhol, Donald Judd and Joseph Cornell. Kusama's work was ground-breaking as a Japanese artist in a Western society and a female artist in a male-dominated world. The recurring patterns and dots stemmed from a frightening experience as a young child where she was struck by hallucinations of talking flowers in a field, the expanse of flowers looked like a field of endless dots. Kusama's work is iconic for its vivid, colourful and playful nature. Her name has become synonymous with dots, pumpkins and infinity mirror rooms, which have led her success in interactive art installations. Condition Report: The print is unexamined out of its frame. it appears to be in excellent original conditionCondition Report Disclaimer
Bristol - Bird (Charles). Picturesque Old Bristol. A Series of Fifty-Two Etchings by Charles Bird, with Letterpress by John Taylor, 2 volumes, Bristol: Frost & Reed, December 1885, 53 sepia etched plates (including frontispiece), original pictorial front wrapper bound-in, occasional spotting throughout, edges untrimmed, contemporary half calf gilt, red morocco title labels to spines, spines torn at head & foot, some wear, folio (unlettered proof limited edition 121/125), together with: Dallaway (James), Antiquities of Bristow [sic] in the Middle Centuries; including the Topography by William Wyrcestre, and the Life of William Canynges, Bristol: Mirror Office, 1834, half-title, title in red & black, few engraved plates, wood engraved armorials & illustrations, edges untrimmed, modern quarter calf, folio, Skelton (Joseph), Skelton's Etchings of the Antiquities of Bristol from original sketches by the late Hugh O'Neill, [Bristol & London, 1825], engraved title and 55 plates on India paper, scattered spotting, all edges gilt, contemporary brown half morocco, gilt decorated spine, joints & extremities rubbed & worn, folio, Ellison (Fred E.), Etchings of Bath, with Descriptive Letterpress, London: Printed at the Chiswick Press by Charles Whittingham & Co. Bristol: William George's Sons, 1888, half-title, title in red & black, 24 sepia etched plates, scattered spotting, top edge gilt, remainder untrimmed, original calf-backed cloth, gilt blocked decorative title and city armorial to upper cover, spine rubbed, folio (limited edition 178/250, with sets 51-250 on Whatman's Antique paper)Qty: (5)

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