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Click here to subscribeA Pair of Danish Mahogany, Parcel Gilt and Painted Wall Mirrors, late 18th/early 19th century, with later rectangular mirror plates within a beaded and reeded frame, the apron decorated with ribbons and swags, the pediments with painted oval panels flanked by swags and surmounted by urns122cm by 47cm
A Regency Rosewood and Polychrome Painted Work Table, early 19th century, the octagonal shape top painted with a figure and swans in a landscape, the hinged lid enclosing a pivoting mirror and divided interior, the sides painted with flower garlands and classical figures, on a column support with bell shape base and two-tier octagonal shape platform stand47cm by 42cm by 85cm
A Japanese Shibayama-Type Hardwood and Brass-Bound Rectangular Dressing Box, late 19th century, overlaid with mother-of-pearl, stained bone and wood with chrysanthemums and figures in a rocky landscape, the pivoting hinged lid opening to reveal a plain mirror, above pivoting cupboard enclosing assorted drawers, on a plinth base98cm by 39cm by 23cm (closed)Overall good condition. Small painted repair. Minor natural? splitting near the brass hinges, as well as section missing (see images). Minor losses to the hardstones throughout.
Gillow & Co: An Exhibition Quality Victorian Specimen Wood, Marquetry, Parquetry and Gilt Metal-Mounted Side Cabinet, 3rd quarter 19th century, the timbers including kingwood, tulipwood, amboyna, gonçalo alves, pearwood, burr yew and harewood, the mirrored superstructure with scrolled brackets above a breakfront frieze, the doors richly inlaid with marquetry panels of birds in a nest, flanked by column supports, the glazed doors enclosing a velvet-lined interior, on a platform base with compressed feet, acanthus gilded metal mounts throughout, the door stamped Gillow & Co, R and HP206cm by 50cm by 156cm Five of the gilt metal circular mounts are missing to the doors (as photographed). Overall in very good condition. Some general scratches on the shelf. Some bruising consistent with age, mainly around the top section (ie. below the mirror plate).
Full title: Flemish school, follower of Peter Paul Rubens: The presentation of the Christ child in the temple & The adoration of the Christ, oil on panel, 18th C.Description:Work: ca. 29 x 24 cm Frame: 34 x 29 cm The presentation of the Christ-child in the temple by Peter Paul Rubens (1577-1640) is used as a model forour painting. Rubens' work inspired various artists, a.o. Frans Ykens, Paulus Piontius and Abraham Willemsens. (link, link,& link) Furthermore, The adoration of the shepherdsis the mirror painting of an eponymous work by Peter Paul Rubens. The original painting is since 1803 part of the collection of the Musée des Beaux-Arts de Marseilleand was previously part of the collection of the Sint-Janskerk in Mechelen, where the painting was takenby the French government and transferred to the Louvre in Paris. (link) The work used as a model by different artists, a.o. - with minor adjustments -Balthasar Beschey (1708-1776). (link)
Full title: Flemish school, follower of Anthony van Dyck (1599-1641): The Infant Christ and St. John the Baptist, oil on canvas, second half 17th C.Description:Work: 132,5 x 109,5 cmFrame: 150,5 x 127,5 cm The reverse with an old attribution to Anthony van Dyck.The painting is the mirror image of a later work by Anthony van Dyck, today part of the Royal Collection Trust (East Closet, Hampton Court Palace, RCIN 405630). The latter work is more than likely an autograph repetition of the painting in Lamport Hall, Northamptonshire. (link) The subject of the infant Christ and St. John the Baptist was a popular one in Italy and the Low Countries throughout the Renaissance, and derives from apocryphal texts dealing with the early life of Christ. It depicts the infant John the Baptist greeting his cousin Jesus upon his return from exile in Egypt. Christ's attribute here is a cross resting upon a globe, a symbol of the power of his salvation throughout the world; John has a small cross made from reeds in the wilderness and a scroll inscribed with the words he utters in St. John's Gospel (1: 29) and which, of course, refer to Christ: 'Ecce Agnus Dei, qvi tollit peccata mundi' (Behold the Lamb of God, which taketh away the sin of the world). Here John genuflects to the Christ Child, who is kissing him and raising him from his knees. The relationship between the two figures is a premonition of the baptism of Christ, as related in St. Matthew's Gospel (3: 13-17), when John refuses baptism, saying 'I have need to be baptized of thee' and Christ has to overcome his reluctance. (link)
Ballet interest, an Anello & Davide cream leather calf length ballet boot, written to the sole Eagling, together with various ephemera to include a signed photograph of Anthony Dowell, a Swan Lake promtional photograph and front page of the Daily Mirror with the headline The Dying Swan etc.
A collection of five Wimbledon The Lawn Tennis Championships Official Programmes, dates to include Friday 27th June 1969, Saturday 3rd July 1971, Thursday 29th June 1972, Wednesday 27th June 1973 and Wednesday 29th June 1977, together with a Daily Mirror Wimbledon '69 Guide, an Ahmadu Bello Stadium Cremonial Opening Souvenir Programme, 2nd August 1964, signed by various team members of Queen's Park Football Club who played in the opening game against Northern Nigeria and a poster of Mount Everest, signed Doug Scott. (8)
Victorian rosewood dressing case, fitted interior with mirror, lift out tray, ten EPNS topped glass jars and mother of pearl handled file etc, above a fitted drawer with recessed brass handle, with print plate for Right Honorable Mrs Buchanan W31cm D24cm H17cm and four Victorian hallmarked silver topped glass jars, London 1862 (qty)
An Art Nouveau silver five-piece dressing table set, having all-over embossed floral sinuous decoration with opposing standing herons and lily-pads, comprising a shaped tray, hand mirror, hand brush, silver topped and glass bodied tidy and cover, and a smaller shaped tray, maker William Adams Ltd, Birmingham 1904, the mirror with date stamp for 1906, large tray dimensions 23 x 30.8cm, mirror length 28.5cm Large tray with some slight fatigue to pinched corners.Mirror with surface dents, mostly to edges.Brush also with surface dents, mostly with edges.Small tray and trinket box both good.Hallmarks good and clear.A nice set overall.
A Print of the Landlord Tom Boulding Pulling a Pint, by Angie Wright, a black and white photo of Tom Smith playing a guitar at Folk Night at Fagan's, a photo of Dreadlock John, a framed cartoon of Tosh Macdonald (former President of ASLEF), signed Steelers photo and other memorabilia including plans, photograph of name change mirror in Memory of Joe Fagin, etc. (A Lot)
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