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A late 19thC American rosewood and marquetry inlaid wall clock, with a shaped wheatsheaf cornice and crosshatched and bowed supports, the stepped based with swan inlay, on a white painted Roman numeric dial, with black hands and glazed mirror panel, eight day movement, 81cm high x 40cm wide x 16cm deep.
Various ArtistsJohn Ashbery, Self-Portrait in a Convex Mirror, San Francisco, Arion Press, 1984 The complete set of eight prints in various media by Willem & Elaine de Kooning, Jim Dine, Richard Avedon, Jane Freilicher, Alex Katz, R. B. Kitaj and Larry Rivers, 1984, on circular Twinrocker handmade paper, with title page, justification, text and 12' vinyl record by John Ashbery, inscribed with copy number '143' on the justification, each sheet further signed and numbered in pencil by the artist, from the edition of 150, loose (as issued),within the original circular stainless-steel case with a convex mirror on the lidDiameter 455mm. (17 7/8in.)For further information on this lot please visit Bonhams.com
A GILTWOOD AND COMPOSITION OVAL WALL MIRROR IN GEORGE III STYLE20TH CENTURY133cm high, 70cm wideCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, The surface has been refreshed overallPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
A SET OF 10 ENGRAVINGS FROM 'BELL'S NEW PANTHEON'LATE 18TH CENTURY, AFTER JOHN BELLDepicting various Gods and heroes of antiquity, in modern painted and bevelled mirror framesEach 36 x 31cm overallCf. Christie's Interiors lot 551, 26th November 2013, where a set of twelve similar sold for £1,875
A WALNUT AND BURR WALNUT BUREAU CABINETEARLY 18TH CENTURY AND LATERThe mirrored doors enclosing a removable section with drawers and recesses, the fall enclosing stepped fittings and a slide to the well204cm high, 104cm wide, 60cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, one piece of moulding is detached but present with the lot, this will require a small glued repair - it was balanced on for the photo. The handles are replacements throughout, there are old holes where the previous handles have been visible to the interior of the drawer front. The escutcheons also look to be laterThe mirror plates are smokey in appearance and with 'bloom' The interior fittings to the cabinet doors are later, there are shelf supports to the sides where slides or shelves have been previously.There is one key operating all the locks at time of report, these are assumed to be the originals. the lock to the bottom drawer is sticky - may benefit from an oilPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
A GILTWOOD WALL MIRROR IN GEORGE II STYLEEARLY 20TH CENTURYAfter the manner of William Kent129cm high, 71cm wideCondition Report: The cornice has a break, this looks fairly recent, the cornice is attached to the main body of the mirror with large screws, it is around this area that the damage is. this will need some repair before use, from the front and in an elevated position it is not too noticeable.The mirror plate with spotting and some bloom/depletionThe giltwood with knocks and chips, this appears more like gold paint that true-giltwork.There are some old holes to the rear where hanging hooks have been placed and moveThere is a sticking plaster to the rear-boards, its use is unknown. Please refer to additional images for visual reference to conditionCondition Report Disclaimer
An Austrian enamelled silver novelty compact,1930s, the compact of oval form decorated throughout in powder blue guilloche enamel over a variety of engine-turned patterns, the lid set with a latticed silver insert of love birds, with an octagonal handle in white enamel, internally gilt, marked 'Austria Sterling Silver, 11cm high1.35oztFrom the private collection of a Cambridge Gentleman.Condition ReportThe mirror plate with some flaking and patination. The silver with tarnish and wear. The marks inside slightly rubbed.
An enamelled silver compact,by Henry Clifford Davies, Birmingham 1949, of round form, the lid decorated in pink enamel with painted decoration of a river landscape with birch trees, 9cm diameter, 4.24oztFrom the private collection of a Cambridge Gentleman.Condition ReportWith some scratches to the lid. With a small scuff to the enamel by the hinge. Open and closes easily. Minor surface scratches to the mirror. Some scratches to the silver.
An inlaid mahogany candle box, 19th century, tapering from with hinged pierced pediment22 cm wide48 cm hightogether with a Regency style convex wall mirror20th century, the convex plate in a gilt circular frame,47cm diameter and a Mauchline ware glove box4.5cm wide Condition ReportCandlebox: signs of restoration and repairMirror: area of back detachedMauchline box: surface knocks and scratches Patchbox: chip to corner
An enamelled silver compact,by Garrard & Co., Birmingham 1967, of round form, the lid enamelled in white over an engine-turned sunburst pattern and painted with forget-me-nots, 8cm diameterFrom the private collection of a Cambridge Gentleman.Condition ReportWith a slight dent to the bottom edge. Dent to the interior silver around the mirror. Some fine scuffing to the enamel just under the hinge. Light surface scratches to the enamel. Open and closes easily. Minor surface scratches.
A collection of gentleman's dressing table items,early 20th century, mostly jars with silver tops contained in folding leather holders, and a cased set of three silver topped clothes brushes and a comb, by Henry Clifford Daves, Birmingham 1922 (qty.)Condition ReportDressing set lacks seven jars one replacedWear and loss of colour to leather holders and mirror caseBrushes tarnishing to silver wear to box
An enamelled silver compact,1930s, likely Austrian, of disc form, throughout with yellow guilloche enamel over a variety of engine-turned patterns, to the lid with hand-painted decoration of a floral arrangement in a vase, internally with indistinct marks, 9cm diameter, 4.59oztFrom the private collection of a Cambridge Gentleman.Condition ReportThe mirror with some flaking. With some scratches and marks to the underneath. The internal hallmarks rubbed. The silver with some tarnish and wear.
An enamelled silver compact,by Henry Clifford Davies, Birmingham 1955, of round form, the lid with white guilloche enamel in a sunrise pattern, decorated with branches of pink roses, with reeded edges, 7cm diameter2.15oztFrom the private collection of a Cambridge Gentleman.Condition ReportWith some tarnish to the unenamelled silver. Opens and closes easily. No apparent chips to the enamel. The mirror is clear and unmarked.
An enamelled silver compact,1930s, likely German or Austrian, with London import marks by Stockwell & Co, 1931, of square form, throughout decorated in blue guilloche enamel over a variety of engine-turned patterns, the front with a sprung release, opening to reveal a powder pinch a bevelled mirror, the release with a concealed lipstick cartridge,5.5cm square2.41oztFrom the private collection of a Cambridge Gentleman.Condition ReportWith some tarnish within and to the silver. With a small scuff to the enamel.
A small silver compact,by Thomas Lyster Mott, Birmingham 1929, of circular form, the lid with a butterfly painted scene of a courting couple in a garden, 4.5cm diameter, together with a pair of Continental filigree silver napkin rings, in a foliate design, struck 925,5cm diameterFrom the private collection of a Cambridge Gentleman.Condition ReportThe mirror is loose inside and has marks and wear to the edges. With tarnish to the exterior. No damage to the napkin rings, only minor wear.

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