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Jan Sadeler I - Apollo playing music - 1597 / Description: Apollo sitting on a tree trunk playing the lyre, at his foot scientific instruments but also song books and a lute, at left the nine muses at the foot of mount Parnassus, pegasus appears at the summit. In and around the buildings scientists, including cartoghraphers and alchemists, and artists like a painter. The hole scene breathes education and knowledghe, science and art. Signed by inventor Stradanus and engraver Sadeler at the bottom of the print. Freom a series of five plates 'Schema seu speculum principum' dedicated to Charles Emanuel Savoy and his wife Catherine. / Dimensions: 22,50 x 28,00 cm / Condition: Excellent outstanding impression on laid paper with a circular Italian watermark. The print has good plate tone, full plate borders and good half centimeter margins. Top condition. / Literature: New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (381) --- Baroni Vannucci 1997 / Jan van der Straet, detto Giovanni Stradano, flandrus pictor et inventor (704.5) --- Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (535) --- Literature: A. Baroni and M. Sellink, 'Stradanus 1523-1605: Court artist of the Medici', exh.cat. Groeningemuseum Brugge 2008-2009, Turnhout, 2012, pp.326-330, cat.no.127-132. / Medium: Engraving /Circa: 1597 480
Statuette en porcelaine de Meissen répresentant un musicien turc, circa 1745A Meissen figure of a Turkish musician, circa 1745Modelled by P. Reinicke and J.F. Eberlein, holding an oud (type of lute) under one arm, wearing a yellow doublet decorated with flower sprigs, a gilt-edged puce jacket, puce trousers and yellow shoes, 17.5cm high (very minor chips)Footnotes:The figure is after the engraving of Le Turc Amoureux by Georg Friedrich Schmidt (1712-75), after a painting of around 1730 by Nicholas Lancret (1690-1743). Another example is illustrated in R. Rückert, Meissener Porzellan (1966), no. 956, where he mentions that it was first referred to in the Meissen records in 1744.For further information on this lot please visit Bonhams.com
Statuette en porcelaine de Meissen répresentant un musicien turc, circa 1745A Meissen figure of a Turkish musician, circa 1745Modelled by J.J. Kaendler, J.F. Reinicke and J.F. Eberlein, playing the lute, wearing a white headdress, log coat decorated with flower sprigs over white tunic and trousers, and yellow shoes, the base applied with leaves and flowers, 16.9cm high (left hand and neck of instrument restored)Footnotes:The figure is mentioned in Reinicke's work records in June 1744: 'Eine Türkin auf der Cither spielend, 9. Zoll hoch in Thon bossirt' [modelled a Turkish woman palying the guitar in clay, 9 zoll high. The model was corrected by Kaendler in July 1744: 'Ein Türken Weibel Welches die Laute spielet Corrigiret und tauglich gemacht' [corrected a Turkish woman playing the lute and made useable], and was cut for moulding by Eberlein in June 1745, and subsequently repaired by him in December 1747 (quoted by S-K. Andres-Acevedo, Die autonomen figürlichen Plastiken Johann Joachim Kaendlers [..], vol. II (2023), no. 483.The figure is based on an engraving by G-J. B. Scotin, Fille Turque jouant de Tehegout, after a painting by Vanmour, published in Charles de Ferriol's 'Receuil de cent estampes représentant diffèrentes nations du Levant...', Paris 1714, or the edition published in German by Christoph Weigel the Elder in Nuremberg in 1719.For further information on this lot please visit Bonhams.com
A. Staniek (active late 19th century) A Cavalier playing a lute to a woman in a kitchen,1882, oil on panel, signed, inscribed and dated lower right 'A. Staniek / München .882 lower right, 20.5cm x 16.5cm, in an ornate gilt frame with acanthas leaf with be-ribboned and foliate band motif (41.5cm x 37cm). Provenance: with William Rodman & Co., Printsellers and Dealers in Works of Art, Belfast, their label verso. (M)
After Francisque Joseph Duret, (French 1804-1865) a bronze model of a Bacchic musician, third quarter 19th century; portrayed as nude but for his draped loins, standing and leaning forwards, with fruiting vines in his hair around his smiling face, his lute held in his left hand; the overflowing grape hod beside him inscribed Duret in the maquette; 53cm high
After Francisque Joseph Duret, (French 1804 - 1865), a bronze model of a Bacchic musician, late 19th century; portrayed as nude but for his draped loins, standing and leaning forwards over his lute cradled in his hands; the overflowing grape hod beside him signed in the maquette; 43.5cm high
A Edwardian poker work box decorated with lute and French horn design and plain interior H x 10cm L x 25cm W x 16cm, a Victorian walnut work box with mother of pearl mounted escutcheon and fabric lined interior H x 11.5cm L x 20cm W x 124cm, tow Edwardian carved wood miniature boxes one with sliding top and other hinged top a/f, a Mauchline ware McBeth tartan decorated box slight loss to side H x 4cm L x 11cm W x 5cm ,a Sorrento ware square inlaid box and two Edwardian glass silver topped toilet jars with engraved initials AB (A lot)
Automatenteile, darunter Gegenstände aus der Werkstatt von David SecrettBogensehne eines Bogenschützenautomaten, montiert auf Holzblock mit Inschrift und Signatur "Bow-string gauge - Handmade from the finest materials. Only genuine when bearing personal signature. David Secrett" (Bogensehnenlehre - Handgefertigt aus den besten Materialien. Nur echt, wenn mit persönlicher Signatur versehen. David Secrett), eine Notiz von David Secrett (1994), ein Clownskopf von Roullet et Decamps, ein Paar Glasaugen, ein winziges Paar Hände aus Blei, eine Miniaturlaute, der Schornstein einer Miniatur-Öllampe, eine Gipsform mit Monogramm "MB" (Michel Bertrand?) und andere verschiedene Kleinteile. - Eine nützliche Zusammenstellung für Restauratoren und Historiker. Start Price: EUR 140 Zustand: (-/-)Automata Parts, Including Items from the Workshop of David SecrettA bow-string from an archer automaton, mounted on wood block with inscription and signature "Bow-string gauge - Handmade from the finest materials. Only genuine when bearing personal signature. David Secrett", a note from David Secrett (1994), a Roullet et Decamps clown's head, a pair of glass eyes, a tiny pair of lead hands, a miniature lute, the chimney from a miniature oil lamp, a plaster mold with monogram "MB" (Michel Bertrand?) and other assorted small items. - A useful resource for restorers and historians. Start Price: EUR 140 Condition: (-/-)
A Late XIX Century Meissen Porcelain Figure Group, modelled as a young lady and gentleman, she holding a garland of flowers beside a basket, on an oval gilt decorated base, blue crossed swords mark and incised numbers, 15cm high; A German figure group, she plays the lute, highlighted in pink, a Meissen figure of a boy musician and a figure of a cherub. (4)Pink figure group - chip to top of instrument and missing what the boy was holding, small chips to flower, flute chipped off at bottom on boy figure.
Sir Edward John Poynter, PRA, RWS (British, 1836-1919)Orpheus with his lute signed with monogram and dated '15' (lower right)oil on canvas51 x 41cm (20 1/16 x 16 1/8in).Footnotes:ProvenanceSale, Christies's, London, Sale for the benefit of the British Red Cross and Order of The Hospital of St. John of Jerusalem, 6-29 April 1916, lot 380 (sold 26 gns. to Cooling). Private collection, UK.A work of the same subject was exhibited by Poynter at the Royal Academy in 1915, no. 386, and is currently in the collection of the Salar Jung Museum, Hyderabad, India.For further information on this lot please visit Bonhams.com
Barocke Sandsteinfigur, Freiplastik/ Garten-o. Park, 17. Jh.Putto mit Laute auf bombiertem Steinsockel. Linkes Bein zwischen Oberschenkel und Fuß fehlt. Moderate Verwitterungsspuren ausgekittet (?), Bruchstelle oberhalb des Sockels. H. 73 cm. Kein Versand, Speditionsware. Baroque sandstone sculpture: cupid with lute, 17th ct., h. 73 cm. No inhouse shipping service for this item.
Follower of Sir Anthony Van Dyck (1599-1641) Flemish Family portraitOil on canvas, 147.5cm by 206cmUnlined canvas, stretcher missing keys. Slack tension. A small 1.25 inch split to canvas at the top edge to the right of the curtain. Partially repaired (?) and surrounded by a swathe of restoration (see images). The canvas and stretcher are slighly distorted and bend away from the frame rebate at the two top corners. The slack canvas is distorted and undulating in places, most prominently at the top right corner (see image) and bottom right edge. Further small bulges from blows from face and reverse for example the top left corner, through the dress of the right hand girl and to bottom right of lute.Stretcher bar marks on all sides and associated with cross-members, and a network of brittle age craquelure throughout, and impact cracks. Paint and ground secure, but the cracks have elevated slighly. There are also passages of drying cracks (unretouched), most prominently in the red of the curtain and in the darker passages of drapery of the father. There is a more noticeable impact crack to the hand of the little girl, where the varnish has powdered and is now white, and there further minor white cracks to the right hand side of this. Two further scuffs to the varnish to left hand edge and scattered minor spots to top left.There are scattered small retouched losses and retouched cracks throughout, the restoration now discoloured. There has been a further campaign of retouching to the flesh tones of the mother/girls, baby, and hand of the father, and to the hair of the mother. This is opaque and is apparent in bright light (see images in torchlight). It appears that the painting has been selectively and partially cleaned in these areas leaving an uneven appearance. The same varnish has been partially removed from the paler passages of drapery too, which has caused some abrasion particularly evident in the green of the mother's skirt. It has been left on in most of the painting. It is difficult to see through the discoloured varnish layers if there is further wear in the dark areas.There are thick surface layers of discoloured varnish and ingrained dirt, but a fairly even glossy upper varnish layer.Not examined in UV, examined in frame.
ELECTRONIC/ AMBIENT/ EXPERIMENTAL - LP PACK. A wonderful selection of 8 electronica LPs. Artists/ titles include Coil - Scatology (FFK1, printed inner. Record Ex/ cover with glossy cover image is VG, has some staining), FLying Saucer Attack - Keep Vinyl Alive (FSA 62, includes insert. Ex/ Ex). Brian Eno inc Another Green World (2302 069, Ex+/ Ex), Ambient 3 (EGAMB 003, Ex+/ Ex), Fourth World Vol.1: Possible Musics with Jon Hassell (EGED 7, Ex+/ Ex), Ambient 4 (EGED 20, Ex+/ Ex) & Before And After Science (2302 071, Ex+/ Ex+). Agenda 22 - New Electronica Presents Another Eevo Lute Compilation (elec 14, VG+/ VG+).
Clear faceted crystal figure of a lute with Celtic style etched design. Swarovski mark. Part of the Crystal Melodies collection. This item has its original box: 6"H x 3.25"dia. Issued: 1992-1997Dimensions: 3"L x 1.25"W x 2.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Fine small modern medieval style lute by and labelled David van Edwards, Made for Martin Best, June 1987, with faceted eight sided bowl back, the spruce table with one large and one small geometric cut sound holes, within a plush lined bespoke fitted case *This instrument is sold with handwritten correspondence from the maker to the vendor
Chiparus, Demétre Haralamb (Moldavian, 1886-1947); b. Dorohoi, moved to Italy 1909, then France 1912 FRANCE, Joueur de luth égyptien [The Egyptian Lute Player], c. 1925, a uniface bronze Art Déco plaque by D.H. Chiparus, Egyptian male kneeling to left, serpent-like protrusion from forehead, playing a lute, hieroglyphics in panel below, 113 x 110mm, total 407.96g. Extremely fine and superbly patinated, very rare; set on a velvet board with supporting back £200-£260 --- Provenance: bt Simmons, September 2016
Italian 18K yellow gold pendant with Pierrot. Depicting Pierrot, playing the lute and sitting on a crescent moon, portrayed as downhearted over his unrequited love for Columbine, she in turn loved someone else, Harlequin. Decorated with stars and palmettes. Hallmarks: 750 Dutch assay mark. Maker's mark (9 VI): Donnagemma Comm. Luigi & Figli-S.n.c., Vicenza, Italy, from 1935. In good condition, wear to enamel. Diameter: 3.8 cm. Weight: 10 grams.
A collection of silver jewellery comprising a silver charm bracelet with eight charms, to include a lute, teapot, horse, shell, cat violin, chariot and beer mug, plus a pava shell inlaid bangle, two chains, a twisted fancy link chain necklace, a synthetic spinel gilt cocktail ring, two guilloche enamel pill boxes ( both with the enamel in very good condition) and two thimbles. Gross weight of lot 92gms/ 2.95 troy oz
Cyrus Cuneo, ROI, American/British 1879-1916- Study of a sleeping figure in theatrical costume, a lute by his feet; pencil on paper, 23.4 x 35.4 cm. Provenance: The family of the artist; from whom purchased by the present owner. Note: Before training as an artist, San Francisco-born Cuneo had an early career as a champion boxer, which allowed him to raise funds to study art in Paris. Once there, he worked with Ernest Gustave Girardot (1840-1904) and in the studio of James Abbott McNeill Whistler (1834-1903), becoming the latter's chief student. Cuneo enjoyed particular success as an illustrator, producing drawings for the Illustrated London News, depicting major events such as the funeral of King Edward VII (1841-1910) and King George V (1865-1936). The present two drawings, views of the same figure, seated in the same position, from different angles, seem to originate from one page of a sketchbook, linked by the sketches on the reverse of both sheets, which appear to be separate sections of a single drawing.
A Victorian silver tea strainer, sponsors and import marks for Samuel Boyce (or Boaz) Landeck, Sheffield 1899, repousse chased a seated woman and putti, length 11.5cm, a small rectangular pin tray, repousse a man playing lute to ladies within a garden, by Cooper Brothers & Sons Ltd, Sheffield 1977, length 11.5cm, a small silver ovoid dish, by Morris Goldman, Birmingham 1902, repousse cherubs, length 12.2cm, a silver circular lidded trinket box, by Adie & Lovekin Ltd, Birmingham 1902, repousse cherub to hinged cover, diameter 3.2cm and another silver lidded trinket box, Birmingham 1904, makers mark rubbed, the hinged cover repousse two cherubs, length 4.9cm. (total 154.8g). (5)
5 Historismus-Gläser. 1x HARRACH, um 1880: Bierglas aus olivgrünem Glas mit einer Rankenbordüre in polychromem Opakemail, Goldstaffage (H 21,5 cm). / 1x Bierglas aus bräunlichem Glas mit konischer Kuppa, spiraloptischem Nodus und Rundfuß, schauseitig die Darstellung eines Lautenspielers auf einem Herzwappen (H 21 cm). / 1x FRITZ HECKERT, um 1885: kleiner Römer aus farblosem, lüstriertem Glas mit Email- sowie Polier- und Reliefgoldmalerei (H 15,5 cm). / 1x FRITZ HECKERT, Entwurf von Oskar Jummel, 1879: Sherryglas aus topasfarbenem, lüstriertem Glas, in Schwarzlot und Opakemail bemalt mit einem Vogel in einer Blattranke (H 13 cm). / 1x Anton Ambros Egermann, HAIDA, um 1880: tropfenförmige Kuppa aus grünem Glas, Schaft, Rundfuß, schauseitig ein Wappen in Opakemail, verso stilisierte Blüten (H 13,5 cm). Minimale Bestoßung am Rand des Egermann-Glases. Aufrufzeit 21. | Feb 2024 | voraussichtlich 17:16 Uhr (CET)5 historicism glasses. 1x HARRACH, around 1880: Beer glass made of olive green glass with a tendril border in polychrome opaque enamel, gold decoration (h 21.5 cm). / 1x beer glass of brownish glass with conical bowl, spiral-optical nodus and round foot, the front depicting a lute player on a heart-shaped coat of arms (h 21 cm). / 1x FRITZ HECKERT, c. 1885: small Roman made of colorless, lustre glass with enamel, polished and relief gold painting (h 15.5 cm). / 1x FRITZ HECKERT, design by Oskar Jummel, 1879: sherry glass made of topaz-colored, lustred glass, painted in black solder and opaque enamel with a bird in a leaf tendril (h 13 cm). / 1x Anton Ambros Egermann, HAIDA, around 1880: drop-shaped bowl made of green glass, stem, round base, a coat of arms in opaque enamel on the front, stylized flowers on the reverse (h 13.5 cm). Minimal wear to the rim of the Egermann glass. Call time 21 | Feb 2024 | probably 17:16 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bleiglas-Einhängefenster: Venus und der Lautenspieler. Anfang 20. Jh. Farbloses und farbiges Glas, teils Ornamentglas, teils mit Emailfarben und Schwarzlot bemalt, Bleiruten. Gesamt 68 x 85 cm. Großes Bleiglasfenster mit einer Rahmung aus farblosem Glas. In einer Friesrahmung lagernde nackte Venus mit Cupido und Musiker nach einem Gemälde von Tizian. 4 Scheiben im Bild gesprungen, 2 eventuell ergänzt. Aufrufzeit 22. | Feb 2024 | voraussichtlich 15:47 Uhr (CET)Leaded glass hanging window: Venus and the lute player. Early 20th century Clear and colored glass, partly ornamental glass, partly painted with enamel colors and black solder, lead rods. In total 68 x 85 cm. Large leaded glass window with a frame of clear glass. Naked Venus reclining in a frieze frame with Cupid and musician after a painting by Titian. 4 panes in the picture cracked, 2 possibly replaced. Call time 22 Feb 2024 | probably 15:47 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bemalte russische Dose. 19. Jh. Russland. Kyrillisch bezeichnet (Tichonov?). Kuhhorn, Ölmalerei. 3 x 10,5 x 5 cm. Tabatiere mit geschwungener Wandung. Auf dem Scharnierdeckel der gemalte Frauenakt einer Odaliske; neben ihr eine Laute und am Fußende ein Falke. Allseits und auch innen wohl kyrillische Ritzungen, sonst kaum Alters-/Gebrauchsspuren. Aufrufzeit 22. | Feb 2024 | voraussichtlich 15:04 Uhr (CET)Painted Russian box. 19th century Russia. Inscribed in Cyrillic (Tikhonov?). Cow horn, oil painting. 3 x 10.5 x 5 cm. Tabatiere with curved walls. On the hinged lid the painted female nude of an odalisque; next to her a lute and at the foot a falcon. Probably Cyrillic incisions on all sides and also inside, otherwise hardly any signs of age/use. Call time 22 Feb 2024 | probably 15:04 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
FOLLOWER OF JAN MIENSE MOLENAER MAN WITH A LUTE Oil on canvas 18 x 14cm (7 x 5½ in.)Provenance: Sale, Christie's, 16 June 1916 Mr Coureau, Private Collection Please note measurements do not include the frame unless otherwise stated. Condition Report: Relined. Craquelure in patches throughout. Light surface dirt. A small pin hole to the right shoulder and below the hand on the right side. Inspection under UV reveals a thick uneven varnish and some evidence or retouching to the neck. Condition Report Disclaimer
Three Goebel collectibles of seated angels, each titled Angel Serenade, Angel with Lute, and Tuneful Angel. Features each angel figure playing an instrument. Goebel backstamp. Tallest measures: 2"L x 2"W x 3"H. Shortest measures: 2.25"L x 1.5"W x 2.25"H. Manufacturer: Goebel HummelCountry of Origin: GermanyCondition: Age related wear.
* Classical Records. Collection of approximately 280 classical records / LPs, including Dvorak "New World Symphony" with Rafael Kubelik conducting the Vienna Philharmonic Orchestra (Decca SXL 2005, ED1 WBg first stereo pressing), Ruggiero Ricci "Mendelssohn and Bruch Violin Concertos" with Pierino Gamba conducting the London Symphony Orchestra (Decca SXL 2006, ED1 WBg first stereo pressing), Peter Pears and Julian Bream "Recital of Lute Songs" (Decca SXL 2191, ED1 WBg first stereo pressing), Tchaikovsky "Highlights from Swan Lake" with Ernest Ansermet conducting L'Orchestre de la Suisse Romande (Decca SXL 2153, ED1 WBg first stereo pressing), plus ED3 early stereo pressings of Decca SXL 6226, 6379, 6396 and 6448 as well as Decca NB stereo pressing of SXL 6000, 6334 and 6817, together with Mozart / Handel "Eine Kleine Nachtmusik / German Dances / Water Music Suite" with Herbert von Karajan conducting the Berlin Philharmonic Orchestra and the Philharmonia Orchestra (Columbia SAX 2389, ED1 first stereo pressing with blue/silver labels), Delius "Florida Suite / Dance Rhapsody No 2 / Over The Hills And Far Away" with Sir Thomas Beecham conducting the Royal Philharmonic Orchestra (HMV ASD 329, ED1 first stereo pressing with cream/gold labels), Delius "Brigg Fair, and others" with Sir Thomas Beecham conducting the Royal Philharmonic Orchestra (HMV ASD 357, ED1 first stereo pressing with cream/gold labels), J.S. Bach "Violin Concertos" with Yehudi Menuhin and the Robert Masters Chamber Orchestra / Festival Chamber Orchestra (HMV ASD 346, 1st S/C stereo pressing), Brahms "Cello Sonatas" with Jacqueline Du Pre and Daniel Barenboim (HMV ASD 2436, 1st S/C stereo pressing), plus a selection of Argo oval label pressings, some Deutsche Grammophon Gesellschaft pressings, some box sets and many other good quality recordings on other record labelsQTY: (3 cartons)
W.S.G. (19th/20th century), "In camp near the New Forest", and "Near Barrett, Southampton", watercolours, a pair, signed with initials and dated '99, titled in ink on labels verso, 23cm x 32cm, together with 20th century School, Portrait of a lady in 16th century costume, seated, holding a lute, watercolour, 28cm x 17cm, all framed. (3)
Konvolut von sechs Figuren, Porzellan: Hutschenreuther, Mutter mit Kind, "Erster Schritt", H. 27 cm; Tutter, Kind mit Reh, Nr. 01509, H. 10,5 cm; Rosenthal, Fisch, ein Barthaar best., bez. Scalare, H. 19,5 cm; Rosenthal, Gebettänzerin, farbig gefasst, H. 20,5 cm; Scheibe-Alsbach, Hirtenpaar. Hirtin mit zwei Ziegen, Hals der Laute best. u. rest., sowie Hirte mit zwei Schafen, ein Fuß des rechten Schafes best., die Flöte oben abgerieben, beide farbig gefasst, H. ca. 24 cm (Zugabe 1 x Rosenthal Vogel, Schnabel bestoßen, H 13 cm; 6 x Meissen, kleine Untertassen, D 8 cm, alle 1. Wahl; 1 x Deckeldose, Ilmenau, kobaltblau, 5,5 x 11 x 8 cm) Set of six porcelain figures: Hutschenreuther, mother with child, "Erster Schritt", h. 27 cm; Tutter, child with deer, No. 01509, h. 10,5 cm; Rosenthal, fish, one whisker damaged, inscribed Scalare, h. 19,5 cm; Rosenthal, prayer dancer, colored, h. 20,5 cm; Scheibe-Alsbach, shepherd couple. Shepherdess with two goats, neck of the lute dam. and rest., as well as shepherd with two sheep, one foot of the right sheep dam., the flute rubbed off on top, both colored, h. approx. 24 cm (addition 1 x Rosenthal bird, beak bumped, h 13 cm; 6 x Meissen, small saucers, d 8 cm, all 1st choice; 1 x lidded box, Ilmenau, cobalt blue, 5,5 x 11 x 8 cm)
Meissen, galantes Paar: Schäferin mit Laute und Kavalier mit Blumenstrauß unter einem Baum, ein kleines Lamm zu ihren Füßen, Schwertermarke Meißen, 1. Wahl, Mod.-Nr. 61024, Entwurf J.J. Kaendler, min. best. und rest. H 16,5 cm. / Meissen, gallant couple: shepherdess with lute and cavalier with bouquet of flowers under a tree, a small lamb at her feet, sword mark Meissen, 1st choice, mod. no. 61024, design J.J. Kaendler, min. dam. and rest. H 16,5 cm.
Konvolut figürliches Porzellan, 6 Objekte, teils Altersspuren. Nymphenburg, auch Bustelli: Mädchen als Flora oder Frühling, Modell-Nr. 417, min.best., H 11 cm; "Der übermütige Hund", Dame von Hund angefallen, div. best. (Schwanz, Finger, Schleifen etc.), H 22,5 cm; Windhund, Modell-Nr. 128, bez. PJ MENE, H 11,5 cm; Putto mit Laute aus dem Puttenorchester, mit unterglasurblauer Carl Theodor Marke 1965, Schulter etc. rest., H 15 cm; Kleiner Galan mit Blume in der Hand und seine Angebetete, Sitzendorf, min. best., ihr linker Arm rest., H 11,5 cm. Mixed lot of figurative porcelain, 6 objects, some signs of age. Nymphenburg, also Bustelli: Girl as Flora or Spring, model no. 417, slightly dam., h 11 cm; "Der übermütige Hund", lady attacked by dog, various dam. (tail, fingers, ribbons etc.), h 22.5 cm; Greyhound, model no. 128, marked PJ MENE, h 11.5 cm; Putto with lute from the putto orchestra, with underglaze blue Carl Theodor mark 1965, shoulder etc. rest., h 15 cm; Small gallant with flower in hand and his beloved, Sitzendorf, slightly dam., her left arm rest., h 11.5 cm.

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