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Cattermole XIX Orientalist School Watercolour A seated Lute player beside an Ottoman table etc. within a tiled interior and Moorish windows Signed lower right 10 1/2 x 14 1/4?( 26.7 x 36.2 cm)

Chamber music.- Walthew (Richard H.) Archive of Printed and Manuscript Scores, comprising 69 envelopes for an orchestral overture and lieder for piano, voice and various chamber forces, of which 33 original manuscripts, photocopies of certificates from his scholarship at the Royal College of Music (1894), as 'member' and 'associate' of the Philharmonic Society (1905) and Fellow of the Guildhall of Music (1922), and a scrapbook with numerous reviews, concert programmes and letters, v.s., c.1899-1940 (small qty.)⁂* Richard H. Walthew (1872-1951) was an English composer, pianist and former Professor of Music at Queen's College Oxford. The scores include: Aladdin Overture (parts, but not full score), three vocal quartets, the Shepherd's Wife's Song, Here Sleeps the Bard, In the Veins of Calix, When Lovers Meet, the Thistle, a Tropical Serenade, Go Lovely Rose, Dear City London, Queen's College School Song, Tryst Day, an Old French Love Song, Annabel Lee, For Himself Alone, Country Night Song, Orpheus with his Lute, Two Dirges, Alexander's Feast, Golden Slumbers, etc. A full list is available on request.

A Japanese coloured print, GEISHA PLAYING A LUTE, 37.5 x 25cm and one other of bamboo, (2).

ROCOCO STYLE MARBLE TOPPED CREDENZA, the serpentine outlined orange marble top over three cupboard doors, the central with painted panel depicting a young lady playing a lute, with scroll and shell moulded apron and scrolling cabriole legs, 136cm wide, 97cm high

Royal Worcester J.Hadley Designed Porcelain Figurine ' Female ' Minstrel, Playing a Lute Standing by a Post, Impressed J.Hadley Signature to Post. c.1870's. The Figure Standing 11.75 Inches - 29.40 cms. 1st Quality and Mint Condition.

A Japanese Meiji Period netsuke as a seated lute-player (unsigned)

An early 20th Century Italian lute with trade label of Pasquale D'Isanto, Naples, anno 1903 to interior 

Royal Worcester J.Hadley Designed Porcelain Figurine ' Female ' Minstrel, Playing a Lute Standing by a Post, Impressed J.Hadley Signature to Post. c.1870's. The Figure Standing 11.75 Inches - 29.40 cms. 1st Quality and Mint Condition.

A late 19th Century Sevres cabinet plate, transfer decorated and hand painted to the central well with a courting couple sat in a garden setting, she reading, he playing her the lute, the border edge in royal blue with gilt detailing, printed mark alongside Chateau de Versailles mark, diameter 24.5cm.

A MARBLE STATUETTE OF A FIGURE WITH LUTE, A PAIR OF BOOKENDS, INDISTINCTLY SIGNED AND A CLASSICAL FIGURE.

A CONTINENTAL SILVER TOY OR MINIATURE MODEL OF A LUTE, C1890, 11.5MM L, APPARENTLY UNMARKED, 1OZ 3DWTS Good condition

Nine Boxed Swarovski Crystal Julia's World Figures - Lena / Lute 9540 000 030, Julia 9540 000 011, Pepi / Drum 9540 000 009, Sali / Accordian 9540 000 032, Pepi & Mopsy 9540 000 008, Julia / Mandolin 9540 000 031, Sali 9540 000 012, Marian 9540 000 010, Lena & Pepi / Bench plus Julia's World Story Book 9460 000 052

 An Edwardian rectangular box and cover, the cover chased and repousse with cartouches depicting pastoral scene of two 18th Century ladies and a Gentleman playing the lute within garden landscape, the cover and sides profusely decorated with scrolling flowers and foliage, by Henry Matthews, Birmingham, 1902, fitted interior, 21cm long together with another Edwardian jewellery box, similar, the cover with chased insert depicting an 18th Century Gentleman and Lady within arcadian garden, the sides plain, velvet interior, the silver by George Nathan & Ridley Hayes, Chester, 1903 (2) Condition Report: marks good, body loose

19th century watercolour depicting a family group with lute Indistinctly signed 23 x 33.5cm

A NAO FIGURE OF A BOY PLAYING LUTE

A NAO FIGURE OF A YOUNG MAN WITH A LUTE

A large Meissen style Continental porcelain figure, possibly Dresden, depicting a man playing the lute beside a lady, 28.5cm high, together with four similar smaller examples, each with later added Meissen crossed swords mark (5)Condition report: Damages and losses to allMajority of losses to lace on all figures. Large figure with significant losses to lace. Hand reglued on figure of dancing couple. Fingers missing from lady sitting with book.

Otto Kirberg (1850-1926), studierte an der Kunstakademie Düsseldorf u. a. bei Oswald Achenbach und Wilhelm Sohn, gefördert von seinem Lehrer Sohn verließ Kirberg 1879 dessen Atelier und unternahm eine längere Studienreise durch die Niederlande. Junge Frau beim Lautespiel, Öl auf Lwd., o. re. sign., 35 x 26 cm, ger. 50 x 41 cmOtto Kirberg (1850-1926), studied at the Düsseldorf Art Academy with Oswald Achenbach and Wilhelm Sohn, among others, encouraged by his teacher Sohn Kirberg left his studio in 1879 and undertook a long study trip through the Netherlands. Young woman playing the lute, oil on canvas, signed o. r., 35 x 26 cm, framed 50 x 41 cm

Clara Sporleder (1880-1955), Düsseldorfer Malerin, Mädchen mit Laute auf einer Wiese sitzend und eine Blume zupfend, Öl auf Holz, u. re. sign., 33 x 27 cm, ger. 41 x 36 cmClara Sporleder (1880-1955), Düsseldorf painter, girl with lute sitting in a meadow and plucking a flower, oil on wood, signed lower right, 33 x 27 cm, framed 41 x 36 cm

Musikgruppe, Rudolstadt, Thüringen, 20. Jh., elegante Dame auf einer Laute spielend, begleitet von einem Kavalier an der Flöte, zu ihren Füßen liegt das Notenblatt, auf ovalem Sockel, polychrom bemalt, ziervergoldet, H. 24 cmMusic group, Rudolstadt, Thuringia, 20th century, elegant lady playing a lute, accompanied by a cavalier on the flute, at her feet is the sheet of music, on oval base, polychrome painted, ornamental gilding, h. 24 cm

Pierrot mit Laute, Schwarzburger Werkstätten, um 1920-30, Entwurf Dorothea Charol 1914, Modellnr. U 125, Pierrot musizierend, auf ovaler Plinthe, weiß, leicht farbig staffiert, rest., H. 36,5cmPierrot with lute, Schwarzburger Werkstätten, c. 1920-30, designed by Dorothea Charol in 1914, model no. U 125, Pierrot playing music, on oval plinth, white, lightly colored painted, restored, h. 36,5cm

Musizierende Gruppe, Scheibe-Alsbach, Thüringen, 20. Jh., Elegante Dame am Spinett, begleitet von elegantem Kavalier an der Flöte und Harfisten, davor sitzendes Mädchen mit Laute, alle in Rokoko-Kleidung, auf ovalem Sockel, polychrom bemalt und ziervergoldet, 30 x 45 x 20 cmMusic-making group, Scheibe-Alsbach, Thuringia, 20th century, elegant lady at the spinet, accompanied by elegant cavalier at the flute and harpist, in front sitting girl with lute, all in rococo dress, on oval base, polychrome painted and ornamental gilding, 30 x 45 x 20 cm

Pair of Robinson and Leadbeater figures and a Royal Worcester figures, the Parian figures modelled as musicians, late 19th century, the Worcester figure as an 1894 date code. 40cm highCondition report: Restorations to all three including the hand, and body of the Worcester figure. The parian figures have restored chips and the headstock of the lute.

A pair of Sitzendorf figures, modelled as a male and female figure in eighteenth century dress with sheep beside feet, each upon gilt detailed circular base, each with printed mark beneath, tallest H18.5cm, together with a Volkstedt figure modelled as a Eastern female figure with camel seated at her feet, with printed mark beneath, a Sitzendorf figure of a young male figure, a figure modelled as a seated female playing the lute, with dog seated upon her lap, and a figure group marked foreign. (6). - Condition Report

A late 19th century portrait miniature depicting a lady playing a lute, mounted in an ornate metal easel frame, 10 by 11.5cms (4 by 4.5ins).

Een bronzen beeld van een luitspelende dame, Frankrijk, begin 20e eeuw. H: 31,5 cm, Diam: 11 cm. Geschatte opbrengst: € 50 - € 70. A bronze statue of a lute playing lady, Frnace, 20th century. H: 31,5 cm. Estimate: € 50 - € 70.

Een verguld bronzen schouwpendule met figuur van een edelman, 1e helft 20e eeuw. De edelman met luit en in Renaissance kledij. L: 19 cm, B: 48 cm, H: 50 cm. Geschatte opbrengst: € 40 - € 60. A gilt bronze chimney pendulum crowned with figure of a nobleman, 1st half 20th century. The nobleman with lute and in Renaissance dress. L: 19 cm, W: 48 cm, H: 50 cm. Estimate: € 40 - € 60.

Een verguld bronzen portemontre, eind 19e eeuw. Met decor van rocailles en een luit. L: 8 cm, B: 13 cm, H: 15 cm. Geschatte opbrengst: € 30 - € 40. A gilt bronze porte montre, late 19th century. With decor of rocailles and a lute. L: 8 cm, W: 13 cm, H: 15 cm. Estimate: € 30 - € 40.

Decorative Thai Sueng lute; together with a Chinese yueqin moon lute and another Chinese lute (3)

Vintage eight course lute, with multi-section maple bowl back, spruce top (restorations), gut fret fingerboard and decorative fret carved sound hole, within original fitted case-Additional images for Lot 1318 (11/12/2020) are available at the following link: https://we.tl/b-KH9H8kAdok These links are continuously updated. Please feel free to check back as requests come in. 

Composite nine course bass lute, Italy, possibly 17th century and later, the body comprising twenty-six ribs, later capping strips, the table, neck, fingerboard and reflex peg box all 19th century or later, the table with thin bone edging, the pierced parchment rose with a surround of mother of pearl segments set in black mastic, an ivory carving of the Madonna and Child applied beneath the modern bridge, the neck overlaid with ebony and bone, the fingerboard with a large oval bone plaque inset in ebony with scrolling foliage, with repairer's label Sebastián Nuñez Reparavit Ultrajectum Anno 1992 Body length 63.8cm, string length 77.5cm

1970s lute, labelled B.D. Howells, Chippenham, Wilts, 1971, within a fitted hard case

Italian pear shaped guitar lute labelled Monzino & Figli..., in need of some restoration; together with three small guitars and a Lark ukulele (5)

1970s lute in need of minor restoration

Interesting antique Indonesian hasapi lute of boat-shaped form with carved figural head-Additional images for Lot 1250 (11/12/2020) are available at the following link: https://we.tl/b-A0VXU1K1kjThese links are continuously updated. Please feel free to check back as requests come in.

Fine 1974 David.J.Rubio lute, with multi-section flame maple bowl back, fine grain natural spruce top with fret carved sound hole and ebony fingerboard, fitted within a J.H. Savage hard case *Similar to the lute made by Rubio for the late Julian Bream

Quantity of instrument moulds, comprising three bass viola da Gamba moulds, a violone mould, two lute moulds, a cittern mould and a mould possibly for an orpharion; also three patterns (11)

Honthorst, Gerrit van (Nachfolger) Utrecht 1592 - 1656 82 x 70,5 cm, R. Ein Lautenspieler. Öl/Lwd./Holz. Provenienz: Alter süddeutscher Familienbesitz. HONTHORST, GERRIT VAN (follower, 1592-1656). A lute player. Oil/canvas/panel. Provenance: Old Southern German family property.

A 19th century relief carved shell cameo panel pendant/brooch, depicting angel playing a lute, in unmarked yellow metal frame, brooch height 50.9mm, 12.7gFair overall condition, cameo is quite worn on high points with a few hairline cracks visible when held up to strong light, settings are also quite worn and abraded with pin fitting broken and missing, framed unmarked

A pair of bedroom chairs with lute back. Est. £30 - £50.

Eglon van der NeerLaute spielende junge Frau Öl auf Holz. 33,5 x 25,5 cm.Signiert oben rechts: E. van der Neer fe.ProvenienzGerard Hoet II. (1698-1760). - Auktion seiner Sammlung, Den Haag, 25.8.1760, Lot 65. - Möglicherweise Sammlung Blankensee, Berlin, 1856 (nach Parthey). - Francis Palmer, Paris (verso auf der Tafel Klebezettel mit dessen Wappen). - Max Flersheim (1849-1922), Paris. - Emil Glückstadt (1875-1923), Kopenhagen. - Auktion seiner Sammlung, Winkel, Magnussen, Kopenhagen, 2.6.1924, Lot 680. - Galerie M. & G. Segal, Basel, 1989. - Galerie Edel, Köln, 1990 (ausgestellt auf der TEFAF, Maastricht, 1990). - Dort erworben.AusstellungenKöln, Wallraf-Richartz-Museum (Leihgabe von ca. 1993-2002).LiteraturWohl Pieter Terwesten: Catalogus of naamlyst van schilderyen […], Den Haag 1770, S. 226. - Möglicherweise Gustav Parthey: Deutscher Bildersaal. Verzeichniss der in Deutschland vorhandenen Oelbilder verstorbener Maler, Bd. II, Berlin 1864, S. 186. - Wohl Cornelis Hofstede de Groot: Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII Jahrhunderts, 10 Bde., Esslingen und Paris, 1910-28, Bd. 5, Esslingen und Paris 1912, S. 526, Nr. 75a oder S. 527, Nr. 81a. - Corinna Klein, in: Ekkehard Mai (ed.): Das Kabinett des Sammlers, Köln 1993, S. 193, Nr. 77, mit Abb. - Everhard Korthals Altes: Philip van Dijk, een achttiende-eeuwse Haagse schilder-kunsthandelaar met een lokale en internationale clientèle, in: Oud Holland 116, 2003, S. 172. - Eddy Schavemaker: Eglon van der Neer (1635/36-1703). Zijn leven en werk (=Diss. Utrecht), Utrecht 2009, S. 437, Nr. 109, Abb. S. 436. - Eddy Schavemaker: Eglon van der Neer (1635/36-1703). His Life and Work (=Aetas aurea 22), Doornspijk 2010, S. 497, Nr. 104, Farbtafel XXXVI.Eglon van der Neer schuf zahlreiche Darstellungen eleganter junger Frauen, die zumeist in einem vornehmen Interieur des gehobenen Bürgertums einer alltäglichen Beschäftigung nachgehen. Ein vom Künstler bevorzugtes und im Verlauf seiner Karriere immer wieder aufgegriffenes Motiv ist die Lautenspielerin. In unserem mit feinmalerischer Präzision ausgeführten Gemälde sitzt eine musizierende Frau annähernd frontal zum Betrachter gewandt, wobei die Beine leicht nach links gerichtet sind und der Oberkörper ein wenig nach rechts gewandt ist. Mit graziösen Bewegungen zupft sie die Seiten der Laute und greift die Bünde am Steg des Instruments, während der leicht geöffnete Mund vermuten lässt, dass sich die Musikerin mit der Laute selber beim Gesang begleitet. Am rechten Bildrand dürften die entsprechenden Notenblätter auf einem mit einer roten Samtdecke bedeckten Tisch stehen.Das von links einfallende Licht modelliert die Figur der jungen Dame und lässt den Schatten des Instrumentenhalses auf ihren linken Unterarm fallen. Das Licht sorgt zudem für das virtuos wiedergegebene Schimmern der kostbaren, apricotfarbenen Seide beim Rock der Lautenspielerin. Eglon van der Neer konkurrierte bei der effektvollen Wiedergabe der stofflichen Textur von Seide und anderen pretiösen Stoffen mit Gerard ter Borch. Zum schimmernden Seidenrock trägt die junge Frau eine weiße, mit weitgebauschten Ärmeln versehene Leinenbluse, die jedoch schon leicht lasziv von der Schulter gerutscht ist. Neben dem strahlenden Weiß der Bluse und dem hellen Inkarnat wird das Kolorit unseres Gemäldes von einem delikaten Farbakkord bestimmt, der aus dem Apricot des Rocks, dem tiefdunklen Rot der samtenen Tischdecke und dem warmen Braun des Lautenkörpers gebildet wird.Eddy Schavemaker hat unser Gemälde auf die erste Hälfte der 1680er Jahre datiert, als Eglon van der Neer in Brüssel lebte. Geboren wurde der Künstler in Amsterdam als Sohn des Landschaftsmalers Aert van der Neer. Nach seiner Ausbildung arbeitet er zunächst von 1654 bis 1659 im südfranzösischen Orange, danach abwechselnd in Rotterdam und Amsterdam, bevor er 1679 nach Brüssel übersiedelt, wo er bis 1695 lebt. 1687 wird van der Neer zum Hofmaler des spanischen Königs Karl II. ernannt, elf Jahre später zum Hofmaler des Pfälzer Kurfürsten, in dessen Residenzstadt Düsseldorf er 1703 gestorben ist. Neben eleganten Genredarstellungen wie dem vorliegenden Gemälde führte van der Neer Portraitaufträge aus und schuf darüber hinaus einige religiöse und mythologische Gemälde sowie in seinen späteren Lebensjahren vermehrt Landschaftsansichten. Zusammen mit Adriaen van der Werff, seinem bedeutendsten Schüler, und Godefridus Schalcken gilt Eglon van der Neer als einer der Vollender der Leidener Feinmalerei. Eglon van der NeerA young woman, playing the lute Oil on panel. 33.5 x 25.5 cm.Signed upper right: E. van der Neer. fe.ProvenanceGerard Hoet II. (1698-1760);His sale, The Hague, 25 August 1760, lot 65;Possibly Blankensee collection, Berlin, 1856 (according to Parthey);Francis Palmer, Paris (label on the reverse with his coat-of-arms);Max Flersheim (1849-1922), Paris;Emil Glückstadt (1875-1923), Copenhagen;His sale, Copenhagen, Winkel, Magnussen, 2.6.1924, lot 680;M. & G. Segal, Basel, 1989;Klaus Edel, Cologne, 1990.ExhibitionsCologne, Wallraf-Richartz-Museum (on loan ca. 1993-2002).LiteraturePossibly Pieter Terwesten: Catalogus of naamlyst van schilderyen […], The Hague 1770, p. 226;Possibly Gustav Parthey: Deutscher Bildersaal. Verzeichniss der in Deutschland vorhandenen Oelbilder verstorbener Maler, vol. 2, Berlin 1864, p. 186;Possibly Cornelis Hofstede de Groot: Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts, Esslingen and Paris 1912, vol. 5, p. 526, no. 75a or p. 527, no. 81a;Corinna Klein, in: Ekkehard Mai (ed.): Das Kabinett des Sammlers, Cologne 1993, p. 193, no. 77, ill. p. 194;Everhard Korthals Altes: Philip van Dijk, een achttiende-eeuwse Haagse schilder-kunsthandelaar met een lokale en internationale clientèle, in: Oud Holland, CXVI (2003), p. 172;Eddy Schavemaker: Eglon van der Neer (1635/36-1703). Zijn leven en werk (=Diss. Utrecht), Utrecht 2009, p. 437, no. 109, ill. p. 436;Eddy Schavemaker: Eglon van der Neer (1635/36-1703). His Life and Work (=Aetas aurea 22), Doornspijk 2010, p. 497, no. 104, colour plate XXXVI.Eglon van der Neer created several depictions of elegant young ladies, most of whom pursue an everyday activity in a distinguished interior of the haute bourgeoisie. One of the artist's preferred motifs, taken up time and again throughout his career, is the lute player. In our painting, executed with fine painterly precision, a lady playing music is seated almost directly facing the viewer with her legs pointing slightly to the left and her upper body turned slightly to the right. She plucks at the lute with graceful movements and grasps the frets on the bridge of the instrument, while her slightly open mouth suggests that the musician is accompanying her with the lute while singing. The likely corresponding sheets of music can be seen on a table covered with a red velvet cloth on the right edge of the picture. The light coming from the left models the figure of the young lady so the shadow of the neck of the instrument falls on her left forearm. The light also generates the virtuoso shimmer of the precious, apricot-coloured silk on the lute player's skirt. Eglon van der Neer competed witFull description on lot-tissimo.com

A LATE VICTORIAN SILVER MINIATURE FIGURE of a cherub, playing a lute seated upon a chair, import marks for Chester 1900, 3cm high; two miniature silver models of kittens, and a Continental miniature model canon, stamped 835, 5cm long (4) Condition report: in good condition overall.

A 19TH CENTURY GERMAN SILVER CASKET, of canted rectangular form, the lid applied with a cherub playing a lute, on paw feet, Berlin, marks, 13.5cm wide, 11oz overall Condition report: numerous small dings and knocks, decoration to the lid is worn.

An enamelled sapphire and diamond harlequin brooch, the harlequin with enamelled face, hat and shoes, dancing whilst playing a lute, his outfit pavé set with brilliant cut diamonds, approximately 1.57 carats total, with marquise cut sapphire accents, stamped 18k 200137 Iridplat, 7.7cm long, 34.3g gross, in a fitted D.L. Lavender, London caseCondition Report: All diamonds present and correct, bright and lively, the sapphires are well matched. There is a clear lacquer covering the bottom part of the face which has a bit of flaking to the outside, and chipped to the nose, no noticeable damage to the actual enamel. The ribbon has come away from the solder at the back of the harlequins leg, it moves but doesn't detach. The brooch fitting in good working order. Condition Report Disclaimer

Large 19th Century French green marble and gilt metal mounted mantel clock / lamp, mounted with a gilded spelter figure of a semi nude female playing a lute with circular painted dial having Arabic numerals and two train movement striking on a bell, 36ins high (lacking shade)This clock is made in Paris and is stamped ' Medaille d'argent 1855 '

Qian Gong (tätig ca. 1586-1612) CHINA, datiert 1599 18,5 x 54,5 cm Fächermalerei. Drei Damen beim Betrachten von Bildrollen im Garten. Tusche und Farben auf goldgeflecktem Papier, signiertg und datiert 1599, Siegel Yufang. Provenienz: Aus einer alten und bedeutenden europäischen Privatsammlung Qian Gong (active ca. 1586-1612), China, dated 1599. Three Ladies Viewing Scrolls in the Garden. Fan leave, 18,5 x 54,5 cm, ink and colors on gold speckled paperSignature by the artist: "In autumn in the jihai year (1599) painted for old Mister Xiufeng, Qian Gong". One seal of the artist: "Yufang" - Provenance: Old and important European private collection - Qian Gong, style name Yufang, was from Wuxian (Suzhou) in Jiangsu province. He painted landscapes and figures and also copied paintings of Wen Zhengming (1470-1559) and Tang Yin (1470-1523). This fan leave depicts three ladies sitting by a Taihu rock in the garden and discussing scrolls with painting, calligraphy or poetry. Two servant maids are bringing an incense burner and a lute for the scholarly ladies. The figures are drawn extremely fine and their faces show vivid expressions

A group of Continental 18th Century style porcelain figural groups to include: Lady in sedan with attendants, Naples mark; A pair of lovers seated, German factory mark and two groups of Children, one with axes, the other playing a lute, blue underglaze marks and one numbered (5)CONDITION:crack to underside of group of children with lute, repairedchip and loss to seat of group of children with axe, paint/worn around the rim of base above gilding 

A SEVRES PORCELAIN ORMOLU MOUNTED VASE AND COVER with beast mask handles, the vase painted with a musician playing a lute, indistinctly signed Le Scane(?), 24cm high together with a pair of Sevres Porcelain cabinet plates signed Detaitre, 24cm diameter and a similar shallow footed tazza (4) Condition: the vase with broken, restored and riveted cover, and with oxidisation to the mounts; the two plates and tazza with possibly spurious marks, wear to the gilding; chip to the rim of the tazza

Mid 20th C musical box in the form of a lute with mother of pearl inlay, a similar guitar and smaller (3)

After Franz Hals, 19th century, The Lute Player, oil on board, 40 x 34cm

Follower of George Richmond, Portrait of a young lady, head and shoulders, chalk, together with a further pencil sketch signed T Stothard, depicting dancing figures, an unframed, monogrammed oil on canvas depicting a continental lady playing a lute, and a further unframed oil on canvas depicting a sportsman with his dogs and the days catch (4)

A Meissen figure of a lady playing the lute, circa 1755Seated on a tree stump, wearing a yellow skirt with Kakiemon flowers, white chemise and purple bodice and a green hat, her instrument perched on her lap, 14.4cm high (arm and leg restuck, piece of the socle broken out and restored)For further information on this lot please visit Bonhams.com

A Meissen figure of lute player, mid 18th centuryModelled by Peter Reinicke, seated and playing the lute, wearing a white coat with gilt buttons, pink waistcoat and black breeches, the base applied with leaves and flowers, 13.2cm high, crossed swords mark in underglaze-blue to the rear of the base (lute restuck)Footnotes:Provenance: Private European CollectionAnother example is illustrated in R. Rückert, Meissener Porzellan 1710-1810 (1966), no. 891.For further information on this lot please visit Bonhams.com

Wilhelm Thomasch for Goldscheider, Pierrette with Lute, model 5030, designed circa 1922, impressed signature to base, stamped mark and impressed 64 2, 34 cm high

Wilhelm Thomasch for Goldscheider, Sitting Pierrot with Lute, model 5117, designed circa 1923, impressed signature to base, stamped mark and incised 4 10, 24cm high

A German silver tapered cylindrical beaker, chased with a rustic playing a lute, gilt interior, 7.5cm high, halbmond und krone mark, 800 standard, early 20th century

Four Lladro porcelain figures modelled as cherubs, two modelled in contemplation, one playing a lute, the other a violin, together with a Lladro porcelain figure modelled as the baby Jesus. (5)

Laute spielender Schäfer Laute spielender Schäfer Laute spielender Schäfer Auf Natursockel an einem Baumstumpf lehnender Schäfer mit gelber Kniebundhose und purpur-gestreifter Jacke beim Spiel der Laute. Polychrome Malerei. Entw. Franz Anton Bustelli. Manufakturmarke. B. 16 cm. A polychrome painted porcelain figure of a shepherd leaning on a tree stump playing the lute. Modelled by F. A. Bustelli. Manufacturer's mark. Nymphenburg. Neuzeitlich.

Enrique Atalaya (1851-1914), "Lautenspieler, Öl, um 1880" Öl auf Holz ,Spanien, um 1880 Enrique Atalaya (1851-1914) – Spanischer Genremaler Signiert unten rechts „ATALAYA“ Maße: 19,5 x 13,5 cm Rahmen: 22 x 16,5 cm .Typisches Genremotiv von Enrique Atalaya, der seine Kompositionen stets geschickt und geistreich ausgeführt hat Enrique Atalaya (1851-1914), "Lute player, oil, around 1880 "Oil on wood Spain, around 1880 Enrique Atalaya (1851-1914) - Spanish genre painter Signed lower right "ATALAYA dimensions: 19,5 x 13,5 cm Frame: 22 x 16,5 cm Typical genre motif of Enrique Atalaya, who has always executed his compositions skilfully and wittily"

George IV silver vinaigrette by John Bettridge, the hinged lid cast with a scene of a 16th Century gentleman playing the lute to a seated woman within an interior, with foliate cast rims and engine turned body, hinged to reveal a foliate scroll pierced grill, Birmingham 1829, width 43mm, weight 40.7g approx.