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A very rare pair of Lowestoft white glazed figures circa 1770 crisply modelled as musicians in contemporary dress and dancing pose mounted on four footed bases, the male figure holds a triangle and the female a mandolin or lute, height of male 7 1/2 ins, condition: restoration to both figures, A similar male figure on a flatter base from the Watney collection was sold by Bonhams in 1999 (see Pt 1 of the Watney collection lot 213) For a discussion on the attribution of these figures on four footed bases, see Godden Lowestoft Porcelain P and Pt II of the NCM catalogue nos; 119 122, See also English Porcelain Figures of the 18th Century by Arthur Lane (p,129 footnote 4) which notes that on analysis some of these figures were found to be highly phosphatic, The consensus seems to be that these figures are Lowestoft and were made a decade or so before the enamelled and white figures occasionally found with flatter bases, (2)
Briton Riviere, R.A. (British, 1840-1920):Study of a lion, oil on canvas, H 30 x W 40 cm. Note: The present picture is likely to be a preparatory study for the artist's large 1874 Royal Academy exhibit of Apollo Playing the Lute, presently in the Bury Art Museum. The painting closely illustrates lines spoken by the chorus in the play 'Alcestis' by Euripides: 'Apollo's self, Deigned to become a shepherd in thine halls, And tune his lays along the woodland slopes, Whereat entranced the spotted lynxes came, To mingle with thine flocks; from Othry's glen, Trooped tawny lions; e'en the dappled faun, Forth from the shelter of her pinewood haunts, Tripped to the music of the Sun-God's lyre'. The picture caught the attention of the young Gerard Manley Hopkins who discussed it in his journal.
Pair of Meissen style porcelain figure groups, boy with a birdcage and girl with a wreath; and boy with sickle and girl with a lute, underglazed blue crosshatch mark, 16cm, minor damage and repair; another pair of figures, yellow painted, damage and repair; and a Meissen style porcelain figure, 'The Rose', restored. (5)
A clear cut glass bell shaped scent bottle, globular faceted prismatic stopper, silver collar, Birmingham 1926, 13cm; a modern silver mounted address book, the embossed cover with lute player and ladies in 17th century dress, within a summer garden, scolling foliate border, vacant shield shaped cartouche, 14cm x 11cm, London 1991, boxed; a similar silver mounted prayer book, Sheffield 1998, boxed (3)
A pair of Derby figures, male musician and female reading music, polychrome. Height 17 cm (see illustration). CONDITION REPORT: The female figure has a loss to the tip of the little finger and forefinger. There are minor small chips to the floral encrustations around the base. The male figure has a chip to the front corner of the tricorn hat. There is a partial loss to the ribbon of his ponytail. The left hand arm has been broken at the elbow and glued. The lute is missing the tuning pegs. There are very minor losses to the floral encrustations to the base.
GLADYS SPAWFORTH, (British, early 20th Century, Arts and Crafts stained glass artist), a group of four leaded, stained glass panels, 'Joan of Arc, The Maid of Orleans', martyr and saint 1431. 63 x 50cm. 'St. George and the Dragon', circular, 39cm diameter and two similar: a lute playing angel and a king's head, 20cm diameter and 19cm diameter. Together with a fascinating sketchbook belonging to the artist, featuring all manner of armorial sketches, portraits, text and studies, some in watercolours and a box of printed armorial bearings, various.Gladys Spawforth worked at the Lowndes and Drury Studios which were formed by Mary Lowndes, who was an active member of the Women's Sufferage Movement and Alfred John Drury who taught at the Royal College of Art and Central School of Arts and Crafts in the 1900s alongside Christopher Whall, one of the leading members of the Arts and Crafts Movement. Originally sited at 35 Park Walk, Chelsea before moving to Lettice Street, Fulham, where the new premises became know as 'The Glass House' and studios were rented to stained glass artists who paid for the services of Lowndes and Drury from their commission fees. Lowndes and Drury closed in 1987 and many of their records are held in the V&A archive of art and design. These examples of her work provenanced direct to her descendent family.(B.P. 24% incl. VAT) CONDITION REPORT: The stained glass panels appear in good original condition, some wear but the glass appearing good. Detailed condition report on request. The sketchbook is in poor condition, although appearing complete, the spine is virtually broken.
A LUDWIGSBURG FIGURE GROUP, CIRCA 1762 modelled by Johann Christian Wilhelm Beyer (1725-1796) as a shepherd and shepherdess playing a flute and a lute respectively watched by a putto from the top of a ruined arch, a dolphin spouting water to the side and a goat between them, all on a rocky and grassy base, underglaze blue crowned CC mark 27.5cm high, some restoration For a comparable example see Hans Dieter Flach, Ludwigsburger Porzellan, Stuttgart, 1997, p.447, no.15
A late Victorian silver calling card case, with hinged back, Birmingham 1899 by Henry Matthews, with repousse vignettes of two ladies and a lute player to one side and a garden scene with peacocks and St. Paul's Cathedral in the distance on the other, 2.82ozt, 87.8g, 7.5cm high x 8.3cm wide - Part of a single owner collection CONDITION REPORT: There are three pin prick holes to the side with figures. Otherwise condition good.
A Charles II embroidered stumpwork panel, depicting the five senses, touch: a man with a bird, sight: a woman with a mirror, hearing: a woman playing the lute, smell: a woman with a flower, taste: a man eating an apple, with further decoration of a castle, birds, a squirrel, a stag and a recumbent camel, all on a silk ground, 21 x 35cm, in a later glazed gilt and ebonised frame.
A pair of Derby Patch Mark figures, of a shepherd and shepherdess, he seated wearing feathered headdress, fanciful dress, dog by his side, playing the bagpipes, she seated wearing a ribboned bonnet, playing a lute, a lamb at her feet, before bocage, pierced scroll bases, picked out in gilt, 14cm high, c.1770
Shotaro, a bronze inlaid lacquer panel, depicting Benjaiten playing a lute below a flowering cherry, a pavilion distant behind her and a table laden with food before her, Ebisu and Daikoku drink sake in the foreground, Jurojin sits to one side while Fukurokuju and Hotei fan dance in the air, signed and inscribed lower left, 41 x 60 cm (16.25 x 23.5 in) The panel has a horizontal split
Europe. Cret‚ (B.), Carte Symbolique de L'Europe, Guerre Lib‚ratrice 1914 - 1915, published Paris, 1914, colour lithograph, old folds, slight fraying to margins, repaired closed tears affecting image, some splits to old folds, strengthened on verso, some dust soiling, slight creasing, 455 x 570 A satirical French map showing the state of Europe at the outbreak of World War I. Great Britain is represented by a dreadnought whilst Ireland sails a dinghy in the battleship's wake. An enraged German bull charges at the French cockerel and Marianne pokes at the bull with a short sword. At the same time the German bull is poked in its rump by an imperious Tsar Nicholas II of Russia. The representation of Austria-Hungary as a fallen crown and a series of graves is deeply prophetic, suggesting the impending end of that empire. Poland is a young girl pleading to Russia whilst Italy turns its back on the continent and plays a lute. Sweden and Norway are shown as beautiful young girls in an almost sapphic embrace. The map is a relatively gentle depiction of European national characteristics before the continent descended into chaos. Uncommon. (1)
A 1930s Wedgwood Ordinary Lustre bowl designed by Daisy Makeig Jones, the interior with a Wu Sun barbarian holding a chinese lute and plectrum against a pearlescent ground, the exterior with mythical beasts against a mottled blue ground, printed Portland Vase mark, pattern Z4829, diameter 10cm, height 5cm

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