SÈVRES; a late 18th/early 19th century French porcelain cobalt blue jewelled shallow bowl, the central panel hand painted with decoration of a lute amongst baskets of fruit and foliage, surrounded by cobalt blue and gilt heightened border, diameter 14cm, and a further Sèvres French porcelain dish, the central panel depicting bagpipes amongst scrolling foliage, surrounded by blue and gilt decorated jewelled borders, diameter 12.5cm (2).
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A large 19thC Meissen porcelain figural Group, emblematic of music, c. 1870, depicting seven figures including a violinist, tambourine player, lute player, etc. based on naturalistic setting, crossed swords mark to base, possibly a second, also marked 17 and incised, C59, W 18cm x D 20cm x H 35cm.
* Besler (Basilius). Rosa lute a flore simplici, Nuremberg: [1613 - 1713], hand-coloured engraving, slight text showthrough, 480 x 400 mm, Latin text on versoQTY: (1)NOTE:Published in the 3rd edition of the Hortus Eystettensis or 'The Garden of Eichstatt'. One of the most remarkable botanical books of the 17th century.
Swarovski Silver Crystal Lute figurine, crafted from precision-cut clear crystal with delicate detailing, featuring a metal stand. This elegant miniature instrument showcases Swarovski's signature brilliance and craftsmanship. Includes its original box.Artist: Martin ZendronIssued: 1992 - 1997Dimensions: 3"LCountry of Origin: AustriaCondition: Age related wear.
Early 20th century Karl Ens German porcelain classical figure of a woman playing a lute with a cherub raised upon an oval plinth style base, together with a French early 20th century baroque style ceramic mantel clock decorated with a floral transfer design and gilt detailing. Mantel clock features a brass clock face with Arabic number chapter ring. Makers mark to the underside of the Karl Ens figure. Largest piece measuring approx. 35cm x 16.5cm x 10cm.
This rare Royal Doulton prototype Toby jug features a unique color variation, making it a prized collector's piece. Crafted from fine bone china, this jug showcases a vibrant hand painted design, with the Lady Jester dressed in a striking red and green costume, complete with jester's hat and lute. Marked as The Property of Royal Doulton Tableware Ltd - Not Produced for Sale, this prototype was created as a test piece and never entered full production, further enhancing its rarity and desirability. The detailed sculpting and rich glaze application reflect Royal Doulton's craftsmanship and commitment to artistic excellence. A distinguished addition to any Royal Doulton collection.Artist: David B. BiggsIssued: c. 1998Dimensions: 6.25"HCountry of Origin: EnglandCondition: Age related wear.
Carel de Moor, 1656 Leiden – 1738 Warmond, zug.DIE LAUTENSPIELERINÖl auf Holz. Parkettiert.68 x 88 cm.In ebonisiertem Profilrahmen.Wir danken Dr. Pamela Fowler für freundliche Hinweise zur Katalogisierung.Vor einer palastartigen Parkanlage haben sich mehrere Figuren eingefunden, von denen eine junge Frau in feinem Seidenkleid und ein junger Mann hinter ihr in besonderem Maße Erleuchtung empfangen. Rechts ein Pfau und ein ihm zugewandter Hund - eine Gruppe die sicher in Bezug mit den erwähnten Hauptfiguren zu sehen ist.Anmerkung:Ein Gemälde, das einen vergleichbaren architektonischen Zusammenhang mit dem ebenfalls links befindlichen Repoussoirtuch zeigt, wird beim RKD in Den Haag unter Nummer 33040 verzeichnet. (14315816) (13)Carel de Moor,1656 Leiden – 1738 Warmond, attributedA LADY PLAYING THE LUTE Oil on panel. Parquetted.68 x 88 cm.We would like to thank Dr Pamela Fowler for her advice regarding the attribution to the artist. A painting showing a similar architectural context with the repoussoir cloth on the left is registered at the RKD in The Hague under no. 33040.
Jean Jacques Pradier (1792-1852), a 19th century French bronze group ‘L'Ange Gardien’, modelled with the angel holding a lute and shielding the infant Christ with a wing, signed Pradier Sculp, 28cm wide, 16cm deep, 36cm high Overall of a rich golden patination which is in good order, just a little dusty in the crevices, no faults noted, lacks any plinth.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 19TH CENTURY ENAMEL AND DIAMOND PENDANT Designed as a polychrome enamel lute player within a pastel enamel floral surround with rose cut diamond points, to a later bale, fitted case by Wartski Size/dimensions: 5.0cm long Gross weight: 10.9 gramsProvenance: Private Collection Condition Report: Enamel losses, more pronounced to reverse, one foot broken off, one screw holding lute player to frame deficientCondition Report Disclaimer
Edwardian inlaid satinwood etagere, removable tray top with glass base and brass carrying handles, two graduating tiers each inlaid with central oval panel depicting lute and flute with manuscript, enclosed within a scrolling acanthus leaf border, on square tapering supports with splayed feet, decorated with shaped and fan inlaid corner brackets, united by curved X-framed stretchers Dimensions: Height: 82cm Length/Width: 90cm Depth/Diameter: 56cm
* Purse. An embroidered lute-shaped purse (or sweete bag?), early 18th century, purse in the shape of a powder flask, padded (probably with horse hair) and embroidered with coloured and metallised threads, using mainly long and short stitch and stem stitch, and incorporating two small beads (remaining few missing), with flowers tied in a bow and stems of daffodils, carnation, and tulip above, on a beige grosgrain ground, faded and dusty, backed with green silk, and with a pouch of the same sewn to the back, gathered with drawstring ribbon of woven cream, green, and metallised silver threads (a little frayed to one side), the two ends of the ribbon caught together in a metal thread toggle, purse edged with woven metallic braid, 9.5 x 6 cm (3.75 x 2.25 ins)QTY: (1)NOTE:Provenance: Lady Ottoline Morrell (1873-1938); thence by descent.A most unusual early purse; we have not been able to trace another the same either at auction or in an institution. The British Museum has a purse not wholly dissimilar, made of velvet and purporting to have been given by King Henry VIII to Anne Boleyn (registration number 1878,1101.635): 'Curator's comments - This is an unusual construction and its purpose is not clear'. The Rijksmuseum, Netherlands, also has a padded shaped purse of velvet (more akin to the British Museum's than that offered here), which they call 'in the shape of scissors (phallus?)' - object number BK-KOG-29.Although these two examples are referred to as purses, it seems more likely, given the contruction, that our receptacle was intended to be filled with sweet-smelling herbs such as lavender, so that a lady could wear it around her neck to ward off infection and unpleasant odours, much like the more commonly found sweete bags of the 16th and 17th centuries. The delicate silk could only have been used to hold something light, and the narrow opening at the top would have been enough for a lady's nose to imbibe the sweet scent within, rather like a perfume bottle.
* Circle of George Frederic Watts (1817-1904). Orpheus, oil on wood panel, showing a young male figure wearing an animal skin draped across his lower waist, playing a lute, a small bird by his feet, 23.7 x 13.2 cm (9 3/8 x 5 1/4 ins)QTY: (1)NOTE:Provenance: From the estate of John Watson (1939-2019).
Circle of Bernard van Orley, Flemish 1491/92-1541- Two angels, one playing the lute, and the other plating the rebec; oils on panel, each with a decorative scheme verso, each 44.5 x 12.8 cm., a pair (2). Provenance: Property of the Hon. James Bruce sale, Christie's, London, 7 March 1980, lot 84 (sold for £4,500). with Thomas Agnew & Sons, London, 1980 [no.43945]. The Collection of Professor W. M. Ballantyne (1922-2021), and thence by descent. Note: Despite never visiting Italy, Van Orley worked very much in the tradition of the Romanists, a group of Flemish painters who were heavily influenced by the work of Italian Renaissance artists, particularly, in Van Orley's case, Raphael (1483-1520). Indeed, as a central proponent of the Romanist approach, Van Orley also shaped the output of future generations of painters, including Michiel Coxie (1499-1592), Pieter Coecke van Aelst (1502-1550), and Pieter de Kempeneer (1503-1586), all of whom studied under him. The present work exhibits a clear debt to Van Orley, with the pose and features of the angel on the right-hand side of the composition bearing a striking similarity to the face of the Madonna in a painting by the artist which sold at Hampel, Munich, on 29 June 2023, lot 180.
An exquisite Wedgwood porcelain figurine titled Melody from The Classical Collection. This elegant figure embodies the essence of harmony and grace, portraying a flowing-robed musician delicately holding a lute. The soft pastel hues, floral headpiece, and ethereal drapery lend a timeless, almost mythical quality to the composition, reminiscent of classical muses. Designed and modeled by Jenny Oliver, this piece is hand-decorated and bears the Wedgwood backstamp, confirming its authenticity and production in 1996 in England. The intricate sculpting and delicate detailing make this a standout addition to any collection of fine porcelain figurines.Artist: Jenny OliverDimensions: 10"H Country of Origin: EnglandCondition: Age related wear.
Miniature Chinese Folding Tabletop Screen A decorative four-panel folding tabletop screen, likely of Chinese origin. Each panel features a hand-painted ceramic or porcelain tile set within a light-toned wooden frame, connected by brass hinges. The frames include pierced fretwork designs at the top and bottom, with darker-toned openwork detailing at the base adding to its craftsmanship. The painted porcelain tiles depict traditional Chinese scenes, carefully rendered with delicate brushstrokes. These include landscapes showcasing mountains, trees, rivers, bridges, and pavilions in soft tones alongside female figures in vibrant traditional attire engaging in cultural activities such as playing a pipa (lute), painting, or holding decorative objects. The paintings use a naturalistic palette with occasional bright accents. Each tile contains vertical Chinese calligraphy inscriptions and red seal stamps, likely artist markings or poetic verses related to the imagery. One panel includes a date, "1988.6.7," suggesting a late 20th-century creation, possibly drawing on traditional artistic styles. Approximate dimensions estimate the height of the panels to be 25–40 cm. This screen served as a decorative display item, highlighting traditional Chinese artistry and cultural themes. It is an intact example of craftsmanship, reflecting both aesthetic and collectible value.
Grahame (Kenneth) The Wind in the Willows, one of 80 deluxe editions signed by the illustrator in pencil, from a total limitation of 200, illustrations by Angel Dominguez, prospectus loosely inserted, 2016 § Kipling (Rudyard) The Jungle Book, one of 200 copies signed by the illustrator in pencil, illustrations by Lute Vink, 2015 § Barrie (J.M.) Peter Pan, one of 200 copies signed by the illustrator in pencil, illustrations by Steve Hutton, 2015, many illustrations colour and full-page, original morocco, gilt, g.e., housed in original cloth drop-back boxes, gilt, Books Illustrated Ltd., 4to (3)
A beautifully detailed Coalport bone china figurine titled Jane Seymour, HN3349. This figurine is part of a limited edition of 9,500, with this example numbered 2273. It portrays Jane Seymour, the third wife of King Henry VIII, elegantly dressed in a richly detailed Tudor gown with intricate patterns, jewelry, and a flowing cape. Beside her, a side table holds a small pot, while a lute rests against it, enhancing the historical theme. The base is fully marked with the Coalport backstamp, confirming authenticity.Issued: 1991Dimensions: 9.25"HCountry of Origin: EnglandCondition: Age related wear.
This exquisite Lladro porcelain figurine titled Troubador showcases a romantic musician playing a lute. The figurine features intricate detailing, from the musician's flowing tunic to the delicately crafted lute strings. Hand-painted with soft, muted tones, it reflects the timeless elegance and artistry Lladro is known for. The underside bears the iconic Lladro stamp.Artist: Antonio BallesterIssued: 1976 - 1981Dimensions: 15"L x 16"HCountry of Origin: SpainCondition: Age related wear.
Herbert Wilson Foster (act 1872-1917), watercolour on paper, Nude with Lute, signed in pencil lower right, 20.2cm x 26.7cm. Foster was well-known as a painter and art teacher, teaching Laura and Harold Knight at the Nottingham School of Art. He was also well-known as a porcelain artist and worked at Mintons from 1872. He worked at one point on the tile panels in the Victoria and Albert Museum. This is probably a design for Mintons. Provenance – from the collection of his nephew
Sitzende Pierrette mit Laute. Wiener Manufaktur Friedrich Goldscheider. Stempelmarke GS 24, ca. 1922. Am Sockel signiert "Thomasch". Modell-Nr. 5030 114 1. Entwurf: Wilhelm THOMASCH (1893-1964), ca. 1922. Fayence, farbig staffiert. H 34,5 cm. Linke Hand und Fußspitze sowie Halskrause minimal bestoßen. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 10:19 Uhr (CET)Sitting pierrette with lute. Vienna manufactory Friedrich Goldscheider. Stamp mark GS 24, ca. 1922. Signed "Thomasch" on the base. Model no. 5030 114 1. design: Wilhelm THOMASCH (1893-1964), ca. 1922. Faience, color painted. H 34.5 cm. Left hand and toe as well as ruff minimally bumped. Call time 28 | Feb. 2025 | presumably 10:19 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Paar Gärtnerkinder. 18.-19. Jahrhundert. Höhe: 11 cm. Meissen-Modelle von Joachim Kaendler 1750-1760, "Knabe mit Oboe", "Mädchen mit Laute", farbig bemalt, gold staffiert. Unglasierter Boden, Pressmarke, undeutliche Blaumarke am Sockel. Mädchen: Sockel von unten, Hutkrempe, Schleifen, Blüten, Lautenwirbel bestoßen, Knabe: Korb fehlt, Hutkrempe, Schleifen, Oboe bestoßen. * Partnerauktion Bergmann. Literatur : Bergmann (2017) Katalog-Nr. 3250, 3251. Provenienz : Hessischer Privatnachlass. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 14:28 Uhr (CET)Pair of gardener's children. 18th-19th century. Height: 11 cm. Meissen models by Joachim Kaendler 1750-1760, "Boy with oboe", "Girl with lute", color painted, gold painted. Unglazed base, impressed mark, indistinct blue mark on the base. Girl: base from below, hat brim, bows, flowers, lute peg chipped, boy: basket missing, hat brim, bows, oboe chipped. * Partner auction Bergmann. Literature : Bergmann (2017) catalog no. 3250, 3251. Provenance : Hessian private estate. Call time 28 | Feb. 2025 | probably 14:28 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
TSCHECH, Will(1891 Düsseldorf - 1975 ebd.) Das Duett mit einem VogelÖl/Leinwand. Links signiert. 55 x 45 cm. Gerahmt : 65 x 55 cm (Goldrahmen); 1,8 kg. In Spitzwegmanier gemalter junger Mann beim Laute spielen und Singen vor einem Vogelkäfig. Leichte Altersspuren. Deutscher Landschafts-, Genre-, Porträt- und Stilllebenmaler, studierte an der Akademie Düsseldorf. Literatur : Vollmer. Aufrufzeit 01. | März 2025 | voraussichtlich 15:10 Uhr (CET) TSCHECH, Will(1891 Düsseldorf - 1975 ibid.) The Duet with a BirdOil/canvas. Signed on the left. 55 x 45 cm. Framed : 65 x 55 cm (gold frame); 1.8 kg. Joung man painted in the Spitzweg manner playing the lute and singing in front of a birdcage. Slight traces of age. German landscape, genre, portrait and still life painter, studied at the Düsseldorf Academy. Literature : Vollmer. Call time 01 | March 2025 | probably 15:10 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Junge Dame beim Stimmen der LauteÖl/Leinwand. Unsigniert. Ende 19. Jh. 46,5 x 37 cm. Gerahmt : 57,5 x 47,5 cm (Goldstuckrahmen); 2 kg. Die junge Frau in einem weißen Kleid mit dem Instrument auf dem Schoß im Zimmer. Leinwand doubliert. Aufrufzeit 01. | März 2025 | voraussichtlich 15:21 Uhr (CET) Young lady tuning the luteOil/canvas. Unsigned. Late 19th century 46.5 x 37 cm. Framed : 57.5 x 47.5 cm (gold stucco frame); 2 kg. The young woman in a white dress with the instrument on her lap in the room. Doubled canvas. Call time 01 | March 2025 | probably 15:21 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
FRENZ, Alexander(1861 Rheydt - 1941 Düsseldorf) Minnesänger im SchlossgartenÖl/Holz. Links unten signiert. (19)08. 36,5 x 54 cm. Gerahmt : 50 x 68 cm (Goldrahmen); 2,5 kg. Blühender Garten mit Brunnen und dem sich nähernden jungen Mann mit der Laute. Minimale Altersspuren. Deutscher Maler und Grafiker des Symbolismus und der Moderne in Düsseldorf, Meisterschüler von Janssen an der Akademie ebd., Privatschüler Lenbachs in München. Tätig auch in Berlin, Rom, Capri, Rapallo, Köln und Bonn. Literatur : Thieme/Becker. Aufrufzeit 01. | März 2025 | voraussichtlich 15:33 Uhr (CET) FRENZ, Alexander(1861 Rheydt - 1941 Düsseldorf) Minnesinger in the castle gardenOil/wood. Signed lower left. (19)08. 36.5 x 54 cm. Framed : 50 x 68 cm (gold frame); 2.5 kg. Flowering garden with fountain and the approaching young man with the lute. Minimal traces of age. German painter and graphic artist of Symbolism and Modernism in Düsseldorf, master pupil of Janssen at the academy ibid, private pupil of Lenbach in Munich. Also active in Berlin, Rome, Capri, Rapallo, Cologne and Bonn. Literature : Thieme/Becker. Aufrufzeit 01. | March 2025 | probably 15:33 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A rare and striking Royal Doulton figurine, presented in an exclusive colorway variation. This captivating ceramic sculpture features a jester deep in thought, his hand resting on his chin as he contemplates with an enigmatic expression. The figure is adorned in a vibrant and glossy harlequin outfit, combining green, black, and pink, contrasted by a cream-colored base. His dramatic attire, complete with a belled jester hat, a slung lute, and a travel bag, embodies the spirit of the classic court entertainer. Royal Doulton is renowned for its masterful ceramic figurines, and this unique colorway adds a distinctive charm to the already sought-after Point Jack design. The detailed hand painting and high-gloss finish showcase the brand's commitment to artistry and craftsmanship. Royal Doulton backstamp. Artist: C.J. NokeDimensions: 16"HCountry of Origin: EnglandCondition: Age related wear.
A GROUP FIVE SOAPSTONE CARVINGS OF BOYS One example in transparent grey stone modelled as two boys taking fish from a basket, an opaque yellow toned carving of a boy crouched under lotus pad, another yellow toned example modelled as boy holding a peach, a small semi-transparent boy playing a pipa (lute), and a double gourd form snuff bottle with a boy climbing the side 4cm to 8.5cm high Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

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