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A mixed lot, comprising a Mexican silver cigarette box, rectangular form, in the Arts and Crafts manner, a silver and enamel compact, circular form, teh hinged cover enamelled with a Rococo scene of a gentleman playing his lute in front of two ladies, plus a gilt metal desk set, a corkscrew, a letter knife, a paper clip and an enamelled vase. (qty)
Important Collection of Scottish Music in Fine Bindings Scottish Music: A Select Collection of Original Scottish Airs for the Voice ...By Pleyel, Folio L.n.d. c. 1794, signed by G. Thomson, 25pp; bound with, A Selection of Scots Songs ...by Peter Urbani, with engd. portrait Alan Ramsay Scotus, 50pp; Bound with A New & Complete Collection of the Most Favourite Scots Songs.. By Sigo Corri, folio Edin. (Corri & Coy) n.d. Engd. title, 29pp, plus other single pieces by Corri; also Mc Glashan (Alex) A Collection of Strathspen Reels, oblong folio Edin. n.d. c. 1790, engd. title, 34pp., Bound with, A Collection of Scots Measures Hornpipes, Jigs, etc, oblong folio Edin. n.d. Engd. title, 42pp; bound with, A Collection of Reels, also by alex Mc Glashen, oblong folio Edin. n.d., engd. title & 4pp; together with, Gow (Niel) of Dunkeld, A collection [-Third] of Stratspey Reels..., Folio Edin. n.d., 3 engd. titles, 36, 36 + 36pp; Bound with Mackintosh (Rob.) sixty Eight Ven Reels.., folio Edin. n.d., engd. title + 5pp Subscribers, 39pp; Bound with, Petrie (Robert) A Collection of Strathspey Reels, & Country Dances, folio Edin. n.d., engd. title, list of subscribers, 22pp; and some other single pieces, Together in 3 vols. folio in fine cont. full crimson mor. Scottish binding, a.e.g., gilt tooled multiple borders with corner thistle tools, and central ovals with musical trophies, lute etc., flat spines with similar tooled decoration in panels. In fine condition. As a collection of music, w.a.f. Rare. * Provenance: Given by Col. Alex Mc Donnel, brother of Sir James Mc Donnel, the celebrated defender of Hougomont at the Battle of Waterloo, to Catherine Mc Donnell. See note inside Vol. I by John Mc Donnell, M.D. Kilsharvan, Oct. 18 1886. Purchased by the present owners in 1972 from Hodges Figgis & Co. (3)
A 19th century stand of shaped outline with painted grey, yellow and gilt decoration fitted with a central chamberstick flanked by a pair of lidded pots, with painted numbers to base 5369 together with a continental dish of oval form with painted decoration of a pheasant and chick, with painted initials to reverse GDM, a Minton bowl with floral spray within a red and gilt floral border, a Bisto plate with turkey decoration, four Hummel figures, a continental figure of a lady playing a lute and a further continental figure group of 18th century style lady and gentleman
A pair of Continental porcelain figures of beggar musicians: he modelled in fur lined waistcoat with a performing dog at foot, playing the bagpipes, she hands clasped with a lute, and a box containing a mouse, and a bowl of coins at her foot, on pierced bases, underglaze blue marks, 19th century, 22 and 21 cm high, [restoration to one base].
A 19th century stand of shaped outline with painted grey, yellow and gilt decoration fitted with a central chamberstick flanked by a pair of lidded pots, with painted numbers to base 5369 together with a continental dish of oval form with painted decoration of a pheasant and chick, with painted initials to reverse GDM, a Minton bowl with floral spray within a red and gilt floral border, a Bisto plate with turkey decoration, four Hummel figures, a continental figure of a lady playing a lute and a further continental figure group of 18th century style lady and gentleman
An English porcelain campana urn, circa 1815 An English porcelain campana urn, circa 1815, painted with a continuous landscape band and with a pair of mask handles, 16cm high; and two similar English porcelain two-handled urns, one painted with a classical maiden with lute, the other with landscape vignettes, 12cm & 13cm high
An English porcelain campana urn, circa 1815 An English porcelain campana urn, circa 1815, painted with a continuous landscape band and with a pair of mask handles, 16cm high; and two similar English porcelain two-handled urns, one painted with a classical maiden with lute, the other with landscape vignettes, 12cm & 13cm high
A George III gilt metal chatelaine, the scroll edged figural clip with two conforming panels beneath hung with an ogee sided necessaire worked in high relief with Hercules standing with his club, a lady with lute verso, each amidst scrolls on a matted ground, opening to reveal complete implements, comprising: an ivory twin blade aide memoire, a snuff spoon, a scissors, a needle, a pencil holder and a folding knife, with a subsidiary bloodstone mounted scent flask and a later banded agate heart pendant, the etui 10cm (4in) high, the overall drop 19cm (7 1/2in), in a later leather covered case
Georges Brasseur (1880 - 1950), Art Deco framed triptych of oils depicting a central dancing nude flanked by a kneeling nude harpist and lute player, each signed, the central panel also inscribed, in original gilt frame, central panel 90cm x 43.5cm, side panels 52cm x 44cm. Provenance: Removed from a Gentlemen's Luncheon Club in the City
Septentrionalium Regionum Descrip. Ortelius based this influential map on the work of earlier authorities including Mercator, Zeno and Magnus. Of particular interest are the mythical islands of Brasil, Frisland, Drogeo, Icaria, and St. Brendan. Part of Mercator`s imaginary polar continent is depicted with a Latin note that it is inhabited by pygmies. Iceland (Islant, Thule) is basically unchanged from Mercator´s map of Europe from 1554 with the shape originated by Zeno. Greenland is separated from Europe by a wide sea and a portion of North America appears in the upper left corner with the name Estotilant. The map is adorned with a variety of very inventive creatures including a half-man, half-sea creature playing a lute. This is the seventh and final state. Latin text on verso. A strong impression with light toning, a few spots of printer`s ink residue, a minute hole in the northern ship, and a small abrasion to the east of Frisland. 14.3"" W x 19.2"" H Ortelius, Abraham 1603
An interesting pair of Vases, c.1600, each of exaggerated baluster form and painted in underglaze blue in three registers with a central band of bamboo, peony, rocks and chrysanthemum, the foot with rocks and breaking waves, and the shoulders with three florets reserved on key-fret, the neck with false gadroons, one with discoloration at lute line, 15cm, paper labels (2) The RHRP Collection label is that of Reginald Howard Reed Palmer MC, DL (1898-1970) one of the foremost collectors of his day. He started collecting in 1924 and exhibited widely. He began selling in 1962 and, following several sales after his death, 19 early blue and white porcelains were sold in Hong Kong. This fits with the present owner`s recollection that her parents bought the vases there around that time. For further information on Palmer, see Davids, Roy and Jellinek, Dominic, `Provenance`, 2011, 347. The pencilled style of decoration and the use of the waves breaking on a rock are characteristic of th
An interesting pair of Vases, c.1600, each of exaggerated baluster form and painted in underglaze blue in three registers with a central band of bamboo, peony, rocks and chrysanthemum, the foot with rocks and breaking waves, and the shoulders with three florets reserved on key-fret, the neck with false gadroons, one with discoloration at lute line, 15cm, paper labels (2) The RHRP Collection label is that of Reginald Howard Reed Palmer MC, DL (1898-1970) one of the foremost collectors of his day. He started collecting in 1924 and exhibited widely. He began selling in 1962 and, following several sales after his death, 19 early blue and white porcelains were sold in Hong Kong. This fits with the present owner`s recollection that her parents bought the vases there around that time. For further information on Palmer, see Davids, Roy and Jellinek, Dominic, `Provenance`, 2011, 347. The pencilled style of decoration and the use of the waves breaking on a rock are characteristic of th
Chitarra, del liutaio Koliker, Parigi (1753-1844) . databile 1820-1830, tavola in abete decorato con filetti in osso, probabilmente narvalo, cassa in legno di acero con un ponticello con i baffi di tipo Barocco. Vernice e patina della cassa originali, tasti in osso originali, custodia originale in noce. . Etichetta Koliker Luthier, Carrefour de Buffy; sulla custodia etichetta Schreiner Meister in Frankfurt […] ed etichetta: Mostra Paganiniana Genova XVIII, Espositore Barone Paganini 50 Milano . - Guitar, of the Koliker lute-maker, Paris (1753-1844). Start Price: € 5. 000,00
Interesting Theorbo type lute inscribed W. Oyen to the back of the double peg box with sickle type finial, the neck with seven scalloped frets and a further six frets running on to the table and with geometric fret carved sound hole, the bowl back with eleven scalloped figured maple sections
An Amphora porcelain table centrepiece, late 19th/early 20th Century, modelled as a peasant woman holding a circular basket, standing beside a square naturalistic vase, on a rectangular base, printed and impressed factory marks including `4556` to base, height approx 30.5cm, together with two Continental porcelain figure groups, one modelled as a couple playing chess, the other modelled as a lady seated at a harpsichord flanked by a lady playing a lute and a gentleman playing a cello (faults).
F Sykes PORTRAIT OF SARAH TURNER NEE DAWSON Signed miniature on ivory, dated 1770, in papier-maché frame, with gilt metal oak leaf ring, 5.3 x 4.2cm and another of a young woman wearing a pink and white dress, a lute in the background, holding a scroll, signed `F. Sykes`, indistinctly dated, in gold-plated oval mount 5.5 x 4.5cm, slight paint losses, (2).
A ten course classical guitar, internal paper label inscribed `David Yelverton in Walton, Suffolk made me in the summer of `91 for Tim Macy` in a hard case, very beautiful and with superb sound, unfortunately it needs work from an instrument builder, the machine-heads need replacing or adaptation, because they have the bad habit of cutting into the extremely expensive strings, and the bridge needs re-attaching, there is a minor split in the back, which has been stable, the maker is a local builder of lutes, violins and guitars, the winner of a national gold prize for lute-building, who is too ill to repair it, once restored, it should look as new Very beautiful and with superb sound. Unfortunately it needs work from an instrument builder. The machine-heads need replacing or adaptation, because they have the bad habit of cutting into the extremely expensive strings, and the bridge needs re-attaching. There is a minor split in the back, which has been stable.
A group of 'Mary Gregory' style glass, comprising a cranberry vase, enamelled with a girl holding a lute and a cup of wine, amongst foliage, 29cm high, a cranberry water jug, enamelled with a young girl holding a flower, with clear glass handle, together with a clear glass decanter and stopper, with similar decoration of a boy, 27cm high (3)
A needlework and stumpwork panel, late 17th century, depicting King Herod and his wife seated beneath an elaborate canopy, he clad in fine chain mail, she behind a table beckoning forth the head of St. John the Baptist presented on a salver held by a lady. One side of the canopy a lady and a man playing a lute, the border with men carrying the headless body towards a castle, a horse, a leopard, a lion, a rabbit, birds and butterflies amongst foliage and flowers, with loss and tears, 39.5 x 30cm
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2984 item(s)/page