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A group of six German silver boxes comprising;three Hanau examples,the first by Simon Rosenau, marked 800, the lid with a repousse scene of two winged putti, the base depicting a figure playing the lute, 7cm wide, another by Gebruder Glaser, Chester import 1911, 8cm wide, the final with a crowned R mark, imported by John George Smith, London 1900, depicting a courting couple, 5.5cm widea cylindrical box or purse,marked 90, with a repousse tavern scene,9cm widea rectangular box,with a repousse stag, to gilt bands,6cm wideand a final example,marked 925, depicting two putti, 5.5cm widetotal 12.28ozt (6)Condition ReportThe repousse decoration is worn to all examples. The unmarked stag example tests as silver.

A late 19th Century Minton's China Works 6 inch dust pressed tile, hand painted in blue over white with a stylised seated figure playing a the lute, maker's marks verso and stamped Minton's Art pottery Studio Kensington Gore.

An 18th Century 5 inch tile by Sadler & Green of Liverpool, transfer printed with street scene titled Overturned Milk Pail, in black to the tin glazed ground, together with a similar example depicting a French Rococo scene titled Man with Lute and Girl with Music. (2)

A 19th Century Copeland 8 inch plastic clay tile from the Shakespeare series, transfer printed in tonal underglaze blue with two figures in Medieval dress titled 'Speed Lance' with gilded ground, impressed marks, together with a further Copeland tile hand enamelled with a musician in medieval dress playing a lute and a further Minton Hollins & Co dust pressed example, later hand painted with a portrait of a lady. (3)

A collection of late 19th Century Mintons dust pressed 8 inch tiles, from a set of classical figures with musical instruments designed by John Moyr Smith circa 1876, each with black transfer printed outlines against a buff ground, central ground in blue with a grey border, to include a woman with a lute and a person playing the pipes, back with impressed marks. (4)

A 19th Century Pilkington's 6 inch dust pressed photographic tile, sepia printed over black ground, decorated with a Spanish lady with a lute, by George Henry Grundy of Derby, moulded P marks to reverse.

Bone china figure of a lady in a dark and light blue dress holding a large bass lute. Part of the Lady Musicians collection. Limited Edition number 102. Includes original box 9"L x 7.75"W x 14"H. Issued: 1973Dimensions: 5"L x 4"W x 7.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

After Vittore Carpaccio A boy playing a lutesigned 'A. Bedini' l.r., oil on canvasand another painting by Bedini of an angel tuning a lute42 x 32.5cm, framed as a pair (2)Provenance: Her Grace Anne Duchess of Westminster and members of the Grosvenor Family; Christie's, 23 November 2004, lot 590.Condition ReportOverall: 52 x 41.5cmLate 19th/ early 20th century. Light surface scuffs with rubbing to the edges of both. There is a light undulation to the canvas in the uper left corner of the painting of the angel tuning a lute and strecther marks are visible to the top edge. Not examined under UV light, for a full report please contact the department.

Two Iban (Malaysia) tapestry wall-hangings, worked with figures, to/w a small carved wood shield with glass bead hangings, a carved wood sculpture with figural handle, a Borneo Sapeh (boat lute) and a Chinese parasol (6)

Five boxed Lladro figures 'Girl with Candle' 4868, 'Boy Awakening' 4870, 'Girl with Lute' 4871 and two copies of 'Goodnight Kiss' 4873 (5)

Limited edition Tudor Roses Queen. Modeled as Queen Margaret of Scotland, sister of Henry VIII and wife of King James IV, in her youth playing a lute. Lustre of green and tan with gilded highlights. Royal Doulton backstamp. Artist: Pauline ParsonsIssued: 1997Dimensions: 6.5"HEdition Number: 623 Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Lute, pear shaped body with canted back, long neck, four six cords, central open work sound hole, partly carved, damages, 19th century, 92 cm long

Lute, pear shaped body with canted back, long neck, six cords, central sound hole with carved leaves in open work, white edge line, 19th century, 95 cm long

Catherine Grubb (British born 1945), two signed limited edition embossed prints "Lute Player" 2/25, 39.5 cm x 37 cm and "I Came to A City" 17/30, 36.5 x 40 cm, framed.

Victoriana Photocollage album, c.1880 Folio dark blue half morocco album with compiler's name (Con Pilcher) gilt to front board, 37 thick card leaves (34.8 x 26.4cm) containing designs in watercolour, pen-and-ink, pencil, and oil (rectos only), incorporating in total 88 pasted-in albumen-print portrait photographs, many trimmed to outline of head, subjects captioned in ink and including Napoleon III, Empress Eugenie, Louis-Napoleon Prince Imperial, Georgina Countess of Dudley (Victorian society beauty), Patsy Cornwallis-West (mistress of Edward VII), soldiers (Sir Evelyn Wood; Lord Chelmsford, Sir Bartle Frere, Sir Garnet Wolseley), actors and actresses (Eveleen Rayne, Violet Cameron, Ellen Terry, Connie Gilchrist, Florence St John, Lily Langtry, Kyrle Bellew), and others including Con Pilcher (depicted in an ink and wash sketch playing the lute), most of the designs signed and dated and including whimsical jeux d'esprit in addition to botanical and natural history backgrounds, 9 further photographs mounted to rear endpapers With a letter dated 2019 from a previous owner noting that ‘the Pilchers were a theatrical family with connections to celebrities of the time such as Ellen Terry’; according to the same letter Constance Pilcher's married name became Freeth.

A very rare Bow group of the Chinese Lovers, circa 1750-52By the 'Muses Modeller' and left in the white, both seated on an irregular base before a small tripod table, she with her arm around his shoulder, he leaning forward to kiss her whilst playing a lute, flowers and leaves applied to the base, 10.2cm highFootnotes:Inspired by a Meissen group modelled by J J Kaendler in 1745, his Taxa entry reproduced by Rainer Rückert, Meissener Porzellan (1966), fig.952. For a related group of similar size, also inspired by Meissen, see Anton Gabszewicz, Bow Porcelain (1982), p.126, no.194. This group is not recorded by Peter Bradshaw, Bow Porcelain Figures (1992), p.92.For further information on this lot please visit Bonhams.com

with a lute and clarinet leaning against stand —3in. (7.5cm.) high (missing one foot); a silver plate coffee pepper pot, a pair of Continental silver napkin clips and a Continental silver vase holder

A pair of 18th century Derby figures of a shepherd and shepherdess, with pipe and lute, hand painted detail and raised on pierced rococo style bases

A Lladro porcelain figurine, depicting a boy playing a lute, set on polished wood plinth

Tischlampe mit Keramik-Figur: Sitzende Pierrette mit Laute. Wiener Manufaktur Friedrich Goldscheider. Stempelmarke GS 19 mit Zusatz "Hand-Decorated", ca. 1922-41. Am Sockel signiert "Thomasch". Modell-Nr. 5030 278 65. Entwurf: Wilhelm THOMASCH (1893-1964), ca. 1922. Fayence, farbig staffiert. H gesamt 77 cm. Lampenfuß mit reliefiertem Säulenschaft und einer sitzenden Pierrette in geblümtem Kostüm und mit Laute. Schirm mit weißem Stoffbezug. 1-flammige Lampenfassung mit Schraubgewinde. Elektrifiziert, Funktion nicht geprüft. Schuhspitze restauriert, am Sockel kleinere Bestoßungen und 1 Brandriss. Aufrufzeit 13. | Juni 2024 | voraussichtlich 17:06 Uhr (CET)Table lamp with ceramic figure: Sitting Pierrette with lute. Viennese manufactory Friedrich Goldscheider. Stamp mark GS 19 with the addition "Hand-Decorated", ca. 1922-41. Signed "Thomasch" on the base. Model no. 5030 278 65. design: Wilhelm THOMASCH (1893-1964), ca. 1922. Faience, color painted. H 77 cm in total. Lamp base with column shaft in relief and a seated pierrette in floral costume and with lute. Shade with white fabric cover. 1-light lamp socket with screw thread. Electrified, function not tested. Shoe tip restored, minor knocks and 1 fire crack on the base. Call time 13 June 2024 | probably 17:06 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DAVID VINCKBOONS (DUTCH 1576 - 1632/33) ELEGANT COMPANY FEASTING WITH MUSICIANS BENEATH AN ARBOUR Oil on panel Signed and dated '1622' (lower centre) 38 x 65cm (14¾ x 25½ in.) Provenance: With S. Nijstad, Lochem, 1962 (according to a card at the RKD) With Leo van der Eerden, Rotterdam, 1974 (as advertised in Antiques, see Literature)Anonymous sale, Amsterdam, Christie's, 8 March 1984, lot 41 Anonymous sale, Paris, Drouot, 4 June 1984, lot 49 Anonymous sale, London, Christie's, 29 October 1999, lot 28 With Johnny Van Haeften, London, 2000 With David Wade Fine Art, Yorkshire where Literature: Antiques, April 1974, p. 780 (according to a note at the RKD) J. Briels, Peintres flamands en Hollande au début du Siècle d'Or, 1585-1630, Paris 1987, pp. 100-1, no. 108, reproduced in colour O. Koester, Flemish Paintings 1600-1800, Copenhagen 2000, p. 279, under no. KMSsp175 B. Nehlsen-Marten, Dirck Hals 1591-1656: Œuvre und Entwicklung eines Haarlemer Genremalers, Weimar 2003, pp. 68-69, under n. 196 K. Ertz and C. Nitze-Ertz, David Vinckboons, 1576-1632. Monographie mit kritischem Katalog der Zeichnungen und Gemälde, Lingen 2016, p. 382, no. 136 C. Laffon, Banquet dans un parc (Le Fils prodigue parmi les prostituées ?) in S. Vézilier-Dussart (ed.), Fêtes et Kermesses au temps des Brueghel, exh. cat., Ghent 2019, p. 252, under no. 74 This picture is either the prototype for, or a closely comparable version of the composition attributed to David Vinckboons in the National Gallery of Denmark, Copenhagen.1 The Copenhagen painting, which is arguably less free in its handling, differs from the present work in having a greater amount of space above the lutenist's head and in portraying the woman at the far left in full, which suggests that the present panel has been reduced at the top and along its left-hand side. A copy after this composition, which last appeared on the market in 2016, further attests to its popularity.2 A merry group of nine men and women, accompanied by a dog, gather around a table laden with oysters and wine, among other delicacies. While one gentleman proffers his roemer towards the sky, another, on the right, fingers his lute beside a lady who sings from a book. The grand building in the background underscores the extravagance of the scene. Some scholars have proposed that this composition alludes to the parable of The Prodigal Son among the Harlots.3 Although this cannot be discerned with certainty, several elements support this hypothesis: the proximity between the figures, the oysters - both on the table and littered on the ground - as an aphrodisiac, and the free flowing wine.4 1 Inv. no. KMSsp175; oil on panel, 51 x 81.5 cm.; 2 Anonymous sale, Munich, Hampel, 30 June 2016, lot 806 (as Philips Vinckboons II).3 Koester 2000, pp. 279-80, no. KMSsp175; S. Heiberg, Christian IV and Europe: The 19th Art Exhibition of the Council of Europe, exh. cat., Denmark 1988, pp. 339-40, no. 1103; and Laffon in Ghent 2019, p. 252, no. 74, all discuss this theory in relation to the version in the National Gallery of Denmark, Copenhagen.4 Laffon in Ghent 2019, p. 252.  Condition Report: UV light reveals various small and precise retouches scattered across the painting. The most evident sections are on the musical instrument of the gentleman on the right corner (where multiple thin brushstrokes have been applied across), on the sky on the right centre, and a few retouches on the heads of the sitters, such as the bearded man sitting at the centre, and the two ladies sitting on his left. Furthermore, some retouches are present on the clothing and on the dog near the right border. To conclude, a thick section on the upper right corner fluoresces under UV light, but such might be caused by an applied varnish.  Condition Report Disclaimer

Tang Dynasty, Ca. AD 618 - 907.A Chinese terracotta female musician. The lady is depicted with makeup, wearing a red belted dress, with long flowing sleeves covered with Persian influenced floral medallions, the outfit finished by a pair of pointed black shoes. Her hair is arranged into the Wo Duo Ji style knot, where the hair is left right above the shoulders finished with a loosely hanging top bun. She is shown to be playing the Chinese lute, also known as Pipa in Chinese. The instrument is decorated and painted with green pigments. This piece has been precisely dated using a Thermo Luminescence analysis carried out by Ralf Kotalla. The report will accompany the lot.Size: 500mm x 170mm; Weight: 3.8kgProvenance: UK private collection; formerly acquired in the early 1990s in Hong Kong. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

A Meissen Porcelain Figural Candlestick, late 19th century, emblematic of summer, 28cm; together with two Staffordshire figures (3)Meissen - sconce broken off and restored, further repair to the wheatsheaf and sickleStaffordshire dancer - chip to hat and base, cracks to base, stainedLute player - badly broken and restored

Attributed to Jan Havicksz Steen (Leiden, Netherlands, circa 1626 - 1679) "Tavern Interior".Oil on panel. Signed.60 x 99 cm.Jan Steen was a Dutch painter of great versatility, famous for his costumbrista and of genre scenes. He was trained by several masters from different cities, such as Adriaen van Ostade from Haarlem, the landscape painter Jan van Goyen from The Hague and Nicolaus Knüpfer from Ultrecht. We read in his biography in the Rijksmuseum that "in 1648, already a master, he helped to create an artists' guild in Leiden, in which he held various positions," including that of president on two occasions.His style, characterized by a grotesque and lively look, evolves during his career towards works with fewer but more characteristic figures until "in his last period he stylized his figures, toned down the colors and his compositions opened up to the new tastes of the turn of the century," as stated by the Museo Nacional Thyssen-Bornemisza. In addition to the representation of cheerful and amusing interior and exterior scenes, the Thyssen continues, "his paintings with allegorical and religious themes stand out, along with some commissioned portraits", as well as some with historical themes. It is curious to note the appreciation of the Mauritshuis, which states that "his chaotic scenes are so typical of his work that in Dutch there is the common expression «a house of Jan Steen»".Steen developed an extensive production that today we find preserved and exhibited in many Western museums. As we cannot mention it all, we highlight "Young Man Eating Oysters" (c. 1658-60), the master's smallest work, in the Mauritshuis in The Hague; "Wine is Mocking" (1663-64), in the Norton Simon Museum in California; the "Self-Portrait with Lute" (c. 1663-65), in the Museo Nacional Thyssen-Bornemisza; and "The Feast of St. Nicholas" (c. 1665-68), in the Rijksmuseum.Reference bibliography:- Thyssen Museum (n.d.). "Jan Havicksz. Steen." https://www.museothyssen.org/coleccion/artistas/steen-jan-havicksz- Mauritshuis. (n.d.). "Jan Steen (1626-1679)." https://www.mauritshuis.nl/es/descubrir-la-coleccion/nuestros-maestros/jan-steen/.- Rijksmuseum. (n.d.). "Jan Havicksz. Steen." https://www.rijksmuseum.nl/en/rijksstudio/artists/jan-havicksz-steen

EBB & FLOW - a Lute pendant light in smokey grey and platinum, RRP from £250. Diameter 22cm, height 48cm.New in box.

This large figurine/candle holder depicts a cherub playing a lute and serenading a baby (possibly Jesus) in a cradle. TMK#6. Goebel backstamp. Issued: 1979-1990Dimensions: 8.25"L x 5.5"W x 6"HManufacturer: Goebel HummelCountry of Origin: GermanyCondition: Age related wear.

SITZENBERG; a 20th century porcelain six-piece frog orchestra of a conductor and five musicians, printed marks to base, together with three further PMP porcelain frog musicians by H Bittersmann (9).Condition Report: Sitzendorf - all good conditionPMP - Flue and cymbal good condition, lute has a chipped leaf at his feet

SITZENDORF; two 20th century masked figures wearing conical hats, one playing the lute, the other dancing, printed marks to base, height of largest 14.5cm.Condition Report: Good oncdition

Tang Dynasty, 618-907 A.D. Two mounted musicians comprising: the horse standing on a rectangular base with painted harness, bridle and saddle detailing; the integral rider in loose coat and riding boots, wearing a floppy cap and playing a p'i-p'a (Chinese lute); the other similar, playing a ling-gu tambour held in the left hand. 5.35 kg total, 38.5 cm high each (15 1/8 in.). Acquired 1990s. West Country, UK, collection. Accompanied by a copy of a thermoluminescence analysis report no.13CM180321 from Laboratory Kotalla for one of the figures. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11990-209554. [2]

Lladro Porcelain Clock, with reclining clown and lute, 21cm high, together with two Lladro figures of ladies with hats. (3).

A pair of late 19thC Continental porcelain figures, of a North African gentleman playing a lute, and a woman water carrier, each raised on a circular base, 38cm high. (AF)

Follower of Adriaen Van Ostade - Interior scene with lute playeroil on copper22 x 17 cm

Swarovski Crystal Glass, three musical instruments, including a grand piano, a lute with stand and a harp. Three in total, not in original boxes.

A PAIR OF OAK ARCHITECTURAL ELEMENTS CARVED AS ANGELS, FLEMISH, 17TH CENTURY the winged figures carved as one playing a lute, the other a viol, with volute capitals above, 52cm high

A Meissen porcelain figure group, with a seated lady playing a lute, a man offering flowers in his hat and a child offering a  floral headdress, with tree, incised D95, height 10.5insCondition Report: The leaves to the trees are broken and some restored

carved dancing and playing lute style instrument, approximately 24in. (61cm.) high. (2)*Some age related shrinkage cracks etc, both good.

very well enamelled on the exterior with three continuous bands of figure scenes, running around the flared neck, the rounded central bulb, and the flaring lower body, within bands of gilt ground flower, fruit and butterfly border at rim and foot H:37cm. Good condition, one with possible repair around firing cracks at lower body lute line

Lladro Porcelain Clock, with reclining clown and lute, 21cm high, together with two Lladro figures of ladies with hats. (3).

A CHINESE PAINTED POTTERY HORSE WITH MUSICIAN, TANG DYNASTY (618-907). The horse standing four square with a musician playing a lute, painted with black, orange and white pigments. 33.5cm tall. Provenance: Purchased from a London gallery circa 2000, without TL test.No obvious signs of damage or repairs. Flaking to coloured pigment in places. The lute has detached from both hands but can be repaired.

A Charles II 17th century needlework stumpwork embroidery panel. The embroidery backed on silk featuring two figures to the centre, one playing a lute, surrounded by sewn animals, insects and foliage, including a moth, squirrel, deer, caterpillar, birds, pear trees, a rabbit, and fruiting plants. With a sun emerging behind clouds at the top centre. The picture after the depictions of Orpheus with his lyre charming animals. Historic worm damage to the silk not affecting the stumpwork, silk discoloured commensurate with age with original green colour visible beneath frame. Framed and glazed in maple frame; frame also with age, featuring the remnants of a manuscript label to verso. Stumpwork measures approx. 31cm x 23cm, 40.5cm x 33cm including frame.

A Chinese 'melon' rock crystal snuff bottleLate Qing dynastyFinely formed as a melon, a leaf and tendril carved in shallow relief and wrapped around the body, with smoky quartz stopper in the shape of a lute head, 5cm high without stopper.清晚期 水晶雕瓜果式鼻煙壺Snuff bottles from a Private Collection (Lots 95-238), mostly formed by Frederick George Ruddle (1886-1960), from Carshalton, Surrey, and Lily Beatrice Ruddle (neé Etherington) 1887-1972, from Sutton, Surrey.The Ruddle family were owners of a large bakery in Sutton, and property developers in Sutton and Carshalton, SurreyFrederick was by trade, a sign writer; Frederick and Lily left England initially for South Africa and subsequently for Australia, where they settled shortly before the first world war. They had eight children.Frederick then took up an executive role for an Australia, Southeast Asia and South Sea Island trading company, Burns Philp, which took him to travel extensively in East Asia; it is presumably during the course of these travels that he had the opportunity to discover Chinese and East Asian Art, and start amassing his collection of snuff bottles, amongst other things. He was a passionate collector of many things beside snuff bottles, including Oceanic Art and Orientalia.In 1978, the current vendor, a grandchild of Frederick, came to England to attend Cambridge university. At the time he was given power of attorney from the executors of the estate to assist in and arrange the sale of Frederick and Lily’s remaining real estate and properties in Sutton and Carshalton.As thanks for his assistance, the executors, Molly and Hilda Ruddle, gave him the collection of snuff bottles, in 1980, which he lovingly preserved, researched, and added to over the years.Condition Report: At least one barely noticeable inclusion to the stone, around the leaf; a small chip to the edge of the stopper. A couple of insignificant nibbles.

A silver cigarette canister, import hallmarks for George Bedingham, London 1906, repousse chased panels to body depicting cherubs and doves, lid depicting a lute player seranading two ladies, floral border, indistinct continental hallmarks to base, 9.5cm, 5.9oz.

A gilt framed print depicting winged cherub playing a lute

A pair of German porcelain figures, H35.5cm, and another with a lute, some damage

ARCHIV - LP COLLECTION. An extensive collection of around 270 classical LPs, all released on Archiv. Composers/ performers include Fischer-Dieskau - Lieder, Poland & Hungary - Lute Music Of The Renaissance, Ulsamer Collegium - Dance Music Of The High Baroque, Linde/ Muller - Bonocini. Telemann - Three Concertos From The Banquet Music, Obrecht - Missa Sub Tuum Predidium, Helmut Walcha - Bach: Chorales, Dresdner Kreuzchor - Schutz, Robert Kobler - North German Organ Music, Kurt Masur - Mendelssohn. The Triumphs Of Oriana, Jurgens - Gagliand. Records are generally VG+ to Ex+. See pictures for detailed spine edge images. Please note that all sleeves will contain archival stickers from the BBC. The majority of these stickers are 'on top' of the plastic with some 'underneath' (i.e. on the sleeve itself). Some sleeves have been 'laminated' either by way of 'punching' the plastic wallet to two parts of the sleeve or by fully wrapping the plastic to the sleeve. Generally G to VG.

An antique carved oak panel. lady playing the harp and a man playing a lute 34cm x 2cm x 32cm 

Clear faceted crystal figure of a lute with Celtic style etched design. Retired. Swarovski mark. Item number 7477NR000004. Part of the Crystal Melodies collection. This item has its original box: 6"H x 3.25"dia. Certificate of Authenticity included. Includes mirror: 4"dia. Dimensions: 3"L x 1.25"W x 2.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear. One of the tuner knobs is missing.

19th century mahogany-cased 8 day long case clock, G. Lane, Bristol, the named 12-inch break-arched Roman dial with subsidiary seconds and calendar crescent, within spandrels painted of classical architecture, the painted arch depicting a classical gentleman playing the lute, 215cm high, with two weights, pendulum and winder

A Meissen porcelain figure of a lute player. On rococo scroll base, height 14cm together with a Meissen porcelain figure of a flower seller, height 14cm. (2)The lute player has a restored tip on his tricorn hat.The female has a tiny chip on her little finger, and slight losses to the leaf tip.

CONTINENTAL PORCELAIN FIGURAL GROUP OF A YOUNG MAN AND WOMAN, ALONG WITH FURTHER PORCELAIN comprising a pair of vases, a further vase, a bust of a child, and a young lady playing a lute

A pair of Derby Patch Mark figures, of a shepherd and shepherdess, he seated wearing feathered headdress, fanciful dress, dog by his side, playing the bagpipes, she seated wearing a ribboned bonnet, playing a lute, a lamb at her feet, both before bocage, pierced scroll bases, picked out in gilt, 20cm high, c.1770 (2)

Lowestoft white glazed figure of a female lute player, circa 1780, on high-footed pedestal base, 17.5cm highReglued at the neck and left shoulder. Spot of restoration to her thigh. Some losses.

Late 19th century Italian carved marble sculpture of a child playing a lute, signed indistinctly to the naturalistic base, 57cm high

A CHINESE HARDWOOD LUTE WITH CARVED SCROLL IN THE FORM OF A BAT, 102cm L

Seltene Figur "Amor als Minnesänger mit Laute".OriginaltitelAuf profiliertem, marmorierten Rundsockel mit naturalistischem Terrain stehender Amor mit Federkappe und Umhang, die Laute spielend. Polychrome Malerei mit Goldstaffage. Entw. Heinrich Schwabe. Modell-Nr. L 124. Unw. rest.; Schwertermarke. H. 19,5 cm.A rare porcelain figure of cupid with lute as minstrel. Insignificantly restored. Crossed swords mark.Meissen. Um 1900.

Multifaceted clear crystal lute with etched details on its face and a stand. Swarovski etched backstamp. This item has its original box, 6.5"H x 3.25" dia. Issued: 20th centuryDimensions: 3.25"L x 1.25"W x 1"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

A collection of eight diamond charm pendants, comprising: a figure playing a lute; a house; a car; a folding fan; a windmill; a yacht; a dog; and a bird on a perch, variously set with brilliant-cut and baguette diamonds, mounted in white gold, largest 2.6cm including jump ring

Partially glazed bone china figure of seated lady in a blue dress playing the lute leaning on a table. Part of the Lady Musicians series. Royal Doulton backstamp. Issued: 1971Dimensions: 6.75"L x 5"W x 6.5"HEdition Number: 719 of 750 Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

A set of brown patinated white metal 'samac' statues of a lute player and blacksmith, France, around 1900, h 38 cm, to. 2x.

A ROYAL DUX CENTREPIECE, depicting a lady seated on a shell with a lute, model no 1932, base bearing pink Royal Dux triangle mark and printed 'Made in Czechoslovakia' mark, height 27cm (1) (Condition Report: has some restoration, otherwise appears in good condition, a little dusty)