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A LUDWIGSBERG PORCELAIN FIGURE GROUP, modelled as father and child in 18th Century dress, he stands playing a lute while she picks flowers, underglaze blue printed factory marks, 23cm; together with A CONTINENTAL PORCELAIN FIGURE, of a young man sat upon a stook, underglaze blue N with orb and crown mark, 15cm; and A CONTINENTAL BISQUE FIGURE, early 20th Century, the gentleman modelled in 18th Century dress, blue printed factory mark, 21cm. (3) Provenance: Formerly the property of Senor Don Roberto Velez Arce, Peruvian Vice-Consul to Hong Kong, appointed 1967; thence by descent.
An Edwardian silver mounted shagreen jewellery box, by Samuel Jacob, London 1910, of rectangular form with canted corners, the clasp modelled as a lute and trumpet tied by ribbons, with swags to each side, the silver thread edges with leaf sprigs, cream velvet lined, green leather base,12cm long
A rare pair of late Ming blue and white Dishes,Chongzhen (1628-1644), each with a musician seated on a stool playing the lute to the moon, minor frits, one short base crack, square seal mark 'Fugui Jiaqi' (beautiful vessel for the rich and honourable),14.3 and 14.5cm (2)明崇祯 青花乐师纹小碟 《富贵佳器》款 一对
A set of four Samson porcelain figures depicting musicians and dancers including a seated female lute player, two dancing gentlemen and a dancing lady. A pair of Samson porcelain figures of a lady seated at a table with a bunch of flowers, the other depicting a gentleman holding a violin. A Samson porcelain figural group of a couple seated on tree stumps, she holding a gun, he holding a bird. Est £40-60
A set of twelve mid 20th century Italian? 800 standard parcel gilt silver place settings, modelled as various string instruments with treble clef support, on hardstone circular bases, including violin, guitar, lute and lyre and bases including tiger's eye quartz, rose quartz and lapis lazuli, marked to base only, 2.75in et infra.
A collection of miniature silver and other items to include two miniature Dutch silver chairs, two miniature pedestal baskets, miniature bird cage, miniature coffee pot, miniature lute, miniature chain link coin purse, miniature French horn, miniature scissors and a cranberry glass scent bottle
A Fine Italian Inlaid Tortoiseshell Miniature Model of a Lute in a decorative inlaid box with maker's name to the interior; 'G. Di Giorgio Fabricante Rione Amedeo Napoli'. The lute clad in tortoiseshell veneers with decorative bands of mother-of-pearl inlay and turned bone tuning pegs, 15¾ ins (40 cms) in length. The box with similar decoration.
A PAIR OF DERBY FIGURES OF A SEATED GENTLEMAN WITH FLUTE AND LADY WITH LUTE, C1820 16cm h, incised No 11, puce painted crown over D and gilder's numeral 1 of Samuel Keys ++Lady - restoration to head of instrument and the figures forearms. Man - restoration to hands and flute but both richly decorated attractive examples
A Japanese carved ivory figure of a Labourer, standing on a rock and holding an axe, repairs to hand and base, 7½in (19cm) high, together with a Japanese carved ivory figure of a Sage, with large forehead and playing a lute, damaged, 7in (17.75cm) high (2) THIS LOT WILL BE SOLD ON SATURDAY 12TH SEPTEMBER STARTING AT 10.30AM UK TIME
5th-7th century AD. A silver hemispherical bowl with parcel-gilt surface, with repoussé frieze of four dancing girls, a pipe-player and a lute-player amid foliage with fruit and perched birds; central image of a boar with wings to the shoulders. 1.5 kg, 28cm (11"). From the collection of Persian businessman Habib Sabet; acquired 1970s-1980s; thence by descent 1990. Supplied with a positive X-Ray Fluorescence metal analysis certificate. See Godard, A. The Art of Iran London, 1965, p 214-215, ill.120 and 121, for a bottle with repoussé decoration now in the National Museum, Tehran, depicting the same Bacchic imagery and similar mythical animal at the base. See the Metropolitan Museum of Art in New York for a parcel-gilt ewer decorated with similar figures, accession number 67.10a,b. See the Los Angeles County Museum of Art for boar decoration, accession number M.76.174.271. Accompanied by an Art Loss Register certificate. Habib Sabet was an industrialist and art collector who was born in Tehran in 1903. He is noted for founding many businesses in his native country and was also involved in banking and television. In 1974 he moved to Paris where he lived for many years; with the fall of the Shah in Iran his sons took over the running of his businesses. Habib Sabet spoke six languages and was raised in the Bahai faith in which he became an important figure and spokesperson. He was a noted philanthropist as well as a prolific collector of art and antiques where he concentrated on Sassanian and Achaemenid objects that illustrated the courtly life of the times. He died in Los Angeles in 1990 at the age of 86. The decoration on this bowl, which depicts a Bacchic festival, is similar to examples on vessels now to be found at the National museum, Tehran, the Metropolitan Museum of Art, New York, and the Hermitage Museum in St Petersburg, Russia. The figures on all of these vessels are of women surrounded by vine leaves and grapes and with birds and animals; the figures evoke imagery of Bacchic festivals that were popular in the Roman Empire and which even spread as far as India as an art subject. These bowls and jugs are thought to be connected to harvest rituals when the first grapes had been pressed and so the imagery of Bacchic subjects would have fitted in well with the role of Bacchus as god of wine. Also, this close iconographic connection probably indicates an assimilation of his cult into the Iranian fertility cult related to Anahita, the ancient Iranian goddess of love and water. The mythical animal on the base, which is a combination of boar and simurgh, is a signature design of the Sassanid Empire. In Greek mythology, the winged boar was connected to Chrysaor, brother of Pegasus, and his image can be found on several types of coins. The mixture of classical and Iranian subjects on these vessels is possibly the result of them being produced in areas that came under the influence of the two cultures, such as the Black Sea region. Very fine condition.
A matched pair of late 19th Century Royal Worcester Hadley figurines modelled as Eastern Musicians in the Egyptian Revival taste, both in shot enamels to a faux ivory ground, he playing a lute, she playing the tambourine, both with green printed marks, (she later in date than he), height 23cm
A Derby porcelain figure, of a lute player, (a.f.) 21.5 cm high Condition report Report by GH Small chips to the feathers on top of the head. Further chips to flowers and foliage in several places. Some loss to paint on foliage. No obvious evidence of restoration. One very small chip to the ear of the sheep. Firing crack to the rear, various other small firing cracks.
Fine quality 19th Italian micromosaic plaque of rectangular form depicting a lute player and two fruit gatherers in a classical landscape, 3cm x 5.5cm CONDITION REPORT The plaque appears to have a scratch or diagonal scar which runs approximately from above the central figure's head to above the garland she holds. It is unclear under magnification whether this is damage or a substance on the surface, otherwise some surface dirt, no other damage. The work is of a very fine quality

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3259 item(s)/page