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A Staffordshire porcellanous figure of a girl holding a guitar, possibly Lloyd of Shelton, 18.5cm high; a Staffordshire pottery figure of a Turk playing a lute, 21.5cm high; a similar figure of a girl holding a guitar sitting beside a tree, 17.5cm high; and a similar figure of a girl holding a flag, 22.5cm high (4)
A Victorian embossed silver card case, Henry Matthews, Chester 1899, the front with rustic scene of two young ladies and a lute player, the reverse with raised rococo scrolls surrounding a parkland scene with peacocks, lined with watered silk and with an ivory leaf for notes, 4 x 3in. (10 x 7.5cm.), gross weight 3.5 tr.oz. * Condition: Some loss to fine detail through polishing. Closes crisply. Marks slightly rubbed but still legible. Some water staining to green silk interior and edges of leather borders slightly worn, but overall good. Ivory leaf discoloured to ends but has no splits or other damage.
Cookery Receipts. A manuscript cookery receipts book, circa 1830, written in a very neat hand including recipes for Portugal cakes, gum balls, potting tongues, almond cream, birch wine, to pot hare, a quaking pudding, to preserve pippins, to make wiggs, to make blood puddings, Lady Corbet's pancakes, to collar veal, 'to pickle colleflowers', ragu of oysters, apricot gum, etc., 112 pp. plus index, together with a second matching volume containing 14 pp. medical receipts, the remaining leaves blank, including receipts for rheumatism, snail cordial, purge for worms, saline draught, an electuary for the jaundice, for the biting of a mad dog, soap pills, lute drops, a diet drink, etc., contemporary half roan, some edge wear, 4to, plus a partially completed 20th-century manuscript cookery receipts book containing recipes for cakes and puddings (3)
An early 19th century French gilt bronze figural mantel clock. Surmounted with a maiden playing a lute. Raised on a spreading plinth adorned with masks, birds and baskets of fruit with flower swags and supported on bracket feet. Housing an eight day silk suspension cylinder movement striking half hourly on a bell. Dial and works signed Schafer, Paris, 46cm high. Condition Report. To be used as a guide only. Case in good order. Dial tarnished. Sold with key and pendulum. Running.
Short-necked lute (robab, rabab), Afghanistan, 19th century. Body and neck carved from a single piece of mulberry wood. Lower chamber of the body covered in goatskin; upper chamber covered by the end of the fingerboard. Bone and mother-of-pearl inlay. Twelve sympathetic strings pass under the five playing strings and two drones. The instrument has four gut frets and is played with a wooden plectrum. The robab is considered the national instrument of Afghanistan.
A 19th Century African Large Calabash Gourd, naively carved in the Coptic manner with religious iconography, probably depicting the apostles (old woven string repairs to the body), 43.5 cm high, together with a West African N'goni (Plucked Lute), with goatskin body and wood neck, 94.5 cm long (2)Gourd - Rich patination. Old woven string repairs to cracks in the body. Scattered small old worm holes. N'goni - Overall in good condition.
A very rare pair of Lowestoft white glazed figures circa 1770 crisply modelled as musicians in contemporary dress and dancing pose mounted on four footed bases, the male figure holds a triangle and the female a mandolin or lute, height of male 7 1/2 ins, condition: restoration to both figures, A similar male figure on a flatter base from the Watney collection was sold by Bonhams in 1999 (see Pt 1 of the Watney collection lot 213) For a discussion on the attribution of these figures on four footed bases, see Godden Lowestoft Porcelain P and Pt II of the NCM catalogue nos; 119 122, See also English Porcelain Figures of the 18th Century by Arthur Lane (p,129 footnote 4) which notes that on analysis some of these figures were found to be highly phosphatic, The consensus seems to be that these figures are Lowestoft and were made a decade or so before the enamelled and white figures occasionally found with flatter bases, (2)
Briton Riviere, R.A. (British, 1840-1920):Study of a lion, oil on canvas, H 30 x W 40 cm. Note: The present picture is likely to be a preparatory study for the artist's large 1874 Royal Academy exhibit of Apollo Playing the Lute, presently in the Bury Art Museum. The painting closely illustrates lines spoken by the chorus in the play 'Alcestis' by Euripides: 'Apollo's self, Deigned to become a shepherd in thine halls, And tune his lays along the woodland slopes, Whereat entranced the spotted lynxes came, To mingle with thine flocks; from Othry's glen, Trooped tawny lions; e'en the dappled faun, Forth from the shelter of her pinewood haunts, Tripped to the music of the Sun-God's lyre'. The picture caught the attention of the young Gerard Manley Hopkins who discussed it in his journal.
Pair of Meissen style porcelain figure groups, boy with a birdcage and girl with a wreath; and boy with sickle and girl with a lute, underglazed blue crosshatch mark, 16cm, minor damage and repair; another pair of figures, yellow painted, damage and repair; and a Meissen style porcelain figure, 'The Rose', restored. (5)
A clear cut glass bell shaped scent bottle, globular faceted prismatic stopper, silver collar, Birmingham 1926, 13cm; a modern silver mounted address book, the embossed cover with lute player and ladies in 17th century dress, within a summer garden, scolling foliate border, vacant shield shaped cartouche, 14cm x 11cm, London 1991, boxed; a similar silver mounted prayer book, Sheffield 1998, boxed (3)
A pair of Derby figures, male musician and female reading music, polychrome. Height 17 cm (see illustration). CONDITION REPORT: The female figure has a loss to the tip of the little finger and forefinger. There are minor small chips to the floral encrustations around the base. The male figure has a chip to the front corner of the tricorn hat. There is a partial loss to the ribbon of his ponytail. The left hand arm has been broken at the elbow and glued. The lute is missing the tuning pegs. There are very minor losses to the floral encrustations to the base.
GLADYS SPAWFORTH, (British, early 20th Century, Arts and Crafts stained glass artist), a group of four leaded, stained glass panels, 'Joan of Arc, The Maid of Orleans', martyr and saint 1431. 63 x 50cm. 'St. George and the Dragon', circular, 39cm diameter and two similar: a lute playing angel and a king's head, 20cm diameter and 19cm diameter. Together with a fascinating sketchbook belonging to the artist, featuring all manner of armorial sketches, portraits, text and studies, some in watercolours and a box of printed armorial bearings, various.Gladys Spawforth worked at the Lowndes and Drury Studios which were formed by Mary Lowndes, who was an active member of the Women's Sufferage Movement and Alfred John Drury who taught at the Royal College of Art and Central School of Arts and Crafts in the 1900s alongside Christopher Whall, one of the leading members of the Arts and Crafts Movement. Originally sited at 35 Park Walk, Chelsea before moving to Lettice Street, Fulham, where the new premises became know as 'The Glass House' and studios were rented to stained glass artists who paid for the services of Lowndes and Drury from their commission fees. Lowndes and Drury closed in 1987 and many of their records are held in the V&A archive of art and design. These examples of her work provenanced direct to her descendent family.(B.P. 24% incl. VAT) CONDITION REPORT: The stained glass panels appear in good original condition, some wear but the glass appearing good. Detailed condition report on request. The sketchbook is in poor condition, although appearing complete, the spine is virtually broken.
A LUDWIGSBURG FIGURE GROUP, CIRCA 1762 modelled by Johann Christian Wilhelm Beyer (1725-1796) as a shepherd and shepherdess playing a flute and a lute respectively watched by a putto from the top of a ruined arch, a dolphin spouting water to the side and a goat between them, all on a rocky and grassy base, underglaze blue crowned CC mark 27.5cm high, some restoration For a comparable example see Hans Dieter Flach, Ludwigsburger Porzellan, Stuttgart, 1997, p.447, no.15
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2984 item(s)/page