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Freek van den Berg (Dutch 1918-2000): Lady with a Lute, watercolour signed also with artist's studio blind stamp 52cm x 69cmProvenance: through the artist's family. Freek belongs to the group of Fauvists and was one of the last Dutch painters who worked in this expressive and colourful manner. He was a member of the "Onafhankelijken" and also an art critic. Several books appeared about his work.DDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
*Fan. A hand-painted fan, Continental, early 19th century, folding double-sided fan, the parchment leaf backed with paper, recto with a painted and gilded pastoral scene of a courting couple and two small children amongst rocks and flowers, with border of fruit, garlands, volutes, birds, Cupid's bow, etc., landscape painted on verso with a young boy mounted on a goat and a dog beside, indistinct early manuscript note on verso lower left, closed 1.75ins tear to right hand edge (sometime repaired with ribbon on verso), mounted on painted and gilded pierced ivory sticks with remains of mother of pearl backing, diamant‚ rivet, front guardstick broken, 26.5cm (10.5ins), contained in a modern satin-lined cardboard fan box, together with a later hand-coloured lithographed fabric folding fan, showing courtly figures, a child, and a dog, in an Arcadian landscape, with lute, with elaborate border of silver spangles (some missing) and metal fringe, mounted on bone sticks (lower guardstick broken and sometime repaired), 23.5cm (9.25ins), housed in a cream silk fan box (2)
A fine and rare Italian walnut cassone (probably 17th century); the chest of excellent colour and patination and the lid with lower cleated ends and locating to the main body upon three blacksmith- made tapering strap hinges, the underside of the lid ornately decorated in pokerwork with one angel playing a lute and the other opposing holding a flaming orb, further allegorical decoration within a foliate-style running guilloche border, the rear of the lid with remnants of the four original linked hinges, the front panel very finely decorated with pokerwork scenes, the two winged cherubs further repeated at the ends and opposing and looking onto three circular carvings depicting seated heraldic-style figures with various mottos against stylised linen, the sides reinforced with original mitred iron banding and with exposed dovetails etc., (sold together with a hardback volume 'Treasures of Britain,' depicting a similar chest on page 397), 154cm wide x 51.5cm deep x 51cm high CONDITION REPORT: The chest has been in the same family for many years and entered privately. It looks of a very good overall colour and patination. The planked top has evidence of splits, marks, scuffs, old water damage and stains, scratches etc., commensurate with age (17th Century). There is a piece of wood away from the back right hand side of the hinged lid, further splitting and scratching etc., to the sides and the front of the piece looks reasonably OK in terms of condition. There may well be a “later” piece of wood running the full length of the piece at the bottom on the front but if so this was done many years ago. The back also exhibits usage and age etc., the chest is not without faults but has a very pleasing and mostly original look.
A Dresden porcelain figural centrepiece; two-handled boat-shaped reticulated bowl above a flower encrusted support and two young figures, the girl standing playing a lute; printed marks to underside, 37cm high CONDITION REPORT: As you would expect some of the extremities (i.e., flower head edges) have chips and have been damaged. The overall appearance of the centre piece is quite dirty but it appears to be in reasonable condition and order with no cracks, chips, hairlines or restoration noted. As previously noted some of the extremities show small signs of chipping etc. The main “tree” support appears to be in good order and the figures themselves look reasonable with all of the fingers appearing to be present and intact. The gilded 'C' scroll “feet” all appear good although turning the item over the affixing iron nut where the base meets the tall support has gone quite rusty to the underside. Overall the centre piece looks to be in generally good decorative order.
A Bow figure of a female lutenist c.1753-55, after a Meissen figure by J F Eberlein, standing and holding her instrument close to her chest, her skirts swaying, raised on a low pad base applied with a single flower, a black painter's mark to the reverse, a little good restoration to the lute handle, her right arm restuck, 16.5cm. Provenance: the Roy Hogarth Collection.
THREE SIMILAR MEISSEN PORCELAIN FIGURES OR FIGURE GROUPS to include; pair figures in 18th Century dress leaning on wicker baskets, blue crossed sword marks to bases, 26cm approx. Together with a large figure group of an amorous young couple reclining in a garden with dog and lute at their feet, blue crossed sword marks, 31cm long approx. (B.P. 24% incl. VAT) CONDITION REPORT: The male figure of the pair - the head has been off and glued back on, otherwise basically in good condition, minor wear commensurate with age. The female of the pair is holding something in her hand which is lost and her braces at the rear lack one section. Large group lacks the head of the lute and some minor frits.
TWO SIMILAR CARVED OAK MUSICIAN FIGURES in Medieval style, both seated one playing lute type instrument, the other playing a small pipe organ with keyboard, 22cm high approx, probably 17th Century. (2) (B.P. 24% incl. VAT) CONDITION REPORT: Both are split and very dry the lute has lost the upper portion of its neck.
Le Roy, Paris, a French ormolu mantel clock: the eight-day duration movement having a silk-suspension to the pendulum and striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with name Le Roy et Fils, Hgers du Roi, Paris, No. 1484, the round silvered dial having engine-turned decoration to the centre, black Roman numerals and blued steel moon hands, the gilded ormolu case having acanthus leaf decoration to the base, with a female figure in 19th century dress seated above leaning across on a cushion with a lute to the side, the whole standing on decorative ormolu floral scroll feet, height 57cms. * Biography Le Roy et Fils were established by Basile Charles Le Roy in 1785 and were well known and fine makers of clocks. Basile Charles Le Roy was the Master Clockmaker to Napoleon & along with his son Charles-Louis were clockmaker's to the Princess Pauline and the Duke de Bourbon. Examples of their work are in all the major collections as well as the Ministere de la Guerre, Paris. The Maison de Le Roy was founded in 1785 at Palais Royal & continued until the death of Charles at Versailles in 1865. They took on premises at 13-15 Galerie Montpensier, Palais Royal, Paris when the Duc d'Orleans opened the Palais Royal gardens for both the trade and public's use with many prestigious shops opening under the arcaded walkways. From 1885 their London retail outlet was at 57 Bond Street having moved from Regent Street.
A GEORGE I / II SILVER MOUNTED TORTOISESHELL SNUFF BOX oval with a "stand-away" hinge, the cover inlaid with silver, copper and mother of pearl pieces to form the figure of Harlequin from the Commedia dell' Arte, playing a lute, flowers at his feet, unmarked, English 1720-30; 3.25" (2 cms) long
A Derby Bisque Porcelain Figure of Plenty, circa 1780, modelled as a goddess holding a cornucopia of fruit and a bunch of flowers, on a square base, incised No 63, large and factory mark, 26.5cm high; and A Bloor Derby Porcelain Figure of a Musician, circa 1830, after a Meissen original, the standing girl playing a lute, on a gilt line circular base, bears pseudo Meissen marks, 16cm high (2)
HASSALL JOHN: (1868-1948) English Illustrator and Poster Artist. Two vintage signed colour postcards, each featuring different illustrations by Hassall of cavalier's in traditional costume of the period, one playing a lute. Individually signed by Hassall with his artist's signature ('Hassall') in dark fountain pen ink to clear areas of the image, both of which also feature facsimile signatures at the base. Together with a postcard reproduction of Hassall's work entitled The Deputation, signed by Hassall with his artist's signature ('Hassall') in dark fountain pen ink to the lower edge and with an autograph note to the verso, stating, in full, 'The title of this was going to be “Prince or Princess?” So you can guess the rest of the story I 'spect'. Some light age toning to the edges of the two colour postcards, otherwise about VG, 3
BRYNNER YUL: (1920-1985) Russian-born Actor, Academy Award winner. Vintage signed and inscribed 7 x 9 photograph, an unusual early head and shoulders study of the actor in costume as Tsai-Yong from a stage production of the musical Lute Song. Signed in blue fountain pen ink by Brynner with his scarcer, early full signature, to a light area of the background, also adding the title of the show Lute Song in his hand beneath his signature and across a darker area of the image. Signed photographs of Brynner from this stage of his career are scarce. Some heavy surface and corner creasing, about G The relatively unknown Brynner was cast in the Broadway production of Lute Song at the Plymouth Theatre, which ran from February - June 1946. Brynner would later appear in a London production of the show, alongside Dolly Haas, at the Winter Garden in 1948. The cast of the original production included Nancy Davis, the future wife of Ronald Reagan, in her first and only Broadway appearance. Mary Martin also starred in the Broadway show and, as a result of her experience acting alongside Brynner, she recommended him to her friends Richard Rodgers and Oscar Hammerstein for the role of the Siamese monarch in The King and I.
A late 19th/early 20th century mahogany dining table on block tapering supports, length 132cm, a contemporary dark stained wood-effect square coffee table on block supports and metal trim, 69 x 79cm, also a large metal figure of a Middle Eastern musician playing the lute, height 55cm, a pair of metal Egyptian figure candle holders and a pair of plaster sphinxes (7).

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3259 item(s)/page