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Purcell (Henry). Orpheus Britannicus. A Collection of all the Choicest Songs, for One, Two, and Three Voices, composd by Mr. Henry Purcell. Together, with such Symphonies for Violins or Flutes, as were by him designd for any of them: and a Through-Bass to each Song. Figurd for the Organ, Harpsichord, or Theorbo-Lute, 2 vols., 1st ed., 1698-1702,. title-pages printed in red and black, eng. port. frontisispieces, vol. 1 with dusty and foxed title and frontis. both trimmed and laid down, woodcut initials, contents browned, upper hinges split, 19th c. half calf gilt, rubbed, and labels to spines chipped, folio (2)
An English harp lute, early 19th century. The body of seven ribs of simulated rosewood, the table and sound hole edged with stained fruit wood and in set with pearl dots. The neck arm and fluted column also simulated rosewood. Three strings over the two finger boards and eight diapson strings, two with ditals and three with brass tuning blades. On brass ball feet with tuning crank, in original wooden case. 85.4cm long. (2)
A Continental carved ivory figure, 19th century, of a monk clutching a cross with a skull and book at his feet, mounted on circular ivory base, 17cm. high; a Continental carved ivory figure of male figure wearing armour, mounted on wooden circular base, 12cm. overall height, also a continental carved ivory figure, 19th century, of a female peasant lute player, mounted on raised ebonised and ivory circular plinth, 22cm. high. (3)
A late 19th century bronze of the Angel Israfel, the winged figure reaching skyward, a stringed instrument under one arm, standing upon a glass sphere, mounted on a flared coromandel veneered plinth, with a plaque inscribed 'The Angel Israfel whose heart strings are a lute and who has the sweetest voice of all God's creatures', 91cm (35 3/4in) high
A mille fleurs pastoral tapestry 20th century in 16th century style woven with a central rectangular plinth surrounded well and small lower pond with two ducks with four female figures one of which is seated at the well and playing a lute and two male figures in 16th century dress with a ground of two flanking trees with a perching bird and small flowers on a dark brown/black ground in the mille fleurs style with a later banded brown and yellow outer selvedge h. 218cm. w. 269cm. W
A Meissen porcelain figure of “Apollo” - A lightly draped bearded young man holding out a tazza with a lute at his side, standing by a rustic stump with moulded rococo pattern base, the whole outside decorated in mauve, blue, green, brown and gilt, 15.5ins high (circa 1870 - right arm repaired in two places - crossed swords mark in underglaze blue to base and incised P107)
Purcell (Henry) Orpheus Britannicus. A Collection of all the Choicest Songs, for One, Two, and Three Voices, compos'd by Mr. Henry Purcell. Together, with such Symphonies for Violins or Flutes, as were by him design'd for any of them: and a Through-Bass to each Song. Figur'd for the Organ, Harpsichord, or Theorbo-Lute, 3rd ed. with large additions, printed by William Pearson, 1721, title printed in red and black, with ownership inscription of William Tytler, dated 1750, at head (small closed tear repaired to top margin), dedication leaf, and 6 pp. prelims., containing The Publisher to the Reader, verses, and table and advertisement (this 3rd leaf bound in after dedication leaf), woodcut initials, a.e.g., contemp. speckled bull calf, gilt dec. spine, rebacked with orig. spine laid down, some marks and darkening to spine and adjacent portion of upper cover, folio Ownership inscription to front blank 'Dorothy Howard, from her Father, 1908.' and 'Given to Barbara Calvocoressi. 1956'. British Union-Catalogue of Early Music, vol. II, p. 859 (six locations) (1)
[Playford, Henry]. Harmonia Sacra: or, Divine Hymns and Dialogues, With a Thorow-bass for the Theorbo-Lute, Bass-Viol, Harpsichord, or Organ ..., The Second Book, printed by Edward Jones, for Henry Playford, 1693, title printed in red and black (light waterstain to top margin, and small portion torn away with loss to top margin only, small closed tear to lower margin), 4 pp. dedication, verses and table, and 74 pp. of printed music, woodcut initials, occn. light browning, minor marginal stain, early 19th c. marbled wrappers, rubbed and some wear to head and foot of spine and extrems., slim folio The first book was published in 1688. The work was partly edited by Henry Purcell. (1)
A pair of Derby figural candlesticks, The Musicians, the gallant standing wearing a soft hat with feathers, floral tunic and breeches, playing bagpipes, a dog at his side, his companion, with flowing head scarf, bodice and skirt playing a lute, before bocage with candle sconces, scroll and fenestrated bases, 26cm high, c.1770
A Black Forest, carved fruitwood model of a seated hare. Inset with glass eyes, 17 cm high; Also a pair of continental carved fruitwood ornamental cup & covers. Each cover carved, one with a figure of a lute player and the other a hunter with his kill. The circular bases with cicular foots. Each 15cm high. (3)
FRENCH ORMOLU MANTEL CLOCK, the Pons movement with silk suspension and striking on a bell, the stepped case with a tablet to the base, modelled with classical figures and musical trophies, the clock flanked by a musician playing a lute, oval dome and ebonised base, 22” high overall (illustrated inside front cover)

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3259 item(s)/page