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{} Albert Friedrich Schröder (1854-1939) GermanA lady in period 17th-century costume seated in an oak-panelled interior, holding a book with a lute and music sheets beside herSigned and dated (18)83, oil on panel, 38.5cm by 29.5cmCondition report: General surface dirt and discoloured varnish, slight frame rubbing to edges. Cracking to paint, mostly contained in the blue within the rug although not exclusively. In good original condition.
Set four large Barbedienne-cast high relief bronze plaques, comprising (i) 'the lute players and dancers', (ii) 'the zither players and dancers', (iii) 'the drummers and dancers' and (iv) 'the trumpeters and dancers', each panel signed F. Barbedienne, and set with twin suspension rings (4)54 x 50cmsProvenance: deceased estate, LondonAuctioneer's Note: modelled after the figure panels in the Cantoria (singing loft) produced in 1431-38 (his first known commission) at the Mueso dell'Opera del Duomo, FlorenceCondition report:Comments: excellent overall, minor surface scratchesBuyer’s Premium = 24% + VAT (28.8) on all lots in this auction (BP is not scaled as with other auctions).
A collection of twelve Continental porcelain figures, including a gardener and child, musicians, etc., some by Samson, Sitzendorf, etc.tallest 29cm Condition report: Good condition on the whole, largest figure appears ok, sheet music seller has restored hand, smallest figure has top of lute restored, tiny chips to some flowers, some wear to gilding
Wainwright (William John, 1855-1931). Lute Player, watercolour on paper, depicting a gentleman playing a lute, stood side on singing, painted from the hip upwards, artists signature lower right, laid onto card, image size 39 x 28.5cm (15 3/8 x 11 2/8ins), sheet size 40.2 x 28.8cm (15 7/8 x 11 3/8ins), mounted, framed and glazed, (62 x 50.5cm)Qty: (1)
ANTONELLO BEDINI 1793 - 1866 Portrait of a young woman with a lute Oil on canvas. 70 x 60,5 cm (F. 94,5 x 84,5 cm). Signed lower left 'A. Bedini'. Rest. Framed.ANTONELLO BEDINI 1793 - 1866 Portraet einer jungen Frau mit einer Laute OEl auf Leinwand. 70 x 60,5 cm (R. 94,5 x 84,5 cm). Signiert unten links 'A. Bedini'. Rest. Rahmen.
A late 19th century/early 20th century German novelty musical automaton group, 'The Musician and Dancer', comprising a Schoenau & Hoffmeister/Porzellanfabrik Burggrub (Germany) bisque head doll, dressed in costume and holding a lute, inset fixed blue glass eyes, painted features including fine eyelashes and brown feathered eyebrows, open mouth revealing upper teeth, impressed marks, the bisque shoulder head dancer, dressed in a silk dress with lace detail, inset fixed blue glass eyes, painted features including fine eyelashes and brown feathered eyebrows, she stands upon a circular platform, the group mounted upon a rectangular shaped wooden box applied with printed paper, brass crank handle, the box fitted with a musical mechanism which when wound plays Boccherini's string quintet Minuet, the musician moves the head from side to side and the free arm moves back and forth above the lute whilst the dancer rotates, 37cm high, 25cm wide, 15cm deep
Purcell (Henry). Orpheus Britannicus. A collection of all the choicest songs. For one, two, and three voices... Together, with such symphonies for violins or flutes, as were by him design'd for any of them: and a through-bass to each song; figur'd for the organ, harpsichord, or theorbo-lute, 2 volumes, mixed editions (2nd edition of vol. 1 & 1st edition of vol. 2), London: Printed by William Pearson, and sold by John Young [-for Henry Playford], 1706 & 1702, engraved portrait frontispiece by R. White after J. Closterman, titles printed in red and black, advertisement leaf for John Cullen bookseller after p.vi in volume 1, leaves B1 & B2 in volume 1 torn to lower outer blank corners with slight loss, pp. 171-174 misnumbered 143-146 in volume 2 and corrected in early manuscript, some light browning and occasional spotting, front free blank with early signature R. Rushout, marbled endpapers with bookplates of Hon. Anne Rushout, Alan Lubrock and one other with monogram R.N. (with Baron's coronet above), all edges gilt, contemporary gilt panelled black morocco, gilt decorated spine with morocco title label, extremities very slightly rubbed, folio, Qty: (1)Footnote: ESTC T154319 & T153688. The first volume appears to conform to ESTC T154319 stating it as 'a reissue of the second edition of the same year, with a cancel title page and, additionally, a frontispiece'.
Porzellangruppe, Meissen, Entwurf Michel Victor Acier um 1772, Ausführung um 1880/90, 'Gärtnergruppe am Baum', galantes Paar mit Knaben und Instrument, Lautenhals fehlt, polychrom bemalt, Goldstaffage, an Blättern und Geäst bestoßen, ca 27.5 x 17 cmporcelain group, Meissen, designed by Michel Victor Acier around 1772, execution around 1880/90, 'gardener group on tree', gallant couple with boy and Instrument, lute neck missing, polychrome painted, gold decoration, at leaves and branches chipped, approx 27.5 x 17 cm
Jean Marchand. A continental gold key wind open face pocket watchDate: Circa 1780Movement: Gilt full plate fusee verge, pierced and engraved balance bridge, silver regulation, No.19067Dial: White, black Roman numerals, black outer minute track with Arabic numeral 5 minute markers, winding aperture at 2, fancy stone set handsCase: Consular, applied gold and stone set decoration to reverse depicting a lute and a basket of flowers, stone set bezelSigned: MovementSize: 39mmFor further information on this lot please visit Bonhams.com
Alexander Titorenkov, geb. 1963 Kotel/Bulgarien, Ausbildung an der Nationalen Kunstakademie Sofia, Weiterbildung an der Glasgow School of Art, hier: hyperrealistische Komposition mit Laute und Saxophon vor Notenpapier, fotorealistische Detailtreue, in der Tradition illusionistischer Trompe-l'oeil, links unten signiert, Öl/Lwd, 60x80 cmAlexander Titorenkov, born 1963 Kotel/Bulgaria, education at the National Art Academy Sofia, further education at the Glasgow School of Art, here: hyperrealistic composition with lute and saxophone in front of sheet music, photorealistic attention to detail, in the tradition of illusionistic trompe-l#'oeil, signed lower left, oil/canvas,60x80 cm
An Edwardian fifteen piece silver mounted dressing table / travelling set comprising: a pair of hob nail glass scent bottles, pair of hob nail circular toilet bottles and an larger oval bottle, pair of clothes brushes, hair brush, mirror, glove stretches, shoe horn button hook and page turner, all silver mounts and covers chased with a pastoral scene of an 18th Century Gentleman playing the lute beside two seated Ladies in an Arcadian setting, hallmarked by Walker & Hall, Birmingham, 1903, in fitted velvet lined case
NAO; six assorted figures of angels including an example holding a tambourine, also a ceramic pin dish, with applied bird (7).Additional InformationEach with nicotine staining, the ceramic with the bird with a chip to its wing, the angel holding the lute is damaged, another angel holding a musical instrument with damage to the instrument.
LLADRO; a large figure of a seated musician playing the flute, height 38cm, together with a further Lladro figure of a jester seated by a lute, height 37cm (2).Additional InformationThe figure with the lute has had his fingers broken off, which are still present, his leg has been broken off which has been crudely glued, the figure playing the flute, the flute has possibly been broken and glued back into the fingers as there is glue residue, no other damage.
DOULTON LAMBETH; a monumental exhibition produced twin handled vase, the lid with swept dragon handles above twin mermen and mermaids, with main ovoid body painted with a maiden holding a lute, waving as a rowing boat departs, with further figures by her side as part of the continuous landscape, the base painted with five stylised fish above a spreading circular foot, impressed marks to base, height 130cm.Additional InformationThere are a few surface marks where the lid meets the body. Originally there would have been a rod holding the three pieces in part - this is missing, so it is unstable and would require attention there. There is a star crack on the inside of the body, heavy crazing throughout and some surface marks, as you can imagine, from general wear and tear and some movement. However, overall it has survived remarkably well. Impressed Doulton Lambeth to the underside of the base.
Gardens, Music, uniface copper, man standing playing lute, dog at his feet, another figure with a ball at left, head of a giraffe above, tree in background with squirrel on branch, back named (Ia. Clark), 29mm, 13.88g (W –; D & W –). Very fine and well-executed, an intriguing piece and doubtless very rare, worthy of further research £90-£120 --- Provenance: Bt S.H. Monks September 2019
Basslaute und Laute, erste Hälfte 20. Jh., Basslaute bezeichnet Goldklang, zweiter Wirbelkasten an geknicktem Hals, zentrale Rosette als gotisierend durchbrochener Dreipass, L. ca. 119 cm, mit Koffer; dazu: Laute mit geschnitztem Frauenkopf als Halsabschluss, zentrale Rosette a jour geschnitzt, Gebr.-sp., L. ca. 98 cmBass lute and lute, first half of the 20th century, bass lute denotes Goldklang, second pegbox on bent neck, central rosette as a Gothic openwork three-pass, length approx. 119cm, with case; in addition: Lute with carved woman's head at the end of the neck, central rosette carved a jour, traces of usage, lengthapprox. 98 cm
A 19th c. snap top occasional Table having a turned pillar and three splay feet, the top nicely carved with a central lute motif and the motto "Laetus Sorte Mea" and having a surround with depictions of tulip like flowers, a bird and butterflies in flight, the perimeter with carved words in poss. Greek letters, 34'' diameter x 26" high approx.
A well-figured green marble clock garniture, the clock having a cream coloured face with Arabic numerals, the brass two-train movement having an external count wheel and striking the hours and half-hours on a bell, the case having Ormolu mounts with stylised foliage and flowers and surmounted by a lute and flanked to the right hand side by a winged Cupid wearing a sash. 16 1/2" high. The pair of urns on matching marble bases having flowering foliage and Cupids depicted in relief. 15 5/8" high approx.
A Tibetan thangka, late 19th/early 20th century, depicting Hvashang seated beside a table of offerings above a group of playful children, the lower left corner with the two guardians of the four directions, Virudhaka wielding the sword of the south and Dhritarashtra, the guardian of the east, playing a lute, 48cm x 36cm, the back printed in red with a stupa and script, mounted within a silk floral surround. Provenance: from the estate of a West Sussex collector.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Wedgwood lustre Marston bowl, shape no. 2597, decorated with Ch'ing Dragons, on a mixed blue lustre ground, the interior having central Wu Sun Barbarian with a Chinese lute, within an aquatic bead border on a mother of pearl ground, pattern no. Z4829, no.7 range, diameter 3.75ins (6) - Minor rubbing to gilding but otherwise ok
Charles Thomas Wheeler - 'Muse of the Lute', 20th century pastel on board, titled and indistinctly inscribed verso, 63cm x 47cm, together with another pastel drawing by the same hand.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Document case, second half of the 18th century.In wood lined with leather and embossed cordovan.Interior in silk moiré.Measurements: 23.5 x 24 x 15 cm.Document case, as can be deduced from the three drawers that compartmentalise the interior. This type of case was an object of great luxury in the late Baroque period. Stylistically, they are inspired by Italian Renaissance models: the cordovan in relief bears depictions of lute players and flute players, figures that follow a Renaissance canon, in turn inspired by Ancient Greek musicians. The rim and border on the sides are in the style of the Louis XVI period, as is typical of furniture and decorative objects from the last decades of the 18th century. Iron lock, handle and keyhole in partially gilded iron.
A Santhal/Santal lute 'Dhodro Banam', North East India, the anthropomorphic body with a figure on each shoulder, surmounted by two standing figures, 79.5cmCondition report: crack under the chin of the main figure there is a crack that has been filled at the figure right-hand shoulder chest/torso, shoulder reaching as far as the string box.The small twin figures on the top have been broken off and repaired across their anklesPlease refer to the images for clarification.
A Beswick matt glazed figure of a black horse; a Coalport figure "The Goose Girl", limited edition 2,335/9,400; a Coalport ornament "The Toadstool House"; a Royal Worcester matt glaze figure of a kingfisher; a Basil Matthews pottery figure of a basset hound and a 19th century style continental figure of a gentleman playing the lute
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2984 item(s)/page