A late 16th century German parcel-gilt silver setzbecher or stacking beaker, no apparent town or maker's mark, possibly trace of a mark to the inside of the foot rim, circa 1570, circular form, central girdle, engraved with a silver-gilt border finely engraved with a gentleman holding a candle, a court jester playing a lute in front of a lady and gentleman, a man in a garden scene, two fish within a cloud cartouche, a lady cooking on a fire within a kitchen setting, and a lady working at a table preparing food, with a plain vacant circular cartouche, on a stem pierced with a running stag and a bear in foliate decoration, on a spread circular foot with scenes of a wild boar hunt, the underside with unidentified scratched symbols and scratched 'II' over XIII.L', height 8.5cm, approx. weight 6.5oz.
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Lladro group of three singing angels, 17cm; and four other Lladro models, of angels, plus two others and a Royal Doulton "Fragrance" figurine.Condition report:The lute has been repaired on one figure, the end of the violin has snapped off and been reglued on another figure. All are very yellow and grubby from being in a smkers house. Otherwise they are good.
A GROUP OF ORIENTAL CERAMICS AND SUNDRY ITEMS, to include five oriental figurines depicting ladies reading, playing a lute, a lady with a dragon and a female figure holding a bowl of fruit, tallest figurine 36cm, a Satsuma-style baluster vase decorated with birds and flowers, height 30.5cm, a pair of brass bookends in the form of singing bowls with beaters, a pair of Zenith No 653 binoculars, a walking stick with resin dogs head handle, etc (18) (Condition report: generally good condition, sd)
The matching two-door side cabinet: the galleried top decorated with a hunting scene, a mounted Oriental about to spear a running deer, with two half-width doors further japanned and decorated with a seated Oriental playing a lute and one further reading within countryside surroundings, square chamfered moulded legs with pierced ear pieces and the legs united by a cross framed stretcher (107cm wide x 53.5cm deep x 101.5cm high including galleried back)
Exceptionelle, rare et belle montre de gousset à cadran ouvert en or jaune 18K (750) avec automate musical remontoir à clefAn exceptional, fine and rare 18K gold key wind open face musical automaton pocket watch Date: Circa 1810Movement: Gilt full plate verge, 3-arm brass balance, pierced and engraved balance bridge, music playing on pinned disc, numbered under dial 387Dial: Gilt with engraved scene of Father Time upon a globe, black Roman numerals to brushed surround, outer minute divisions, winding apertures near 6 and 10, polished hands Case: Polished round, classical scene to back with automaton man playing the lute whilst a lady dances back and forward and a sheep grazes up and down, the male rests against a finely engraved tree beside a dwelling, in the background an enamel pastoral scene beside the water and in front of a mountain, reeded band with button at 11 to activate automatonSize: 55mm Weight: 127,80gFootnotes:The Lute Player and The DancerThe popularity of the automaton watch during the late 18th and early 19th century coincided with the transformation of the watch from mechanical jewel into precision timekeeper. The watchmaker demanded ever more complex motion from the interaction of wheels and pinions and combined with ever more detailed enamelling and gold work, the automaton watch was born. Produced in very limited numbers, automatons are incredible pieces of art that stand as testament to the exceptional skills of the period. Automaton watches are complicated timepieces and traditionally feature at most 2 or 3 animations. On the current lot these take the form of a male playing the lute, a female dancing back and forth and a sheep grazing up and down. This is a busy scene with the automaton figures interspersed between a rustic dwelling and woodland beside a stream that leads to a hall. The lute player is a character seen on other automatons from this period but it is exceptionally rare to come across a musician accompanied by both a dancer and actual music. The combination of the three makes this a truly stunning piece of art. The addition of the grazing sheep minding its own business is then a lovely piece of gentle humour to this romanticised bucolic scene. Although not signed, this musical automaton timepiece is certainly in the style of celebrated makers such as Isaac Daniel Piguet or Henry Capt. It is not unusual for such complicated automatons to be not signed and Henry Capt in particular left most of his work unsigned with a limited number of pieces bearing his scratched name on the movements.For further information on this lot please visit Bonhams.com
Julian Bream 15x14 overall approx. mounted and framed signature piece includes signed album page and vintage black and white photo done to a professional standard. Julian Alexander Bream[ CBE (15 July 1933 - 14 August 2020) was an English classical guitarist and lutenist. Regarded as one of the most distinguished classical guitarists of the 20th century, he played a significant role in improving the public perception of the classical guitar as a respectable instrument. Over the course of a career that spanned more than half a century, Bream helped revive interest in the lute. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
NINE NAO AND LLADRO FIGURES, comprising a Lladro Attentive Cat 5112, sculptor Salvador Debon, issued 1982-2000 (paw broken and repaired), together with eight Nao figures: a large figure of a dancer height 33.5cm, three clowns (one with broken lute and repaired arm, another with cracked lute), two girls, and a pair of hippos (9) (Condition report: specific obvious damage, otherwise pieces appear ok)
MEISSEN "Lautenspielerin aus der Galante Kapelle-Serie" 20.Jh. Porzellan, farbig staffiert, Modell F.E. Meyer, 1750, Schwertermarke, H: 12 cm. Leichte Altersspuren.| MEISSEN "Lute player from the Galante Kapelle series" 20th century.Porcelain, colourfully painted, model F.E. Meyer, 1750, sword mark, h: 12 cm. Slight signs of age.
An elegant white Marble cased mantle Clock having a two-train movement, the white face with Roman numerals and regulator spindle concealed in the rim of the face above the 12 o'clock position, the face with the name ''Polonie Paris'', the brass movement stamped 1834 and having an external count wheel. The clock is surmounted by the figure of a young fisherman holding a lute, leaning on a rock with a fishing net draped and gazing at a portrait miniature of his loved one, the ground at his feet with sea-shells, 16 3/8" high x 9 7/8" wide x 5 7/8" deep. (chip to rear of case, bell and winder not present).
A pair of Derby bisque figures of a shepherd and shepherdess, late 18th/early 19th century, shown seated on scrolled rococo bases, the shepherd playing bagpipes and with a hound by his side, the shepherdess playing the lute with a sheep by her side, incised model numbers 301, 14cm highSmall chips and losses - otherwise in good condition.
â–´ Philippe Jullian (French, 1919-1977)A young musician at the virginals;verso, pencil sketches of a lutepen and ink and watercolour heightened with white26.5 x 20cmCondition ReportFramed size: 37.5 x 29.5cm. Viewed out of glazed frame, taped to mount along top edge, some time staining in margins, some annotations in margins and drawing verso, see images, watercolour itself generally appears to be in good order.
An antique oil on panel of tavern scene with young woman playing lute - 23cm x 23cmCONDITION REPORTCondition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
FIVE BOXED SWAROVSKI CRYSTAL MUSICAL INSTRUMENTS FROM CRYSTAL MELODIES SERIES, comprising Lute and stand (169246) 1992, Harp (169245) 1992, Grand Piano and Stool (174506) 1993, Saxophone (211728) 1997, all four designed by Marin Zendron and Violin, bow and stand (203056) designed by Gabriele Stamey (5) (Condition report: all appear ok with no obvious damage, some are dirty and boxes worn)
ANNA FEHRLE-WERKSTATT (A. F. Schwäbisch Gmünd 1892-1981 ebenda) 3 Engel in verschiedenen Ausführungen: Konsolenengel: musizierender Engel mit Laute, stehend auf einer goldfarbenen Wandkonsole, Gesicht, Laute und Gliedmaßen aus Holz geschnitzt, Flügel aus Messing, Konsole rs. mit Stempel "Anna Fehrle Werkstätte, Schw. Gmünd" und zwei Wandhaken, Gesamthöhe 40 cm; kniender Leuchterengel: Gesicht, Gliedmaßen und Leuchterschaft aus Holz, goldfarben glänzende Metallflügel, us. gestempelt "Suse Schön vorm. Anna Fehrle, Tel.", H 26 cm, beide Engel mit hochwertiger Kleidung aus Seide und Brokat dazu ein kleiner, Flöte spielender Engel mit Kopf und Gliedmaßen aus Keramik, Kleidung u.a. aus goldfarbenem Brokat und Samt, Kopfschmuck aus Draht und Perlen, kein Stempel erkennbar, rs. Drahthaken, L 17 cm. Je Alters- und Lagerspuren.| ANNA FEHRLE-WORKSHOP (A. F. Swabian Gmuend 1892-1981 ibid.) 3 angels in different designs, Console angel: music-making angel with lute, standing on a gold-coloured wall console, face, lute and limbs carved from wood, brass wings, console on the reverse with stamp "Anna Fehrle Werkstätte, Schw. Gmünd" and two wall hooks, total height 40 cm; kneeling candlestick angel: face, limbs and candlestick shaft made of wood, shiny gold-colored metal wings, etc. stamped "Suse Schön vorm. Anna Fehrle, Tel.", H 26 cm, both angels with high-quality clothing made of silk and brocade, plus a small angel playing the flute with head and limbs made of ceramic, clothing made of gold-colored brocade and velvet, among other things, headdress made of wire and beads, no stamp recognizable, rback with wire hook, L 17 cm. Depending on signs of age and storage.
Jan Harmensz. van Bylert, um 1597 Utrecht – 1671 ebenda DER LAUTENSPIELERÖl auf Leinwand.105 x 80 cm.Der Maler hatte sich auf Halbbildnisse spezialisiert, insbesondere auch von Musikern oder Philosophen, die in mehreren öffentlichen Sammlungen vertreten sind, wie das bekannte Gemälde mit einem Konzert mit Lauten- und Cellospielern. Auch das hier vorliegende Motiv zeigt einen Jüngling im Dreiviertelbildnis nach rechts, in sitzender Haltung an einer Laute, wobei sein halb geöffneter Mund andeutet, dass er sich selbst singend begleitet. Über dem schwarzen kurzen lockigen Haar ein Barett mit großer weißer Straußenfeder, eine Reminiszenz auch an das Werk Caravaggios, wie ebenso die Darstellung des jungen Musikers mit entblößter Schulter. Farblich dominierend ist das kräftige Rot im Umhang, das als farblicher Gegenpol zum hellen Grau-Blau des Hintergrundes steht. Der Einfluss Caravaggios ist auch in dem vorliegenden Gemälde unverkennbar.Anmerkung:Der Künstler war Sohn eines Glasmalers und nach Mitteilung des frühen Künstlerbiographen Joachim von Sandrart d. Ä. (1606-1688) ein Schüler des Abraham Bloemaert (1564-1651), bevor ihn seine Studienreisen nach Frankreich und dann nach Italien führten. In Rom verblieb er wahrscheinlich bis 1624 und stand dort in Kontakt mit den holländischen Malern Jan Gerritsz van Bronchorst (1603-1661) oder Cornelis van Poelenburgh (1586-1667). Ab Mitte der 1620er-Jahre ließ er sich stark von Michelangelo Merisi il Caravaggio (1570/71-1610) und Guido Reni (1575-1642) beeinflussen, wie ebenso von Gerrit van Honthorst (1590-1656). Er gilt als einer der führenden, wenn nicht sogar als führendster Vertreter der Utrechter Caravaggisten.Literatur:Paul Huys, Jan van Bijlert, 1998, S. 139 Nr. 105, Pl. 46, circa 1625-1635. (12901421) (11)Jan Harmensz. van Bylert,ca. 1597 Utrecht – 1671 ibid.LUTE PLAYEROil on canvas.105 x 80 cm.Literature:Paul Huys, Jan van Bijlert, 1998, p. 139, no. 105, pl. 46, circa 1625-1635.
AMENDED HEIGHT Two 19th century Meissen porcelain figures from the 'Emblematic of the Senses' series, after models by Kändler and Eberlein, as classical female figures, 'Hearing' with lute and accompanied by putto and stag, 'Slight' with putto and eagle (2 - both with significant losses), approx 28 cm high
Manivelle-Puppenautomat mit 2 Musikern, um 1900Vermutlich Gottlieb Zinner und Söhne, Junge mit Geige und Mädchen mit Laute, Köpfe aus Biskuitporzellan, eingeritzt "13/0", offene Münder und feststehende blaue Glasaugen, auf bemalten Hockern sitzend, in originalen regionalen Kostümen (Mädchen mit späterem Häubchen), auf papierbezogenem Sockel, Walzenspielwerk für eine Melodie, Handkurbelantrieb, verbunden mit einem Holzzylinder mit zwei Nocken für die Bewegung der Köpfe und der rechten Arme, Breite 26 cm, Höhe 27 cm, gut funktionierender Zustand, Sockel lose, Füße beschädigt, Perücken fehlen, übliche Abnutzung an Papier und Stoff. - Ein charmanter Manivelle-Automat, eine Restaurierung lohnt sich. Start Price: EUR 300 Zustand: (3-/3)Manivelle Automaton with Pair of Musicians, c. 1900Probably Gottlieb Zinner und Söhne, boy with violin and girl with lute, with bisque heads incised "13/0", flange necks, open mouths and fixed blue glass eyes, sitting on grain-painted stools, in original regional costumes (girl in a later bonnet), on paper-covered base containing hand-turned single-air movement connected to wood cylinder with two cranks for movement to heads and right arms, wd. 10 ¼ in. (26 cm) x ht. 10 ½ in. (27 cm), good working condition, baseboard loose, feet damaged, missing wigs, usual wear to paper and fabric. - A charming manivelle automaton, worthy of sympathetic conservation. Start Price: EUR 300 Condition: (3-/3)
Edwaert Collier (Dutch c.1640-1708) Vanitas still life with a globe, open book, musical score, scroll, print of Caesar Augustus, lute and recorder on a draped table Signed E. Collier fe (to column) and a further two times E. Collier (to musical score and print) Oil on canvas 44.7 x 37cm; 17½ x 14¼in Provenance: Richard Green, London; The Power Collection; And by family descent
A PAIR OF ROYAL DUX PORCELAIN FIGURES, early 20th century, modelled as a young gentleman in 18th century style garb playing a lute and his female companion holding a fan, both standing on naturalistically moulded bases on bracket feet, pink patch, model Nos. 117 and 118, 17" and 16" high (Illustrated) (Est. plus 21% premium inc. VAT)Very minor chips to extremities, no restoration
A matched set of five Victorian shell butter dishes Atkin Brothers, Sheffield 1894/1900, the shell bowls with chased floral and foliate motifs, raised on three conch feet; together with a matched set of ten place holders, William Comyns & Sons, London, each with a depiction of two females in a garden with a lute player Dimensions:Length: 12cm, combined weight: 18.5oz
Laute 30/40er Jahre, guitar lute,Holzkorpus mit 11 Spänen, gravierter Schriftzug, Griffbrett mit 6 Saiten, Wirbelkasten hakenförmig nach vorne weisend, Gesamtlänge 90 cm, Spannungsrisse in der Decke und Span, Gebr.Holzkorpus mit 11 Spänen, gravierter Schriftzug, Griffbrett mit 6 Saiten, Wirbelkasten hakenförmig nach vorne weisend, Gesamtlänge 90 cm, Spannungsrisse in der Decke und Span, Gebr.
Five decorative prints to include after G Sheridan Knowles; 'There They Go', 60 x 35cm, an Edwardian-style print of a young woman playing the lute, a pair of prints depicting beautiful young women in the 1920s movie genre and an advertising print for 'The Old Story Borax Extract of Soap', all framed and glazed (5).
A 19TH CENTURY CHINESE BLUE AND WHITE PORCELAIN BRUSH/PEN REST FORMED AS A PIPA LUTE having four character mark signature to the underside.14.5cm wide In good undamaged condition, there is a small hairline crack on the crescent moon which is moulded to the top, see extra images on our website.
A GROUP OF EIGHT MANTEL CLOCKS, comprising a Kieninger & Obergfell glass domed clock made in West Germany, height 23cm, an oak cased mantel clock with key and pendulum, height 22cm, a modern glass mantel clock with a white face, height 17cm, a small metal Splendex clock with a cherub playing a lute, height 10cm, a large wooden mantel clock, painted to look like marble and black slate, height 30cm x width 45cm (metal rim around face has corroded), a Plastic domed clock made in Germany KUS-PI, a small black slate clock with gold detail, height 23cm x width 19cm (slate has chips around edges), a 1960s Metamec 'Atomic Eye' mantel clock (battery operated) (s.d) (9) (Condition report: three keys present, most appear not working)

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