Pair late 19th century Continental Derby-style candlesticks - each with twin sconces, with musician figures playing the bagpipes and lute, with sheep and dog, bocage and shell and rococo scroll bases, 24cm and another candelabrum of the goddess Diana with hound, with floral decoration on scroll base, 29cm high (3) CONDITION REPORT Man - both candle arms restored, some repair to bocage, typical losses to bocage. Woman with dog- both candle arms restored, right hand restored, loss to end of the arrow which she holds. Woman with lute - restoration to her right arm, left-hand sheep's ear restored, restoration to both candle arms, typical losses, some restoration to bocage over
We found 2984 price guide item(s) matching your search
There are 2984 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
2984 item(s)/page
Late 19th century Otwin harp lute, with multi-section maple bowl back, spruce top with string banding to the edges, fret carved sound hole and decorative carved bridge, scalloped ebony fretboard with further frets running onto the table and Theorbo shaped head with carved devil's head terminal, soft case
Group of African instruments, a long lute, probably north African, one plucked string and four sympathetic strings, length 1060mm, an African bow-harp of simple form, six strings, a masenqo (spike fiddle from Gondar, Northern Ethiopia), the body of rhombic form with vellum table and back. an ivory side-blown horn, a north African spike fiddle, painted vellum table, two strings, an African lyre, five strings (6)
A MINTON EARTHENWARE ARTS AND CRAFTS PLAQUE, 1876, of plain shallow dished circular form painted in polychrome enamels by C.L. Florris-Broughton with the head and shoulders portrait of a maiden wearing pearls in her braided hair, high collar and turquoise dress, holding a lute beside a blossoming bough, signed and dated 1881, impressed marks, 19 1/4" diameter (Est. plus 21% premium inc. VAT) (Illustrated)
A double-manual harpsichord by Shudi & Broadwood, London, 1790 The mahogany cross-banded and line inlaid case and with three gilded metal S-hooks. Raised on a trestle stand with four square tapered legs. Fully adjustable music desk. The satinwood keywell cross-banded with mahogany and line inlaid. The cross-banded name batten with two line inlaid panels flanking a central boxwood plaque inscribed: Burkat Shudi et Johannes Broadwood Patent No 1137, Londini Fecerunt 1790 Great Pulteney Street Golden Square. The five octave keyboards FF-f3 with ivory naturals and ebony accidentals with moulded boxwood fronts. Registration: 3 x 8ft, 1 x 4ft, lute and harp. Two pedals operate the machine and the venetian swell. One brass-knobbed hand stop on the left of the keyboard, and a further five through the nameboard, labelled: Lute >; 4' >; Buff Pull; 8' >; 8' Serial number 1137 Length 247cm, width 97cm, case height including lid 37cm. Literature: The Colt Clavier Collection Golden Jubilee 1944-1981, p. 7, (8) H110SB. C. F. Colt with Anthony Miall, The Early Piano, p. 44. D. Boalch, Makers of the Harpsichord and Clavichord 1440 -1840, 3rd ed., p. 625. Provenance: Ex Broadwood collection. Recorded on Decca.
A double-manual harpsichord by Tull, London, circa 1935 The antiqued painted case, with floral motifs within gold banding all on a black ground. The inner lid painted with a pastiche Italianate scene. Raised on a painted scalloped frame stand with seven cabriole legs. The painted keywell decorated with foliate and floral designs bearing a gilded name batten inscribed: HENRICVS TVLL FECIT LONDINI. The music desk, bearing a paper reproduction of the harpsichord name batten, sold with this lot. The separate cross-banded and inlaid harpsichord name batten inscribed: Baker Harris Londini fecit 1780.The five octave keyboards FF-f3 with ebony naturals, boxwood arcades and ivory accidentals. One four foot and two eight foot registers, and a lute stop controlled by four labelled hand-stops. The floral painted soundboard inset with a gilded rose bearing the initials B.H. Length 245cm, width 98cm, case height including lid 30cm. Literature: The Colt Clavier Collection Golden Jubilee 1944-1981, p. 7, (4) H102T. The Colt Clavier Collection Silver Jubilee 1944-1969, p. 7 H102T. Provenance: Purchased from Henry Tull's daughter. The soundboard and rose could be from a Baker Harris harpsichord of 1780.
~A PAIR OF GERMAN IVORY FIGURES OF ‘MALABAR MUSICIANS’, PROBABLY DRESDEN, MID 19TH CENTURYafter mid 18th century models by Friedrich Elias Meyer (circa 1723-1785) for Meissen, each wearing a distinctive conical straw hat, the woman playing a hurdy-gurdy, the man a lute, set on ivory inlaid octagonal waisted socles22cm high
A collection of four 18th century porcelain figures, comprising; a Meissen man in white frock coat playing the lute, 13cm high, a lady in brightly coloured enamels with floral bocage 15cm high and a pair of dancers on florally enamelled bases 14.5cm high (all at fault) (4) CONDITION REPORT: Seated male figure: Probably Meissen. Lacking the top of the musical instrument lacking three fingers to one hand and one finger to the other. Chip to the cuff of the left hand. Loss to each blue flower head and lacking most of the right foot. Standing male figure: Lacking all fingers and thumb to left hand and some losses to the cuff here. Hat with two chips. Other arm with glue repaired break at shoulder and another at elbow and the arm has now become detached. Lacking all fingers to the other hand also. Figure broken at middle and glue repaired. Part of the tree stump with glue repair. Companion female figure to this lacking the entire left arm and left foot broken and glue repaired but now detached again. Losses to hat and bow of other arm. Female figure with puce decorated scroll base: Lacking left hand. Losses to three of the flowers and some of the leaves. Lacking foot to the front and most of the floral bocage to the right hand side.
Richard H. Walthew (1872-1951) _ A Collection of Materials relating to the composer including original manuscripts: Aladdin Overture Parts (no score) original pen composition. Other works composed in pen include three vocal quartets, The Shepherd's Wife's Song, Here Sleeps the Bard, In the Veins of the Calix, When Lovers Meet, The Thistle, A Tropical Serenade, Go Lovely Rose, Dear City London, Queens College School Song, Tryst Day, An Old French Love Song, Annabel Lee, For Himself Alone, Country Night Song, Orpheus with his Lute, Two Dirges, Alexander's Feast, Golden Slumbers, December, Shakespeare Songs, Baby of Mine, Our Lady's Children, A Weary Lot is thine Fair Maid, From Maud, There Rolls the Deep, Gorse is in Bloom, Six Vocal Duets, Canzonet, etc.
Mid 19th century Meissen centrepiece, pierced and floral encrusted oval basket supported by a scrolling and hand painted stem, flanked by a young girl playing the lute and boy with flute, with matching footed stand, crossed sword marks to base, incised D196, H40cm Condition Report Click here for further images, condition, auction times & delivery costs
Edward Light of London, (1747-1832), a Regency harp lute, the black lacquered body gilt penwork decorated with trailing fruiting vine, with fret carved sound hole, mounted on a rectangular gilt plinth, inscribed 'E. Light, Inventor and Professor of the British Lute, 38 Berner Street, London, N11', circa 1815, 79cm high. The harp lute was invented by Edward Light in 1798 and is also known as the 'British lute'. The pillar supports tuned bass strings to extend the instruments range. The pitch of the bass strings can be raised by one semitone using stops similar to the pedals on a harp.
dating: 18th Century provenance: Bologna, In iron, with round plate signed 'Acqua Fresca', finely engraved with a woman playing a lute, on the back a bearded man's face and curls, the cock decorated en suite, the screw closed with a carved mask, movable pan cover. Batterie carved with curls and floral motifs. Some engraving inside. length 15.4 cm.
-
2984 item(s)/page