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Lot 170
Character is modeled in a maroon jacket and blue waistcoat. Includes the original box, dimensions: 2''L x 2.5''W x 5''H. Beswick Gold Oval backstamp. Artist: Graham OrwellIssued: 1955 - 1974Dimensions: 1.5''L x 2''W x 4.25''HManufacturer: BeswickCountry of Origin: EnglandCondition: Age related wear.
Lot 188
Character is modeled in a blue jacket, yellow trousers and a pink waistcoat. Includes the original box, dimensions: 3''L x 3''W x 4.25''H. Beswick gold oval backstamp. Artist: Graham OrwellIssued: 1955 - 1955Dimensions: 3.5''H x 2''diaManufacturer: BeswickCountry of Origin: EnglandCondition: Age related wear.
Lot 137
Limited edition piece made of porcelain with glossy finish. Original base measures 5"L x 7"W x 0.75"H. Royal Doulton and Beswick backstamps. Artist: Graham TongueIssued: 1998Dimensions: 5"L x 7"W x 5.75"HEdition Number: 959 of 3500Manufacturer: Beswick And Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 170
Greene (Graham) & Hugh Greene. The Spy's Bedside Book, first edition, signed presentation inscription from the authors "Alan Cooke from Hugh Greene | Graham Greene September 1975" on front free endpaper, original cloth, dust-jacket, light creasing to extremities, otherwise an excellent copy, [Wobbe A36], 8vo, 1957. *** Alan Cooke (1926-1994) produced and directed a 13-part series on Greene's short stories.
Lot 422
Collection of N gauge train models to include boxed Bachmann/Graham Farish 371-740 Midland Pullman 6 car unit in Nanking blue livery (set appears in excellent likely near mint though dusty previously displayed condition with sealed accessory pack and instructions), an American Mini Trains set (note smokestack damaged) a Bachmann Central Trains 2 car DMU set with power and dummy cars (good previously run condition) and 2 Grafar InterCity coaches (fair used condition)
Lot 171
MISCELLANY, 20TH-CENTURY - T. E. LAWRENCE (1888-1935). The Mint, London, 1955, 4to, original pigskin-backed cloth, FIRST EDITION, NUMBER 620 OF 2,000 COPIES. With c.50 miscellaneous books. Please see the more detailed listing below. (c.50)MISCELLANY, 20TH-CENTURY - T. E. LAWRENCE (1888-1935, "Lawrence of Arabia"). The Mint. London: Jonathan Cape, 1955. 4to (253 x 195mm). Half title, title printed in red and black. Original dark blue pigskin backed cloth boards, spine gilt, top edges gilt, others uncut (some erosion to head and foot of spine, without the slipcase). FIRST EDITION, NUMBER 620 OF 2,000 COPIES. O'Brien T. E. Lawrence. A Bibliography A172. With c.50 other miscellaneous books including F. Hadland Davis' Myths & Legends of Japan (London, 1912, 32 coloured plates by Evelyn Paul, original pictorial cloth gilt, FIRST EDITION, the title stamped "Review"), Graham Greene's It's a Battlefield (London, 1934, original cloth, rather worn, inner hinges broken, some staining, without the dust-jacket, FIRST EDITION), Esquire's Handbook for Hosts (New York, Grosset & Dunlap, 1949, coloured illustrations by L. J. Allen, original pictorial cloth, without the dust-jacket, FIRST EDITION), Peter Noble's The Fabulous Orson Welles (London, 1956, plates, original pink cloth, without the dust-jacket, FIRST EDITION, PRESENTATION COPY, the front free endpaper inscribed, "For Valerie and Eddie, with good wishes from Peter Noble, 1957"), Peter Fletcher's Emotional Conflict (London, 1958, original coloured paper boards, without the dust-jacket [?as issued], FIRST EDITION, PRESENTATION COPY, inscribed on the front free endpaper, "Hot from the Press, for Valerie and Eddie with warm affection from Peter Fletcher, Nov. 11. 1958"), Lincoln Williams' Tomorrow Will Be Sober (London, 1960, original cloth, dust-jacket, FIRST EDITION), Hugh J. Klare's Anatomy of Prison (London, 1960, original cloth, dust-jacket, FIRST EDITION), James Hemming's Problems of Adolescent Girls (London, 1960, original cloth, dust-jacket, FIRST EDITION), Nell Dunn's Up the Junction (London, 1963, illustrations by Susan Benson, original cloth, dust-jacket, FIRST EDITION), Ludovic Kennedy's The Trial of Stephen Ward (London, 1964, plates, original cloth, yellow dust-jacket, FIRST EDITION) and Margaret Drabble's The Waterfall (London, 1969, original cloth, dust-jacket, FIRST EDITION). Please note that only a small part of the lot is illustrated. (c.50)
Lot 72
CHURCHILL, Winston Spencer (1875-1964) - A collection of c.30 books mostly about Churchill, most FIRST EDITIONS, PRESENTATION COPIES, inscribed by their authors to the late Lady Jane Williams of Elvel. Please see the more detailed listing below. (c.30)CHURCHILL, Winston Spencer (1875-1964) - A collection of c.30 books about Winston Churchill, most FIRST EDITIONS, PRESENTATION COPIES, inscribed by their authors to the late Lady Jane Williams of Elvel, including William Manchester's The Last Lion (Boston, 1983, inscribed, "For Jane Williams - with gratitude and admiration from Bill Manchester"), Mary Soames' Speaking for Themselves. The Personal Letters of Winston and Clementine Churchill. Edited by their Daughter (London, 1998, inscribed, "For dear Jane, with love from, Mary"), Robin Brodhurst's Churchill's Anchor. Admiral of the Fleet Sir Dudley Pound (London, 2000, inscribed, "For Jane, With all best wishes and happy memories of a memorable day at Bladon and Blenheim, Robin Brodhurst"), David Reynolds' In Command of History (London, 2004, inscribed, "For Jane and Charles, with best wishes, David"), Robert Lloyd George's David & Winston (London, 2005, inscribed, "For Jane and Charles with very best wishes from the author"), Martin Gilbert's Churchill and America (London, 2005, inscribed, "To Jane and Charles - with the author's warmest regards and all good wishes, Martin"), Celia Sandys' Churchill by his Granddaughter (London, 2011, inscribed, "Darling Jane, with much love, Celia"), Cita Stelzer's Dinner with Churchill (2 copies, one: London, 2011, inscribed, "For Jane and Charles - Jane: much of this book is due to your help and encouragements, love Cita"; the other: New York, 2012, inscribed, "For my dear friend Jane with love from Cita (the first US Edition)"), Graham Farmelo's Churchill's Bomb (London, 2013, inscribed, "To Jane, With my best wishes, Graham"), David Lough's Darling Winston (London, 2018, inscribed, "To Jane, With great appreciation of your encouragement and Friendship, David"), Paul Rafferty's Winston Churchill. Painting on the French Riviera (London, [2020], inscribed, "To Jane, with all my good wishes, Paul Rafferty"), Annie Gray's Victory in the Kitchen. The Life of Churchill's Cook (London, 2020, inscribed, "Lady Williams, Thank you for sharing your memories - I hope I've done everyone justice, Annie") and Celia Sandys' Churchill's Little Redhead (London, 2021, inscribed, "Darling Jane, with so much love, Celia"); together with Elizabeth Longford's The Pebbled Shore. The Memoirs (London, 1986, finely-bound in prize black half morocco gilt, with "Historical Biography" prize label laid down at the front signed by Charles Williams; and with 3 duplicate menus for the "Elizabeth Longford Prize Dinner. Moro Restaurant. 14 June 2006", all signed by various attendees including Jane Williams). Please note that only a small part of the lot is illustrated. Provenance: The late Lady Williams of Elvel (1929-2023). Lady Jane Williams (née Portal) was Churchill's personal secretary from 1949 to 1955, a niece of the deputy Prime Minister "Rab" Butler and mother to the present Archbishop of Canterbury, Justin Welby (b.1956). Please see the following link for more information about Lady Williams of Elvel and her long professional relationship with Winston Churchill. (c.30)https://www.bellmans.co.uk/story/the-late-lady-williams-of-elvel-1929-2023
Lot 208
SUTHERLAND, Graham (1903-80). 24 autograph letters & 7 typed letters, signed ("Graham Sutherland" or "Graham"), to Max Aitken, 1st Baron Beaverbrook, West Malling, Cap-d'Ail, Venice, and elsewhere, 1954-64. Together c.80-pages, various sizes. (c.80-pages)SUTHERLAND, Graham (1903-80). 24 autograph letters and 7 typed letters, signed ("Graham Sutherland" or "Graham"), to Max Aitken, 1st Baron Beaverbrook, West Malling, Kent, Cap-d'Ail, Venice, and elsewhere, 1954-64. Together c.80-pages, various sizes, including a postcard. A notable series of letters to his friend and patron, the newspaper magnate Lord Beaverbrook, many relating to his 1954 portrait of Winston Churchill, celebrated and disparaged in equal measure, and famously loathed by the sitter himself who complained in a letter to Lord Moran that it made him "look like a down-and-out drunk who has been picked out of the gutter in the Strand". Several of Sutherland’s letters are written at the time of "the incarceration caused by my struggles to portray the P.M. ... in the evenings I have rushed home to try & put down on canvas what I remembered of the face & expression while I retained it in my mind" – and many others deal with the sketches and Beaverbrook's "conception of a complete collection of Churchill studies", listing their whereabouts, as well as those sketches which have been destroyed by Sutherland, details of their prices and discussions of the serious problems over the rights of reproduction caused by Churchill's dislike of the portrait ("During the somewhat difficult period of the portrait and after, as I mentioned to you the other day, I have been at very great pains to avoid in any way aggravating the situation; I have consistently refused to permit reproductions, though I held the copyright of the studies, because I did not want to hurt such an admirable man"). Sutherland defends his painting as a truthful portrait of the man who sat for him: "The final form that the portrait took stemmed entirely from Churchill. He asked the first morning – 'How will you paint me – as a cherub or the Bull Dog?' I replied 'It entirely depends what you show me, sir'. Consistently – except for the afternoon in which the foundations of the so-called 'Hecht portrait' were laid (when he was in a sweet melancholy & reflective mood) he showed me the Bull Dog!! For better or for worse, I am the kind of painter who is governed entirely by what he sees. I am at the mercy of my sitter. What he feels or shows at the time I try to record. At this time there were unfortunate complications of a political nature. Repeatedly I was told 'They (meaning his colleagues in the government) want me out ... But (and this is a paraphrase of the actual conversation) 'I'm a rock' and at that the face would set in lines & the hands clutch the arms of the chair. No one, I can say categorically, influences me in my renderings. The only danger to me sometimes is the charm of the sitter. Churchill often showed the greatest charm & could not have been kinder. None the less he was self conscious & ill at ease during the actual times of sitting. I was seduced by his charm at other times & wanted so much to please him. But I draw what I see; & 90% of the time I was shown precisely what I recorded ... I would not like to go down into the small history I may create as being a person who deliberated or unconsciously malformed a face at the dictate of another". Sutherland also offers advice to Beaverbrook on the formation of his collection ("It is risky owing to the fact that John is an unequal artist, to buy anything unless you have seen the picture"); provides him with detailed "Notes on some [of his own] works in the collection of Lord Beaverbrook"; gives news of retrospective exhibitions and discusses publications on his work; comments on his other portraits (including those of Somerset Maugham, Árpád Plesch and Edward Sackville-West); reassures Beaverbrook that "I have no intention of writing my reminiscences – I don't even keep a diary"; outlines the aims of the Defence of Venice Exhibition, soliciting his support; and throughout the series expresses his gratitude for Beaverbrook's many acts of kindness. In 1949 Graham Sutherland painted his first portrait, a startling full-length study of Somerset Maugham (now in the Tate collection). This powerful work, widely acclaimed, was followed by a portrait of Maugham's neighbour on the Riviera, Lord Beaverbrook (1952, National Portrait Gallery, London) whose newspapers did much to make Sutherland famous in Britain – not least when an all-party parliamentary committee commissioned him to paint Sir Winston Churchill as a gift for the latter's eightieth birthday in 1954. The result, both praised and reviled by MPs, was detested by its subject for making him look old and, he claimed, half-witted. It was subsequently destroyed on Lady Churchill's orders, though sketches for it survive. Among the best of Sutherland's later portraits are those of his friend Edward Sackville-West (1954), Paul Sacher (1956), Princess Gourielli (Helena Rubinstein) (1957, Beaverbrook Art Gallery, Fredericton, New Brunswick, Canada), Prince von Fürstenberg (1959), Konrad Adenauer (1965, priv. coll.), and Lord Goodman (1973). Provenance: Sotheby’s, 21 & 22 July 1980, lot 165.
Lot 138
Graham Sutherland O.M. (British, 1903-1980)The Orchard signed and dated 'Sutherland. 43' (upper right)watercolour, gouache, ink and pen and ink on paper26 x 20cm (10 1/4 x 7 7/8in).Footnotes:ProvenanceWith The Redfern Gallery, London, where acquired by J.F. Crosfield, 25 August 1952, and thence by descent to the previous ownerTheir sale; Bonhams, London, 14 November 2012, lot 11, where acquired by the family of the present owner, and thence by descentPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 139
Graham Sutherland O.M. (British, 1903-1980)Path through a Field, Wye Valley signed and dated 'Sutherland 53.' (lower right)watercolour, gouache and pencil on paper64 x 24cm (25 3/16 x 9 7/16in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 141
Graham Sutherland O.M. (British, 1903-1980)Standing Form signed and dated 'Sutherland 1953' (lower right)watercolour, gouache and crayon on paper23.5 x 15cm (9 1/4 x 5 7/8in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 50
Rigby Graham (British, 1931-2015)Landscape, Crete signed and dated 'Rigby Graham 1966' (lower left)oil on board55 x 75.5cm (21 5/8 x 29 3/4in).Footnotes:ProvenanceWith Gadsby's Fine Art, LeicesterThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 256
Family Group: Pair: Captain G. G. Lever, Royal Air Force, late Royal Fusiliers British War and Victory Medals (Capt. G. G. Lever. R.A.F.) some staining, very fine Pair: Private L. D. Lever, 5th (London Rifle Brigade) Battalion, London Regiment British War and Victory Medals (300753 Pte. L. D. Lever. 5-Lond. R.) very fine Mercantile Marine War Medal 1914-18 (George Lever) some staining, very fine (5) £100-£140 --- Graham George Lever, a Wireless and Cable Technician, was born in in 1891 in Maidenhead, Berkshire, and was commissioned into the Royal Fusiliers on 23 February 1915 for service during the Great War. Appointed Temporary Captain, he later transferred into the Royal Air Force and was discharged on 20 February 1920. Leslie Dorrington Lever, brother of the above, was born in 1893. He attested into 5th (London Rifle Brigade) Battalion, London Regiment, for service during the Great War and served on the Western Front from 25 January 1917. He received a gun shot wound to his right knee on 19 May 1917 and, upon recovery, transferred into the Royal Engineers. George Lever, father of the above, was born in 1858. A Master Mariner with the Mercantile Marine, he served during the Great War as Captain of S.S. Monarch, a cable laying ship, and survived her sinking in the English Channel on 8 September 1915. Later serving in S.S. Monarch 3 as Captain and Assistant Submarine Superintendent, he died in Dover, Kent, in 1931.
Lot 606
A collection of 20th Century museum and gallery posters / art posters to include: The Museum of Modern Art New York, Andre Derain, London Bridge; August Macke, Turkish Cafe; The Detroit Institute of Arts USA, Lyonel Feininger, Fisher off the Coast; Dulwich Picture Gallery, Graham Sutherland; Paul Nash. Largest measuring approx. 76cm x 56.5cm
Lot 961
Rare George V Royal Tank Regiment Marked 1897 Pattern Officers Sword by Henry Wilkinson Attributed to Major Hugh Graham Neish Royal Tank Regiment, fine Infantry officers sword with George V cipher incorporated to the guard, shagreen covered grip with wire binding. Black leather portepee attached to the grip and housed in regimental pattern black leather scabbard. Blade remains in excellent condition which retains much of the original polished finish. Etched with standard decoration and additional regimental badge of the Royal Tank Regiment. Initials ‘H.C.N’ etched to the reverse panel. Blade by Wilkinson sword and numbered to the spine ‘46507’. Vendor attributes the sword to Major Hugh Graham Neish. Blade 82cms, overall 102cms. A rare and hard to find sword.The charity for blind ex-servicemen and women St Dunstan’s gives the following information in the St Dunstan’s Review – ‘Hugh Graham Neish Royal Tank Regiment – Major H. G. Neish, of London, died at Pearson House on the 15th April, 1975. He was 77 years of age. He served in the Regular Army from 1915 until he retired in 1948. His sight ultimately failed and he was very seriously ill by the time he came to St. Dunstan's and went to Pearson House a few months ago. He was a single man with no immediate family.
Lot 122
Second World War Arctic Convoys Distinguished Service Cross Medal Group of Eight to Commander P.G Satow Who Survived the Loss of H.M.S. Wild Swan in June 1942 and was Also Twice Mentioned in Despatches Including for the V.C. Action in the Battle of the Barents Sea Where the Destroyers H.M.S. Orwell and H.M.S. Onslow Repelled the Mighty German Cruiser Admiral Hipper, Distinguished Service Cross, GVI, 1st type, reverse officially dated “1944” and additionally engraved “PATRICK G. SATOW , ROYAL NAVY”, 1939-45 Star medal, Atlantic Star medal, Africa Star medal, Burma Star medal, War Medal 1939-45 with Mention in Despatches oakleaf, Korea medal, “LT. CDR. P.G. SATOW D.S.C. R.N.” Group mounted for display.Distinguished Service Cross, London Gazette 1st January 1944 - The KING has been graciously pleased to approve the following awards for gallantry or outstanding service in the face of the Enemy, or for zeal, patience and cheerfulness in dangerous waters and for setting an example of wholehearted devotion to duty, upholding the high traditions of the Royal Navy - Lieutenant Patrick Graham Satow, Royal Navy (Kettering).Mention in Despatches, London Gazette 18th May 1943 - For courage and endurance in action in Northern Waters - Lieutenant Patrick Graham Satow, Royal Navy. Mention in Despatches, London Gazette 11th June 1946 – The KING has been graciously pleased to approve the following awards for distinguished service during the War in the Far East - Lieutenant Patrick Graham SATOW, D.S.C., Royal Navy.Patrick Graham Satow joined the Navy as a Cadet in May 1937. On 19th December 1939 he joined HMS Wild Swan as Sub Lieutenant (Navigating Officer), he served onboard until her loss in June 1942 and is often mentioned at length in Peter C. Smith’s history of the ship. Employed on 10 May 1940 to take demolition parties to the Hook of Holland, Wild Swan remained there until the 13th, when she returned to Dover. During that time she engaged enemy batteries, parachute troops and carrier borne troops landing on the beaches, and sustained damage from a near miss which reduced her speed to 15 knots, and necessitated her return to dock for repairs. But she was quickly back at sea, and from the 21st to 25th was employed in escorting ships and evacuating refugees and troops at Dunkirk, Calais and Boulogne. At the latter port she assisted on the 23 May in the final evacuation in the face of heavy air attack and fire from shore batteries, one of her own guns destroying an enemy tank which was ‘roaring down a side street towards the quay’. Gunnery skills aside, Wild Swan’s survival was also down to the navigation of Satow, Signalman W. K. Harrison recalling in Peter C. Smith’s ship history.Ex R.C. Witte collection.
Lot 227
Scarce WW2 BEJA Battle Badge, good example of the unofficial battle badge issued to members of the Hampshire regiment and the 172nd Field Regiment Royal Artillery. The aluminium shield badge has red felt centre with German Panzer tank having crusader sword diagonally through and tablet with ‘BEJA’ above in the corner. Brass pin fitting to the reverse of the badge. This badge was designed by Lt Col W D McN Graham, awarded to members of the 172nd Field Battery Royal Artillery and 5th Battalion Hampshire Regiment. Believed to be only 200 of these badges awarded to men who fought in the heroic action at the Battle of Hunts Gap, Beja, North Africa against the 10th Panzer division.
Lot 539
CLASSIC SOUL/FUNK/DISCO - LPs. More wicked grooves with around 63 x lovely clean LPs here. To include Barbara Acklin - Seven Days Of Night (BL 754148) and Someone Else's Arms (BL 754156), The Independents - Discs Of Gold, Allen Toussaint - S/T (DJM 22070) and Motion, Vernon Burch - Steppin' Out, Eddie Hinton, Luther Ingram, The Younghearts, Kathy Sledge, Ramsey Lewis, Willie Hutch, Joyce Sims, Roy C, Barbara Jean English Experience, Andrae Crouch, Graham Central Station, Larry Graham (including solo releases), Little Miloton, Mosley & Johnson and Fern Kinney. is often Ex to Ex+/archive (records) and VG+ to Ex+ (sleeves).
Lot 504
UK PRESSING 70'S SOUL SINGLES - A collection of around 1100 UK pressing 1970s Soul Singles including some 1960s. Collection to include: The Dramatics - I Can't Stand It (Promo), William De Vaughn - Be Thankful For What You've Got, Billy Frazier - Billy Who? Part 1, Jackey Beavers - Mr. Bump Man (Give Me A Hand) Part II, Flying Saucers - Keep On Comin' (Promo), Patrice Rushen - Forget Me Nots, Cuba Gooding - Mind Pleaser, Rita Graham - Lord Help Me Understand, Marlena Shaw - It's Better Than Walking Out, The Notations - Think Before You Stop (Promo), Johnny Guitar Watson - I Need It (Promo), Stevie Wonder - I Ain't Gonna Stand For It and more. Labels include: Capitol, EMI, Buddah, Motown, Contempo, Polydor, President, CBS. Collection generally F to Ex.
Lot 536
CLASSIC SOUL/FUNK/DISCO - LPs. More tight grooves with around 65 x lovely clean LPs here. To include The Undisputed Truth - Cosmic Truth, Michal Urbank - Serenade For The City (promo Motown LP), Cornelius Brothers And Sister Rose, Shadee - I Just Need More Money, Jerry Butler, Dorothy Moore, The Last Poets, Don Covay, Ric-Tic Relics, Motown Memories, Bettye Lavette, Smokey Robinson, Jimmy Ruffin, Larry Graham, Switch, Jesse West, Jackson 5, Jenny Burton, Doc Powell, The Supremes, Phyllis St. James and Wilton Felder. Condition is often Ex to Ex+/archive (records) and VG+ to Ex+ (sleeves).
Lot 257
20 UK NORTHERN SOUL ORIGINALS - Collection of 20 UK Northern Soul Singles (Northern Soul). The collection includes: Fats Domino - If You Don't Know What Love Is (HMV), Margie Hendrix - Restless (Mercury), Barbara Mason - Half A Love, Bobby Goldsboro - It's Too Late, The Du-Ettes, Every Beat Of My Heart, James & Bobby Purify - Shake A Tail Feather (Bell), The Spellbinders - Help Me (Get Myself Back Together Again) (Direction), Big Maybelle - Quittin' Time (Direction), Brooks And Jerry - I Got What It Takes (Part 1) (Direction), Ike And Tina Turner - Finger Poppin' Judy Clay - You Can't Run Away From Your Heart (Stax), Barbara Lewis - Someday We're Gonna Love Again (Atlantic), The Three Caps - Cool Jerk (Atlantic), The Astors - Candy (Atlantic), Guy Darrell - I've Been Hurt, Graham Bonney - Super Girl (Colombia), Cassius Clay - Stand By Me, Dusty Springfield - What's It Gonna Be, Frankie Valli - You're Ready Now, Irma Thomas - Don't Mess With My Man.
Lot 494
BLUES/ BLUES ROCK - LP COLLECTION. A super collection of 40 blues/ blues rock LPs. Artists/ titles include Dave Kelly - Keeps It In The Family (20151 SMCL, record VG+/ sleeve VG+), Dr John inc Dr John's Gumbo (MOVLP736, limited marbled turquoise vinyl), Plays Mac Rebennack, In The Right Place, Remedies, Anutha Zone. Wilko Johnson inc Going Back Home, Back In The Night. Duffy Power - Innovations, Brunning Sunflower Blues Band - I Wish You Would, Graham Bond - Organisation, John Mayall - USA Union, Various inc Rocket 88, Scorchin The Blues. The Wildebeests, Firepoint, Brunning Sunflower Blues Band, The Gary Moore Band, The Dave Kelly Band. Condition is generally VG+ to Ex+.
Lot 540
CLASSIC SOUL/FUNK/DISCO - LPs. More tight grooves with around 63 x lovely clean LPs here. To include Brenda Holloway - The Artistry Of (scarce UK mono original, Tamla Motown TML 11083 - VG record some surface marks with one or two just about feelable/VG+ solid example sleeve), Irma Thomas - In Between Tears (FB 25150), Lyn Collins - Check Me Out If You Don't Know Me By Now, Debbie Taylor - Comin' Down On You, Donny Hathaway, Ned Doheny, Roberta Flack, Gwen McRae, Leon Huff, Bob James, Odyssey, Gloria Jones, Lee Dorsey - Yes We Can (2482-280), Cameo, Heaven And Earth, Graham Central Station, Modern Soul 2 and The Essential Detroit Soul Collection Condition is often Ex to Ex+/archive (records) and VG+ to Ex+ (sleeves).
Lot 353
SOUL - LP COLLECTION. Another collection of approx 80 x LPs. Artists/ Titles include Garry Glenn (PP-0201-2), Chuck Jackson - Through All Times, Rita Graham - Vibrations, James Brown - The Pure Sound Of The Puritys, Martha Reeves & The Vandellas - Sugar n' Spice, Prince Phillip Mitchell - Top Of The Line, Four Tops - Second Album, The Temptations, Funkadelic, James Brown, Doris Duke, Dennis Taylor, Wilson Pickett, Norman Connors, Deon Jackson, Leroy Burgess, Otis Redding, Curtis Mayfield, C. M. Lord, David Ruffin and Arthur Conley. The condition is generally VG to Ex+.
Lot 479
JAZZ-FUNK - LP PACK. A quality collection of 15 jazz-funk LPs. Artists/ titles include Gene Harris - Astral Signal (BN-LA313-G, record Ex/ sleeve VG), Roy Ayres Ubiquity inc Everybody Loves The Sunshine (PD-1-6070, printed inner. Ex/ Ex), Lifeline (PD-1-6108, Ex/ VG+), Mystic Voyage (PD-6057), Gil Scott-Heron and Brian Jackson - It's Your World (DARTY1), Lou Donaldson inc Blowing In The Wind (LPS 789), Sweet Lou (BN-LA259-G), Sophisticated Lou. Cedar Walton - Animation, Grant Green inc Iron City, The Final Come Down. Bobby Lyle - New Warrior, Gary Bartz NTU Troop - Ju-Ju Street Songs, Dewey Redman - Coincide and Bonnie Graham - Brown Gal. Records are generally VG+ to Ex+. Sleeves VG to Ex.
Lot 541
CLASSIC SOUL/FUNK/DISCO - LPs. More sweet grooves with around 61 x lovely clean LPs here. To include Margie Joseph - Phase II (VOS 6016), Tryone Davis - I Had It All The Time, Blue Magic - Mystic Dragons, People's Choice, Gang Starr, Ramsey Lewis - Love Notes, Jean Carn, Stokely Carmichael, Three OUnces Of Love, Lamont Dozier, Leon Ware, Phil Mattson, Dee Dee Sharp, Graham Central Station, Rare Earth, MFSB, Betty Wright, McFadden & Whitehead, Peabo Bryson, Ben E. King, Commodores, Frankie Valli and John Whitehead (solo). Condition is often Ex to Ex+/archive (records) and VG+ to Ex+ (sleeves).
Lot 320
JAZZ - LP RARITIES PACK (BRITISH ARTISTS). A super selection of 5 jazz LP rarities. Artists/ titles include The Stan Tracey Trio - Perspectives (SCX 6485, UK Columbia. 2 box EMI labels. Record VG+/ sleeve VG+), Michael Gibbs - S/T (SML 1063, UK Deram. Red/ white labels. VG+/ VG+), Graham Collier Music - Darius (GCM 741, VG+/ VG), The Tubby Hayes Orchestra - Tubbs (STL 5221, UK Fontana. VG/ VG) & Joe Harriott & John Mayer - Indo-Jazz Suite (SX 6025, UK Columbia. Blue/ black labels. VG+/ VG+).
Lot 263
SOUL - LP COLLECTION. A super collection of around 32 soul LPs. Artists/ titles include Chuck Jackson - Arrives (TML 11071), Eddie Hinton - Very Extremely Dangerous (CPN-0204), Skip Mahoaney - Your Funny Moods, Jimmy Holiday - Spread Your Love, Laura Lee - S/T, Norman Feels - Where Or When, The True Reflection - Where I'm Coming From, Ralph Graham - Differently, ADC Band - Long Stroke, Chuck Jackson - Through All Times, Curtis Mayfield - Curtis, Temptations - Live, Lyn Collins - Think, Doris Duke - A Legend In Her Own Time. Joe Simon, Charles Wright, Peggy Scott, The Shirelles, The Packers, The Ike & Ike Turner Show, The Isley Brothers, Walter Heath, The Voices Of East Harlem, Garland Green. Condition is generally VG+ to Ex+.
Lot 177
An original Paragon Agency performance contract dated the 3rd April 1975 between Bill Graham/FM Productions and Ronnie Van Zant. It has been signed by both and is for two performances by Lynyrd Skynyrd at Winterland, San Francisco on the 26th and 27th April 1975. There are 21 stapled pages on which a number of annotations have been made. The contract measures 21.6cm x 27.9cm (8.5 inches x 11 inches). There is some creasing to the top two corners and pin holes to the centre of the top edge. The condition is very good.
Lot 276
An original 12 inch inner sleeve taken from a Rainbow LP which has been autographed by the group. Cozy Powell, Graham Bonnet, Roger Glover, Don Airey and Ritchie Blackmore have all signed in black ballpoint pen. The signatures were obtained at the Apollo, Manchester in 1980 during the Down To Earth tour. Illustrated is a photograph of the recipient of the signatures with Ritchie Blackmore taken when the autographs were obtained. There are some sections of discolouration. The condition is very good. Provenance: accompanied by a letter from the recipient confirming how the signatures were obtained.
Lot 234
Jerry WHITE (1952) Four Works Four mixed media works framed as one, signed verso, board size 78cm x 54.5cm Shipping is available from £32.50 to a UK Mainland address. Jerry was one of the artists picked as one of the artists to watch in 'Eighty from the Eighties', along with Wilhelmina Barns-Graham, Patrick Heron, Terry Frost and others.
Lot 235
Jerry WHITE (1952) Three Works Three mixed media works framed as one, signed verso, board size 78cm x 54.5cm Shipping is available from £32.50 to a UK Mainland address. Jerry was one of the artists picked as one of the artists to watch in 'Eighty from the Eighties', along with Wilhelmina Barns-Graham, Patrick Heron, Terry Frost and others.
Lot 318
Ca. AD 1000 - 1100 A beautiful Viking 23 ct gold belt applique with a ‘D’ shape. The applique has a symmetrical geometric composition featuring a repeated motif of filigree clusters and a border of gold beads. For similar see: Graham-Campbell's Viking Art (2013), p. 116., fig. 133. Size: 18mm x 17mm; Weight: 7g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 167
A quantity of Antiquities and later antiquity type Objects, to comprise two Roman pottery oil lamps, together with another, figural, modelled as a face with mouth agape, also with a twin-handled Pot, possibly Bronze-Age from the Graham Fuller Collection, H 11cm, a terracotta Pot, possibly Neolithic, from the Alex Wright Collection, H 9cm and a terracotta waisted Jug, H 12cm (6)
Lot 95
The Darkness multi signed Drum Skin includes 4 band member signatures Justin Hawkins, Dan Hawkins, Frank Poullain and Ed Graham. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 81
A fine presentation cast bronze sculpture of the 1954-55 Grand Prix Mercedes-Benz W196 'Silver Arrow' Streamliner, produced by the Hans Mayr Foundry of Munich, mid-1950s,solid cast bronze sculpture of the famed W196, one of a strictly limited number of only 50 examples commissioned by Daimler-Benz AG of Stuttgart and Streamliner engineer Ludwig Kraus from a design by chief sculptor Helmut Hiltmann, produced in 1956-57, depicting the car in Streamliner guise, measuring 27cm long, mounted on a grey marble base with plaque to front edge inscribed 'Mercedes-Benz Grand Prix Rennwagen Gebaut Nach der Formel I 1954 und 1955', measuring 30.5cm long overall, contained in modern bespoke fitted presentation case by Jewel Display Ltd of Thetford, in dark blue leather with satin lining and 'Three-Pointed Star' emblem to inside of lid. Footnotes:Of the 50 examples of this presentation sculpture produced, some were presented to Formula 1 VIPs and dignitaries including Heinrich C Wagner (former CEO of Mercedes-Benz 1953-1953), with two examples presented to Works drivers, Juan Manuel Fangio and Karl Kling, and another presented as the 'Alfred Neubauer Trophy' to 1968 World Champion Graham Hill.For further information on this lot please visit Bonhams.com
Lot 225
A porcelain figurine; red tunic and yellow accents, white collar, black trousers and hat, and light brown boots. Royal Doulton backstamp. Artist: Graham TongueIssued: 1997Dimensions: 2" L x 2" W x 4.5" HEdition Number: 1202 of 2500Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
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