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THREE BOXED N GAUGE GRAHAM FARISH SHUNTERS 371-052, 371-005, 371-0207

SEVEN BOXED N GAUGE PIECES OF GRAHAM FARISH TO INCLUDE 8131, 2 CAR ITEMS DIESEL MOTOR UNIT, 377-802 NUCLEAR FLASK WAGON, 4512 COVERED HOPPER, 373-501, 4411 HOPPER WAGON ETC

THREE BOXED N GAUGE GRAHAM FARISH STEAM LOCOMOTIVES AND TENDERS 1851, 1822, 1811

THREE BOXED N GAUGE GRAHAM FARISH STEAM LOCOMOTIVES AND TENDERS 1201, 1865, 1515

THREE BOXED N GAUGE GRAHAM FARISH STEAM LOCOMOTIVES AND TENDERS 1901, 1801, 1841

THREE BOXED N GAUGE GRAHAM FARISH LOCOMOTIVES 8828, 8038, 1008

THREE BOXED N GAUGE GRAHAM FARISH STEAM LOCOMOTIVES, ONE WITH TENDER (MALLARD EXPRESS), 372351, 1731, 1701

THREE BOXED N GAUGE GRAHAM FARISH TRAINS TWO SHUNTER 371-015K, 371-002 TOGETHER WITH 371276 THE FIFE AND FORFAR YEOMANRY LOCOMOTIVE

FOUR BOXED N GAUGE GRAHAM FARISH DIESEL SHUNTERS 371-050, 371-051, 371-008 AND 371-027

Jane Wachman Sea and Sand I Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Prior to becoming an artist, she worked in the fashion industry surrounded by beautiful fabrics and textures. This, she believes, has been a big influence on her practice. She lets the colours and layers mix themselves on the canvas. The use of bold, strong colours is integral to her work For her the act of painting is a continuous process always changing, always taking away to create something new. Jane works as a full-time artist and is based at Wimbledon Art Studios. Jane undertakes commissions and works with interior designers.   Education 2008-09 Wimbledon School of Art - Art Foundation 2009-11 The John Cass School of Art, London Metropolitan University - BA (Hons) in Fine Art Select Exhibitions/Awards 2021 The Other Art Fair - Truman Brewery E1 2021 Dancing with Trees - Gustavo Bacarisas Gallery, Gibraltar 2020 Three (Group Show) - Graham Hunter Gallery, W1 2020 Spring Show/Art Buyer (Group Show) - Upstart Gallery, Putney, SW15 2020 Lloyd's Art Society - Lloyd's of London, EC3 2020 The Affordable Art Fair - Battersea, SW11 2020 Gestural 2 (Solo Show) - Graham Hunter Gallery, W1 2019 Revisited (Solo show) - A&D Gallery, W1 2019 The Affordable Art Fair - Battersea, SW11   Gallery Representation Jane works with several galleries out of London. She works with design consultants on a regular basis who house her work in commercial buildings, offices and hotel projects. She undertakes commission work as she works on a large scale. Her paintings have been sent to the USA, Australia and Europe.   Statement about AOAP Submitted Artwork The works for Art on a Postcard are inspired by The Witterings in West Sussex. Jane sails with her husband out of Chichester Harbour and is familiar with the views of the Downs. Jane's work is inspired by travel. When painting Jane pulls together memories of places through mark making. As an artist she references the ever-changing outlines of the landscape. She identifies with shape, form and structure when creating her paintings. Influences as far as the wild colours of India and Morocco sit alongside more familiar coastal hues of West Sussex and the Downs which she frequents often. Colour is integral to her work. Her paintings are intuitive; the colours are an extension of her personality coming through into her work however hard she tries to curb it. Travelling to new places she is inspired by all she encounters.

Jane Wachman Sea and Sand II Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Prior to becoming an artist, she worked in the fashion industry surrounded by beautiful fabrics and textures. This, she believes, has been a big influence on her practice. She lets the colours and layers mix themselves on the canvas. The use of bold, strong colours is integral to her work For her the act of painting is a continuous process always changing, always taking away to create something new. Jane works as a full-time artist and is based at Wimbledon Art Studios. Jane undertakes commissions and works with interior designers.   Education 2008-09 Wimbledon School of Art - Art Foundation 2009-11 The John Cass School of Art, London Metropolitan University - BA (Hons) in Fine Art Select Exhibitions/Awards 2021 The Other Art Fair - Truman Brewery E1 2021 Dancing with Trees - Gustavo Bacarisas Gallery, Gibraltar 2020 Three (Group Show) - Graham Hunter Gallery, W1 2020 Spring Show/Art Buyer (Group Show) - Upstart Gallery, Putney, SW15 2020 Lloyd's Art Society - Lloyd's of London, EC3 2020 The Affordable Art Fair - Battersea, SW11 2020 Gestural 2 (Solo Show) - Graham Hunter Gallery, W1 2019 Revisited (Solo show) - A&D Gallery, W1 2019 The Affordable Art Fair - Battersea, SW11   Gallery Representation Jane works with several galleries out of London. She works with design consultants on a regular basis who house her work in commercial buildings, offices and hotel projects. She undertakes commission work as she works on a large scale. Her paintings have been sent to the USA, Australia and Europe.   Statement about AOAP Submitted Artwork The works for Art on a Postcard are inspired by The Witterings in West Sussex. Jane sails with her husband out of Chichester Harbour and is familiar with the views of the Downs. Jane's work is inspired by travel. When painting Jane pulls together memories of places through mark making. As an artist she references the ever-changing outlines of the landscape. She identifies with shape, form and structure when creating her paintings. Influences as far as the wild colours of India and Morocco sit alongside more familiar coastal hues of West Sussex and the Downs which she frequents often. Colour is integral to her work. Her paintings are intuitive; the colours are an extension of her personality coming through into her work however hard she tries to curb it. Travelling to new places she is inspired by all she encounters.

Twinkle Troughton Windows Are The Eyes (Thanet) Oil on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born in Coventry, Twinkle studied Fine Art (BA Hons) at Kingston University, spending 18 years in London before heading to Margate where she now lives. Working primarily with oil on paper, Twinkle's paintings are inspired by landscapes, narrative and myth. Recent solo shows include Paper Gallery in Manchester, Haeckles Home in Margate and Studio 1 Gallery in Wandsworth. Other previous solo shows include The Pure Evil Gallery in Old Street, London and Bristol's Steal From Work, and for two years Twinkle was represented by the Stella Dore Gallery in Old St London until it closed in 2009. As well as exhibiting widely in the UK, Twinkle has also exhibited internationally. In 2013 Twinkle was invited to exhibit and participate in an artist residency with Tinsel Edwards at Galerie Michaela Stock in Vienna, and in 2010 was selected to exhibit as part of an emerging British Artist show at Redbull's prestigious Hangar-7 Gallery in Salzburg. She has also exhibited at LA's Orange County Centre of Contemporary Art (OCCCA). Other exhibition highlights include Jealous Gallery in East London, PS Mirabel's 'Paint' exhibition in Manchester, Hay Hill Gallery on London's Cork St and a joint show with her dad David Troughton in Leamington Spa's Gallery150. Her work has been featured in-store in Selfridges on Oxford St and at The Affordable Art fair with Jamm Gallery. Twinkle has also been a Celeste Art prize finalist and an Aesthetic Art Prize Longlister. Collaborations include public art performances with Tinsel Edwards, and co-curating exhibitions at Gallery 64a in Whitstable, Vyner Street's Cultivate Gallery and Redchurch Street's Outside World gallery. Twinkle has also curated exhibitions, including; Dulwich College in London, Gallery 64a in Whitstable, LIMBO Arts, Joseph Wales Studio and Resort Studios in Margate and The Outside World on Redchurch St, London. She is also the Art and Culture editor and writes for the Margate Mercury magazine. Daimon Dash, Howard Marks and Rupert Grint all own Twinkle paintings. Her work is also in the collection of Dietrich Mateschitz (owner of Redbull). She also has work in a private collection in Malibu alongside Ed Ruscha and Rauschenberg.   Education A History Of British Art, City Lit College, Holborn - 2011 The Age Of Reason: Art and culture in the 18th century, City Lit College, Holborn - 2010 Art and Politics: A Change Must Come, City Lit College, Holborn - 2010 BA Hons Fine Art Intermedia, Kingston University, Greater London 1998 - 2001   Select Exhibitions/Awards   Upcoming: 5th - 15th March 2020, 'Oh Bondage, Up Yours!' Resort Studios Margate as part of POW! Thanet (group show curated by myself) 1st - 14th August 2020 'Silent Disco' Summer exhibition curated by Graham Crowley, Wickham Market, Suffolk Selected Solo Shows: 2018 'Landscapes for a Lonely Wolf' Gallery 64a, Whitstable, Kent 'Landscapes for a Lonely Wolf' Urchins, Margate Kent UK 2017 'Citizens of Nowhere' Studio 1 Gallery, London 2016 'The Frogs Who Desired a King' Hantverk & Found, Margate, Kent UK 2013 'Affluence and Avarice' by Twinkle and Tinsel, Galerie Michaela Stock, Vienna, Austria 2012 'A Mini Retrospective' by Twinkle and Tinsel, A-Side B-Side Gallery, Hackney 2010 Twinkle and Tinsel's 'It Was the Best of Times, It Was the Worst of Times' Headspace Gallery Liverpool 2009 Tinsel and Twinkle's 'It Was the Best of Times, It Was the Worst of Times' The Long Arm Gallery, Bristol 2008 'Never Shall Be Slaves' Solo show at The Pure Evil Gallery, Old St, London 2007 'Cor Blighty!' Solo show at The Dragon Bar, Old St, London 2006 'An Urban Myth' TomTom Gallery, Covent Garden, London 2005 'It's Only Rock n Roll' Solo show at Selfridges, Oxford St, London 'It's Only Rock n Roll' Solo show at Exposure Gallery, London

WWI (military interest), c1930s autograph scrapbooks with drawings, paintings and poetry and a small autograph book including Graham Hill, Gloucester Cricket, Les Dawson, facsimile football signatures (4).

HOUSE/DEEP HOUSE/TECHNO - 12". Killer collection of 40 x 12" releases. Artists/titles include Azymuth - Jazz Carnival Part One (FARO 012 - Ex/VG), YMC Presents Satellite Traxx (PTS 11 - lovely Ex+), El Greco, Planetary Assault Systems, Rino Cerrone, Slac, Blue, Jack De Marseille, Gaetano Parisio, Bug Vs Hawtin, Chloe, DJ Pedro From Swingfield, Mille And Mr Hirsch, Marino Berardi, Chromeo, Hertz + Johan Bacto, Sasha Carassi, Mumps, Sequential, Centro, Leandro Gamez, Halo, Penn & Chus, Episode 19, Francois Dubois, Paranoid Jack, DJ Foxx, Kenneth Graham, Jeff Bennet, Cosmetix, Tomas Andersson and Hiem. Condition is generally VG+ to Ex+.

CLASSIC ARTISTS (INDIE/ROCK/POP) - 'REMIXED' (12"). More to keep the party going with these 35 x (predominantly) 12" releases full of rarities... Artists/titles include Prodigy - Breathe (super scarce white label test pressing, XLT 80 - VG+ with a few light surface marks), Bjork - Army Of Me (Graham Massey mix) (162TP12GM, white label test pressing - Ex condition) and All Is Full Of Love (BO001, hard to source private release), Madonna - Get Together (ltd double 12"), Dead Or Alive - Spin Me..., The Rolling Stones - Sympathy For The Devil (Fatboy Slim, The Neptunes remixes, double 12" promo), Madness - One Step Beyond (RIP mixes), Slide Vs. The Cure - The Forest, Primal Scream, Hard-Fi, Super Furry Animals, Simple Minds, Sinead O'Connor, Sparks and INXS.

ELECTRONICA - 12" ACETATES. A smashing selection of 15 12" electronica acetates. Artists/ titles include Max Graham - Falling Together/ Magnolia (Loud Mastering), Lucid - Stay With Me Till Dawn (Tape To Tape/ London 14/5/99), Starecase - Araine Mix (Heathmans. 27/02/01), Chapel Of Rest - The Path, Jose Padilla - Who Do You Love (Manifesto 23/04/98), Sonic Infusion - Reformatted/ No Exit, Green CD, Jimmy's New Tune/ Chris + James - Ghosts Fade Mix, Janice Robinson - Earthbeat. Section X - Atlantis (Way Out West Club Mix), Siamsa - Forth's Coded Dub, Bedrock - Untitled, Sian - Stronger Together, BBG - Just Be Tonight, NBG - Groovebird. Condition is generally VG to Ex.

DEEP HOUSE/TECHNO 12 INCH COLLECTION. A samplers dream! Around 50 x underground house and techno records, mostly consisting of 12-inch records. Artists and labels include Electric City Phunk, Terraform Records, Kenneth Graham, Jaimy & Kenny D, Euka House, Phreax, Spirit Catcher, Missive Records, Seishi Ono, Wild Loops, Supreme Beings Of Leisure, Linus Loves, Argan Oil, Laus Records, Haris, Adam Jay, Consigned, Mistress Barbara, Choice Records, Joe Silva, Stickman Records, Djinnx, Mangusta, Mtrax, Joel Mull, ELP, Ultracolor, Scandium Records, David Barr, Stompa Phunk, Zebra.3 Recording and Tony Thomas. The condition of the collection generally appears to be VG to Ex+.

Graham Clarke, artist signed Limited Edition coloured etching,' The Jetty ' No.37 of 300, 9.5ins x 11ins, framedIn excellent, clean condition

GRAHAM AND GREEN OPEN BOOKCASE, 90cm x 40cm x 202cm.

A Clarice Cliff Bizarre pattern dish, designed by Graham Sutherland, circa 1934. 26cm

Thunderbirds - David Graham (voice of Brains and Gordon Tracy) - an autographed 8x10" colour replica Lobby Card from the classic cult Gerry Anderson film version of the series, depicting FAB 1. Signed neatly by Graham in black ink to a light portion of the image.

Graham Evernden (British 1947-): 'Marsh Marigolds', limited edition screen print signed titled and numbered 14/250, 39cm x 29cm

The Jaguar Mk. II was a medium sized saloon built from 1959 to 1967 as a successor to the 2.4 and 3.4 litre models. The Mk. II was handsome, powerful, and good handling saloon which was offered with a choice of three six-cylinder twin cam engines; 2.4 litre, 3.4 litre or 3.8 litre. After the appreciation of the Mk. I, Jaguar's successor was well received thus making a good car even better. Similar in appearance but with a bigger glass area, it boasted a wider track to improve road holding together with minor front suspension changes to reduce body roll and fitted with the new Dunlop disc brakes all-round rather than drum brakes. The 210bhp 3.4 litre engine variant proved to be the most popular, offering the best compromise between performance and economy. Naturally, the performance was excellent, and the Mk. II has enjoyed great success on the track and can still be a very competitive historic race car. Raced by all the top drivers of the day including Graham Hill, Roy Salvadori and Michael Parkes, the Mk. II scored victories throughout saloon car races in the 60's and was also raced across Europe in the Tour de France and Monte-Carlo rally. The car also gained a reputation as a capable 'getaway car' among the criminal underworld. The Mk. II had seating for five adults and in 3.8 litre specification, could outrun almost any other car on the road.This example is presented in light Quartz Gunmetal Grey with blue leather interior. This was originally a Rhodesian car which we understand was imported to the UK in 2014 and registered with the DVLA in May 2015. Its original 3.4 engine has been replaced by the more potent and powerful 3.8 litre which is mated to a Borg Warner three-speed automatic gearbox. The interior is in good condition with the burr walnut woodwork looking good and is complimented by the Moto-Lita wooden steering wheel, so evocative of this era. The car comes with an original Jaguar workshop manual, Jaguar Heritage Trust certificate and various invoices. These are quintessentially British and evoke many nostalgic memories for a great deal of people, this is no exception!

Sandra Blow (British 1925-2006) Untitled, signed and dated '92, titled on gallery label - 'Francis Graham-Dixon Gallery, London' verso, paper collage.sheet size 67cm x 101cm (26.25in x 39.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The painting is in very good, original condition with no obvious faults to report. There are pinholes in each corner of the sheet. There are some minor undulations across the sheet. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Plakat "Lower Manhattan" m. Gebäude-Index, Williamson Picket Cross Inc., Design von DianaGraham, Plakatgröße ca. 80 x 102 cm, hinter Glas gerahmt. Altersbed. Zustand.

Clarke, Graham (geb. 1941), "Royal Oak", kolorierte Radierung, re. u. handsign., li. u.betitelt u. numm. 231/500, Blatt ca. 18,5 x 21 cm, PP, hinter Glas gerahmt, alte Rechnung von 1985 anbei.

AN ELIZABETH II SILVER BEAKER, by Graham Watling, London 1975, the tapering plain cylindrical bowl raised on a textured foot with applied wire and ball detail. 9.3cm high, 4.2 troy ounces

AN ELIZABETH II SILVER BEAKER, by Graham Watling, London 1975, the tapering plain cylindrical bowl raised on a textured foot with applied wire and ball detail. 9.3cm high, 4.5 troy ounces

EIGHT CORGI DIECAST MODEL RACING CARS comprising two No.154, J.P.S. Lotus Formula 1, in variant Fittipaldi / Peterson boxes; No.155, UOP Shadow; No.156, Graham Hill's Embassy Shadow; No.159, Patrick Eagle's Indianapolis Racing Car; No.160, Hesketh 308 Formula 1; and two No.161, Elf Tyrell Project 34, in variant racing liveries, each mint or near mint and boxed, the boxes generally good (one with label scar to one end flap).

Oak and mahogany eight day longcase clock, early 19th century, 14" arched painted dial signed Henry Graham CockermouthCondition report: With pendulum and two weights

Brontë (Charlotte) "Currer Bell" Jane Eyre. An Autobiography, first American edition, small tear to title, not affecting text, New York, 1848 bound with Dickens (Charles) The Cricket on the Hearth, first American edition, New York, 1846, with 4 others, together 6 works in 1 vol., binders label to pastedown, some light foxing, closely trimmed at head and fore-margin, affecting text, lacking advertisements, hinges cracked but covers holding, contemporary calf-backed cloth, spine gilt, rubbed, upper joint cracked, 8vo, [c.1848]. ⁂ One volume containing six early American editions. The four not mentioned are Agnes Searle (1845), Margaret Graham (1847), The Hunchback of Notre-Dame (1844), and The Magic Goblet (1845).

Greene (Graham) The Comedians, first edition, small tape marks to rear pastedown, dust-jacket with a few spots, lower flap toned, a couple chips to spine head, repaired with tape to verso, 1966 § Bowen (Elizabeth) The Little Girls, first edition, spine of just-jacket browned, 1964, the odd spot, original cloth; and 47 others, most 20th century literature, 8vo (49)

Follower of Max BarrettA carved serpentine stylised head, from a pebble, on socle base, height 23cm.The Personal Collection of Jonathan Grimble.Jonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art.

Follower of Max BarrettAn anthropomorphic green marble beast with tribal style head, length 17cm, together with a braised copper rectangular vessel, both apparently unsigned (2).The Personal Collection of Jonathan Grimble.Jonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art.

Hugh WEST (b.1950) A Carnon Downs Studio Pottery tall vaseImpressed with potter's seal to neckHeight 44.5cm The Personal Collection of Jonathan Grimble.Jonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art.Condition report: No condition issues.

A Troika St Ives pottery dish, painted by Sylvia Vallence, together with two Troika pottery mugs (3).The Personal Collection of Jonathan Grimble.Jonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art.

Norman Stuart CLARKE (b.1944)An iridescent art glass perfume bottle with stopper Signed & dated (20)02Height 11cmTogether with two other art glass vases by the same hand, both signed and dated (19)86 and (19)92Both approximately 12cm high(3)The Personal Collection of Jonathan Grimble.Jonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art.

Henrik ALLERT (Swedish, b. 1937)Two pottery sculptures - sheep and birdInscribed marks to bases Heights 9.5cm and 7.5cm(2)The Personal Collection of Jonathan Grimble.Jonathan Grimble (1942 - 2021) was well known in Cornwall as an art dealer and collector. Jonathan started collecting Cornish art in the mid-1980s with his wife Ann.Ann passed away in 2000, and Jonathan moved to Marazion where he successfully ran the Market House Gallery and brought many modern and contemporary artists to further prominence. He later ran the Porthminster Gallery and Westcotts Gallery in St Ives.Jonathan was heavily involved in the modern British and Cornish art scene and was an agent for the executors of Sandra Blow’s estate, which he ran from Sandra’s studio in St Ives.During his time as an art dealer, Jonathan put together his own incredibly impressive collection of Cornish and contemporary art, featuring artists such as Sandra Blow, Terry Frost, Alexander Mackenzie, Paul Feiler, Wilhelmina Barns-Graham, Fred Yates, Jack Pender, Trevor Bell, Paul Mount, John Milne, Denis Mitchell, Peter Lanyon and many more.David Lay Auctions were honoured to be asked by the executors of Jonathan’s estate to catalogue, market and sell Jonathan’s remarkable collection of Cornish and modern British art.

Graham Barry Clilverd (1883-1959) Two winter scenes - Snow on a march, signed (lower right), etching on paper, 19 x 26cm; and Snow on the banks of a brook, signed (lower right) and numbered '2/75' (lower left), etching on paper, 14 x 17cm (2)

Graham Barry Clilverd (1883-1959), Four architectural etchings to include - The interior of Canterbury Cathedral, signed (lower right), etching on paper, 33 x 21cm; Market place, signed (lower right), etching on paper, 23 x 17cm; A Gothic interior, signed (lower right), etching on paper, 29 x 20cm; Religious building, signed (lower right) numbered '4/75' (lower left), etching on paper, 21 x 22cm. (4)

Graham Barry Clilverd (1883-1959) - Three etchings of Italy - The bridge of sighs, Venice, signed (lower right), etching on paper, 29 x 21cm; On The Ponte Vecchio, Florence, signed (lower right), etching on paper, 20 x 25cm; Ponte Santa Trinita with a view of the Ponte Vecchio, Florence, signed (lower right), etching on paper, 20 x 27cm (3)

A FOUR-COLOR OVERLAY 'SNOWFLAKE' GROUND GLASS SNUFF BOTTLE, 18TH-19TH CENTURYChina. Of compressed circular form, with an oval foot, recessed base, and straight cylindrical neck. The bubble-suffused 'snowflake' ground overlayed in ruby red, sapphire blue, emerald green and lemon yellow to depict a crane flying over a pavilion, the reverse with a pavilion emerging from clouds, both atop a circumferential wave border, all in high relief and with fine incision work.Provenance: From an English private collection. Condition: Good condition with manufacturing irregularities such as open bubbles, small chips to the carving, minor nibbling to the lip and foot rim. Stopper: Ruby red glass stopper Weight: 84 g Dimensions: Height including stopper 80 mm. Diameter neck 18 mm and mouth 11 mm.Literature comparison: For a full explanation of the symbolism of the subject matter of this bottle, which in general expresses good birthday wishes and longevity, see Hugh Moss, Victor Graham and Ka Bo Tsang, 'A Treasury of Chinese Snuff Bottles. The Mary and George Bloch Collection', Vol. 5, Part 2, Hong Kong, 2002, p. 522, no. 921, where a similarly carved blue overlay bottle is discussed. 十八至十九世紀雪花地四色套料鼻烟壺中國。扁圓形，圓柱形直頸，橢圓形圈足，雪花地套寶石紅、寶藍、翠綠和檸檬黃色料，一面描繪了一隻仙鶴高飛，一旁祥雲寶珠，下面水上亭台 ；另一面水中祥雲托升起一座樓閣。來源：英國私人收藏。 品相：狀況良好，製造瑕疵，例如開放的氣泡、小磕損，唇部和足緣的輕微磕損。 壺蓋: 寶石紅玻璃壺蓋 重量：84 克 尺寸：含蓋高80 毫米；頸部直徑18 毫米，及口部直徑11 毫米

A PORCELAIN SNUFF BOTTLE WITH UNFIRED COBALT DECOR, 1800-1850China. Of cylindrical form with a straight neck and recessed base, the unglazed body decorated in raised unfired cobalt with a dragon chasing the flaming pearl above crashing waves, amid swirling clouds and flames, the neck with a band of stiff leaves, an artemisia leaf mark on the foot, also in unfired cobalt. Provenance: From a UK private collection, acquired from Robert Kleiner & Co. Ltd., London. A copy of the original invoice dated 20 November 2000 and confirming the dating and description above accompanies this lot. Robert Kleiner (1948-2014) was an important expert on and dealer of Chinese snuff bottles, beginning his long career at Sotheby's Chinese Art department in London. Along with Hugh Moss and Bob Hall, Robert Kleiner became a key advisor to the Mary and George Bloch collection, and it was Robert who wrote and produced the very first catalog of their bottles. Condition: Very good condition with minor wear and firing irregularities, such as pitting and dark spots. A small chip to the stopper. Stopper: Coral imitation with platelet and carved spoon Weight: 17.1 g Dimensions: Height including stopper 52 mm. Diameter neck 12 mm and mouth 6 mm. Porcelain bottles of this miniature size are rare, and rarer still with decoration in unfired cobalt. This bottle represents one of the stages in the production of blue and white porcelain. After the design is painted on in cobalt (which is black), the bottle would usually be covered in a felspathic glaze and re-fired, the reaction between the materials turning the design blue, beneath a vitrified glaze. For an explanation of the technique see Moss, Graham and Tsang, A Treasury of Chinese Snuff Bottles the Mary and George Bloch Collection Vol 6 part 2, pages 652-653. 1800-1850年素燒鈷藍龍紋鼻烟壺中國。直頸，圓柱形壺，底足内凹。素燒，鈷藍彩雲龍戲珠紋；頸部和肩部蕉葉紋；底足内樹葉款。 來源：英國私人收藏，購於倫敦Robert Kleiner & Co. Ltd.藝廊。隨附一份2000年11月20日開具的發票副本，確認了相關描述和斷代。Robert Kleiner (1948-2014) 是一位重要的中國鼻煙壺專家和古玩商，在倫敦蘇富比中國藝術部開始了他的職業生涯。Robert Kleiner與 Hugh Moss 和 Bob Hall 一起，成為 Mary 和 George Bloch 收藏的重要顧問，他編寫並製作了他們的第一個鼻烟壺目錄。品相：狀況極好，有輕微磨損和燒製瑕疵，例如點蝕和黑點。壺蓋上有一個小開片。 壺蓋: 仿珊瑚，有托片，雕刻的小勺 重量：17.1 克 尺寸：含蓋高52 毫米；頸部直徑12 毫米 及口部直徑6 毫米

A CAMEO AGATE 'HORSE' SNUFF BOTTLE, 1750-1850China. Very well hollowed, of rounded rectangular form rising from a wide oval foot with a recessed base, to a short cylindrical neck. Carved on one side utilizing the darker markings to depict a horse tethered to a hitching post. The translucent stone of a beige tone with a fine polish.Provenance: Property from the Rubin family of St. Louis, Missouri, USA. Condition: Good condition with little nibbling to lip and base, a few nicks to the horse's head and back. The stopper with cracks and losses. Stopper: Tourmaline cabochon Weight: 74 g Dimensions: Height including stopper 65 mm. Diameter neck 22 mm and mouth 7 mm. A horse tethered to a post forms a common rebus which expresses a wish for speedy promotion for young candidates. It was a popular subject found on Official School bottles of the late 18th/early 19th century. For a further discussion of this subject, see H. Moss, V. Graham, and K. B. Tsang, The Art of the Chinese Snuff Bottle: The J & J. Collection, New York, 1993, no. 151, and H. Moss, V. Graham, K. B. Tsang, A Treasury of Chinese Snuff Bottles: The Mary and George Bloch Collection, vol. 2, Quartz, Hong Kong, 1998, nos. 302-4. Auction result comparison: Compare a related silhouette agate snuff bottle with the same motif, dated 1770-1840, at Christie's New York in The Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles: Part III on 14 September 2016, lot 512, sold for USD 6,875.1750-1850年焦糖瑪瑙巧雕立馬鼻烟壺中國。掏膛良好，寬肩微削，橢圓形圈足，圓柱形短頸，平唇。在一側巧妙利用較深的紋理雕刻拴在石柱上的馬。 褐色半透明瑪瑙，拋光細膩。 來源：美國密蘇里州聖路易斯魯賓家族收藏。 品相：狀況良好，嘴唇和底部輕微磕損，馬的頭部和背部有一些刻痕。壺蓋有裂縫和缺損。 壺蓋: 電氣石 重量：74 克 尺寸：含壺蓋高65 毫米. 頸部直徑22 毫米 ，嘴部直徑7 毫米 拍賣結果比較：比較一件相近1770-1840年瑪瑙鼻烟壺，一樣的紋飾，見紐約佳士得The Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles: Part III 2016年9月14 日 lot 512, 售價USD 6,875。

AN INSIDE-PAINTED GLASS SNUFF BOTTLE, BY BI RONGJIUChina. Of flattened rectangular form, standing on a short, splayed foot, painted to one side with a scene from Dream of the Red Chamber showing two ladies resting near a bridge, the reverse depicting a mountain and river landscape with two wanderers crossing a bridge. Inscribed on the top right with a short text declaring the bottle as a gift to an older brother. Two seal marks, the reverse signed Rongjiu with one seal mark.Inscription: One side with 'by Rongjiu' and seal mark, the reverse with 'gifted by brother Mingge'.Provenance: From a French private collection, by repute acquired from Millon Jutheau on 2 February 1983, lot 124. Condition: Good condition with little wear and light surface scratches, some nibbles to lip and foot rim, some wear and microscopic scratches to the inside painting. Stopper: Carnelian Weight: 29 g Dimensions: Height including stopper 73 mm. Diameter neck 19 mm.Bi Rongjiu (1874-1925) was the founder of the Boshan School for inside-painting, in Shandong province. The artist is known for his technique of figure painting, with simple outlines filled-in with color.Literature comparison: Further examples of Bi's work in a similar style are illustrated in Hugh Moss, Victor Graham and Ka Bo Tsang, 'A Treasury of Chinese Snuff Bottles: The Mary and George Bloch Collection', vol. 4, part 2, Hong Kong, 2000, no. 655 and in Hugh Moss, et. al., 'The Art of the Chinese Snuff Bottle: The J & J Collection', vol. 2, New York, 1993, no. 451.Auction result comparison: Compare a related inside-painted snuff bottle, by Bi Rongjiu, at Bonhams New York in Chinese Art from the Scholar's Studio on 16 September 2013, lot 4048, sold for USD 5,000. Compare also another inside-painted snuff bottle by the artist, at Bonhams Hong Kong in The Paul Braga Collection of Snuff Bottles on 24 November 2012, lot 185, sold for HKD 40,000. 畢榮九款内畫玻璃鼻烟壺中國。扁平長方圓肩，圈足外撇。一側繪有紅樓夢寶玉黛玉場景；另一面為山下小屋，文人携侍者過橋。 款識: 一面"榮九作"；另一面上"弟 名閣贈"等字樣。 來源：法國私人收藏，據説1983年2月2日購於Millon Jutheau 藝廊，lot 124。 品相：狀況良好，極少量磨損和輕微的表面劃痕，唇部和足部邊緣有一些小刻痕，內畫有一些磨損和微小的劃痕。壺蓋: 玉髓 重量：29 克 尺寸：含蓋高73 毫米；頸部直徑19 毫米 拍賣結果比較：比較一個相近的畢榮九内畫鼻烟壺, 見紐約邦翰思Chinese Art from the Scholar's Studio 2013年9月16日 lot 4048, 售價USD 5,000；比較另一件畢榮九内畫鼻烟壺，見香港邦翰思The Paul Braga Collection of Snuff Bottles 2012年11月24日 lot 185, 售價HKD 40,000。

Graham Hill signed 6x4 album page. Norman Graham Hill OBE (15 February 1929 - 29 November 1975) was a British racing driver and team owner, who was the Formula One World Champion twice, winning in 1962 and 1968 as well as being runner up on three occasions (1963, 1964 and 1965). Despite not passing his driving test until 1953 when he was already 24 years of age, and only entering the world of motorsports a year later, Hill would go on to become one of the greatest drivers of his generation. Hill is most celebrated for being the only driver ever to win the Triple Crown of Motorsport. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Beswick Connoisseur model Psalm Ann Moore Up, model no. 2535, designed by Graham Tongue, 32.4cm in height

Royal Doulton model horse - Black Bess, no. DA170, designed by Graham Tongue, 19cm high, together with a Royal Doulton pony (2)Condition report: In good condition with no signs of damage or repair.

Beswick Suffolk Punch Champiom Hasse Dainty, model no. 1359, designed by Graham Orwell, 20.3cm highCondition report: One rear leg and both front legs show restoration - the rear leg is more noticeable than the front. Otherwise in good condition.

Beswick Canadian mounted Cowboy , model no. 1377, designed by Graham Orwell, 22.2cm in heightCondition report: One ear has been restored. Otherwise in good condition.

Beswick Mounted Indian, model no. 1391, designed by Graham Orwell, 21.6cm in heightCondition report: In good condition with no signs of damage or repair.

Beswick Ch Black Magic of Nork, model no. 1361, designed by Graham Orwell, 19cm high

Beswick Lipizzaner with rider, model no. 2467 (second version), designed by Graham Tongue, 25.4cm in heightCondition report: In good condition with no signs of damage. There are small spots of glue where the reins attach to the bit.

Beswick horse - Spirit of Nature, model no. 2935, designed by Graham Tongue, 14.5cm high

Beswick Connoisseur model Morgan Horse - Tarryall Maestro, model no. 2605, designed by Graham Tongue, 29.2cm high

Beswick Steeplechaser, model no. 2505, designed by Graham Tongue, 22.2cm in height

Royal Doulton limited edition model Horse - Desert Orchid DA 134, designed by Graham Tongue, no 3136 of 7500, 31.5cm high

Royal Doulton model Horse - Welsh Mountain Pony, model no. DA247, designed by Graham Tongue, 23cm high

Beswick Connoisseur model Red Rum, model no. 2511, designed by Graham Tongue, 31.1cm in heightCondition report: In good condition with no damage or repairs.

Three Beswick models - Lion no. 1506, Lioness no. 1507 and Lion Cub no. 1508, all designed by Colin Melbourne, together with another Lion Cub no. 2098, designed by Graham Tongue (4)