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Three boxed Graham Farish "OO" gauge model railway items

Graham Williams, study of a Midland & Great Northern locomotive in station, watercolour together with The Watch Tower at Langney by Richard Sherrington, both framed and glazed (2)

A suitcase of mostly model railway and diecast vehicles. Includes Schuco, Hornby Dublo, Trix Twin set railway set, two boxed Graham Farish pullman coaches, etc.

A group of three Beswick Pottery Donkey studies, comprising 'Donkey' 2267A designed by Albert Hallam and Graham Tongue in grey brown gloss, 14cm, Donkey 1364b designed by Mr Orwell in natural gloss, 11cm and Donkey Foal, 2110 designed by Graham Tongue in grey brown gloss, 11cm

A group of five Beswick Pottery Foxhounds model numbers 2264 (4) second version designed by Graham Tongue in white, tan and black gloss, and 2263 second version with conforming designer and colours.

A group of five Beswick Pottery foxhounds, models 2262 x3 and 2265 both designed by Graham Tongue in white, tan and black gloss.

A selection of maps, including Falkland islands dependencies south Shetland and Graham land, British Antarctic territory etc.

N GAUGE - GRAHAM FARISH PRAIRIE TANK & MK1 BR COACH, SHREDDED WHEAT 0-6-0 & CARD HALWILL JUNCTION SIGNAL BOX

1967 Jaguar E-Type Series I 2+2 Fixedhead Coupé Transmission: manualMileage:67428Launched at the 1961 Geneva Motor Show, the Jaguar E-Type was nothing short of a revelation. With its heady blend of supercar performance, breathtaking styling and low price tag, the newcomer left rivals reeling and customers clamouring. Early sportscar racing success at the hands of Graham Hill and Roy Salvadori amongst others helped cement its reputation. Built as a monocoque with a front sub-frame to cradle the engine, the model's combination of all-round independent suspension, rack and pinion steering and four-wheel disc brakes gave it excellent road holding and handling capabilities. The Jaguar E-Type Series I 2+2 was designed to be a more practical version of the legendary E-Type, with a longer wheelbase and additional interior space. It was produced from 1966 to 1967, and it featured a 4.2 litre inline-six engine that produced 265 horsepower. One of the most notable features of the Jaguar E-Type Series I 2+2 is its sleek and timeless design. The car has a long, flowing hood and a low-slung profile that gives it a sense of speed and power. The body of the car is made of lightweight aluminium, which helps to reduce its overall weight and improve its performance. This example presented in a shade of British racing green was first registered in 1967 and shipped to the US in Green where we believe it spent most of its live bathing in the California sun. Imported in 1991 the car was subject to a full body restoration and conversion to right hand drive in 1996/97. The car was stripped to the chassis, had the 4.2 litre engine fully rebuilt and was fully retrimmed to a very high standards all of which can be seen in a workbook of photos detailing the start through to the finish. Now red the car has remained continuously on the road but in 2007 it was decided a colour change was desired by the then owner back to its original colour, after consideration the red coachwork which was looking tired was changed to a deep shade of British Racing Green a colour that suits the car well and softens the lines of the more practical 2+2 body. Practicality was a reason for our vendors purchase in 2020, at 6ft 6 his desire for a series I E-type had to be matched by the body that allowed him to fit in€¦. the 2+2 is perfect for this accommodating the taller gentleman or lady and thus enabling a dream purchase to come true. Since his purchase the car has been in his words a fabulous drivers example and maintained regardless of cost while sat next to his Alvis. Maintained by Frampton Garage the car has recently had a new fuel tank and just a few years ago gad a new clutch and flywheel, starter motor and a new electronic fuel pump, it has also just been treated for a new owners confidence to an MoT certificate. Offered with a photographic restoration booklet, countless invoices and recent invoices and MoT's coupled to the V5 registration document. A true drivers car, practical especially for those taller but equally with more space will carry four comfortably and has that desirable series 1 design coupled to the 4.2 litre engine. An older restoration that is in very good usable condition, presenting well this is a get in and drive car€¦.so get in and drive! Consignor Mathew PriddyInterested parties should note that this example is an Original California car converted to a manual right hand drive example.

A 1927 Graham Phaeton petrol motor car, Registration number SV 4348, chassis number A201370, four cylinder  ( Viewing by appointment only ) 

GLAMORGAN COUNTY CRICKET CLUB SIGNED BAT from the 'Matthew Maynard Benefit 1996' approximately twenty five signatures from Glamorgan County Cricket Club and Warwickshire County Cricket Club, together with a small souvenir cricket bat signed by Graham Gooch (2)Provenance: private collection South Wales

BRITISH LIONS SIGNED SHIRT a framed souvenir Australia 2013 British Lions shirt signed by players such as Phil Bennett, Barry John, Sir Gareth Edwards, JPR Williams, Charlie Faulkner, Graham price, J.J. Williams etc.Provenance: private collection LlanelliComments: Framed and glazed, ready to hang

Graham Norton signed So me hardback book. Signed on inside title page. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

AN INSCRIBED RED-OVERLAY WHITE GLASS SNUFF BOTTLE, ATTRIBUTED TO LI JUNTING, YANGZHOU SCHOOL, CHINA, DATED 1822 1822年涅白地套紅料鼻煙壺，揚州李均亭（傳）Please note this Lot is to be sold at No Reserve. 本拍品不設底價Expert’s note: Although unsigned, this bottle can be confidently attributed to the master glass carver Li Junting, one of the most important and innovative of all Qing glass artists, also one of the very few we can identify by name. Li's bottles are among the finest of the low-relief works of the school he headed, believed to have been at Yangzhou, and this superb example is no exception. Dated Yangzhou bottles are rather rare, but have been recorded with dates between 1819 and 1822.Inscriptions: To one side on the shoulder, dated to the Year of Renwu (corresponding to 1822), and to the other side with the seal ‘Zhengye’ (good luck).Of flattened spherical form, finely carved through the ruby-red outer layer to the milky-white ground to one side with two boys stirring a pot, above scattered sprigs, a tea kettle, and a cup, below an inscription on the shoulder giving the cyclical date, the reverse with a boy holding up a branch and kneeling beside a recumbent water-buffalo pulling a tethered melon, with butterflies hovering above and a seal Zhengye, the shoulders carved with fruiting double-gourd sprays.Provenance: Collection of Margaret Polak, California, USA. Robert Kleiner & Co. Ltd., London, United Kingdom, 2007. A private collection in the United Kingdom, acquired from the above. A copy of the original invoice from Robert Kleiner & Co. Ltd., dated 2 July 2007, confirming the attribution to Li Junting above, and stating a purchase price for the present lot of GBP 5,500 or approx. EUR 13,000 (converted and adjusted for inflation at the time of writing), accompanies this lot. Margaret Polak was a passionate collector of Chinese snuff bottles. She wrote articles for the Journal of the ICSBS, and part of her collection was exhibited at the Art Gallery of New South Wales in 1991. In 2006, she gifted parts of her extensive snuff bottle collection to the Asian Art Museum of San Francisco. Robert Kleiner (1948-2014) was an important expert of Chinese snuff bottles, beginning his long career at Sotheby’s in London. Along with Hugh Moss and Bob Hall, he became a key advisor to the Mary and George Bloch collection, and it was Robert who wrote and produced the very first catalog of their bottles.Condition: Pristine condition with only minor wear and minuscule manufacturing irregularities.Stopper: JasperWeight: 23.7 gDimensions: Height incl. stopper 62 mm, Diameter neck 13 mm and mouth 7 mmLiterature comparison: Compare a closely related snuff bottle attributed to Li Junting, illustrated in Hugh Moss, Victor Graham, and Ka Bo Tsang, A Treasury of Chinese Snuff Bottles: The Mary and George Bloch Collection, vol. 5, Glass, no. 1035. Compare two snuff bottles attributed to Li Junting from the J & J Collection, nos. 402 and 403, illustrated by Moss, Graham, and Tsang in The Art of the Chinese Snuff Bottle. The J & J Collection, Vol. 2.Auction result comparison: Type: Closely related Auction: Christie’s New York, 21 March 2002, lot 35 Price: USD 17,625 or approx. EUR 27,500 converted and adjusted for inflation at the time of writing Description: A rare and finely carved red overlay white glass bottle, Li Junting, attributed to Yangzhou, 1805-1825 Expert remark: Compare the closely related form as well as the near-identical colors, with ruby-red overlay on milky-white ground and similar manner of carving. Note the identical size (56 mm, measured without stopper).Auction result comparison: Type: Related Auction: Christie’s New York, 17 September 2008, lot 12 Price: USD 11,875 or approx. EUR 15,500 converted and adjusted for inflation at the time of writing Description: A finely carved red overlay white glass snuff bottle, Li Junting, attributed to Yangzhou, 1800-1840 Expert remark: Compare the related form, similar boy motif, and manner of carving. Note the size (59 mm) and the slightly different colors, not allowing as much sunlight passing through the bottle as the present lot.Update 25.9.2023: A noted expert and colleague has informed us that Li Junting in fact is a patron, one of two brothers, and not a carver as once thought. The dating of this bottle may also be 1882.

A PINK AND WHITE SANDWICHED GLASS SNUFF BOTTLE, CHINA, 1730-1820 1730-1820年紅白套料鼻煙壺Please note this Lot is to be sold at No Reserve. 本拍品不設底價Of spade form, the body supported on a short straight foot and rising to a cylindrical neck with a wide mouth, the surface displaying a myriad of pink 'blushing' splashes.Provenance: From the collection of a prominent snuff bottle collector in New York, USA. The base with an old collector’s label, ‘ixxx k525’.Condition: Very good condition with minor old wear and manufacturing irregularities, the foot with a minuscule nick.Stopper: Jasper Weight: 50.9 g Dimensions: Height including stopper 70 mm. Diameter neck 16 mm and mouth 10 mm. The pink and white color of this sandwiched glass snuff bottle comes from powdered ruby glass added between two layers of glass, the outer of which has to be either transparent, or at least semi-transparent. Sandwiched glass bottles were a popular staple at the Qing Court during the 18th century, and this color was particularly admired.Literature comparison:For a related pink and white sandwiched-glass snuff bottle, see H. Moss, V. Graham and K.B. Tsang, A Treasury of Snuff Bottles. The Mary and George Bloch Collection, Vol. 5, p. 173, pl. 726.Auction result comparison: Type: Closely related Auction: Bonhams Hong Kong, 25 May 2011, lot 333Price: HKD 10,200 or approx. EUR 1,700 adjusted for inflation at the time of writing Description: A pink and white sandwiched glass snuff bottle, 1730-1820Expert remark: Compare the closely related form and color. Note the size (5.5 cm). 1730-1820年紅白套料鼻煙壺壺身削肩，豐胸，下收斂，短足，頸呈圓柱形，壺口直徑較寬。壺身表面有紅白相間的“紅暈”斑紋。 來源：紐約著名鼻煙壺收藏。底座可見藏家收藏標籤上 ‘ixxx k525’ 字樣。 品相：狀況極好，有輕微磨損和製造不規則，足部有微小的刻痕。 壺蓋：碧玉 重量：50.9 克 尺寸：含壺蓋高70 毫米，頸部直徑16 毫米，壺口直徑 10 毫米. 粉紅白色套料鼻煙壺是指由寶石紅色料滿套與胎色不同的另一透明色料完成的，至少兩種以上玻璃製成。據史料記載，在十八世紀己有套玻璃這一品種。 文獻比較： 一件相近的紅白套料鼻煙壺，見H. Moss，V. Graham and K.B. Tsang，《A Treasury of Snuff Bottles. The Mary and George Bloch Collection》，卷五，頁173，圖726。 拍賣結果比較： 形制：非常相近 拍賣：香港邦瀚斯，2011年5月25日，lot 333 價格：HKD 10,200（相當於今日EUR 1,700） 描述：1730-1820年白地灑粉色玻璃鼻煙壺 專家評論：比較非常相近的外形和顏色。請注意尺寸(5.5 釐米)。

A CAMEO AGATE ‘HUANG CHENGYAN’ SNUFF BOTTLE, ATTRIBUTED TO THE CAMEO INK-PLAY MASTER, OFFICIAL SCHOOL, POSSIBLY IMPERIALPlease note this Lot is to be sold at No Reserve. 本拍品不設底價Expert’s note: The work of the artistic genius ‘Cameo Ink-play Master’ is analyzed and discussed in detail by Hugh Moss, Victor Graham, and Ka Bo Tsang in A Treasury of Chinese Snuff Bottles: The Mary and George Bloch Collection, volume 2, numbers 319-325. With the aid of these examples, it becomes quite clear that a single hand is at work, as the group exhibits stylistic motifs which are highly individualistic and do not appear on most cameo agate-style bottles. All these characteristics are apparent on the present bottle. It is remarkably well hollowed and polished on the exterior to a magnificent gloss. There is a whitish inclusion on the front which is skillfully used to depict the face. All areas of colored material have been incorporated into the design. Other areas of the design are carved directly onto the colorless ground. Two signature motifs are present in the current snuff bottle: the single brown prunus blossom (see ibidem, number 319), and the use of a horizontal band of color near the neck to depict part of a branch in the manner of a brushstroke (see ibidem, number 325). China, Beijing, 1770-1860. Of ovoid shape supported on a well-carved foot rim, finely carved to the front with Huang Chenyen riding a donkey, followed by a boy attendant carrying a spray of prunus. The reverse carved with a bird swooping towards a prunus branch, with a smaller spray on the neck.Provenance: Robert Kleiner & Co. Ltd., London, United Kingdom, 2002. A private collection in the United Kingdom, acquired from the above. A copy of the original invoice from Robert Kleiner & Co. Ltd., dated 25 November 2002, describing the present lot as a chalcedony snuff bottle, confirming the attribution to the Cameo Ink-play Master and the dating above, and stating a purchase price for the present lot of GBP 6,000 or approx. EUR 15,500 (converted and adjusted for inflation at the time of writing), accompanies this lot. Robert Kleiner (1948-2014) was an important expert of Chinese snuff bottles, beginning his lengthy career at the Sotheby’s Chinese Art department in London. Along with Hugh Moss and Bob Hall, he became a key advisor to the Mary and George Bloch collection, and it was Robert who wrote and produced the very first catalog of their bottles. Condition: Excellent condition with minor old wear and microscopic nibbling to exposed areas, possibly inherent to carving. The stone with natural fissures and inclusions.Stopper: CarnelianWeight: 97.7 g Dimensions: Height 77 mm, Diameter neck 21 mm and mouth 8.5 mm Huang Chengyan was a reclusive scholar who lived during the late Eastern Han dynasty. He was known for being carefree and open-minded. He is also a minor character in the 14th century historical novel Romance of the Three Kingdoms, which romanticizes the historical events before and during the Three Kingdoms period. He first appeared in Chapter 37 when Liu Bei, Guan Yu and Zhang Fei were visiting the house of Zhuge Liang, a chancellor and regent of the state of Shu Han who married Huang’s daughter. He appeared then again in Chapter 84 after the Battle of Xiaoting, in which he led Lu Xun out of Zhuge Liang's Stone Sentinel Maze.Auction result comparison: Type: Closely related Auction: Bonhams Hong Kong, 28 November 2011, lot 11 Price: HKD 644,000 or approx. EUR 104,000 converted and adjusted for inflation at the time of writing Description: A dendritic agate ‘Lu Shang’ snuff bottle, the Cameo Ink-play Master, possibly imperial, official school, 1770-1860 Expert remark: Compare the closely related manner and style of carving, see also expert’s note above for further details. Note that this bottle is also attributed to the Cameo Ink-play Master.Auction result comparison: Type: Related Auction: Sotheby’s Hong Kong, 26 May 2013, lot 103 Price: HKD 250,000 or approx. EUR 37,000 converted and adjusted for inflation at the time of writing Description: An agate ‘monk’ snuff bottle, possibly imperial, official school, Qing dynasty, late 18th/19th century Expert remark: Compare the related stone and manner of carving. Note that this bottle is also attributed to the Cameo Ink-play Master.Due to length restriction on Drouot this entry is shortened. For full description please visit www.zacke.at.由于Drouot平台拍品叙述的长度限制，我们移除了中文叙述，完整中文叙述请至www.zacke.at查看

RANGERS Six autographed 12 x 8 photos of former players from the 1950's - 1990's, all signed in permanent marker including Bobby Brown, Andy Goram, Graham Roberts, Willie Johnston, Colin Stein and Peter McCloy. Good

SIGNED LIMITED EDITIONS PHOTOGRAPHS, Ten photographs, each of a moment from FA Cup Finals, all limited to 75 issues and signed to the lower border by the player featured, to include ; Sammy Smyth - Wolves 1948, Billy Bonds - West Ham 1975, Nat Lofthouse - Bolton 1958, Tony Book - Man City 1969 and Graham Williams - West Brom 1968. Good

SPORTING / MUSIC AUTOGRAPHS Two Anglo-American Sporting Club menus in honour of Bobby Charlton 23/10/1972 at the London Hilton Hotel. One is signed on the front by Bobby Charlton and Joe Bugner on the back. The other is signed by drummer Dave Clark on the front cover and George Graham, Frank McLintock, Tony Hazell, John Hollins, Martin Peters, Cyril Knowles, Phil Beal and Pat Jennings on the back. Generally good

WEST BROMWICH ALBION AUTOGRAPHS Two 16" X 12" B/W signed photos: team group on the pitch at Wembley after the match with the FA Cup in 1968 including Fraser, Clarke, Brown, Lovell, Collard, Talbot, Williams and Hope and the team coming down the Wembley steps with the Cup signed by captain Graham Williams. Good

Jimmy Hendrix - Stone Free 1980s LP and others From the Cradle to the Grave - Jam Sound Affects No 80 Levi Strauss - Fingers Off Graham Parker - Squeezing Out Sparks  

Graham Mckean (born 1962), on the door, oil on canvas, signed, 50cm x 41cm, framedGood condition with several surface spot marks which will clean off

CONTEMPORARY SILVER SALMON-FORM VESSEL, GRAHAM LEISHMAN STEWART (DUNBLANE, 1955-2020), EDINBURGH 1997 the oval bowl with curved tail, engraved detail, on plain foot 23cm long Qty: 340g 340g 22.5cm long, 8cm wide, 12cm high Condition is generally good throughout. Some very light surface wear, also some noticeable tarnish lines/striations across the body, it is possible that bands have caused these, though they are just at a surface level and DO come off with cleaner - image of now polished side shown. No notable damage. No inscriptions present.  For shipping please see our website. Additional images now available.

[Graham (Elizabeth Susanna Davenport)] "Lemuel Gulliver". The Eo-Nauts, or The Spirit of Delusion, folding hand-coloured frontispiece (detached), "Description of the annexed Plate" slip tipped-in before title, bookplate of J. Barton Townsend, frontispiece offset, foxing, mainly near start, later roan-backed boards, spine and joints heavily rubbed, upper cover detached, for C. Chapple, 1813 § [Rhodes (William Barnes)] "Cornelius Crambo". Eccentric Tales. In Verse, folding hand-coloured frontispiece by Atkinson, 4pp. publisher's advertisements at end, some very light foxing, original boards, rebacked, spine a touch faded, covers with wear to extremities, new endpapers, for S. Tipper, 1808, first editions, book-label of J.O. Edwards; and others similar, comic or satirical, including Huddesford's "Bonaparte; An Heroic Ballad", 8vo & 4to (12)

Graham Farish N gauge group of 11x BR InterCity 125 coaches. Comprising 6x 0706 42253; 3x 0726 41121 & 2x 0746 40322, (2x coaches are in incorrect boxes). Conditions: Near Mint to Mint. Good to Excellent Plus boxes. (11)

Trix, Lima & Graham Farish N gauge group of Steam Loco's. Comprising Trix 4-6-2 BR Green 70036 "Boadicea"; Lima 258 0-6-0 LMS 4547 loco & tender; unboxed Graham Farish 2-6-4 BR Black 80104 Tank, 0-6-0 BR Black Pannier Tank, 0-6-0 Southern Green 187 Tank & spare LMS Black tender. Conditions: Good to Near Mint in Fair to Good box & rigid case. (6)

Graham Farish - Bachmann N gauge 370-025 0-6-0 Starter Set. Containing 0-6-0 Southern 268 Tank loco, 2x wagons + Brake van, oval of track, controller & mains transformer, instruction leaflet. Conditions: Near Mint to Mint in Good to Excellent box.

Graham Farish & Minitrix group of boxed wagons. To include 373- 927 30 Ton Bogie Bolster GWR Grey; 2413 Twin Vent Van "John West"; Minitrix 13575 BR Grey Hopper wagon; Hornby Minitrix 509 twin bogie van "Ford" plus many others. Conditions: Excellent to Mint in Fair to Excellent Plus boxes & rigid cases. (25)

Graham Farish N gauge pair of BR Steam loco's. Comprising 1656 2-6-4 BR Black 80079 Standard Tank & 1901 2-8-0 BR Black 48476 8f Loco & Tender. Conditions: Excellent in Fair to Good boxes. (2) 

Graham Farish N gauge mixed group of coaches. To include 374-075C BR Crimson / Cream; 0615 BR Maroon brake end coach; 0631 LMS Maroon 3rd class; 0632 LNER Teak brake 1st / 3rd plus others. Conditions: Excellent to Mint in Fair to Excellent boxes & packaging. (14)

Hornby Minitrix & Graham Farish a boxed group to include Hornby Minitrix 207 4-6-2 Britannia Class Locomotive 70000, green with BR emblem to tender and others (see photo). Conditions are generally Excellent in Good to Good Plus boxes. 

Trix, Graham Farish & Similar a mainly unboxed group to include an unboxed Trix No.502 2-6-2 BR Tank Locomotive "41234", Graham Farish 373-740 10 ton BR Meat Van Wagon and other items (see photo). Conditions are generally Good to Excellent (unchecked for completeness) in generally Good box. 

Graham Farish N gauge Pair of BR train packs. Comprising 8126 BR InterCity 125 HST set with power & non power cars + centre coach; 8135 BR Blue class 101 2 car DMU. Conditions: Excellent Plus to Near Mint. (2) 

Peco, Liliput & others, large qty of N gauge track. To include various straight & curved sections, qty of flexi track lengths, motorised points, Graham Farish 0195 Controller, 2x Peco kit built bungalows. See photo. Conditions: Fair to Mint in Good boxes. (Large qty)

Graham Farish N gauge group of 3x LMS Steam Locos. Comprising 1801 4-6-0 LMS Black 5041; 1811 4-6-2 LMS Black 6242; 1206 4-4-0 LMS Black 1118. Conditions: Excellent to Near Mint in Fair to Good boxes & plastic case. (3)

Heraldry - a 19th century coach or carriage panel, painted in polychrome with the arms of Graham of Yorkshire quartering Green of Newby, Page, Comyn and Wentworth, 12cm x 10cm

Golf, humorous – Marshall (Robert), The Haunted Major, Edinburgh, Moray Press, new edition, 1951, 16mo, 192pp, 10 line dwgs., green boards, gilt titles; Hammerton (A.) ed., Mr. Punch on the Links, London, Educational Book Co., n.d. (1935). 8vo, 240opp, colour frontis by H. M. Bateman, 260 monochrome illus., bound embossed blue boards, gilt spine titles; Anon. (J. A. Hammerton), Mr. Punch’s Golf Stories told by his Merry Men, London, Punch, n. d. (1909) , 12mo, 192pp, 196 monochrome illus., marbled endpapers, bound red leather over red boards, gilt spine titles, slight tear to top of spine; Mutson (Mervyn J.), illus. Graham Pilsworth, Golf and Murphy’s Law, Edmonton (Canada), Hurtig, 1981, 8vo, 157pp, illus., green boards, gilt spine titles, d. w. (some minor tears); Houghton (George, 1905-1993), Believe it or not, that’s Golf! London, William Luscombe, 1974, 8vo, 199pp, illustrated by the author, blue boards, gilt spine titles d.w.; Houghton (George), Golf on my Pillow: Midnight Letters to a Son in foreign Parts, London, Stanley Paul, 1st edn., 1958 8vo, 146pp, illustrations by the author, black boards, white vignette to front board, white spine titles, d. w.,; another copy of the same, also d.w. (slightly torn); Armour (Richard), illus. Leo Hershfield, Golf is a Four-Letter Word: the intimate Confessions of a of a hooked Slicer, London, Hammond, 1962 8vo, 123pp, monochrome illus., green boards, black spine titles, d. w.; another copy, similar, but yellow boards, d. w.; Morton (Brig. Cecil), illus., John Cooper, Golf!!! The Confessions of a Club Secretary, foreword by Henry Longhurst, London, Hammond, 1963, small 4to, 93pp, monochrome illus., bound green boards, red printed vignette and spine titles, d. w., mint; Cole (C. W.) & Ralston (W.), Messrs. Kamdene, Barnesburie and d’Alston’s Tour in the North, horizontal 4to, Edinburgh, Andrew Elliott & London, Simpkin, Marshall, n. d. (1890), 25pp, decorated card covers, inner hinges strengthened with archival linen tape; Ralston (W.), Sport for Limited Purses – and the probable Cost, Glasgow, David Bryce, n. d., horizontal 4to, 32pp, 4pp period advertisements, coloured title page, monochrome frontis. and other illus., decorated coloured card covers. (12)

Typography and printing – Field (Michael, pseud., Katharine Harris Bradley & Edith Emma Cooper), Fair Rosamond, London, Hacon & Ricketts 1897, 8vo, 75pp, title page at end, hand cut pages, printed end papers bound embossed light brown leather and spine titles and author’s name, front board including characters with lettering intertwines fa/ir/ro/sa/mund, and to the rear, amor/lacrimosa; Blake (William 1757-1827), Songs of Experience, reproduced in facsimile from a copy in the British Museum, London, Ernest Benn, 1927, royal 8vo, hand cut p[ages, bound gilt bordered black boards, gilt titles and to spine; Mason (John), More Papers Hand Made by John Mason, Leicester, Twelve by Eight Press 1967 4to; on flyleaf ‘This is a Special copy/for which in addition, Rigby Graham has made/a unique original “Thread Pictures”.’ [sic], copy No. 150 with MS signature and date 1970, colour prints, some mounted, colour printed endpapers, cream boards with publisher’s logo, gilt titles, cellophane d.w. and slip case (3)

MOTOR SPORT/MOTORING BOOKS: a nice group to include a number of Graham Hill volumes. And A.C. Cobra, 'Grand Prix' vols. and others.

A wooden boomerang commemorating the 60th anniversary of the Ashes Tour 1964s signed by members of the Australian and English teams including Richie Benaud, Colin Cowdrey, Ted Dexter, John Edrich, Derek Underwood, etc; together with a collection of photographs, press cuttings and autographs by English and International Cricketers including Geoffrey Boycott, David Gower, Graham Gooch, Mike Gatting, George Salmond, Asif Ahmed, and many others.

Wilhelmina BARNS-GRAHAM (1912-2004) Levant Study no 3, 1954 Oil on boardLabels to verso13 x 29 cmWBG catalogue no. 13/54/0ExhibitedW. Barns-Graham Retrospective 1940 – 1989, catalogue no 30Newlyn Art Gallery, City Art Gallery, Edinburgh, Perth Art Gallery, Crawford Centre, St Andrews, Maclaurin Gallery, Ayr; 1989/1990Penlee House Gallery & Museum, Penzance, Borlase Smart: A Passion for the Sea, 2018

Wilhelmina BARNS-GRAHAM (1912-2004) Composition February, 1954 Oil on board,Signed and dated 1954Further signed, inscribed and dated to versoLabels to verso13 x 18 cm, 5 x 8 inWBG Catalogue Reference No. 12/54/0Exhibited W. Barns-Graham Retrospective 1940 – 1989, catalogue no 29Newlyn Art Gallery, City Art Gallery, Edinburgh, Perth Art Gallery, Crawford Centre, St Andrews, Maclaurin Gallery, Ayr; 1989/1990Catalogue NoteA similar, slightly larger version is in the Tate collection. A very large version of this work was Barns-Graham’s first venture into abstract painting, however she cut it up in order to have more material to paint on. This delightful work is in excellent condition. Additional photographs have now been uploaded.

'W. Barns-Graham - a studio life' by Lynne Green, published by Lund Humpries, 2001.

Wilhelmina BARNS-GRAHAM (1912-2004) Gurnards Head No. 2, 1947 Gouache on paper,Signed W Barns-Graham 194736 x 51 cm, 14 x 20 inExhibitedW Barns-Graham Retrospective 1940 – 1989, catalogue no 7aNewlyn Art Gallery, City Art Gallery, Edinburgh, Perth Art Gallery, Crawford Centre, St Andrews, Maclaurin Gallery, Ayr; 1989/1990Tom Early and Friends, Falmouth Art Gallery, 2014Leonard Fuller and Friends, Penlee House Art Gallery, Penzance, 2014The Bigger Picture, Penlee House Art Gallery, Penzance, 2015W Barns-Graham, Penlee House Art Gallery, Penzance, 2016 There is some minor cockling present to the paper. The work has not been examined out of the frame and displays some light foxing, this can predominantly be found in the top right hand corner of the piece (in the lighter shades of the sea). Please see additional images.

Graham CLARKE (born 1941) pencil signed, limited edition (149/350) "Proper Job", framed

Chesterton, Gilbert K. - The Napoleon of Notting Hill. First edition, published John Lane at the Bodley Head 1904. With seven full page illustrations by W. Graham Robertson and a Map of the Seat of War. Publisher's original pictorial cloth boards, occasional stain to boards & wear to the head and tail of the spine. W. H. Smith & Son's Subscription Library plate to the front pastedown. Hinge exposed & strained after the ffep. Complete with prior owner's receipt from George's bookshop, Park Street, Bristol dated 1983. 8vo. 

Thunderbirds - David Graham - Voice of Parker, Brains, Gordon Tracy and others - autographed Parker Funko Pop vinyl action figure. Signed by Graham in black ink to the side of the box. The Funko figure appearing as new and unused. 

Thunderbirds - David Graham (voice of Brains and Gordon Tracy) - an autographed 8x10" colour replica Lobby Card from the classic cult Gerry Anderson film version of the series, depicting FAB 1. Signed neatly by Graham in black ink to a light portion of the image.  

Graham Humphreys Print, signed by the artist, 42 x 30 cm

[MODERN FIRST EDITIONS] Eleven assorted works, comprising Francis, Dick. Dead Cert, first edition, second impression, Joseph, London, February 1962, boards, dustjacket (non price-clipped), octavo; Waugh, Evelyn. The Ordeal of Gilbert Pinfold, first edition, Chapman & Hall, London, 1957, blue cloth, dustjacket (non price-clipped; loss to one exterior fore-edge corner); Greene, Graham. A Burnt-Out Case, first edition, Heinemann, London, 1961, black cloth, dustjacket (non price-clipped), octavo; Murdoch, Iris. The Nice and the Good, first edition, Chatto & Windus, London, 1968, boards, dustjacket (non price-clipped), octavo; Peters, Ellis. Dead Man's Ransom (the Ninth Chronicle of Brother Cadfael), first edition, Macmillan, London, 1984, boards, dustjacket (non price-clipped), octavo; Peters, Ellis. The Pilgrimof Hate (the Tenth Chronicle of Brother Cadfael), first edition, Macmillan, London, 1984, boards, dustjacket (non price-clipped), octavo; and five others works, all with dustjackets, all octavo.

Graham Clarke (Cornish/British, b.1941), The Crabritainian Embassy , colour aquatint, signed, inscribed and numbered 182/250, 64 x 57cm. Framed and glazed. Condition Report: Under glass, generally good appearance

Graham Clarke (Cornish/British, b.1941), Café Cochonique , colour aquatint, signed, inscribed as Artists proof , 54 x 48cm. Framed and glazed. Condition Report: Under glass, generally good appearance

ALEXANDER GRAHAM MUNRO (SCOTTISH 1903-1985)  TAHANOUT, GRAND ATLAS  Pen on paper, signed lower left, 19 x 30cm  Title inscribed verso Condition Report:Available upon request

A large collection of 1980's and 1990's 7" singles, artists to include: Mental as Anything; Jacki Graham; Vesta; Paul Young; Kim Wilde; Berlin; Anita Baker; Nick Kamen; Alison Moyet; Aretha Franklin; Squeeze; Randy Crawford; The Christians; and many others, all in original paper or picture sleeves. (Qty)

Group of two (2) Change Checker carded commemorative UK coin sets. Includes (1) 2022 UK Commemorative annual five-coin set including Platinum Jubilee £5, Alexander Graham Bell £2, Vera Lynn £2, Commonwealth Games 50p and Platinum Jubilee 50p, and (2) 2019 50th Anniversary of the 50p five-coin set, including Kew Gardens 50p, Running Legs 50p, Britannia 50p, Scouts 50p and Girl Guiding 50p, all dated 2019.

2022 Royal Mint 13-coin UK proof annual set in the original presentation packaging with a numbered COA. Includes (1) 2022 Platinum Jubilee proof £5, (2) 2022 Dame Vera Lynn proof £2, (3) 2022 Alexander Graham Bell proof £2, (4) 2022 Commonwealth Games proof 50p, (5) 2022 Platinum Jubilee proof 50p, (6) 2022 Definitive proof £2, (7) 2022 Definitive proof £1, (8) 2022 Definitive proof 50p, (9) 2022 Definitive proof 20p, (10) 2022 Definitive proof 10p, (11) 2022 Definitive proof 5p, (12) 2022 Definitive proof 2p, and (13) 2022 Definitive proof 1p. A 2022 Royal Mint medal is also included, along with the original folio packaging and a numbered certificate of authenticity. Mintage: 7,000. Finish: proof. Composition: base metal alloys.

2022 premium proof Royal Mint 13-coin UK annual set in an attractive wooden box with the original COA. Includes (1) 2022 Platinum Jubilee proof £5, (2) 2022 Dame Vera Lynn proof £2, (3) 2022 Alexander Graham Bell proof £2, (4) 2022 Commonwealth Games proof 50p, (5) 2022 Platinum Jubilee proof 50p, (6) 2022 Definitive proof £2, (7) 2022 Definitive proof £1, (8) 2022 Definitive proof 50p, (9) 2022 Definitive proof 20p, (10) 2022 Definitive proof 10p, (11) 2022 Definitive proof 5p, (12) 2022 Definitive proof 2p, and (13) 2022 Definitive proof 1p. A 2022 premium Royal Mint medal is also included, along with the original folio packaging and a numbered certificate of authenticity. Mintage: 2,500. Finish: proof. Composition: base metal alloys.

Group of two (2) 2022 UK brilliant uncirculated Queen Elizabeth II Memorial 13-coin annual sets in original folder packaging. Both sets include (1) 2022 Platinum Jubilee BU £5, (2) 2022 Dame Vera Lynn Memorial BU £2, (3) 2022 Alexander Graham Bell BU £2, (4) 2022 Platinum Jubilee BU 50p, (5) 2022 Commonwealth Games BU 50p, (6) 2022 Definitive BU £2, (7) 2022 Definitive BU £1, (8) 2022 Definitive proof 50p, (9) 2022 Definitive proof 20p, (10) 2022 Definitive proof 10p, (11) 2022 Definitive proof 5p, (12) 2022 Definitive proof 2p, and (13) 2022 Definitive proof 1p. Each offered in original Royal Mint packaging. Finish: brilliant uncirculated. Composition: base metal alloys.

Group of thirteen (13) brilliant uncirculated Two Pound coins from The Royal Mint in original packaging. Includes (1) 1986 Commonwealth Games BU £2, (2) 2018 Captain Cook BU £2 in 3-piece folder, (3) 2018 RAF Spitfire BU £2, (4) 2018 RAF Vulcan BU £2, (5) 2018 First World War Armistice BU £2, (6) 2019 D-Day BU £2, (7) 2021 Sir Walter Scott BU £2, (8) 2021 H G Wells BU £2, (9) 2022 Alexander Graham Bell BU £2, (10) 2022 FA Cup BU £2, (11) 2022 Dame Vera Lynn BU £2, (12) 2023 Edward Jenner BU £2, (13) 2023 Flying Scotsman BU £2. All of the coins are enclosed in sleeve packaging. Finish: brilliant uncirculated. Composition: base metal alloys.

Graham Clarke (b.1941). Summer Passengers, artist signed coloured etching, 49/400, 43cm x 62cm.