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A FINE EARLY 18TH CENTURY GILT TOOLED LEATHER AND SILVER MOUNTED POCKET BOOK RELATING TO SIMON FRASER, LORD LOVAT the gilt tooled leather with panels of intricate floral scrolls, tulips emanating from vases and flower head borders, the hinged cover secured by a two-piece engraved silver clasp with flower head and twin buds, the interior with vellum and paper pages, one titled page inscribed ‘Memd. 30th Novem: 1738, took the oaths of Allegiance & Adjuration at the Court House on Tower Hill’, with National Museum of Antiquities of Scotland label L.1955.39, together with various papers Provenance: Provenance:Property of a Gentleman – Previously from the collection of Sir Colin MacRae (1869-1952) of Feorlinn and Lady Margaret Crichton Stuart (1875-1964) Note: Note:The inscribed note within the pages of this pocketbook is intriguing and appears to show the varied allegiances Lovat was so famous for. The ‘Allegiance and Adjuration’ mentioned in 1738 is likely Lord Lovat confirming his undivided support for the newly born Prince George William Frederick, eldest son of Frederick Prince of Wales, who would later be crowned King George III in 1760 who was born in June of this year.Simon Fraser, 11th Lord Lovat (1667/ 8 - 1747) came from a line of Jacobites which included his father, Thomas, who had played a powerful role in the Jacobite rising under John Graham of Claverhouse, Viscount Dundee, in 1689, for which he suffered imprisonment.Simon had a rather colourful and, in some cases, unseemly early life, trying to bribe family members to change inheritance and lands to his benefit. Trying to force his cousin to marry him when his bribery failed, however marrying her protector under duress in her stead, only to call the marriage a sham years later when its value was not apparent – having married two other women while not divorced from her.Trouble followed him most of his early life and it took a pardon from King William, only after he had been found guilty of High Treason. However, this plea to King William was for personal gain only and he was still harbouring his Jacobite feelings. Shortly after, he made two trips to the Jacobite Court in St Germaine. To further enhance his relationship in the Stuart court, and after King William’s death, he converted to Catholicism and met with Mary of Modena and the titular James VIII and III. He aligned himself with the Duke of Perth’s factions and was promoting an uprising from as early as 1703.By 1715 he had bought his pardon and returned to London. By this time, the Duke of Argyll had convinced him to support King George I. He headed north towards Inverness and took and held the city on behalf of King George. His fortunes now changing for the better, he appeared a Hanoverian. However, the disbandment of his forces and the city handed to others meant his income fell and his rise was short-lived. This likely helped push him away from the Hanoverians and before long back to the Jacobites.This change of allegiances was as blatant as it was regular, and it appears it was only his highly regarded charm that kept him out of trouble, balancing the possibilities of uprising and establishment. This renowned charm got him not only into, but more often out of, some rather tricky situations between King George and King James on both sides.By 1745 it was clear that his Whig allegiances had not given him the power, land, and full title he had expected, and this seems to have sent him back, for a final time, to the Stuart cause. As early as 1690 King James had promised him reward for his support as Lieutenant-General of the Highlands; furthermore, the Pretender might be willing to elevate him to a Dukedom. In 1739 Lovat was the first to join the association formed to invite the Pretender to land in Scotland; his allegiance was secured by the promise of a patent of a dukedom.Although a player from the outset in the return of Prince Charles Edward Stuart, Lovat was not at Glenfinnan in August, in part, due to feigned sickness possibly in part as the promised patent of Dukedom had not reached him. This countered with the non-arrival of the French troops, part of the original party’s plans perhaps caused him some points of thought.Even throughout the campaigns, once he had pledged the Lovat Fraser’s and himself to the cause, he was keeping all avenues open and wrote regularly to the Whig hierarchy, still hoping that if they could not turn him, they could at least secure his neutrality.By 1746 Lovat was in his 80’s and hardly a player on the battlefield. This fell to his son and heir who was threatened by disinheritance not to take part. He indeed was captured and imprisoned in Inverness, only to escape with help from local friends.After the defeat of Culloden, Prince Charles fled and sought shelter from Lovat, who urged him on and promised men for another battle, presumably seeing his hopes, land, fortune, and life slipping from his grasp. Charles declined and left, Lovat fled his home too, and en route seeing his previous castles burned in retribution by William, Duke of Cumberland. In his escape, he is recorded as having a close shave with Hanoverian troops sailing up Loch Morar and he hid in a hollow tree to evade capture. However, the tree could not hide him, and he was spotted and taken prisoner to Fort William.Transported to London, he was interviewed and famously sketched by William Hogarth, whose engraving became in high demand. Lovat at this time was described by the Gentleman's Magazine thus: “Lord Lovat makes an odd figure, being generally more loaded with clothes, than a Dutchman with his ten pair of breeches; he is tall, walks very upright considering his great age, and is tolerably well shaped; he has a large mouth and a short nose, with eyes very much contracted and down-looking, a very small forehead, almost all covered with a large periwig; this gives him a grim aspect, but upon addressing anyone he puts on a smiling countenance”.He was tried for High Treason before the House of Lords and gave his own defence, much evidence was given and debated, was legally questionable. At the end of his case, in inimitable fashion and charm, he replied: “Nothing except to thank your lordship for your goodness to me. God bless you all, and I wish you an eternal farewell. We shall not meet again in the same place; I am sure of that”.While public executions always attracted crowds, that of Simon Lord Lovat attracted a huge crowd by any measure. Perhaps the larger-than-life character, his life story and advanced age convinced more to turn out for this. Due to this popularity, the crowds were huge and too much for the erected scaffolding platforms to hold, resulting in their destruction under the weight of the crowd, killing 20 spectators. True to his character, Lovat found this implausibly funny and was seen to laugh heartily and loud all the way to the executioner's block. It is reputed that this is the origin of the saying to ‘laugh your head off’ Lovat apparently laughing till his final moments. This seems a little extension of the truth as his final words are recorded, taken from Horace 'Dulce et decorum patria mori' Lovat was beheaded and latterly buried at Tower Hill on April 9th, 1747.

A MODERN BROOCH GRAHAM STEWART, EDINBURGH 1993 modelled as a stylised swan; together with an oval silver pendant with a pierced detail of a bird to centre, and another silver pendantDimensions:6cm, 1.6cm, 5cm wide

§ A MODERN SPOON GRAHAM STEWART, EDINBURGH 2005 of hourglass outline with an oval bowl and planished finishDimensions:21cm long, 5.8oz

§ A MODERN SPOON GRAHAM STEWART, EDINBURGH 2005 of hourglass outline with a planished finishDimensions:21cm long, 6.4oz

§ A MODERN BOWL GRAHAM STEWART, EDINBURGH 1993 the shallow hemispherical bowl with engraved line motifs, with planished finishDimensions:8.5cm diameter, 89g

GLASGOW - A SCOTTISH PROVINCIAL SAUCEBOAT ADAM GRAHAM marked town mark, AG, town mark, of oval outline with slightly scalloped border, crest to the body, acanthus clasped S-scroll handle, raised on a stepped oval footDimensions:10cm high, 4.5oz

§ A MODERN GEM-SET BROOCH IN A PRESENTATION BOX GRAHAM STEWART, EDINBURGH 1990 formed as an abstract tree, collet set to the centre with a pear-shaped watermelon tourmaline cabochon, in a textured border, presented in a fitted wooden oval boxDimensions:5.5cm long

GREENOCK - A SET OF FOUR MATCHED SCOTTISH PROVINCIAL TABLESPOONS ALEXANDER CAMPBELL marked AC, ship, anchor, ship, one marked, AC, anchor, tree, anchor, all of Old English pattern, engraved initials to a terminal; together with another Adam Graham of Glasgow, marked AG, town mark, twice, of Old English pattern and a tablespoon, Ker & Dempster, Edinburgh 1765, of Hanoverian pattern, foliate initials engraved to reverse of the terminalDimensions:21cm long, 12.4oz (combined)

Greene (Graham). Why the Epigraph?, London: Nonesuch Press, 1989, original cloth, acetate wrapper, 8vo, limited signed edition 640/950, together with Our Man in Havana, 1st edition, London: Heinemann, 1958, light marginal toning, original cloth, dust jacket, spine slightly faded, light toning to rear panel, 8vo, plus The Spy's Bedside Book. An anthology edited by Graham Greene & Hugh Greene, London: Rupert-Hart Davis, 1957, original cloth, dust jacket, some fading to spine, 8vo, plus 19 others by the author including British Dramatists, 1942, A Burnt-Out Case (2 copies), 1961, The Comedians, 1966, May We Borrow Your Husband?, 1967 and Travels With My Aunt, 1969QTY: (22)

Graham (Rigby, illustrator). The Brewhouse Private Press 1963-1983, by Christine Battye, Wymondham: Sycamore Press, 1984, monochrome illustrations, original cloth, 4to, limited edition of 120, Rigby Graham's copy, this copy marked 'o/s' and signed in initials, additionally inscribed at front 'Rigby Graham, Leicester', together with Erni (Hans). Catalogue Raisonne de l'Oeuvre Lithographie et Grave de Hans Erni, by Pierre Cailler, 2 volumes, Geneva: Editions Pierre Cailler, 1969, numerous colour and monochrome illustrations, original cloth, dust jackets, slight dust soiling, 4to, each volume with an original drawing by Hans Fermi to the half titles dedicated to Rigby Graham and dated 1976, plus A Lifetime of Drawing. Rigby Graham Sketchbook Drawings, with an essay by Malcolm Yorke..., London & Church Hanborough: Artists' Choice Editions, 2004, colour and monochrome illustrations, original pictorial boards, 4to, limited signed edition 83/197, with others related including Charles Flores Correspondences. With monotypes by Rigby Graham, Cog Press, 1973, limited edition 6/150, signed at front by Rigby Graham, A Broken String of Beads, Cog Press,1980, limited edition of 200, Rigby Graham, Wymondham Art Gallery, 1979, limited edition 74/200, Woodcuts and Words, Previous Parrot Press, 1994, limited signed edition of 242, this copy unnumbered, plus other booklets illustrated by the artist, a few limited editions etcQTY: (45)

Football Chelsea F.C collection 6 signed 6x4 inch colour photos include Gus Poyet, Roberto Di Matteo, Dennis Wise, Frank Le Boeuf and Graham Le Saux. Good condition Est.

Autographed HEARTS 8 x 6 photo : B/W, depicting a wonderful image showing Heart of Midlothian's KENNY AIRD, GRAHAM SHAW, RALPH CALLACHAN, WILLIE GIBSON and BOBBY PRENTICE sitting side by side for photographers during a photo shoot at Tynecastle in 1976, signed by all apart from Prentice in black biro pen. Good condition Est.

Graham Chapman, a signed Arthurian Legend FDC, postmarked Tintagel, 3 September 1985. A comedian, actor, writer and member of the Monty Python team, he played the lead role in the Python films, Holy Grail and The Life of Brian. A rare signature due to his early death from cancer in 1989, aged 48. Good condition Est.

**For sale in aid of BBC Children in Need** An evening of laughter and entertainment for 2 people at a recording of the BBC’s Graham Norton Show: Tickets for 2 people to be in the audience at a recording of Graham’s hit TV chat show at Television Centre in London, plus drinks afterwards in the production guest green room. The winning bidder and all those attending the experience must be 18 or over and be able to make their own way to the studios at Television Centre, 101 Wood Lane, W12 7FW by 6:15pm on a Thursday between 27th September 2023 and February 22nd 2024. Days and dates are subject to change. This experience is for 2 people; transport, food and accommodation are not included. Drinks only in the green room after the show; this is not a meet and greet experience with the celebrities or Graham himself. No photos to be taken of the set, behind the scenes or of the green room. In the event of an unforeseen cancellation, the tickets will be redeemable against a future season of the show. Further details co-ordinated with The Graham Norton Show through the Bargain Hunt production office. No buyer’s premium to be paid on this item. **Please note that the winning bid placed for the above lot is subject to BBC sole final approval. BBC shall contact the winning bidder directly and, subject to checks and further information requested, shall then communicate acceptance of the bid.**

George Formby (1904-1961). A bronze bust of George Formby holding the neck of his banjo ukulele, by Graham High, on wooden stand bearing two plaques, one stating 'Sculpted by G. J. High ARBS, 2011', unsigned commission [one of one], 45cm including stand, with bespoke marble-effect pedestal/carrying case

TWO GILT FRAMED PENCIL SIGNED NEIL GRAHAM PRINTS

SILVER PLATED EVER SHARP PROPELLING PENCIL ENGRAVED WITH THE NAME GRAHAM

Idea 3 Group Of Boxed & Unboxed Ferrari Road & Race Cars. To include 103/C 250 GT SWB Le Mans 1961 Stirling Moss / Graham Hill, 103/I 250 GT SWB - Dark Green (fuel filler cap missing & rear windscreen loose), Unboxed 102 250 GT SWB Scaglietti - Light Metallic Blue plus others. Conditions: Excellent To Mint With Good To Excellent Rigid Cases & Boxes. (11)

Bindings. [Horse racing], Graham (Clive) and Curling (Bill), The Grand National, London: Barrie & Jenkins, 1972, finely bound in three-quarter tan morocco gilt over cloth boards by Asprey & Co Ltd., signed, all edges gilt, marbled endpapers, 4to, two Asprey game books, late 20th c, uninscribed but personalized, bound in contrasting red and blue morocco gilt, boxed en suite, oblong 4to, two copies of Fifty Years of Sport at Oxford, Cambridge and the Great Public Schools, the Eton, Harrow and Winchester volumes only, London: Walter Southwood, 1922, illustrated, finely bound in original morocco by Cedric Chivers, Bath, signed, rubbed, bumped and worn, upper-covers with inset armorials, top-edge gilt, others uncut, marbled endpapers, 4to, Hawkes's Guns and Shooting, 9th edition, London: Longman, et al., 1844, contemporary calf gilt, rubbed and bumped, 8vo, (6)

Art. Du Fresnoy (Charles-Alphonse), Dryden (John), & Graham (Richard), The Art of Painting [...], second edition thus, London: Printed for B.L. [i.e. Bernard Lintott] and sold by William Taylor, 1716, engraved frontispiece, black-ruled title-page, contemporary two-tone panelled calf, blind, split but holding, red-speckled edges, 8vo Provenance: 1) Payd (sic) the 23th of May for this book *3sh: 6d to Mrs Shipton, verso pastedown with contemporaneous ink MS inscription. 2) Francis Hall, 19th c armorial bookplate, printed on pink paper.

A selection of hardback books, primarily relating to aviation, titles including: The Great War in the Air, by Edgar Middleton, 4 vols; The Mastery of the Air, by William J. Claxton; The History of British Aviation, by R. Dallas Brett; Conquering the Air, by Archibald Williams; The Aeroplane, by Graham White and Harry Harper; and others, contained across three boxes.

12 BOTTLES GINEkoborounice Blueberry; Pangolin Gin Pink Citrus (50cl); Crazy Co Crazy Gin Punjabi Chai (50cl); Norrbottens Destilleri NID Grapefruit (50cl); Hotham's Cardamom (50cl); Schwarzwald Blueberry + Vanilla (50cl); Graham Norton's Pink; Wildcat Limelight Lime; Atlas Shichimi; Malfy Gin Rosa Pink Grapefruit; Luxxy; Harley House The Curiosity Series Indian Spice + Mango (50cl)

12 BOTTLES ARGENTINIAN RED WINE45° Rugientes Pinot Noir 2019; DV Catena Cabernet Franc 2020; Asda 2 x Extra Special Malbec 2020; Luca 2 x Old Vine Malbec 2020; Invivo + Co Graham Norton's Own He-Devil Malbec 2020; Alamos 2 x Malbec 2021; Polo Bodega y Viñedos 2 x Vinyes Ocults Gran Malbec 2019

12 BOTTLES GINSchwarzwald Pink (50cl) and Summer (50cl); Old Carrick Mill My Friend Mo Chara Irish Pink (50cl); OP Anderson Distillery Organic Blood Orange; Ógin Cloud and Arctic; Prohibition Gin Blood Orange (50cl); Graham Norton's West Cork Marmalade; Tarquin's The Cornish Sunshine Blood Orange; Beefeater Blood Orange; Whitley Neill Blood Orange; Fenspirits Distillery Blood Orange

Fergus Graham (1900-1968), set of four watercolours, Hillside landscapes and lake, monogrammed, each with various inscriptions and stamps verso, largest 47 x 28cm

▴ Graham Ovenden (b.1943)'The Tower of Babel'signed 'Graham Ovenden', inscribed with title, medium and 'painted for my dear friends Clive and Jane Wainwright' and dated 1986 verso, also with a pencil sketch and gouache sketch of the Tower of Babel attached verso, oil on panel78 x 61cmProvenance: The Clive & Jane Wainwright Collection, purchased from the artist, 1986.Condition ReportFramed size 99 x 81cmA few tiny specks of dirt but otherwise appears to be in good condition. Unexamined under uv light.

▴ Graham Ovenden (b.1943)'All Hallows' (The Sea Cathedral)signed, inscribed with title and 'painted for Clive & Jane Wainwright', and dated '1981/3' verso, oil on panel81 x 119cmProvenance: The Clive & Jane Wainwright Collection, purchased from the artist, 1983;with the Piccadilly Gallery, London.Condition ReportFramed size 109 x 147cmA few tiny specks of dirt. Otherwise appears to be in good condition. Unexamined under uv light.

A. & B.C., 1973 Footballers (facsimile signatures), George Graham & Willie Morgan (both Manchester United), serrated edges), EX, 2

A SET OF SIX GEORGE II SILVER TABLE SPOONS by Thomas Jackson I, London 1739, Hanoverian pattern, engraved with crests and coat of arms for the Graham clan. (6) 20.6cm long, 13.4 troy ounces gross

** GRAHAM SUTHERLAND (1903-1980) - 'Sheet of Studies, Heads', colour lithograph, limited edition, numbered 49 of 70 lower left and signed lower right (64.5 x 48.75 cm). (Glazed brushed steel frame 67.5 x 51.5 cm.)

Two pieces: 1. B. GRAHAM WYATT - marine scene, oil on canvas signed and dated 1927 (24.5 x 34 cm). (Gilt frame (damage) 41 x 50 cm). 2. After John Lucas, monochrome portrait etching, signed lower right by the sitter, 'Yours truly, J.J. Tufnell?' (Frame size 64.5 x 53 cm) 

NO RESERVE Atlases.- Johnston (Alexander Keith) and G. H. Johnston. The Handy Royal Atlas of Modern Geography, folding map frontispiece, 51 double-page maps, bookplate of Spencer Charles Ferguson, additional bookplate of Alan Graham Mutter to front endpaper, a few maps with short tear at central fold but no loss, occasional light soiling, the odd spot, heavier spotting to endpapers, original half morocco, upper cover lightly sunned at head, spine and extremities quite worn, rubbed, g.e., folio, Edinburgh and London, 1903.

World.- Gordon (Thomas Edward) A Varied Life, inscribed by author on half-title, frontispiece, plates, scattered faint spotting, bookplate of Peter Hopkirk, original cloth, slight bumping to corners and extremities, 1906 § Graham (Stephen) Through Russian Central Asia, first edition, frontispiece, plates, original pictorial cloth, slight bumping to corners and spine extremities, New York, 1916 § Aitchison (C. U.) A Collection of Treaties, Engagements and Sanads ..., vol. 11 only, ex-Foreign & Commonwealth Office Library with usual labels and ink-stamps, occasional marginal pencil markings, contemporary cloth, "Foreign Office" stamp to upper cover, slight bumping to corners and extremities, Delhi, 1933 § Brown (John P.) The Dervishes; or, Oriental Spiritualism, illustrations, scattered spotting, previous owner's ink inscription, original cloth, slight bumping to corners and extremities, 1868; and others similar, 8vo (11)

Shakespeare Forgeries.- Ireland (William Henry) Miscellaneous Papers and Legal Instruments under the Hand and Seal of William Shakespeare, second edition (first 8vo edition), half-title, folding engraved portrait frontispiece printed on both sides, slightly foxed, some spotting throughout, top edges uncut, original boards, rubbed at extremities, spine sunned, splitting at head of upper joint, Cooper and Graham, 8vo, 1796.

The Graham Collier Septet, Deep Dark Blue Centre, 1967, Deram, SML 1005, Mega rare, UK Post Bop, Jazz Album, Vinyl Nr Mint. Cover torn

GRAHAM FARISH 8025 N GUAGE RAIL EXPRESS ALONG WITH OTHERS the others comprising Peco Shell and Ford wagons, a rail freight, and a hot dog van

Scroll handle. 'Captain Cook, The World's Finest Bourbon' inscription to base.Jug is empty, once held Jim Beam Bourbon Whiskey. Royal Doulton and Pick-Kwik backstamp. Limited edition of 2000 pieces. Series: The International Collection. #whisky #liquorcontainer #royaldoulton #jimbeam Artist: Harry Sales, Graham TongueIssued: 1985Dimensions: 5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.

Jim Beam Bottle handle. Inscribed around base Uncle Sam Famous For Quality Since 1795.Commissioned by Pick-Kwik Wines and Spirits in a limited edition of 2,000 pieces. Royal Doulton backstamp. Artist: Harry Sales, Graham TongueIssued: 1984Dimensions: 5.25"HManufacturer: Royal DoultonCountry of Origin: England

A George III silver coloured metal pair cased pocket watch, by Graham, London, 4.5cm enamel dial inscribed with Roman and subsidiary Arabic numerals, verge fusee movement, 7cm over loop, c.1800

4 studio pottery vases with green swirls 18cmH and blue swirls 9cmH marked on base GF Graham Fielder?

 After Graham Baxter ltd edition print Muirfield Scotland, National Trust 6 scale model packs, The Impressionists collection and a collection of 1979 newspapers

Corgi 313 Ford Cortina GXL "Graham Hill" - metallic aqua, black roof, off-white interior, chrome trim, black base with Whizzwheels - Near Mint comes with correct "Graham Hill" figure in a generally Good Plus to Excellent (very slight crease in cellophane) orange and yellow window box with hard to find incorrect "Whizzwhells" spelling on rear - see photo.

A group of soft and hardback Reference Toy Books to include Britains Toy Models Catalogues 1970-1979; Dinky Toys by Dr. Edward Force; another but Corgi Toys; Spot-on by Graham Thompson; The Minic Book by Peter Partok; Collecting Tin Toy Cars by Dale Kelly plus others - conditions are generally Good Plus to Near Mint - see photo.

WW2 BOB fighter pilot Edward Graham 72 sqn signed copy combat report and signature fixed with biography to A4 page. WW2 RAF Battle of Britain pilot. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

Graham Clarke - 'Quercus Bererkus', 20th century etching with aquatint and hand-colouring on wove paper, signed, titled and editioned 92/250 in pencil, together with two other signed etchings by the same hand, 'Quite Cricket' and 'The Wooden O', and a signed lithograph by Yossel Bergner.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A quantity of vinyl LPs, 7" singles, and various CDs, including various artists and genres such as Graham Parker, Roxy Music, Yazz, Dr. Alban, there are also various 12" singles included

Books about various artists, including Graham Sutherland and George Stubbs

A limited edition print - John Welch driving at the 1987 British Raleigh Grand Prix from the original painting by Graham Turner no. 8/500 signed by artist, driver and racer Jonathan Palmer, framed.

FRANCIS E. JAMIESON (1895-1950) A highland loch scene signed Graham Williams lower left, oil on canvas, 39.5cm x 60cm, together with another similar scene, oil on canvas, 38cm x 58cm

Graham Farish - Peco - Lima - HandM - Other - A collection of boxed and unboxed N gauge model railway equipment that contains a locomotive, rolling stock, controller, track and accessories. Lot includes a Graham Farish Class J69 0-6-0T Op.No. 372 in GER Blue; a boxed HandM Executive controller; Peco NRP160 Tank Wagon 'Shell' a boxed quantity of Graham Farish NTS1 N gauge Tracjk Set; Lima L320869 CCT van M94291 in BR blue and similar. Items show some light signs of use generally appearing to range in condition between Good - Excellent. Boxes Fair Plus - Good. All items are unchecked for completeness. (This does not constitute a guarantee) (K-2)

Graham D Rich (b.1945), Westcountry artist, 'Sailing into Lannion' - For Vicky, 2001, marine paint on wood with found boat fragments, 29 x 27cm, f & g

8 Film cinema posters, E.T., The Godfather (Australian Daybills), Standing Room Only, Schindler's List Israeli, Graham Moffat Comedies, and others, (8 in total).

Graham Humphreys 'Zombies' Hand signed Limited Edition print, numbered 100/100, rolled, 18 x 24 inches.

Alexander Graham Munro R.S.W. (Scottish 1903 -1985) A Moroccan Cityscape, pencil, framed. (31cm x 21cm).

Major General A Graham Signed Scott FDC The Thin Red Line - 150th Anniversary of the Crimean War, 12/10/2004, with 6 x Stamps and 2 x Postmarks number 197 of 250, Scott Cover 115, good condition. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

A Royal Doulton stoneware tobacco jar and cover, decorated with three green ground oval panels of monks smoking and drinking against a white floral ground, height 13cm (cover restored), together with a group of Doulton harvest ware, sprigged with typical toping figures, including a silver mounted jug, height 16cm, a similar porter mug with a sprigged hunt scene, height 12.5cm, a small Doulton jug with Bacchic cherubs, height 7.5cm, and a pair of egg cups. Provenance: from the collection of the late Graham and Rhiannon Berridge.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A pair of Ridgway porcelain apple green ground cabinet plates, mid-19th century, pattern No. 6741, painted with harbour views, the scroll edged rims with gilt enrichment, puce printed factory marks, diameter 23.8cm, together with a New Hall cabinet plate, painted with a building by a river within a cream glazed rim, and a small group of similar wares decorated with landscape views. Provenance: from the collection of the late Graham and Rhiannon Berridge.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A Royal Doulton stoneware vase by George Tinworth, monogrammed, the tapered body with brown and green glazed flared rim neck, decorated with a scrolling seaweed design against a white slip and buff ground, incised monogram to side of vase, impressed marks to base, height 29cm. Provenance: from the collection of the late Graham and Rhiannon Berridge.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A Copeland buff stoneware jug, early 19th century, sprigged in white with a hunting scene, impressed mark to base, height 12cm, a similar stoneware Griffin and Cherub jug and cover, probably Ridgway, height 11.5cm, an oval potpourri basket with pierced cover, sprigged with flowers, six assorted pale blue/lilac washed sprigged mugs and a mixed group of mostly feldspathic stoneware, including Ridgway, Chetham & Woolley and other Staffordshire factories. Provenance: from the collection of the late Graham and Rhiannon Berridge.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A pair of Ridgway buff stoneware candlesticks, circa 1835, of foliate moulded form with acanthus leaf struts to the circular bases, unmarked, height 22cm, a matching smaller pair, height 12.5cm, five other pairs of Ridgway candlesticks, a pair of blue washed white stoneware candlesticks, probably Chetham & Woolley, and a pair of bluish-mauve pottery ram's head cornucopia with scattered gilt foliate decoration, height 15.5cm (some restoration). Provenance: from the collection of the late Graham and Rhiannon Berridge.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.