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Scottish Interest: A Modernist silver baby's spoon, hallmarked Graham Leishman Stewart of Dunblane, Edinburgh, 1986, in fitted case retailed by Asprey & Co, with purple Asprey box included, approx. 11cm long, weight: approx. 27.2 grams (0.87ozt) Further Details: Slight tarnishing but in good condition.
Wilhelmina Barns-Graham C.B.E. (British, 1912-2004)Dancing Squares signed and dated 'W Barns Graham 1962-3' (on the artist's prepared backboard, lower right); further signed, titled and dated again ''Dancing Squares'/1962-3/W. Barns-Graham' (verso)oil and cryla on board40.5 x 50.2 cm. (15 7/8 x 19 3/4 in.) (including painted backing board)Footnotes:ProvenanceWith The Richard Demarco Gallery, EdinburghPrivate Collection, U.K.ExhibitedEdinburgh, The Richard Demarco Gallery, Wells/Mitchell/MacPhail/Barns-Graham, cat.no.30 (catalogue untraced)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Wilhelmina Barns-Graham C.B.E. (British, 1912-2004)L.P. IV (Blue on Red + Green) signed and dated 'W Barns Graham 1968' (on the artist's prepared backboard, lower right); further signed, titled, and dated again 'L.P. IV Blue on Red/+ GREEN/1968/W. Barns-Graham' (verso); also signed, titled and dated 'W. Barns-Graham (Blue on Red + Green) 1968' (on the frame)oil and cryla on board40.4 x 40.4 cm. (15 7/8 x 15 7/8 in.) (including painted backing board)Footnotes:ProvenancePrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Rodney Graham (Canadian, born 1949)Oxfordshire Oak, Banford Fall, 1990 Gelatin silver print, 1992/2002, on matte photographic paper, signed, dated '02' and numbered 500/500 in black ink verso, published by Whitechapel Gallery, London, with full marginsImage 292 x 229mm (11 1/2 x 9in)Sheet 470 x 403mm (18 1/2 x 15 7/8in)For further information on this lot please visit Bonhams.com
A 1914-15 Star, awarded to 19380 PTE.M.JONAS, LAN.FUS.; five British War Medals, awarded to 36081 PTE.W.PEARSON, E.YORK.R., in box of issue; 58835 CPL..H.BOWER, WELSH R.; 28840 PTE.W.FARRAR, W.YORK.R.; 3.9260 SJT.W.CONWAY, W.RID.R.; and, 39891 PTE.B.GREAVES, DURH.L.I. -lacks suspender bar; an Elizabeth II Commission, appointing Graham Johnson Oates as Second Lieutenant with the Home Guard, dated 2nd February 1954 (7)
John Constable RA (English, 1776-1837) View of the back of Willy Lott’s House with Log-cutter, 1814. Inscribed upper left with the brush ‘June 1814’; and, on verso (in a later hand), ‘J. Constable [R.A.]’ Oil on canvas laid on canvas, 11 ½ x 9 5/8in. (29.2 x 24.4 cm.). English, early 19th century, swept gilded frame inscribed on the slip “Willy Lott’s House Flatford”. The frame bearing a plaque inscribed with the artist’s name “J. Constable” and dates “born 1776 died 1837”. *Provenance: by descent from the artist to his grandson Hugh Golding Constable (1868-1949); Leggatts by 1899 (probably no. 14, ‘Willy Lott’s House, Flatford’ in Catalogue of Pictures & Watercolour Drawings by John Constable R.A., Leggatt’s, Nov 1899); Caroline M.G. Williams (1933-2018), probably inherited from her grandparents Frederick and Ann Williams; and from 2018, by inheritance. **Literature: C. Peacock, John Constable; The Man and his Work, 1965, revised edition 1971, plate 26 and p.142; R. Hoozee, L’Opera Completa di Constable, 1979, no. 194; see also under G. Reynolds, The Early Paintings and Drawings of John Constable, 1996, p.194 (where discussed in connection with related drawing, no 14.25, in collection of Royal Albert Memorial Museum, Exeter). Note: We are grateful to Anne Lyles for confirming the authenticity of this work based on first hand inspection and for providing the following catalogue essay. ***“This fascinating oil sketch, dated by Constable ‘June 1814’ on the upper left, was last recorded in the scholarly literature on the artist in 1979, when it was catalogued by Robert Hoozee in a catalogue raisonné of the artist’s work published by Rizzoli. It thus now reappears here, on the market, after a gap of over forty years. The sketch has a firm provenance reaching as far back as the nineteenth century when it was owned by Constable’s grandson, Hugh Golding Constable (1868-1949), who subsequently sold it to distinguished Fine Art dealers Leggatt Brothers. It almost certainly featured (as number 14, ‘Willy Lott’s House’) in Leggatt’s historic exhibition mounted in their Cornhill Gallery in November 1899, the first to be devoted solely to Constable’s work. When painting in Suffolk in the early part of his career, it was Constable’s regular practice to make oil sketches in the open air. It seems more than likely that this sketch was made by him directly from nature, a conclusion which his inscription on the upper left, with the date ‘June 1814’, tends to support. It relates closely to a pencil sketch in the Royal Albert Memorial Museum, Exeter (fig.1) which was catalogued by Graham Reynolds as ‘ A house amid trees’ (G. Reynolds, Early Paintings and Drawings, no. 14.25). Both Reynolds (op.cit) and Constable scholar Ian Fleming-Williams described the farmhouse in the drawing (and thus by implication the same building in this related oil sketch, which they knew only through reproduction) as an unidentified Suffolk farmhouse (Constable: a Master Draughtsman, Dulwich Picture Gallery, 1994, see under cat. 25 and pp 136-8). However it is now clear that both drawing and oil sketch actually show Willy Lott’s House, the building at Flatford which appears in two of Constable’s most famous paintings, The Hay Wain, 1821 (National Gallery) and The Valley Farm, 1835 ( Tate Britain), but from an unusual angle at the back. This sketch’s original title, as first recorded in the nineteenth century when owned by Hugh Golding Constable and then sold by Leggatt’s, can therefore now be reinstated. When this sketch was first reproduced in the Constable literature by Carlos Peacock (John Constable: the Man and his Work, 1965; revised edition 1971), the author described it as apparently showing a man using a pole to manoeuvre a floating branch. Peacock was presumably basing his interpretation of this figure on his reading of another oil sketch by Constable, Willy Lott’s House from the Stour, c.1812-13, showing the house from the opposite side where a man adopting a similar strenuous posture is polling a ferry boat on the water through the shortcut to the mill stream, Victoria & Albert Museum (fig. 2). As Peacock himself recognised, the latter sketch closely relates to Constable’s painting of The Valley Farm in Tate Britain. However, it would seem that the figure in this oil sketch is actually standing on dry land, and apparently cutting logs, perhaps from a recently felled tree”. Anne Lyles. ****The tiny hamlet of Flatford situated on the north bank of the river Stour in Suffolk is at the centre of the area now known as “Constable Country” where the great painter grew up and which provided the inspiration for much of his work. Willy Lott was a tenant farmer who lived in the house in Flatford attached to the land that he farmed. He lived there for over eighty years and spent only four nights away from the house in his whole life. For Constable the house became emblematic of the rural way of life that was so precious to him. In Edwardian times the house became known as Willy Lott’s Cottage, but John Constable knew it as Willy Lott’s House, as it has been renamed today. *****The English Romantic painter John Constable RA (1776-1837) was best known for his views of the English countryside particularly the area surrounding the river Stour that is known today as “Constable Country”. Born in the Suffolk village of East Bergholt, he entered the Royal Academy schools in 1799 and later exhibited at the Royal Academy and Paris Salon. He made many open-air sketches and used these as the basis for his large exhibition paintings which were completed in the studio. Like many other artists, Constable was influenced by the work of Dutch 17th century painters however he moved away from the idealism expected of the period and experimented with a much freer style of representation, particularly in his studies and sketches. Along with J.M.W. Turner, Constable revolutionised landscape painting in the 19th century and had a profound effect on European artists, particularly in France. As such, Constable is regarded as a precursor of the Impressionists. ******With regard to the attribution, we are pleased to have received the endorsement of Sarah Cove ACR, FIIC, FBAPCR, accredited conservator of paintings and an acknowledged authority on the work of John Constable. Sarah has seen the work and is fully in agreement that this is a work by John Constable. She also anticipates that there would be a significant improvement to the appearance of the painting if it was cleaned. ** CONDITION: The painting has been wax lined and given a thick coat of varnish within the last fifty years and is in stable condition. The conservator and founder of the Constable Research Project, Sarah Cove ACR, FIIC, FBAPCR, has seen the oil sketch and anticipates that there would be a significant improvement to its appearance if it was cleaned. Her approach would be to clean the painting, removing much of the wax that it visible around the edges and on the back and potentially on the surface and remove any old retouchings. If required she would remove the painting from its lining canvas and return the oil sketch to its original structure. Sarah can be contacted at sarahcove101@gmail.com for further information about the conservation of the painting.
Cricket England Collection 7 signed 6x4 inch colour Cornhill Insurance promo photos includes great names such as Mike Atherton, Andrew Flintoff, Mark Ramprakash, Graeme Hick, Graham Thorpe, Marcus Trescothick and Andy Caddick. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Cricket. Clive Rice, Graham Pollock, Ali Bacher and Geoff Humpage Signed 3rd Test South Africa Vs SAB English XI March 1982 First Day Cover. South African Stamp with 26/3/82 Postmark. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Cricket Australia collection over 20 assorted signed photos, cards and pages from some great names past and present includes David Warner, Brad Haddin, Shane Watson, Michael Clarke, Graham Marsh, Mitchell Johnson, Adam Vogues, Michael Hussey, David Hussey, Nathan Bracken, Peter Siddle, Nathan Hauritz, Andrew Symonds, Josh Hazlewood, Ian Harvey, Justin Langer, Mark Taylor, Jason Gillespie, Alan Border and Damien Martyn. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
A George III condiment London 1807, the hexagonal caster, of bulbous form, engraved crest and motto - Vin Cere Vel Mort, (Clan MacNiell of Colonsay) all on a conforming spreading foot; together with two pairs of Scottish cauldron salts, Milne and Campbell and Adam Graham, circa 1775 and four salt spoonsDimensions:Height of caster: 11.5cm, weight 11oz
Four limited edition Bell's extra special 70cl 40% vol old scotch whisky decanters celebrating great Scottish inventors. The lot comprising The first instalment in the decanter series 1847-1922 Alexander Graham Bell decanter, The second instalment in the decanter series 1736-1819 James Watt decanter, The third instalment in the decanter series 1881-1955 Alexander Fleming decanter, & The fourth instalment in the decanter series 1888-1946 John Logie Baird decanter. All in original boxes. All sealed.
Hornby - Triang -Graham Farish - An unboxed rake of OO gauge passenger coaches and freight rolling stock. Lot includes Graham Farish Non-corridor Suburban Composite in LNER Teak '52347'; Hornby LMS 6 Wheel Insulated Milk Van '3855'; Hornby TTA Shell tank wagon in grey '500' and similar. Items all show varying levels of play and age wear appearing to range between Fair - Good condition. All items are unchecked for completeness. (This does not constitute a guarantee) (K)
Autograph Album Collection 79 signed. Signatures include Susanne Shaw an English actress, singer. Pauline Quirke MBE an English actress who has played Sharon Theodopolopodous in the long-running comedy series Birds of a Feather (1988-1999, 2014-2017). Denise Welch an English Actress & Writer Dedicated. Jenny Seagrove an English actress. Graham Cole a British Actor Dedicated. Hattie Hayridge a British comedian and actress, best known for the role of the female version of Holly in Red Dwarf during the third, fourth and fifth series. Dedicated. Plus, others. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Graham Barry CLILVERD (1883-1959) Winter II Etching Signed within the plate and signed in pencil to margin Published by Connell in an edition of 100 14cm x 17cm Together with a Frank STERNBERG (1858-?) Mezzotint 23.5cm x 18cm. Lay's Auctioneer's are able to offer in-house postage on this lot from £25.22. For more information contact postage@davidlay.co.uk
4 Radio-Trichterlautsprecher1) Amplion Concert AR-23, 1925, hergestellt von Alfred Graham. 2000 Ohm, 10-teiliger Eichenholz-Trichter (leicht beschädigt), Ø 48,5 cm, System geprüft, funktionstüchtig. - 2) Hezzanith Typ 2B, um 1925, Heath & Co., London, 2000 Ohm, Aluminiumtrichter, Ø 35,5 cm, System geprüft, funktionstüchtig. - 3) Modell L11, um 1928, Nora, Berlin, 2000 Ohm, Ø 25 cm, Bakelit-Fuß, System geprüft, funktionstüchtig. - Und: 4) Dragonfly AR102, um 1925, Amplion, Alfred Graham & Co., London, 2500 Ohm, Miniaturlautsprecher, Ø nur 14 cm, System geprüft, funktionstüchtig. Start Price: EUR 240 Zustand: (3/-)4 Radio Horn Speakers1) Amplion Concert AR-23, 1925, Alfred Graham. 2000 ohms, 10-piece oak horn (slightly damaged), Ø 19 in., system tested, working. - 2) Hezzanith Type 2B, c. 1925, Heath & Co., London, 2000 ohms, aluminum horn, Ø 14 in., system tested, working. - 3) Model L11, c. 1928, Nora, Berlin, 2000 ohms, Ø 10 in., bakelite base, system tested, working. - And: 4) Dragonfly AR102, c. 1925, Amplion, Alfred Graham & Co., London, 2500 ohms, miniature loudspeaker, Ø only 5 ½ in., system tested, working. Start Price: EUR 240 Condition: (3/-)
6 Radiolautsprecher1) Radiolux Junior RS2 O, 1925, Amplion, Alfred Graham & Co. (Algraphone), London, Holzgehäuse. - 2) Blaupunkt 49z, 1929, Ideal-Radiotelephon- und Apparate-Fabrik, Berlin, magnetisches System, Bakelitgehäuse. - 3) Hyperbola - 1, um 1929, Beyerdynamic, Heilbronn, magnetisches System, Zelluloidmembrane, Holzgehäuse. - 4) Saba DWP33, um 1933, Schwer & Söhne, Villingen, dynamisches System, Bakelitgehäuse. - 5) Lion, 1929, Elion, Leipzig, magnetisches System, Holzgehäuse. - Und: 6) Amplion Cabinette A114, um 1926, Alfred Graham & Co. (Algraphone), London; Trichterlautsprecher in Eichengehäuse. Start Price: EUR 240 Zustand: (2-3/-)6 Radio Speakers1) Radiolux Junior RS2 O, 1925, Amplion, Alfred Graham & Co. (Algraphone), London, wood case. - 2) Blaupunkt 49z, 1929, Ideal-Radiotelephon- und Apparate-Fabrik, Berlin, magnetic system, bakelite case. - 3) Hyperbola - 1, c. 1929, Beyerdynamic, Heilbronn, Germany, magnetic system, celluloid diaphragm, wood case. - 4) Saba DWP33, c. 1933, Schwer & Söhne, Villingen, Germany, dynamic system, bakelite case. - 5) Lion, 1929, Elion, Leipzig, magnetic system, wood case. - And: 6) Amplion Cabinette A114, c. 1926, Alfred Graham & Co. (Algraphone), London, horn loudspeaker in oak cabinet. Start Price: EUR 240 Condition: (2-3/-)
4 englische Radio-Trichterlautsprecher1) Ethovox RL2/20, um 1924, Burndept Ltd., London, 2000 Ohm, Aluminiumtrichter, Ø 37 cm. - 2) A.J.S., um 1924, A.J. Stevens & Co Ltd, Wolverhampton, Ø 36 cm. - 3) Gecophone Model "A" BC2600, GEC, General Electric Co Ltd., London, Ebonit-Trichter, Ø 34,5 cm. - Und: 4) Dragon Horn AR19, Amplion, Alfred Graham & Co, London, Holztrichter, Ø 38 cm. Start Price: EUR 240 Zustand: (3/-)4 English Radio Horn Loudspeakers1) Ethovox RL2/20, c. 1924, Burndept Ltd., London, 2000 ohms, aluminum horn, Ø 14 ½ in. - 2) A.J.S., c. 1924, A.J. Stevens & Co Ltd, Wolverhampton, Ø 14 ½ in. - 3) Gecophone Model A BC2600, GEC, General Electric Co Ltd., London, Ebonite horn, Ø 13 1/2 in. - And: 4) Dragon Horn AR19, Amplion, Alfred Graham & Co, London, wood horn, Ø 15 in. Start Price: EUR 240 Condition: (3/-)
Erstes Telephon von Alexander Graham Bell (Replika)Exzellente Nachbildung des historischen Telephons, Maße 18 x 9,5 x 15 cm. - Ein sehr interessantes und instruktives Demonstrationsmodell. Start Price: EUR 180 Zustand: (2/2)Accurate Replica of Alexander Graham Bell's TelephoneAn excellent reproduction of this historic telephone, 7 x 3 ¾ x 6 in. - A very interesting and instructive demonstration model. Start Price: EUR 180 Condition: (2/2)
Yorkshire School (Mid C20th); 'Whitby, Back of Henrietta Street East Cliff June 1959, Whitby, Haggersgate Millers Yard, 9-10-11-12, May 1960, Whitby, Haggersgate Millers Yard, No.11 on left, No.12 up stone steps and wooden stairs May 1960' pen and ink with some colour wash, all titled in pencil verso, one inscribed verso 'Aquired and framed in 1984 by Graham Thinkerill at Scoresby House Picture Framers Whitby, Aquired from Cordelia Stamp' 18cm x 27cm (3)
Cricket Kent Legends multi signed 1983 Benham FDC signatures include Graham Dilley, Richard Ellison ,Kevin Jarvis , Chris Tavare , Neil Taylor and Brian Luckhurst PM NatWest Trophy Final Lords 3rd 83 London NW8. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
A George IV eighteen carat gold snuffboxMark of IG possibly for John Graham, Edinburgh, 1825 The whole engine-turned, the cover engraved 'JV', the interior engraved 'From a son to the faithful servant of his father 1858', in original fitted leather case, length 6.5cm, weight 73gms.For further information on this lot please visit Bonhams.com
A pair of modern tumbler cupsGRAHAM STEWART, EDINBURGH 2001 Of heavy gauge, hand raised and slightly everted rims and with planished surface, height 7.1cm, diameter 8.6cm, weight 14.5oz.Footnotes:Graham Leishman Stewart (1955-2020) one of Scotland's foremost silversmiths of his generation. He established his workshop in Dunblane in 1978 and worked there until the end of his life.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

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