A ROYAL WORCESTER PLATE, 1874, decorated in the aesthetic style in raised bronzed and gilded enamels on a faux cinnabar lacquer ground with fish and a prawn swimming above coral and shells, puce mark, initialled JC in puce on-glaze, 8 3/4" diameter, together with a First Period Worcester porcelain "Lily" pattern sugar box and cover, open crescent, 4 1/2" high (2) (Est. plus 21% premium inc. VAT)Plate no damage, a couple of noticeable chips to red ground. Box no damage or restoration, a little tired to extremities
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Quantity of Asian art miscellanea to include imitation cinnabar lacquer vase, trinket box, figures, scent bottle, etc Condition: Majority of items showing signs of wear in places, with some scratches etc, please see extra images. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Full title: A pair of Chinese black and red cinnabar lacquer square dishes, Qianlong mark and of the periodDescription: Dim.: 20 x 20 cmÊ Ref.: Christie's, London, June 14, 2001, lot 50, for a similarly marked dish, appearing to originate from the same workshop. (link available on our website)Please contact us to let us know which lots are of interest, so we can make the requested report for you.Once complete, it will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
TWO CHINESE CINNABAR LACQUER BOXES, A SIMILAR VASE AND A CLOISONNE AND LACQUER BOWL, 20TH C, TYPICALLY CARVED WITH FIGURES AND FOLIAGE, VASE 20CM H Condition reportSome old accretion of dust. Oblong box - small chip to one corner of lid and around feet. Round box - small repair to edge of lid and slight damage around foot
A WHITE AND RUSSET JADE SNUFF BOTTLE, QING DYNASTYChina, 1644-1912. Excellently hollowed through a small mouth and finely polished, the translucent stone of an attractive white tone with cloudy inclusions and rich russet veins. Of irregular form with indentations at the shoulder, neck, and foot, the rounded rectangular body rising from a slightly concave oval foot to a short broad cylindrical neck.Provenance: From a private collection in Chicago, Illinois, USA, and thence by descent.Condition: Excellent condition with minor wear and minuscule nibbling to mouth, the stone with natural fissures, some of which may have developed into small hairline cracks over time.Stopper: Japanese cinnabar lacquer with carved spoon Weight: 178.9 gDimensions: Height including stopper 74 mm. Diameter neck 23 mm and mouth 7 mmAuction result comparison: Compare with a related white and russet jade snuff bottle at Sotheby’s New York in Asian Art Featuring Chinese Art from The Metropolitan Museum of Art – The Florence and Herbert Irving Gift on 14 September 2019, lot 1260, sold for USD 37,500.清代籽料鼻烟壺 中國,1644-1912年。半透明的籽料經過出色打磨並精細拋光,具有迷人的白色調,並帶有絮狀内含物和豐富的赤褐色脈絡紋理。呈不規則形,在肩部、頸部和足部有凹痕,圓角的矩形主體從略凹的橢圓形底足上升到短而寬的圓柱形頸部。 來源:美國芝加哥私人收藏,保存至今。 品相:狀況極佳,輕微磨損,唇部微小的磕損,籽料中含有天然裂紋,隨著時間的流逝,其中一些可能會發展成細小的裂縫。 壺蓋:日本雕漆蓋,小壺匙 重量:178.9 克 尺寸:總高74 毫米,頸部直徑23 毫米,嘴部直徑7 毫米 拍賣結果比較:一件相近白色籽料鼻烟壺見紐約蘇富比Asian Art Featuring Chinese Art from The Metropolitan Museum of Art – The Florence and Herbert Irving Gift拍場,2019年9月14日 lot 1260, 售價USD 37,500.
A CARNELIAN ‘ROOSTER’ PENDANT, 1ST MILLENNIUM ADChina. Carved as a rooster with a pierced three-pointed comb, eyes, beak, wings, and plumage neatly incised. The stone of an appealing, warm cinnabar tone with cloudy-white inclusions.Provenance: German private collection. Condition: Small nicks, losses, areas of erosion. The stone with natural fissures, some of which may have developed into small cracks over time. Fine patina.Weight: 81.9 gDimensions: Height 6.5 cm, Length 8 cmExpert’s note: The lapidary’s skillful use of the stone’s natural structure for accentuations in the composition of this piece, as seen in the rooster’s tail and head, and the neatly applied incision work clearly prove the Chinese origin of the piece. The evident use of primitive tools to carve and decorate the pendant, as well as the fine craftsmanship exhibited by the carving, suggest a dating to the Han dynasty (202 BC to 220 AD). However, scholarship on semi-precious stone carvings, apart from jade and agate, is scant and examples are extremely rare. The broad dating given in the title of this lot is meant as an impetus to stimulate further study of this subject.Auction result comparison: Compare with a related ornament at Sotheby’s Hong Kong in Chinese Art, including Snuff Bottles and Jades from an old Hong Kong Family Collection on 28 November 2019, lot 791, sold for HKD 50.000,000.第一個千年紅玉髓雞形挂件 中國。雕成一隻公雞,頭頂鷄冠,眼睛,喙,翅膀和羽毛整齊雕刻。 令人陶醉的溫暖硃砂色調紅玉髓,帶有白色絮狀内沁。 來源:德國私人收藏 品相:小缺口,缺損失,侵蝕區域。 天然裂縫,隨著時間的流逝,其中一些可能會發展成小裂縫。 良好的包漿。 重量:81.9 克 尺寸:高6.5 厘米, 長8 厘米
A MOTHER-OF-PEARL-INLAID BLACK LACQUER RECTANGULAR TRAY, JOSEON DYNASTYKorea, 16th-17th century. With a wide flaring rim, superbly decorated with stylized lotus flowers on scrolling vines, to the interior with stylized auspicious symbols topping each flower, the base lacquered cinnabar red.Provenance: Gerard Hawthorn LTD Oriental Art, London, UK, 24 April 2008. A noted private collection in Abcoude, Netherlands, acquired from the above. A copy of the invoice, erroneously describing the piece as Chinese and from the Ming dynasty, accompanies this lot.Condition: Excellent condition commensurate with age, old wear, crackling, a small loss to one corner with associated touchup, the interior with four and the exterior with two replaced inlays (inspected under strong blue light) out of more than 200 inlays in total.Weight: 639 gDimensions: Size 4.3 x 31.7 x 19.2 cmAlthough they superficially resemble and, indeed, are often incorrectly termed as orchids, or even peony blossoms, the flowers depicted on this tray actually are stylized lotus blossoms, as indicated by the appearance of the associated buds. The stylized blossoms, which are known as byeonryeon in Korean, likely first appeared in the silk textiles of China’s Song dynasty (960– 1279). Popularized in Chinese porcelains of the Yuan (1279–1368) and Ming (1368–1644) dynasties, the foreign lotus design, or fanlianwen, spread to Korea early in the Joseon dynasty (1392–1910) and was incorporated into the decorative schemes of Korean blue-and-white porcelain, buncheong ware, and inlaid lacquers.Though little is known of the earliest history of lacquer-making in Korea, archaeological evidence indicates that Korean craftsmen were making lacquered objects at least two thousand years ago, in the late Neolithic and early historic periods. By the Goryeo dynasty (918–1392) Koreans were producing elegant lacquer vessels and sutra-storage chests in black lacquer embellished with small floral designs inlaid in mother of pearl, the designs occasionally augmented with small, twisted, metal wires inset as borders and as the stems in floral arabesques. The tradition of inlaid lacquers continued into the succeeding Joseon dynasty (1392–1910), usually in black lacquer with bold floral designs inlaid in mother of pearl.Auction result comparison: Compare with a related foliate-shaped tray, of larger size and dated to the 17th-18th century at Christie’s New York in Japanese and Korean Art on 18 April 2018, lot 141, sold for USD 137,500. Compare also with a related but larger stationery box at Christie’s New York in Japanese and Korean Art on 22 September 2020, lot 252, sold for USD 81,250, and another at Sotheby’s Hong Kong in Asian Lacquer on 27 May 2014, lot 902, sold for HKD 750,000.朝鮮王朝黑漆髹螺鈿托盤韓國,十六至十七世紀。托盤敞口,邊緣外翻。纏枝卷葉花卉紋以及吉祥符號。底部朱紅漆。 來源:倫敦Gerard Hawthorn LTD 東方藝術藝廊, 2008年4月24日。荷蘭Abcoude 知名私人收藏,購於上述藝廊。隨附發票複印件(錯誤描述該拍品來自中國明代)。 品相:良好的狀態與年齡相符,舊磨損,開裂,一角有小修,一共200多個鑲嵌螺鈿只有內部有四処以及外部有兩処螺鈿經過替換(在強藍光下檢查)。 重量:639 克 尺寸:4.3 x 31.7 x 19.2 厘米 拍賣結果比較:一件葉狀托盤,更大尺寸,十七至十八世紀,見紐約佳士得Japanese and Korean Art 拍場2018年4月18日 lot 141, 售價USD 137,500. ;一件更大尺寸的文具盒見紐約佳士得Japanese and Korean Art 拍場2020年9月on 22日 lot 252, 售價USD 81,250, ;還有一件見香港蘇富比Asian Lacquer 拍場2014年5月27日 lot 902, 售價HKD 750,000.
An early 20th Chinese red lacquered folding scribes table with gilt dragons and carved with Shou symbols and bats.39cm wide. Together with a late 19th, collapsible, cinnabar red pseudo-Chinese style lacquer occasional table with shaped top the legs painted with gilt scrollwork and a naive "dummy board" shaped and painted as a large basket of fruit. (3)Condition report: The small folding table has some rubbing to the lacquer and gilding but seems structurally OKThe occasional table is wobbly and the finish shows some scars of age.The "Dummy Board" seems OK
Sican Culture, 750-1350 AD. A life-size repoussé gilt copper-alloy funerary mask for a noble or priest with red cinnabar pigment, the face with boldly detailed eyes, nose and mouth. 110 grams, 26cm (10 1/4"). From the private collection of Mr Michael J. Vaupel, Miami, USA; acquired from Gloria Lisset Reyes Garcia, Florida, USA; ex private American collection, circa 1960s; previously in the collection of Mr Razeto; acquired in the 1950s-1960s; formerly acquired before 1950. The Sican people occupied the Lambayeque valley region of northern Peru; their funerary rituals included fixing masks to mummies. Fine condition.
A pair of Chinese export cinnabar lacquered vase lamp basesprobably early 20th centuryof elegant swept baluster form, the bodies carved with central continuous landscape friezes of figures of elders before mountains within palmette and lotus lappet borders, the necks and bases with circular ozier panels within formalised scrolls and flowers on contemporary carved hardwood bases, fitted for electricity, 60cm high overall (2)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Qing Dynasty Cinnabar Lacquered Antique Imperial Chinese Quadrafoil form Shaped Dish of extremely fine quality. Depicting a 5 clawed dragon chasing the flaming pearl to the centre with several lesser dragons to the perimeter. The border carved with an intricate interlaced pattern, the verso with a silvered metal Qinlong seal mark set into the body with finely carved Chinese symbols around the mark. Measuring 14.5 inches in diameter.
SELECTION OF SILVER GILT AND OTHER JEWELLERYcomprising a red cinnabar and silver gilt bracelet; the profuse filigree decorated bracelet set with four floral carved cinnabar panels; another similar silver gilt bracelet set with turquoise; a gold plated hinged bangle; an enamel decorated locket pendant on fine nine carat gold chain; a hand painted ceramic brooch; and a rolled gold vine decorated pendant (6)
Chinese cinnabar lacquer box and cover, circular form, the cover finely carved with scholars in a garden beside a pagoda, with chrysanthemum borders, 19.5cm diameterCondition report: Incised Six character mark to inside edge of base (Yongle 1403-1424) (see images on Reeman Dansie website - www.reemandansie.com) Mostly good original condition - three losses to cover - two in clouds, one branch of tree (see images) , some cracks and the lid is a little warped, some minor losses to decoration on borders.
AN IVORY FIGURE OF GUANYIN, LATE QING China, 19th century, late Qing dynasty (1644-1912). Finely carved as a seated Guanyin, one hand in bhumisparsha mudra and the other holding a flaming pearl. Her facial features are serene, her voluminous robe is finely carved, and her hair is minutely incised and inked. Behind her is a gilt-lacquered flaming aureole. The ivory is partially stained, and her belly button is inlaid with a small coral bead. Four-character cinnabar lacquer seal mark underneath. Condition: Very good condition. Some age cracks and wear to stained details. Surface scratched underneath. Provenance: Hungarian private collection. Weight: 414 g Dimensions: Height 17.5 cm
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