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Full title: A pair of Chinese red cinnabar lacquer vases and covers, Zhengde mark, QingDescription: H.: 42,5 cmInformation concerning condition reports:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Full title: A Chinese rectangular cinnabar lacquer box and cover, 19/20th C.Description: Dim.: 18,5 x 12,5 x 4 cmInformation concerning condition reports:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Full title: A Chinese carved red cinnabar lacquer 'boys at play' snuff bottle, imperial workshops, Qianlong/JiaqingDescription: H.: 7,5 cmÊ Ref.:- Christie's, New York, Sept. 12, 2018, The Ruth and Carl Barron Collection, lot 702, for a related example. (sold USD 18.750) (link available on our website)- Christie's, New York, March 21, 2013, The Hildegard Schonfeld Collection, lot 1111, for a related example. (sold USD 30.000) (link available on our website)- Princeton University Art Museum, Object Number y1936-816, for a related example. (link available on our website)Information concerning condition reports:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
Three Oriental inspired items ; a jadeite pendant (untested) (length 2.9mm, max. width 5.4mm, max. depth 6.4mm), the loop stamped '14K' (overall length 3.5cm), a pair of carved turquoise matrix cylinder ear pendants with blue paste beads (overall length 3.2cm), a cinnabar lacquer bead necklace carved with flowers and stylised clouds (overall length 76cm) (4)Condition Report: The pendant is very slightly less yellow and very slightly more mottled than the images online
A Chinese glazed pottery powder bowl and cover with flower head medallion and ribbed decoration in the Song Dynasty style, 7.2 cm diameter x 4.5 cm high, a 19th Century Chinese blue and white and famille rose decorated baluster mug decorated with panels of figures in a garden setting and or flowers, 11.5 cm high, a 19th Century Chinese famille rose bellied sparrow beak jug, 12 cm high, together with various other Oriental wares including two Imari bowls, Japanese blue and white vase decorated with coastal landscape, 13 cm high, cinnabar lacquered rectangular tops with five-toed dragon and phoenix decoration, 12.8 cm x 9.2 cm, 20th Century Japanese teapot, cream jug and two saucers
HOBERMAN, NICKY1967 Kapstadt/SüdafrikaTitel: "Garden Tiger Moth and Cinnabar Moth". Datierung: 1997. Technik: Öl auf Leinwand. Maße: 183 x 153cm. Bezeichnung: Signiert und datiert verso auf umgeschlagener Leinwand: Nicky Hoberman '97. Dazu auf dem Keilrahmen betitelt. Provenienz: - L & R Entwistle and Co. LTD, London (Aufkleber)Ausstellungen: - me Collectors Room Berlin, 2016Literatur:- me Colletors Room/Stiftung Olbricht (Hrsg.): Private Exposure, Berlin 2016, Abb. S. 23. Erläuterungen zum KatalogNicky Hoberman Südafrika Zeitgenössische Kunst Unikate 1990er Figur / Figuren Gemälde Öl Kind / Kinder HOBERMAN, NICKY1967 South AfricaTitle: "Garden Tiger moth and Cinnabar Moth". Date: 1997. Technique: Oil on canvas. Measurement: 183 x 153cm. Notation: Signed and dated verso on the canvas overlap: Nicky Hoberman '97. Additionally titled on the stretcher.Provenance: - L & R Entwistle and Co. LTD, London (adhesive label)Exhibitions: - me Collectors Room Berlin, 2016Literature:- me Colletors Room/Stiftung Olbricht (ed.): Private exposure, Berlin 2016, ill. p. 23. Explanations to the Catalogue
TWO BOXES OF CERAMICS AND GLASS etc to include Doulton Cinnabar coffee cups and saucers, other teawares, Kiln Craft plates and saucers with pink flower decoration, Royal Doulton Old Moreton bowl (chipped and cracked), drinking glasses, George VI glass bowl, Royal Crown 'Mikado' plate, diameter 27cm
Artist: Tsukioka Yoshitoshi (Japanese, 1839-1892). Title: "Study for Hanging Scroll #01". Medium: Pen and ink drawing. Date: Composed c1870s. Dimensions: Overall size: 10 3/4 x 7 1/2 in. (273 x 190 mm). Image size: 7 3/8 x 5 3/4 in. (187 x 146 mm).Lot Note(s): Translucent Gampi (Washi/Rice/Mulberry) paper affixed at the corners to a semi-opaque, handmade, laid paper. Very good condition; minor folding lower right corner, no broken paper fibers. Provenance: Wittenborn Art Books, New York City. Comment(s): Drawings by Yoshitoshi are very scarce. This drawing came from a hand bound album of drawings and sketches, with Yoshitoshi’s name and date inscribed, not in his hand, on the first leaf (please see images). The date is written “the 27th year of Meiji period, Oct. 10th.” The 27th year of the Meiji is the year 1894, two years after the Artist’s death. The album is hand bound and had many blank pages. In addition, the final non-blank pages are colored around the drawings with cinnabar, clearly by the artist. Hence while the album could have been assembled after his death, the more likely probability is that it was bound by the Artist and became a working album, which he continually added to over the years. He is also known as Taiso Yoshitoshi, Yoshitoshi Taiso, and Tsukioka Kinzaburo Yoshitoshi. [24502-2-300]
AN OCTAGONAL CINNABAR LACQUER BOX AND COVER, QING DYNASTYChina, Qing dynasty (1644-1912). Of octagonal form, the central roundel carved in relief with a horse carrying a bundle of books above crashing waves and below scrolling clouds and a yin yang symbol, surrounded by raised trigrams (bagua), the sides with the Eight Buddhist and Eight Daoist Emblems, all against diapered grounds, the interior lacquered black.Condition: Cracks, some minor losses, small touchups, the box and cover slightly warped.Provenance: British private collection.Weight: 881 gDimensions: Width 22.5 cm
A small late 19th or early 20th century Chinese cinnabar lacquer box with hinged cover decorated in high relief with an immortal standing on stylised clouds with green enameled interior and base, standing on four brass bracket feet, 10 cm w x 8 cm d x 5 cm high, late Qing period, to/w an early 20th century famille verte baluster vase painted with a battle scene in polychrome enamels on crackled ground, the base with brown four character Chenghua mark, 21.5 cm high, a millefleur polychrome ginger jar and cover with iron red six-character Qianlong mark, 13 cm, a 20th century famille rose ruby ground ginger jar and cover, 11 cm, a carved soapstone figure of a Buddhistic guardian lion, 18 cm, blue and white snuff bottle etc (box) Millefleur cover has broken into two pieces and been re-glued
A CARVED CINNABAR LACQUER BOX AND COVER16th centuryThe rectangular top carved with a scholar flanked by a deer, standing on a lake shore with his boy attendant offering an official's cap, the shore dotted with luxuriant plants and rocks, the ground and water finely picked out with variations of cell-pattern grounds, the sides of the box and cover with leafy branches of cherry blossoms on a brocade ground, the interior black.12.6cm (5in) wide. (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價十六世紀 剔紅「加官進爵圖」長方蓋盒Provenance: Christie's New York, 23 March 2012, lot 1700來源:紐約佳士得,2012年3月23日,拍品編號1700See a similar cinnabar lacquer box and cover illustrated in Chinese Art in the Cincinnati Art Museum, Cincinnati, 1997, pl.99; a related example in the Shanghai Museum, is included In A Myriad of Forms: The Ancient Chinese Lacquers, Shanghai, 2018, no.85; and another is published in The Complete Collection of the Palace Museum: Lacquer Wares of the Yuan and Ming Dynasties, Beijing, 2006, no.196.See a related carved cinnabar lacquer rectangular box and cover, 16th century, which was sold at Sotheby's New York, 11 September 2019, lot 825.For further information on this lot please visit Bonhams.com
A CARVED CINNABAR LACQUER POURING VESSEL, YIFirst half 17th centuryBased on the archaic bronze ritual pouring vessel, yi, the oval vessel standing on a short foot, the sides finely carved with birds perched on flowering prunus and peony branches on a hatched-pattern ground under a key-fret band, the rim with an everted lip opposite the mythical-beast loop handle, the interior and base painted black.11.5cm (4 1/2in) long.Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價十七世紀上半葉 剔紅花鳥紋匜Provenance: M.Doullens, French Ambassador to China in Beijing before 1914.Published, Illustrated and Exhibited: Roger Keverne Ltd., Winter Exhibition, London, 2008, no.104.來源:M.Doullens舊藏,曾於1914年前作為法國駐中大使任職於北京展覽著錄:Roger Keverne Ltd.,《冬季展覽》,倫敦,2008年,編號104A similar pair of carved red lacquer pouring vessels supported on short feet is illustrated in Im Zeichen des Drachen: Von der Schonheit chinesischer Lacker, Hommage an Fritz Low-Beer, Stuttgart, 2006, p.114, no.63. See also a pair, in the collection of the Linden-Museum, Stuttgart, illustrated by P.Frick and M.Prüch, Im Zeichen des Drachen: Von der Schönheit chinesischer Lacke, Hommage an Fritz Löw-Beer, Munich, 2006, no.63.For further information on this lot please visit Bonhams.com
A PAIR OF GILT AND PAINTED BLACK LACQUER TAZZAS18th/19th century Each set on a carved bracket-rimmed base with five ruyi feet, rising to a stepped and rounded stand supporting a baluster stem, with a broad dish rim supported on a waisted lotus-petal-panel neck, gilt overall with lotus blooms borne on scrolling foliate stems.38cm (15in) high. (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價十八/十九世紀 黑漆描金蓮紋高足盤一對Provenance: Spink & Son Ltd., London (label)來源:倫敦古董商Spink & Son Ltd.(標籤)The present lot is rare, however a related cloisonné enamel tazza, mid Qing dynasty, is illustrated in the Compendium of Collections in the Palace Museum: Enamels, 4, Beijing, 2011, no.2. For a related carved cinnabar lacquer tazza, probably Kangxi, see D.Clifford, Chinese Carved Lacquer, London, 1992, pl.107. See also a lacquer wig stand in the Palace Museum, Beijing, displaying similar workmanship, illustrated in Huang Diqi and Dai Guangpin, Zhongguo Qiqi Jinghua, Beijing, 2003, no.243.For further information on this lot please visit Bonhams.com
A CARVED CINNABAR LACQUER PRUNUS-FORM BOX AND COVERQianlongThe cover crisply carved in intaglio within a central reserve with two figures, one bearing a fan, and a youthful attendant standing on a willow terrace approaching a bridge over a wide meandering river dotted with lotus clusters, above five lobes variously carved with leafy blossoming branches on a squared-spiral ground, the box base with five floral lobes matching the cover.24.5cm (9 1/2in) wide. (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價清乾隆 剔紅山水人物圖梅花形蓋盒Provenance: Spink & Son, Ltd., London (label)來源:倫敦古董商Spink & Son, Ltd.(標籤)See a similar cinnabar lacquer lobed box and cover, Qianlong, in the Qing Court Collection, illustrated in The Complete Collection of Treasures of the Palace Museum: Lacquer Wares of the Qing Dynasty, Shanghai, 2006, no.8. See also a carved red lacquer box and cover, Qianlong, illustrated in The Creation of Natural Immensity and Grandeur: The Yang Ming Shan Fang Collection of Lacquer from Song, Yuan, Ming and Qing Dynasties, Beijing, 2020, pp.172-173, no.52.Compare with a similar cinnabar lacquer lobed box and cover, Qianlong, which was sold at Bonhams London, 9 May 2016, lot 82.For further information on this lot please visit Bonhams.com
A CARVED CINNABAR LACQUER FIVE-LOBED 'LADY IMMORTAL' BOX AND COVERQianlongThe top carved in intaglio within a narrow key-pattern border with a lady Immortal holding a lotus branch and a bowing attendant offering her a lotus bloom, both standing on flower head rafts above a wildly-breaking sea dotted with cresting waves, the sides with two wide bands of cell-pattern.14.5cm (4 3/4in) wide. (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價清乾隆 剔紅人物紋梅花形蓋盒For a box with similar decoration of Immortals riding waves with an attendant, see the carved lacquer box, late 18th century, illustrated by S.Kwan, Chinese Lacquer, Hong Kong, 2010, pp.332-333, no.124.For further information on this lot please visit Bonhams.com
A RARE PAIR OF CARVED CINNABAR LACQUER RECTANGULAR PANELSQianlongOne carved in relief depicting Su Dongpo and his guests on a boat cruising past the Red Cliff, the other panel depicting Wang Xizhi in the Orchid Pavilion, with cups of wine floating down the stream before him, amidst bamboo and gnarled rocks, both set within wood frames inlaid with metal wire. Each 21.7cm (8 1/4in) high x 16cm (6 1/4in) wide (including frame). (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價清乾隆 剔紅「蘭亭宴集」及「夜遊赤壁」圖掛屏一對One panel depicts Wang Xizhi at the famous Orchid Pavilion gathering near Shanyin, Zhejiang Province, to celebrate the 'Spring Purifying Ceremony' in the ninth year of the Yonghe reign (353 AD). This, as well as Su Dongpo's visit to the site where he wrote his famous history poem Ode to the Red Cliff, are among the two most popular designs in Chinese art. See for example a longer and narrower lacquer screen depicting the same scene, Qianlong, in the Qing Court Collection, illustrated in Furniture of the Ming and Qing Dynasties (II), Beijing, 2002, pl.181.See also a rare Imperial cinnabar lacquer 'Orchid Pavilion' panel, Qianlong, which was sold at Sotheby's Hong Kong, 23 October 2005, lot 364.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A TWO-COLOUR CARVED CINNABAR LACQUER TWO-TIERED RUYI-SHAPED BOX, COVER AND STAND; AND A CIRCULAR CARVED CINNABAR LACQUER BOX AND COVERQianlongThe cover of the tiered box decorated in shallow relief with five bats encircling a leafy sprig of three ripe peaches, all on a brocade ground, the sides deeply carved through layers of red and green with a delicate design of scrolling lotus, the waisted stand with a fine lozenge brocade design above four short feet, 7.9cm (3 1/8in) high; the circular cinnabar lacquer box and cover, carved on top with a scene of figures in a garden setting, the sides with diaper-pattern, the base of the box incised with floral motifs, 7cm (2 3/4in) diam.(6).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價清乾隆 剔彩桃蝠紋雙層如意形蓋盒 及 剔紅人物圖圓蓋盒 各一Published, Illustrated and Exhibited: Roger Keverne Ltd., Winter Exhibition, London, 2011, no.110 (tiered box).展覽著錄:Roger Keverne Ltd.,《冬季展覽》,倫敦,2011年,編號110(雙層蓋盒)From its ruyi-head shape to the decorative motifs, the present two-tiered box abounds with auspicious symbolism: the five bats represent the Five Blessings (wu fu) of wealth, longevity, health, love of virtue and a peaceful death. The wishes of longevity and good fortune are also reinforced by the presences of the peaches of Immortality and by the well-wishing ruyi-head, which is a pun for the phrase wan shi ru yi (萬事如意), 'May everything go as you wish'.Tiered lacquer boxes with similar stands are illustrated in Collections of the Palace Museum: Carved Lacquer Ware, Beijing, 1995, pp.264-265, no.181; and in Masterpieces of Chinese Carved Lacquer Ware in the National Palace Museum, Taipei, 1971, no.38.For further information on this lot please visit Bonhams.com
A CARVED CINNABAR LACQUER QUATREFOIL 'MYTHICAL BEAST' BOX AND COVERQianlongThe box and cover with straight sides rising to a flat cover top, finely carved within the thick beaded edge with three mythical beasts among tumultuous waves, their features and manes finely incised, turbulent waves crashing and foaming beneath their claws, the sides with hexagonal brocade pattern repeated on the box, the interior and base black.15.4cm (6 1/8in) wide. (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價清乾隆 剔紅海獸紋海棠式蓋盒See a pair of Imperial red and green lacquer boxes and covers, Qianlong, with similar design of mythical beasts, illustrated by J.Ayers, Chinese and Japanese Works of Art in the Collection of Her Majesty The Queen, vol.III, London, 2016, nos.1971 and 1972.See also a related carved cinnabar lacquer lobed 'dragon-fish' box and cover, 18th century, which was sold at Bonhams London, 17 May 2018, lot 278.For further information on this lot please visit Bonhams.com
A CARVED CINNABAR LACQUER LOBED 'TRIBUTE-BEARERS' BOX AND COVERQianlongFinely carved on the cover with a ruyi-shaped medallion enclosing two tribute-bearers on a lakeshore dotted with pine trees, the rocks and trees finely detailed, the sky, water and ground picked out with different brocade patterns, all within a raised interlocking edge and ruyi border, the rounded sides of the box and cover with an hexagonal cell pattern above a key-fret band at the foot.13.2cm (5 2/8in) wide. (2).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價清乾隆 剔紅開光使者進貢圖如意形蓋盒See a related example showing foreign tribute-bearers, illustrated by C.Lihua, Many Splendors: Yuan, Ming and Qing Lacquerware from the Chao Collection, Beijing, 2010, no.72.For further information on this lot please visit Bonhams.com
A RARE BLUE AND WHITE 'LANÇA-CHARACTER' STEM CUPQianlong seal mark and of the periodVividly painted around the steep flaring sides with eight lança characters enclosed within undulating lotus stems issuing stylised blossoms and acanthus leaves, the underside with a frieze of tightly-bound lotus lappets, all raised on a tall spreading stem decorated with bands of half-flowerheads and floral sprays on a raised rib above pendent interlinked tassels issuing from ruyi-heads, the interior with a stylised peony medallion within a double-line border repeated at the rim, the interior of the foot with the six-character zhuanshu seal mark.14.5cm (1 3/4in) diam. Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價清乾隆 青花纏枝蓮托梵文高足盌 青花「大清乾隆年製」篆書款Provenance: Rugby School, Rugby, WarwickshireChristie's London, 4 December 2018, lot 72來源:英國華威郡,拉格比公學舊藏倫敦佳士得,2018年12月4日,拍品編號72The present stem cup, inspired by Tibetan butter lamps or chang ming deng, is remarkable for the superb painting in lighter and darker tones of underglaze blue, simulating the 'heaped and piled' effect of the early Ming dynasty' imported cobalt blue. Also noteworthy is its unusually large size, measuring 14.5cm diam. and 13.5cm high, in comparison to the much smaller standard size of 8.5-10cm high. The Qing emperors publicly supported Tibetan Buddhism which brought both political and (to varying extents) personal benefits, by ensuring solidarity with Mongolian and Tibetan allies and providing personal spiritual guidance. The Qianlong emperor was particularly dedicated to the practice of Tibetan Buddhism and this is reflected in the many ceramics and decorative arts produced for the Court and as Imperial gifts during his reign. Compare with a similar blue and white stem cup of similar size, Qianlong seal mark and period, illustrated by U.Wiesner, Chinesisches Porzellan: Die Ohlmer'sche Sammlung im Roemer-Museum, Mainz am Rhein, 1981, pl.59. See also a slightly smaller example, illustrated in Catalogue of Ch'ing Dynasty Porcelain in the National Palace Museum, Tokyo, 1981, pl.13. Such cups were also made for the Imperial court in other materials, such as cloisonné enamel and lacquer: see a cloisonné enamel stem cup, Qianlong mark and period, illustrated in Compendium of Collections in the Palace Museum: Enamels 2 Qing Dynasty, Beijing, 2011, pl.280; and a carved cinnabar lacquer stem cup, Qianlong seal mark and period, in the Linden Museum, Stuttgart, illustrated in Im Zeichen Des Drachen von der Schönheit Chinesischer Lacke, Munich, 2006, pl.86.A similar blue and white stem cup, Qianlong seal mark and of the period was sold at Bonhams Hong Kong, 30 May 2017, lot 118.For further information on this lot please visit Bonhams.com
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