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A pair of silver mounted Le Jockey Club, Paris racing glasses by Jesse Parkes, Birmingham 1887, a cinnabar lacquer bangle and a quantity of 19th century and later items including stereoscopic viewer and slides, crumb scoop, table gong, two bead work foot stools, spill vases, candle sticks, hip flask, etc.
CHINESE CANTON-TYPE ENAMEL ON COPPER SNUFF BOTTLE,decorated with court ladies in garden setting, four character Qianlong mark to base, 6cm high, along with a carved bone and horn snuff bottle, two faux ivory resin bottles, a faux cinnabar bottle and a larger resin bottle modelled as an elephant (6)
A Chinese red lacquer sideboard altar having painted red cinnabar style finish with pierced and carved embellished sides. Large circular brass lock to front. Raised on short block legs with shaped apron and flared top above. Three drawers over twin door cupboard with shelves to interior. Measures 90cm x 105cm x 42cm.
A CARVED CINNABAR LACQUER 'SCHOLARS' BRUSH AND COVER, LATE MING DYNASTYChina, 17th century. Of cylindrical form, well carved with a continuous scene of scholars amid rockwork under towering pine trees and a small pavilion with two figures inside, the cover similarly carved with a pagoda and pavilions nestled in mountains below swirling clouds, all against a floral diaper ground. The brush and cover are each carved with a key-fret band above the base and overlapping lotus petals toward the top.Provenance: UK market, by repute from an old English estate.Condition: Good condition with old wear, natural age cracks, few small losses, possibly minuscule old fills.Weight: 64.5 g Dimensions: Length 26 cmAuction result comparison: Compare a near-identical brush and cover, 25.4 cm long, also dated to the 17th century, at Sotheby's New York in Important Chinese Art on 13 September 2016, lot 347, sold for USD 7,500.明代末期剔紅文人場景毛筆中國,十七世紀。毛筆帶蓋,圓柱體,錦地剔紅雕刻松下岩石和亭子,亭中有兩位文人;筆蓋上雕刻了一座寶塔和一座座依山而建的亭台樓閣。上下邊沿都有雷紋,頂部有重疊的蓮花花瓣。 來源:英國古玩市場,據説來自英國私人收藏。 品相:狀況良好,舊時磨損,自然老化裂縫,有少量小缺損,是很細微的舊時填充物。 重量:64.5克 尺寸:長26厘米 拍賣結果比較:比較一件十七世紀幾乎一模一樣的毛筆,帶蓋長 25.4 厘米,見紐約蘇富比Important Chinese Art 2016年9月13日 lot 347, 售價USD 7,500。
A RARE RED LACQUER 'MONGOL HUNT' BOWL, ATTRIBUTED TO ZHOU ZHUChina, 16th-17th century. The deep rounded sides rising from a short straight foot to an everted rim. Deeply carved with a continuous scene of four Mongolian hunters on horseback brandishing spears, one having just killed a wolf with his weapon, riding through a rocky landscape with grass and lingzhi as well as trees including paulownia, willow, and pine, against a floral diaper ground, the interior lacquered black. Provenance: Captain W. F. Collins (1865-1948), Beijing. Bluett & Sons, London, 26 May 1926. The Parry Collection of Chinese Art, London, acquired from the above and thence by descent. The base with an old collector's label, '341', partly obscuring a label from Bluett & Sons below. A copy of the original typed, stamped, and signed invoice from Bluett & Sons, dated 26 May 1926, addressed to “E. A. Parry, Esq.”, dating the present lot to the Ming dynasty, accompanies this lot. Captain Collins (1865-1948), was Bluett's main supplier in China from February 1925 to January 1928. He also sold pieces to John Sparks and other dealers in London and Paris between the 1920s and 1940s. The Parry Collection was an important English private collection of Imperial enamel, lacquer, porcelain, and jades, started by Edward Arthur Parry (1879-1946), a barrister by trade, and his wife Angela Parry (nee Scully, 1879-1977) from as early as 1919. The collection has passed down three generations of the Parry family, with many of the pieces having been acquired from the famous London dealers Spink and Bluett's.Condition: Good condition with old wear, natural age cracks and few minuscule losses to the red lacquer, the black lacquer with several shallow losses to the rim and associated old minor touchups.Weight: 119.0 gDimensions: Diameter 10.7 cmWith a finely carved hardwood stand dating to the Qing dynasty. (2)Lacquer bowls depicting hunting are extremely rare. Although hunting was extolled by early Ming Emperors who had inherited the tradition from the Mongol Yuan as a sign of military prowess and state authority, by the mid and late Ming period it was seen by the literati as a distraction from grave matters of state. The role of hunting became a charged area of contestation, where Ming Emperors and senior court ministers staked claims about rulership, ruler-minister relations, and the role of the military in the polity. The heirless Zhengde Emperor (1505-1521) was particularly passionate about hunting, much to the consternation of his ministers, see D. M. Robinson, Martial Spectacles of the Ming Court, Cambridge MA, 2013, pp. 214-220.Expert's note: Research conducted by Hugh M. Moss of the Water, Pine and Stone Retreat, concerning a red lacquer box and cover carved with a closely related scene of five Mongolian hunters (see Auction result comparison), has found that box “to be a lacquer version of inlaid wooden boxes decorated with a hunting scene and attributed to the 16th century artist Zhou Zhu.” For this reason, we do attribute the present bowl, identical in quality to the aforementioned box, to Zhou Zhu as well.Zhou Zhu is recorded in the writings of the Ming and Qing literati as having worked in Yangzhou in Jiangsu province during the reign of the Jiajing Emperor. He was famous for his perfection of the technique of inlaying a wide variety of precious stones and other materials onto wood and lacquer. What distinguishes Zhou's works from others is his use of a much broader range of material and the complexity of the inlay itself. By skillfully utilizing kaleidoscopic materials to depict extraordinarily vivid scenes adorning precious woods, Zhou pioneered a range of beautifully inlaid works of art distinctive for their three-dimensional quality with eye-catching effects. His work provided inspiration for numerous subsequent interpretations. Literature comparison: Compare a hardstone-inlaid box and cover, attributed to Zhou Zhu and depicting a Mongolian hunting scene, dated by inscription to 1537, at Sotheby's Hong Kong in Water, Pine and Stone Retreat Collection – Scholarly Art on 7 October 2010, lot 2192. See also two related hardstone-inlaid zitan boxes and covers, early Qing dynasty, decorated with equestrian hunting figures, illustrated in The Complete Collection of Treasures of the Palace Museum: Bamboo, Wood, Ivory and Rhinoceros Horn, Hong Kong, 2002, nos. 230-231. A similar hunting scene can be found on a two-colored lacquer tray in the Tokugawa Art Museum, Nagoya, illustrated in Karamono. Imported Lacquerwork – Chinese, Korean and Ryukyuan, Selections from the Tokugawa Art Museum, no. 2, Nagoya, 1997, pl. 95, attributed to the Yuan or Ming period.Auction result comparison: Compare a related cinnabar lacquer box and cover, also dated 16th-17th century, attributed to Zhou Zhu, and carved with a similar Mongolian hunting scene, at Sotheby's Hong Kong in Water, Pine and Stone Retreat Collection – Scholarly Art on 7 October 2010, lot 2213, sold for HKD 860,000.周柱風格罕見剔紅狩獵圖碗中國,十六至十七世紀。剔紅碗撇口,直壁深腹,大氣端莊,通體髹紅漆。外壁錦地剔紅裝飾狩獵場景,山石松樹掩映。蒙古服飾人物騎於馬上手持兵器圍獵,為首之人立於馬上持戟殺狼,一人持鞭催馬。馬匹身姿矯健,四足騰空。獵手神情嚴肅,對獵物誌在必得。整器風格古樸雅緻,乃明代剔紅典雅之作。 來源:北京W. F. Collins (1865-1948) 上尉。倫敦Bluett & Sons 藝廊,1926年5月26日。倫敦Parry Collection中國藝術收藏,購於上述藝廊並保存至今。底部可見收藏老標籤“341”,Bluett & Sons 的標籤局部被遮蓋。隨附Bluett & Sons藝廊出具的蓋章發票副本,時間爲1926年5月26日,收件人地址爲 “E. A. Parry, Esq.”。發票上注明此拍品為明代。Collins上尉 1925 年 2 月至 1928 年 1 月期間曾是 Bluett 在中國的主要供應商。他還在 1920 年代至 1940 年代期間向 John Sparks 和倫敦以及巴黎的其他經銷商出售藝術品。Parry收藏是英國重要的御製琺瑯器、漆器、瓷器和玉器私人收藏。1919年,貿易法大律師Edward Arthur Parry(1879-1946) 和他的妻子Angela Parry(原姓 Scully,1879-1977) 開創了這個收藏。該收藏中的六件作品在國際中國藝術展覽會上展出,這個展覽會只選擇了世界上最好的藝術品。該收藏已經在Parry家族傳承了三代人,其中許多藏品都是從著名的倫敦經銷商 Spink & Bluett's 那裡購得。 品相:狀況良好,有舊磨損、自然老化裂縫,紅漆和黑漆的邊緣有幾處輕微的缺失,存在相關的輕微修補。 重量:119.0 克 尺寸:直徑10.7 厘米 清代硬木底座。 (2) 描繪狩獵場景的漆碗極為罕見。明初皇帝繼承了元代蒙古人的狩獵傳統並將其視爲軍事實力和國家權威的標誌。但到了明中後期,文人將狩獵視為國家政治的昏庸,因此出現了激烈的對抗,明朝皇帝和文人集團之間爭奪統治權。 無子嗣的正德皇帝 (1505-1521) 特別熱衷於狩獵,這令他的大臣們大為震驚,參見 D. M. Robinson,Martial Spectacles of the Ming Court,康橋,2013 年,第 214-220 頁。 水松石房主人 Hugh M. Moss 曾經在一個展覽裏展出過一個漆盒,漆盒上有與現拍品相似的狩獵場景 (見拍賣結果比較), 他認爲那個飾有狩獵場景鑲嵌木漆盒是十六世紀周柱的作品(原文“to be a lacquer version of inlaid wooden boxes decorated with a hunting scene and attributed to the 16th century artist Zhou Zhu.” )。 根據明清時期文字記載,周柱製百寶嵌,有嵌於硬木、嵌於漆器兩種,當時人稱“週制”。他能夠巧妙利用寶石與其他材料本身的特殊性,創作了很多生動的場面,他的技術被稱為“吳中絕技”,清代阮葵生《茶餘客話》記:“周柱治鑲嵌……名聞朝野,信今傳後無疑也。” 文獻比較: 比較一件鑲嵌硬石的蓋盒,傳周柱作品,描繪了蒙古人狩獵場景,1537年,見香港蘇富比Water, Pine and Stone Retreat Collection – Scholarly Art 2010年10月7日 lot 2192. ;另兩件清初紫檀鑲嵌石料的蓋盒,繪製狩獵場景,見《故宮博物院藏文物珍品全集:竹、木、牙、角雕刻》,香港2002年, 第230-231頁。一件相似場景的雙色漆盤見名古屋德川美術館目錄 Karamono. Imported Lacquerwork – Chinese, Korean and Ryukyan, Selections from the Tokugawa Art Museum, no. 2, Nagoya, 1997, pl. 95, 傳爲元明時期。 拍賣結果比較:比較一件相似的紅漆蓋盒,十六至十七世紀,周柱款,相似蒙古人狩獵場景,見香港蘇富比Water, Pine and Stone Retreat Collection – Scholarly Art 2010年10月7日 lot 2213, 售價HKD 860,000。
A CARVED CINNABAR LACQUER DOCUMENT BOX AND COVER, MING DYNASTYChina, 16th century. The flat cover deeply and crisply carved with a scene of a scholar clutching a staff as he walks over a bridge, his young attendant carrying a parasol and picnic box behind him, all amid craggy rockwork and trees including a willow, maple, and others. A second boy looks toward them from the balcony of the pavilion above, a large screen and furniture behind him, all against a wave ground and within a plain border.Provenance: The Mee-Din and Robert W. Moore Collection of Chinese Lacquer. Robert W. Moore is a famed California collector of Chinese and Korean art, whose passion began in the 1950s when he served in the US Army and was stationed in Korea. After his return to the United States, he began collecting Korean and later also Chinese works of art, particularly lacquer, and over the following decades became a very knowledgeable, discerning, and influential collector.Condition: Very good condition with minor wear, minimal losses, expected age cracks and warping, the base with some minor touchups to black lacquer on the underside. The lacquer with a naturally grown, grain-like patina in some areas and an unctuous feel overall.Weight: 829.5 gDimensions: Size 25.2 x 22.8 x 6.7 cmThe deep sides of the cover carved with lotus flowers borne on leafy stems against a diapered ground. The plain black-lacquered base with a simple broad foot, lacquered red to the exterior sides, and short straight sides that slide into the cover.With an old Chinese wood box, inscribed in Chinese 'Red cinnabar lacquer box for ink stone', and blue silk pouch. (3)Literature comparison: Compare a related cinnabar lacquer box and cover as well as a related cinnabar lacquer tray, both in the Palace Museum, Beijing, illustrated by Zhu Jiajin and Xia Gengqi, Zhongguo qiqi quanji. Ming [Lacquer treasures from China. Ming dynasty], vol. 5, Fujian, 1997, p. 66, pl. 64 and p.77, pl. 77, respectively. Compare also a box and cover in the Kaisendo Museum, Yamagata prefecture, Japan, illustrated in the exhibition catalog Carved Lacquer, Tokugawa and Nezu Museums, 1984, p. 110, no. 151.Auction result comparison: Compare a closely related but larger (41 cm long) cinnabar lacquer box and cover, also dated to the 16th century and carved with a very similar depiction, at Sotheby's Hong Kong in Fine Chinese Ceramics and Works of Art on 11 April 2008, lot 2950, sold for HKD 727,500. 明代剔紅錦地人物場景方盒 中國, 十六世紀。方盒蓋剔紅雕刻人物場景,近處一文士拄著拐杖過橋,從僕挑著雨傘和行李箱緊隨之後,周圍楊柳依依,樹木岩石環繞,橋下錦地紋描繪水波。對岸亭子内站著一人觀望著岸這邊,他身後有一個大屏風和家具。 來源:Mee-Din 與Robert W. Moore 中國漆器收藏。Robert W. Moore是加州著名的中國和韓國藝術收藏家,他的收藏熱情始於 1950 年代。當時他在美國軍隊服役並駐紮在韓國。回到美國後,他開始收藏韓國和中國的藝術品,尤其是漆器,在之後幾十年裡,他成為了一位知識淵博、眼光敏銳、影響深遠的收藏家。 品相:品相極好,輕微磨損與缺損,預期的老化裂紋和翹曲,黑漆底部有一些小修補。漆器局部有自然生長的顆粒狀光澤,整體具有油潤感。 重量:829.5 克 尺寸:25.2 x 22.8 x 6.7 厘米 盒蓋四面雕刻錦地蓮花卷葉紋。簡單的黑漆盒,簡單的寬腳,四邊框紅漆。 一個中國木盒,盒上寫有「堆朱硯箱」,以及藍色絲質袋。 (3) 文獻比較:一件相近剔紅蓋盒和一件剔紅托盤,見北京故宮博物院,見朱家溍、夏更起主編,《中國美術分類全集·中國漆器全集·明》,福建美術出版社,1997年,第66頁,圖64,第77頁,圖77。另一件蓋盒見日本山形縣蟹仙洞博物館見展覽目錄《彫漆》,德川美術館及根津美術館,1984年, 第110頁,編號 151。 拍賣結果比較:一件十六世紀相近但稍大 (長41 厘米) 剔紅漆蓋盒,相近紋飾,見香港蘇富比 Fine Chinese Ceramics and Works of Art 2008年4月11日 lot 2950, 售價HKD 727,500。
A LARGE CINNABAR LACQUER 'DRAGON' SNUFF BOTTLE, 1820-1900China. Of compressed globular form, rising from an oval foot ring with recessed base towards a cylindrical neck, carved in high relief depicting a continuous scene of two five-clawed dragons amongst clouds in pursuit of the flaming pearl, all within a lotus scroll border. With a matching stopper.Provenance: British trade. Condition: Good condition with nibbling to the mouth, a few nicks to the relief, a missing pearl to the neck, and minor touchups to the relief. Stopper: The matching cinnabar lacquer stopper with green stained bone platelet, carved spoon Weight: 105 g Dimensions: Height including stopper 85 mm. Diameter neck 25 mm and mouth 6 mm. Auction result comparison: Compare a carved red lacquer snuff bottle, dated 1780-1880, probably imperial, at Christie's New York in Fine Chinese Ceramics & Works of Art on 22 March 2019, lot 1649, sold for USD 10,000.1820-1900年剔紅龍紋鼻烟壺中國。掏膛良好,寬肩微削,橢圓形圈足,圓柱形短頸,平唇。雷紋地、高浮雕兩隻五爪雲龍雲中戲珠,頸部雷紋地花卉紋,肩部卷葉紋。相配壺蓋。 來源:英國古玩市場。 品相:狀況良好,唇部有磕損,浮雕上有幾個刻痕,頸部有一顆珠紋缺失,浮雕有輕微的修飾。 壺蓋: 剔紅壺蓋 ,綠色骨質托片,雕刻的小勺 重量:105 克 尺寸:含壺蓋高85 毫米. 頸部直徑25 毫米 ,嘴部直徑6 毫米. 拍賣結果比較:比較一件1780-1880年剔紅鼻烟壺,或爲御製,見紐約佳士得Fine Chinese Ceramics & Works of Art 2019年3月22日lot 1649, 售價USD 10,000。
AN EMERALD-GREEN AND CINNABAR-RED GLASS SNUFF BOTTLE, 18TH-19TH CENTURYChina. Of compressed spherical form with an oval foot ring, recessed base and large opening. The semi-transparent body of emerald-green glass with a single cinnabar-red streak to each side. The green color of the glass becomes only visible when the body is held against strong light. Without light, the color appears almost black. Provenance: From the private collection of Tuyet Nguyet and Stephen Markbreiter. Tuyet Nguyet was the founder and chief editor of Arts of Asia. She married Stephen Markbreiter, an English architect, in 1959 and moved to Hong Kong to work as a journalist. Arts of Asia's first regular edition appeared in 1971. In the magazine, Nguyet sought to combine authoritative content from major experts with detailed coverage of the Asian art market. Tuyet Nguyet was an early member of The International Chinese Snuff Bottle Society, attending her first convention in 1973, and was later elected as an honorary member.Condition: Good condition with some manufacturing irregularities such as open bubbles, light wear and surface scratches, some nibbling, mostly at the foot rim.Stopper: Hardstone stopper Weight: 30 g Dimensions: Height including stopper 59 mm. Diameter neck 12 mm and mouth 9 mm. Auction result comparison: Compare a near-identical emerald-green glass snuff bottle, dated to the 18th-19th century, at Sotheby's Hong Kong in Snuff Bottles From The Mary & George Bloch Collection: Part VIII on 25 May 2014, lot 1157, sold for HKD 40,000.十八至十九世紀墨綠朱紅紋料器鼻烟壺中國。圓柱形直頸,扁平圓形,橢圓形圈足。半透明的墨綠色料器,每面有一條朱紅色條紋。只有強光照射時,才能看出玻璃的綠色。 來源: Tuyet Nguyet 和 Stephen Markbreiter 的私人收藏。Tuyet Nguyet 是《Arts of Asia》的創始人和主編。1959 年,她與英國建築師Stephen Markbreiter結婚,並移居香港擔任記者。《Arts of Asia》第一期普通版於 1971 年問世。在該雜誌中,Nguyet 致力於將專家的權威內容與亞洲藝術市場的詳細報導相結合。Tuyet Nguyet 是國際中國鼻煙壺協會的早期會員,1973 年參加了協會的第一次大會,後來當選爲名譽會員。 品相: 狀況良好,有一些製造瑕疵,如開口氣泡、輕微磨損和表面劃痕,足部有些磕損。 壺蓋: 硬石 重量: 30 克 尺寸: 含蓋高 59 毫米,頸部直徑12 毫米,壺嘴直徑 9 毫米 拍賣結果比較: 比較一件幾乎一模一樣的十八至十九世紀翡翠綠料器鼻烟壺,見香港蘇富比Snuff Bottles From The Mary & George Bloch Collection: Part VIII 2014年5月25日 lot 1157, 售價HKD 40,000。
A Chinese ginger jar and cover, prunus pattern, converted in to a table lamp, 20cm; another painted with figures and lotus leaves; a pair of cinnabar type vases, moulded with dragons, 23cm; blue and white miniature ginger jars and covers; a carved soapstone water buffalo; two sake bowls; two Japanese export plates; two hardwood circular stands; qty
Full title: Two Chinese cloisonnŽ vases and a pair of carved cinnabar lacquer vases with figures in a landscape, 19th/20th C.Description: H 36,5 - 24,5 cm (the tallest and the smallest vase)Ê Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: A varied collection of Chinese cloisonnŽ and cinnabar lacquer items in a display cabinet, 20th C.Description: H 13,5 - 3 cm (the greatest and the smallest item)ÊH 77 - L 46,5 - D 12,5 cm (the showcase)Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: A varied collection of Chinese carved cinnabar and black lacquer items, 20th C.Description: H 25,5 - 5,8 cm (the tallest and the smallest item)Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Full title: Two Chinese carved cinnabar lacquer boxes and covers with dragons and floral design, 19th/20th C.Description: H 7,2 cm - Dia.: 16 cm (the largest box and cover)ÊH 2,7 cm - Dia.: 6 cm (the smallest box and cover)Ê Condition:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website (www.coronariauctions.com)High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Two similar Chinese cinnabar lacquer dishes, Qianlong marks, late 19th century,the largest carved in relief with the seven sages of the bamboo grove, the second smaller example with four sages in a mountainous river landscape, both with petal lobed borders, carved seal marks to the base surrounded by fruit or Buddhist emblems respectively,23.5cm & 20.5 cm diameterThe larger dish has a few age cracks around the border front and back. Both dishes are grubby and would benefit from a clean. Otherwise in reasonable conditionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 23.5cm & 20.5 cm diameter
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