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Full title: A pair of Chinese cinnabar lacquer vases with figures in a landscape, 19th C.Description: H 39 cmCondition:Please contact us to let us know which lots are of interest, so we can make the requested report for you.Once complete, it will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
CYCLADIC IDOL HEAD CYCLADES, EARLY CYCLADIC II, C. 2600 - 2400 B.C. carved marble, the head upon a broad cylindrical neck, the smooth facial plane with a convex form, bending back as if gazing upwards, with gently rounded chin and central rectangular nose, raised on a bespoke mount(11.5cm tall)Footnote: Provenance: Private collection, Switzerland, acquired January 1992 Private collection, London Please note that this piece is accompanied by an Art Loss Register Certificate dated to the 9th May 2005. Note: The Cyclades, an archipelago in the southwestern Aegean, comprises thirty-nine small islands and many more islets. In ancient Greek they were referred to as the kyklades, envisioned as a circle (kuklos) around the sacred island of Delos, home to the most sacred temple of Apollo. In the fourth millennium B.C. a distinctive culture emerged in the islands which ran for over two thousand years. Sitting at a favourable location in the Aegean sea and rich in mineral resources, in particular iron ores and copper, the inhabitants of the Cyclades benefitted from the trade in these raw materials at a time when metallurgy was developing rapidly across the Mediterranean. Existing largely tangentially with the great civilisations of the Minoans and Mycenaeans, Cycladic people are counted among the three major Aegean cultures. It was the Cycladic people who produced the very first masterpieces of Greek marble sculpture. “Idols” such as the present example were spread throughout the archipelago, with the tradition of carving such figures lasting for well over one thousand years. Their exact use is unclear, some resemble fertility figures encountered across the Near East. Others have been interpreted as images of the deceased or servants for the afterlife. It is clear however that they were used in both funerary contexts and day-to-day ritual life, as some have been found with ancient repairs. Though they are today notable for their minimalist appearance, scientific analysis has shown that the surface of the marble would originally have been painted with mineral-based pigments, azurite for blue and iron ores or cinnabar for red. Many of the figures show a remarkable similarity in their proportions, suggesting that the production of these idols was regulated using a type of early compass. The sense of abstraction offered by ancient Cycladic art stimulated many of the great twentieth century artists, including Brancusi, Modigliani, and Picasso. The present piece is a wonderful example of the type, though carved over four thousand years ago its geometric appeal remains distinctly modern.
MAYAN STONE RUNNING SHAMAN MEXICO OR GUATEMALA, CLASSIC PERIOD, C. 600 A.D. jadeite, formed from twenty-one pieces of individually carved and polished pieces, embellished with ground cinnabar, depicting a shaman in motion, elaborate avian headdress, carrying a knife in his left hand and another tool in the right, presented on a bespoke mount(figure 10.6cm across)Footnote: Provenance: Walter Vanden Avenne, France, acquired in the 1960s from the Merrin Gallery, New York, accompanied with French export licence
A Chinese Qing dynasty carved cinnabar lacquer box, of circular form, with intricately detailed foliage and flowers on a carved geometric pattern ground, 12 cm diameter Condition report: some losses to the geometric pattern ground on both the lid and base, losses to the edges (one area in particular, see photo), some light cracking to the black lacquer inside
A Chinese Qing dynasty carved cinnabar lacquer box, of cylindrical form, the lid with intricately detailed blossoming cherry tree on a naturalistic ground, the carved sides of the lid and base designed with a repetitive pattern of the wan character, 5 cm high x 10.8 cm diameterCondition report: some chips and loss of lacquer to the inner rim of the base (only visible when you open the box), chip to the edge of the black lacquer underneath, no losses to the cover, overall good, no breaks
A Chinese cloisonné enamel covered pot with a central design of three conjoined fruits, diameter 9cm, together with a Japanese covered pot with cloisonné enamel work, a copper and brass pill pot with a design of a toad and artist's signature to verso, a copper plaque with cranes and two cinnabar lacquer items (group)
A selection of oriental blue and white oriental wares including a plate decorated with a koi, a baluster vase decorated with a dragon, a metal sculpture of a sage upon a koi fish, a boxed black and cinnabar lacquer vase with stand, a porcelain figure of a fisherman etc Condition Report: Available upon request
PAIR OF CHINESE CARVED CINNABAR LACQUER VASES, LATE 19TH-20TH CENTURY of rectangular form with a tapered neck and base, with four carved panels featuring four different garden scenes, the tapered neck and base featured a floral cartouche with a scrolled motif,carved maker's mark in square cartouche in red under base, overall height: 26 cm (10 1/4 in.) CONDITION In age-appropriate condition. Overall surface dust between crevasses. Discoloration to the lacquer. Minor scratch to the base corner of one of the vases. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
PAIR OF CHINESE CARVED CINNABAR LACQUER PANELS, 18TH-19TH CENTURY, MOUNTED AS BOOKENDSeach panel rectangular, finely carved with a garden scene with an elder and a pair of students, with metal mounts stamped CHINA under base; overall dimensions including mounts: 16 x 10.2 x 11 cm (6 1/4 x 4 x 4 3/8 in.) CONDITIONLifting and chipping to the top of the black enamel on the verso of each panel. Spits and chips to the edges of each panel. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A CHINESE CINNABAR LACQUER BOX AND COVER, of lobed circular form, the cover carved depicting reclining figures within a mountainous landscape, within a geometric and cloud border, 11.5cm in diameter (a/f); TOGETHER WITH A CHINESE BEIJING CAMEO GLASS SNUFF BOTTLE, carved in the round depicting a deer and cranes amongst blossoming trees, 5.5cm high (lacks stopper) (2)
A group of assorted small boxes and objects d'art including ivory and tortoiseshellCONDITION: - late 19th century circular horn snuff type box with brass hound and coronet crest, 6cm - hairline crack to rim- Asian gilt white metal snuff box with gold and green enamel inset lid, 4.5cm - late 19th century French gilt copper, ivory and tortoiseshell circular snuff box, inset with a portrait miniature, 6cm - rubbed, portrait miniature comes away from the lid, discoloured stains and some cracking- Crummles enamel box with number 40 to the lid, 4.5cm - good- Aldara nickel plated ring shaped small candlestick, 5.5cm - Asian cinnabar lacquer circular box, 7.5cm - late 19th century gold pique inset circular clear orange box, 5.5cm - repaired breaks to the base- Canadian polished pewter stylised bird, 16.5cm - nickel plated conical container with threaded screw, perhaps once to house a corkscrew, 11.5cm- Asian soapstone pear shaped dish, 12.5cm - minor chips- ormolu picture frame with cartouche shaped aperture, height 16cm - some wear to gilding- small gilt gesso framed printed silk panel of Reynolds Angels - slight discolouration and some chipping, overall 11.5 x 14cm- TKS enamel box with view of Broadlands, Romsey, 4.5cm - W. Widdop gilt and chromed quartz timepiece modelled as a wrapped present, 3cm - some wear to gilding, movement not going- early 19th century gold mounted tortoiseshell patch box inset with a monochrome miniature, 10cm - large section of the base broken away and missing, further damage to the lid- late 19th century gilt metal mounted tortoiseshell oval snuff box inset with a miniature of a lady, 6cm - lid broken with sections missing, further sections missing from the sides- green plastic model of a hippopotamus, 17cm - a little rubbed- Asian jade model of a fish, 10cm - tail chipped- Chinese hardwood stand carved with scrolls, 10cm
CHINESE CINNABAR LACQUER BOX probably 19thc, a circular red lacquer box carved with a depiction of a scholar and assistant in a river landscape, with a chequered design to the sides (12.5cms diameter). Also with a smaller 19thc cinnabar circular box carved with a single figure in a garden and surrounded by lappets. (6cms diameter). (2)
Y HOWARD & SONS, LONDON AESTHETIC MOVEMENT SIDE CABINET, CIRCA 1875 rosewood, brass, lacquer and two ivory-inlaid drawer fronts, single drawer below with metal handle, stamped maker's mark HOWARD & SONS/ BERNERS ST(65.5cm wide, 149cm high, 40.5m deep)Footnote: Note: Howard & Sons (1820-1947) were founded by John Howard in 1820 as a ‘Cabinet Manufacturer’, opening an upholstery workshop and showroom in 1832. They exhibited widely, from the Great Exhibition of 1851 to the Paris Exhibition of 1900 where they won one silver and two gold medals. Commissions included a bookcase designed by C.F. Hayward for John Jones, circa 1862, now in the collection of the Victoria & Albert Museum; sentry boxes at St. James' Palace; the ballroom floor of the Savoy Hotel; and twenty-four pieces of furniture in the Royal Collection, as well as numerous pieces in the private collection of HM The Queen at Sandringham and Balmoral. This cabinet incorporates several Oriental elements, including drawer fronts made of Meiji lacquered ivory panels of samurai, an early Cinnabar lacquer panel as the cupboard front, and a drawer handle and key adapted from Japanese sword fittings. Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Pair of 20th Century Chinese enamel vases with cinnabar style decoration, together with a Chinese plique a jour pedestal bowl, 16cm high and smaller Condition: Some corrosion to foot rim of one vase. Ceramics & Glass/Oriental - We endeavour to mention any post-production damage we can see, either with the naked eye or a magnifying glass. Where requested, we will place the item under UV light to check for professional restoration. We do not automatically mention such standard occurrences as fine glaze crazing or kiln dust which are by-products of manufacture as opposed to signs of damage.**Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
EARLY 20TH CENTURY CHINESE CINNABAR LACQUER LIDDED BOX, of rectangular form, the detachable lid carved in relief with chrysanthemums, the interior in blue enamel, 15cm x 10cm, along with a Chinese lacquered wood rectangular stand, carved with flowers, signed paper label to underside, 15.5cm x 13cm (2) Provenance: A Private Scottish Collection
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5207 item(s)/page