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Click here to subscribeSpielkasten für Schach u. Backgammon, süddt. um 1820. Rechteckiger aufklappbarer Kasten Nussbaum furn. m. Intarsien in Mahagoni u. Ahorn sowie ebonisierten Feldern. Außenseite m. Schach- Spielfeld, Innenseite m. Backgammon-Spielfeld. Orig. Messingschloss u. Beschlag. H 12/6, B 49,5, T 33,5/67 cm Alte Restaur., Ecken m. Furnierabplatzungen, Schwundrisse.
A Victorian burr walnut games compendium and sewing table, the rectangular hinged top enclosing inlaid chess, backgammon and cribbage boards, above a single lined and compartmentalised frieze drawer complete with sewing effects, over the sliding sewing box, raised upon knopped supports united by a conforming cross stretcher, extending to four carved down swept supports and ceramic castors, 72cm H x 59cm W x 43cm D For condition information please view this lot on our website HERE.Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com
DAVID LINLEY - GAMES TABLE/COFFEE TABLE a large rectangular coffee table, made in sycamore and maple and with an inlaid hardwood border and panels of burr walnut. With a reversible top to reveal a backgammon board inlaid in a variety of woods, with lift up compartments at each end and with small drawers inside the table for gaming pieces. With backgammon pieces, stamped at each end David Linley, 1992. 140cms by 86cms, 40cms high
Victorian walnut and marquetry inlaid games / work table, the fold-over swivel top inlaid for chess and backgammon above a fitted drawer and pull-out wool compartment on carved turned tapering supports with scroll feet and stretcher (for restoration), 24ins wideFaults - warped top and veneer losses to front around drawer. Very dirty - covered in soot but appears good under the grime
A William IV rosewood combined reading, work and games table: with a central adjustable rachetted reading slope with a detachable ledge, having a fitted drawer with various divisions, a further drawer below, leather-lined for backgammon and with an upholstered U-shaped wool well, having a brass galleried compartment to either side, one with fitted pen drawer, the other with a plain drawer, on reeded column, quartrefoil platform and carved foliate scroll feet, terminating in castors, 72cm (2ft 4¼in) wide
AN EARLY GEORGE III MAHOGANY RECTANGULAR TEA AND GAMES TABLE the reversible plain top with green baize and counter recesses underneath, the top lifting off to reveal a backgammon board, the table with candle slides pulling out to either end, with a reversible chess and draughts board pulling out to one side and a removable cribbage and fox and geese board to the other side, all standing on cabriole legs terminating in club feet, 82cm wide x 54cm deep x 73.5cm high
1-200 AD. Roman. A set of three bone dice with carefully carved dot-in-circle pips which are typical of dice of the Roman period. Games involving were played throughout the Roman world, but the some of the biggest gamers were soldiers, who would have whiled away the long hours on watch duty by duodecim scripta, an ancestor of modern backgammon. These beautiful dice would probably have belonged to one such soldier, who served to defend the frontiers of an empire which at its peak stretched from Northern Britain to the Middle East. Good condition.Size: L:12mm / W:11mm ; 6g; Provenance: Property of a London gallery, previously in old British collection formed in the 1980s.
A WOODEN CHESS SET with wooden chessboard, storage box interior surface has green felt backgammon board, together with a musical teapot stand, ebonised Japanese box with Samurai Warrior scene to the lid, battery operated gilt mount mantle clock, a Lafarge desk top barometer, Dalvey travel clock and French brass date stamp
A Victorian burr walnut veneered fold-over games/sewing table, the hinged lid enclosing inlaid chess and backgammon boards, with single frieze drawer and storage compartment, height 73.5cm, width 51cm (af).Additional InformationThe top has been broken off completely from the base, losses/lifting to the veneer, scratches, impact marks, heavily worn. Please refer to additional images.
A Moroccan marquetry games table of rectangular form raised on four shaped supports with under gallery, comprehensively inlaid with geometric detail, the rising lid revealing a backgammon board, a further chequer board, card table and further smaller board together with draughts, dice, etc, 73cm wide
A late 19th/early 20th century Syrian inlaid games table, the rectangular hinged and swivel top revealing a baize lined card table, a backgammon board, and a chess/draughts board, 89x87cm opened, on four cabriole legs. Together with an inlaid hexagonal side table. Condition report: considerable loss of inlays to the top of both tables. Some cracks on the wood inside the games table. (2)
A Victorian mahogany games compendium, containing folding leather boards (a/f) steeplechase, backgammon, etc, a turned wood chess set, draughts, dominoes, in bone and ebony, marbles, etc (qty.)Condition report: Boards entirely split apart, metal horses very play worn, marbles many chips, losses to most pieces - condition and wear commensurate with age
A CULTURED PEARL AND DIAMOND 'LE ROI GRENOUILLE' RING, BY JULIE GENET Composed of a large central Tahitian cultured pearl of grey tint measuring approximately 16.5mm, within multiple diamond-set claws modelled as stylised frog legs, mounted in 18K gold, signed JGJ, maker's mark, French assay mark, within maker's pouch and case, ring size L½ This ring has been inspired by the German fairy-tale The Frog Prince written by the Grimm brothers. Julie Genet For Julie Genet, medieval architecture with its impenetrable castellated walls inhabited by knights' whose tales and thwarted love stories, have been a constant fascination. This period is a source of inspiration for the design of certain pieces, with Julie using its symbols and legends as the foundations of her craft. It is, however, a fictional Middle Age, where magic exists and heroes of mythology, legends, literature and cinema intermingle. It is a world where women are strong and muses have superpowers. Each of the collections is conceived as a kingdom populated by jewel characters. Constellation, fabulous galaxy studded with multi-coloured meteorites, flaming golden stars, revolves around Vegas, Tatooine's twin planet. Here, the codes of the game world - poker, backgammon, checkers, chess - have breathed life into the escaped kings and queens of the Legends kingdom where King Frog, Ulysses, Aragorn and Bluebeard are waging a merciless war for the hand of the Lady of the Lake. Each of Julie's pieces of jewellery is a wonderful creature from this fantastic world, making them unique, precious and playful pieces. Despite her initial career as a dental surgeon, she always had an interest in creating jewellery. She took advantage of dental prosthesis techniques, similar to that of classic jewellery, to create her models. She graduated from the Gemological Association of Great Britain in 2011, with a collection of pieces, with a strong sense of style and character based around her fantastical universe. She built up a small but loyal clientele and now devotes herself full time to the creation of precious jewellery. In 2016, in collaboration with her sister Caroline, she launched the eponymous brand Julie Genet Joaillerie.
A SAPPHIRE AND DIAMOND 'KANAWAGA' RING, BY JULIE GENET Of scalloped design, set throughout with brilliant-cut diamonds and a blue gradation of circular-cut sapphires representing a wave from Kanawaga, mounted in 18K gold, diamonds 1.32ct total, sapphires 3.30cts total, signed JGJ, maker's mark, French assay mark, with maker's pouch and case, ring size N½ By using different shades of blue and varying sizes of sapphire and white diamonds, Julie Genet tried to represent a wave and the irregular shape of its foam. This ring was named after Hokusai's woodblock print Kanagawa. Julie Genet For Julie Genet, medieval architecture with its impenetrable castellated walls inhabited by knights' whose tales and thwarted love stories, have been a constant fascination. This period is a source of inspiration for the design of certain pieces, with Julie using its symbols and legends as the foundations of her craft. It is, however, a fictional Middle Age, where magic exists and heroes of mythology, legends, literature and cinema intermingle. It is a world where women are strong and muses have superpowers. Each of the collections is conceived as a kingdom populated by jewel characters. Constellation, fabulous galaxy studded with multi-coloured meteorites, flaming golden stars, revolves around Vegas, Tatooine's twin planet. Here, the codes of the game world - poker, backgammon, checkers, chess - have breathed life into the escaped kings and queens of the Legends kingdom where King Frog, Ulysses, Aragorn and Bluebeard are waging a merciless war for the hand of the Lady of the Lake. Each of Julie's pieces of jewellery is a wonderful creature from this fantastic world, making them unique, precious and playful pieces. Despite her initial career as a dental surgeon, she always had an interest in creating jewellery. She took advantage of dental prosthesis techniques, similar to that of classic jewellery, to create her models. She graduated from the Gemological Association of Great Britain in 2011, with a collection of pieces, with a strong sense of style and character based around her fantastical universe. She built up a small but loyal clientele and now devotes herself full time to the creation of precious jewellery. In 2016, in collaboration with her sister Caroline, she launched the eponymous brand Julie Genet Joaillerie.
A COLOURED SAPPHIRE AND GARNET 'ME' RING, BY JULIE GENET Of abstract design set with a continuous line of circular-cut pink and green sapphires and rhodolite garnets, mounted in 18K gold, signed JGJ, with maker's mark, French assay mark, with maker's pouch and case, ring size N½ This ring is the 3D transposition of Julie Genet's initials JG. It can be worn in four different ways and the three coloured gemstones gives the wearer the impression of having multiple rings in one. For Julie Genet, medieval architecture with its impenetrable castellated walls inhabited by knights' whose tales and thwarted love stories, have been a constant fascination. This period is a source of inspiration for the design of certain pieces, with Julie using its symbols and legends as the foundations of her craft. It is, however, a fictional Middle Age, where magic exists and heroes of mythology, legends, literature and cinema intermingle. It is a world where women are strong and muses have superpowers. Each of the collections is conceived as a kingdom populated by jewel characters. Constellation, fabulous galaxy studded with multi-coloured meteorites, flaming golden stars, revolves around Vegas, Tatooine's twin planet. Here, the codes of the game world - poker, backgammon, checkers, chess - have breathed life into the escaped kings and queens of the Legends kingdom where King Frog, Ulysses, Aragorn and Bluebeard are waging a merciless war for the hand of the Lady of the Lake. Each of Julie's pieces of jewellery is a wonderful creature from this fantastic world, making them unique, precious and playful pieces. Despite her initial career as a dental surgeon, she always had an interest in creating jewellery. She took advantage of dental prosthesis techniques, similar to that of classic jewellery, to create her models. She graduated from the Gemological Association of Great Britain in 2011, with a collection of pieces, with a strong sense of style and character based around her fantastical universe. She built up a small but loyal clientele and now devotes herself full time to the creation of precious jewellery. In 2016, in collaboration with her sister Caroline, she launched the eponymous brand Julie Genet Joaillerie.
A Regency burr elm library games table, circa 1815, in the manner of William Trotter, the top with central sliding panel with birch and rosewood parquetry chess board to one side, revealing a parquetry inlaid backgammon board to the recess beneath, the sections to each side with revolving lids opening by concealed push button release, revealing divided and velvet lined interiors, on twin shaped and moulded trestle supports incorporating roundel terminals, each on twin hipped downswept legs terminating in leaf cast caps and casters, 74cm high, 90cm wide, 56cm deepCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old chips and splits. Section of veneer lacking and a section of replacement veneer to one edge of the sliding top. Some small sections of replacement veneer (see images). Sections of the groove the top slides on are lacking (see images). Slight movement within the frame. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Victorian rosewood games work table, the rectangular top above plain edge, opening to reveal chessboard and leather backgammon board, above single drawer, pull-out basket under, on end supports and turned stretchered base, 51cm x 75cm Condition Reportwobbly, various marks, crack tot he top, crack to the leather, basket worn, some knock and general wear and tear.
Fine Victorian mahogany and brass bound games box, the hinged lid enclosing a fitted interior with near complete original contents comprising: boxwood and ebony Staunton pattern chess set, draughts, marbles, Escalado, table croquet, cribbage, playing cards and a guide to the compendium, folding chess and backgammon board etc, 18ins wide approximatelyAll marbles are approximately 15mm in diameter approximately
LATE GEORGE III MAHOGANY AND BEECH GAMES TABLE LATE 18TH CENTURY the oval top with drop-leaves with a sliding mid-section enclosing an inlaid backgammon board, with a chess board to the reverse, over a frieze drawer, raised on square tapering legs and leather castors (42cm wide (closed), 86cm wide (open), 72cm high, 45cm deep) Footnote: Provenance: The Earls of Crawford and Balcarres, Balcarres House, Fife, Scotland
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