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Lot 467

1976 Honda Gold Wing GL1000, 999cc. Registration number MAU 606P. Frame number GL1-2002389. Engine number GL1E-2002756.The Gold Wing was introduced in 1976 it didn't really fit properly into any particular motorcycle class, even though it was officially tagged as a tourer. Weighing in at 584lbs dry, it was far too heavy to be called a sports bike and the upright sitting position also helped to kill of any such sporting pretensions. It proved to be a very reliable motorcycle, quite capable of going very long distances without missing a beat and after a while the aftermarket fairing & pannier suppliers started to cater for the requests of those who wanted to use the GL1000 for more than just popping down to the shops or Sunday morning posing at the local meet.MAU was owned by Ray Castledine in 1994 before passing to Peter Hill in 2001. It would appear to have been last MOT'd in 2012 at 46,491 miles, today the odometer shows much the same mileage.Sold with the V5C it will require recommissioning.

Lot 491

c.1970 Testi Grand Prix, 49.6cc. Registration number not registered. Frame number TESTI*WEC4*06732. Engine number, not found.Founded in 1953 by Bolognese entrepreneur and designer Erio Testi and his son Umberto, Testi produced mopeds and motorcycles with super stylistic elegance and a high level of finish. The 60s & 70s were extremely productive and successful models included the 50, Champion & Grand Prix.This Fantic engined example with a six speed gearbox is an older restoration that has stored for many years. It was bought by our vendor in 2015 from the Dale Winfield estate who had a lifelong love of motorcycles and was the first sponsor of world superbike star Carl Fogarty when he turned professional.There is no paperwork with this lot.

Lot 520

1959 James Comet L1, 98cc. Registration number NFO 340 (non transferrable). Frame number BL 1-1787. Engine number 607B 9731.The Comet L1 was manufactured from 1956–1964, using a Villiers Mk 4F 98cc engine, with a two speed gearbox. NFO was first registered to Andrew Downie of Edinburgh, our vendor buying it in 2007 from Les Booker who had bought it in 2000. There is MOT history from 2008, 2009 and 2010 and a dating certificate from the VMCC. Sold with the V5C, MOT history and dating certificate, it will require recommissioning before use.

Lot 536

1984 Harley Davidson XR1000. Registration number A691 KJT. Frame number 1HD1CDH34 EY111014. Engine number 1HD1CDH34 EY111014. The XL 1000 was a development of the 1982 Sportster chassis and engine bottom end, and added new, better cylinders and heads bolted to the crankcase. A single carb with competition-look K&N air filter fed each head with a high level exhaust, again with a nod the the XR750. Wheels were cast aluminum, paint was more subdued; most of the two year run production run of 1100 were charcoal in colour, 177 were black with an orange strip. The basic XLX Sportster was just $3995, the XR1000 was nearly $7000 so never sold well. KJT is a rare UK machine with only two owners, the first being Frank Chapman of Oxford who registered it on the 2nd March 1984. He sold it to our vendor in 2004. There are MOT's on file from 1998 at 3,758 miles, 2000 - 2004, 4,970 miles, then 2008 at 4,982 and 2009 at 5,248, today it is 5,256. Unused for many years it will require recommissioning and will make a great addition to any Harley Sportster collection. Sold with the V5C, V5, old MOT's and purchase receipt for our vendor. The believed original front mudguard and seat in black and orange are included with the machine, there are no keys.

Lot 11

Royal Mail - Queen Elizabeth II - Mint Stamps in Presentation Packs. More than 30 x sets of stamps in 21 x packs. 8 of the presentation packs (left side)have extra themed sets and / or double sets inside(stamps only). 13 x Single complete sets. Themes include London 2012 Olympics, London Underground, Dr Who, Dogs, Prime Ministers and Crimean War. Excellent condition. *Note there is a lot of empty presentation packs which some may match up in lot 20

Lot 21

Royal Mail - Queen Elizabeth II - 30 x Booklets of Mint Stamps including Prestige. Themes included - Victoria Cross, Roald Dahl, Treasures from the Archive, King George, James Bond, British Army, Bronte Sisters, Machin, Gardens, Post Office, Royal Navy, Design Classics, BBC, Northern Ireland, Royal Society, Invention, National Trust, Charles Darwin, Her Magesty Special Design, '96 Euro Football Championship[, Olympics, Doctor Who, Profile on Print, Trafalgar and Nelson, Brunel, Britain Alone, Definitives: Heraldry ans Symbol, Definitive Portrait, Coronation and RAF. In face value terms we estimate there to be in excess of £300. Excellent Condition

Lot 57

Demétre Haralamb Chiparus 1886 - 1947 - Bronze Art Deco Dancer Figure on Marble Base. Loss of resin hands. Otherwise good condition. 'D.H. Chiparus' in the bronze, on the rear of small square base. It's 32.5cm approximately high.*Notes - Romanian Sculpture who lived and worked in Paris France. He was one of the most important sculptors of the Art Deco era

Lot 64

Liz Whitney Quisgard, USA (1929-),Abstract,acrylic, signed and dated 1957, verso, 120cm x 180cmA large American abstract, painted probably influenced by Jackson Pollock who had died the previous year.

Lot 147

c1911 London Underground linen-card POCKET MAP. Issued by the Metropolitan Railway and promoting the company's "City & St John's Wood Line". This was a standard Underground Group map which, in this case, they also made available to the Met who put their own publicity on the reverse. Features the UndergrounD logo vertically on the cover. Generally, in good condition with light wear, age-darkening to the covers and the first user's signature on the front. [1]

Lot 286

Pair of framed RAILWAY PHOTOGRAPHS: GWR 4-6-0 'Castle' believed to have been taken in 1937 upon its renaming 'Earl of Clancarty', signed by the Earl at the top, presented to the driver who passed it to the vendor's grandfather. Secondly: LMS Royal Scot 4-6-0 'Royal Artilleryman' being recovered from the trackside in 1945 following the Bourne End rail disaster. [2]

Lot 385

1910 London Underground linen-card POCKET MAP. Issued by the Metropolitan Railway (the 'All Red Route') to promote travel to Wood Lane for the Japan-British Exhibition. This was a standard Underground Group map which, in this case, they also made available to the Met who put their own publicity on the reverse. Features the UndergrounD logo vertically on the cover. We have not seen this particular version before. Generally, in very good condition with some age-darkening & fading to the cover. [1]

Lot 409

WW2 London Transport HOME GUARD LAPEL BADGE as issued to staff who served in the 46th battalion (LT tram and trolleybus staff from north of the river) from 1940-45. Badge bears the Imperial Crown over a Maltese Cross and LT's 'griffin' emblem. In very good, ex-use condition. [1]

Lot 50

Everest. Tom Stobart (1914-1980) OBE. An archive of camera equipment, scientific instruments and ephemera amassed during the career of this adventurer and ground-breaking filmmaker, best remembered as the cameraman to the British Mount Everest Expedition, 1953 - the first successful ascent of Mount Everest. Comprising:Autographs: An original used food package from the British Mount Everest Expedition, 1953, signed by John Hunt, Tenzing Norgay and Edmund Hillary. The signatures, though faded, are visibly inscribed 'Everest '53' by Hunt. The foil package, bearing an official expedition label, originally contained 'cocoa', 'orangeade powder' and a 'banana bar', which was consumed during the expedition. 33.5cm by 23.5cm. Framed & glazed.Miscellaneous Items: An ice axe, originally used by Tom Stobart during the Tibetan Hunt for the "Abominable Snowman" in 1954, 65cm; a canvas painting of the bhavacakra [Wheel of Life], donated by a Tibetan Buddhist monastery or temple to Tom Stobart during the British Mount Everest Expedition, 1953, and originally rolled and carried by him during the expedition, 72.5cm by 52cm; two Tibetan tea urns, 34cm height, acquired by Tom Stobart during either the Everest expedition or hunt for the "Abominable Snowman".Ephemera: An official programme for the 'First Performance of "The Conquest of Everest", In the gracious presence of Her Majesty the Queen and His Royal Highness the Duke of Edinburgh', with Thomas Stobart listed in the credits as the filmmaker, plus loosely inserted tickets for said 'First Performance' as well as a 'Special Pre-view of the Film' (Mr. & Mrs. R. F. Stobart); a letter inviting Mr. Stobart to meet the members of the Everest Expedition at London Airport, on British Mount Everest Expedition 1953 letterhead (Royal Geographical Society), dated 30 June 1953, plus a sheet outlining arrangements for said meeting; an English translation of Maulana Abul Kalam Azad's speech, 29 June 1953; The Conquest of Everest with Hunt, Hillary and Tensing, Countryman Films programme, [1953], with loosely-inserted compliments slip from Countryman Films Ltd.; a scrapbook of newspaper clippings recording the Everest expedition, including clippings about Tom Stobart, 'cameraman to the expedition'; three black & white photographs depicting Tom Stobart; a quantity of loose newspaper clippings relating to the Everest expedition and 'Yeti Hunt', to include The Times colour supplement, 'Everest', 1953, and a facsimile of The Times newspaper, 3 June 1953, produced by Royal Mint in presentation box.Camera Equipment: A Paillard Bolex H-16 Reflex 16mm cine camera, possibly used by Tom Stobart during the hunt for the "Abominable Snowman", but certainly used by him for the later cookery programmes in his career; a Paillard Bolex Swiss-made speed-control motor in fitted carrying case; an Adam's "Minex", London, De Luxe Model plate camera, in fitted Adam's velvet-lined, leather carrying case.Scientific Instruments, Lenses & Specimens: Thomas Armstrong & Brother, Manchester & Liverpool, No. 474, microscope with attachments in fitted, lockable mahogany case with brass carrying handle; a brass microscope by C. Baker, London; a mahogany campaign case of lenses & attachments, two engraved 'Smith & Beck, 6 Coleman Street, London', with loose card of manuscript notes/measurements; a Powell & Lealand, London brass microscope attachment, together with glass bottles & accessories in a modern wooden case; a 19th-century mahogany 18-drawer specimen cabinet housing a quantity of glass slides, including leaf scales, pollen grains, fungal spores, and other specimens, most with manuscript labels, the final drawer housing an Abbe's Test Platte in Carl Zeiss morocco case; a 19th-century mahogany 12-drawer specimen cabinet housing a quantity of glass slides, including insect antennae, marine biology, sections of butterfly wings, feathers, and other specimens, most with manuscript labels, some from Australia and Peru, the empty section at base housing an exercise book with 4pp. of manuscript notes recording microscope details. NB: Some of the specimen slides are inscribed 'T.S.' [Tom Stobart], and some are inscribed 'R.F.S.' [Ralph Forrester Stobart].Provenance: By descent. The vendor's late father was Tom Stobart (1914-1980) OBE, a ground-breaking cameraman and filmmaker who in 1953 filmed the first successful ascent of Mount Everest. Stobart captured some of the most famous expeditions and achievements in human history. During his career, he followed a team of scientists exploring Antarctica in 1949, as well as the Tibetan hunt for the "Abominable Snowman" in 1954, but he's best remembered as being the cameraman to the British Mount Everest Expedition, 1953, and for his film The Conquest of Everest. Stobart was left partially disabled after being shot twice in the legs during a filming trip to Ethiopia in c. 1956. He died suddenly in 1980.

Lot 127

Football Autograph - George Best, an ink signature, framed and glazed with a 69/70 home programme, approx. 27cm x 22cm. Signature obtained by the vendor who was working at Bristol Airport at the time

Lot 310

Football Autographs - Tottenham Hotspur FC, a framed and glazed 2007/08 Mansion sponsored shirt, signed by 14 squad members, no CoA, but vendor advises it was formerly the property of player Chris Gunter who presented it to his former club, Cardiff City, after his transfer earlier that season, approx. 82cm x 64cm

Lot 155

Walt Disney Classics Collection - The Meter's Running - Benny the Cab - Who Framed Roger Rabbit. Good condition, no damage.

Lot 16

THE NIGERIAN TEACHER (LATER NIGERIA), volume 1, No 1, 1933 - No 17, 1939, bound in 4 volumes, numerous illustrations from photographs throughout, uniform decorative native leather binding, manuscript pencil note to first volume front free end paper "This set of Nigerian Teacher/Nigeria was probably bound in Sokoto goatskin by Musa Saccoh, a native of Sierra Leone and a third generation leather worker who moved to Lagos, Nigeria in the early 1930's and was employed by the CMS Bookshop, Lagos, the binding was probably carried out by him in 1938/39", together with another bound volume containing the same title, Nos 9-12, 1937, contemporary plain cloth gilt (5)

Lot 101

DAMIEN HIRST,HENI AND CLARIDGE'S 'SUNSHINE' EXHIBITION POSTER,99cm x 58cm,SignedDamien Hirst is an English artist, entrepreneur, and art collector. He is one of the Young British Artists who dominated the art scene in the UK during the 1990s. He is reportedly the United Kingdom's richest living artist, with his wealth estimated at $384 million in the 2020 Sunday Times Rich List.

Lot 104

STANLEY DONWOOD,ANAHEIM ANGUISH 2012,3 colour screenprint, signed and numbered54cm x 52cm,Stanley Donwood is a British artist and writer best known for his work created for the band Radiohead, for whom he has designed all of their album covers and promotional materials. Among his most famous works is the cover art for the album Hail to the Thief (2003). Donwood is the pseudonym of Dan Rickwood, who was born on October 29, 1968 in Essex, England and studied at the University of Exeter where he met Radiohead frontman Thom Yorke. In 2002, he was awarded a Grammy for the packaging of Radiohead’s Amnesia album. In addition to art, Donwood has written several books of short stories, including Humor (2014). He lives in Bath, England.

Lot 110

LT66,A MOMENT IN TIME,Spray paint applied by brush on vintage page from The Times, signed,44cm x 58cm,OriginalSelf taught artist LT66 is a London-based street artist who mostly does originals on Financial Times newspaper.

Lot 111

SHARON BENNETT,GREEN TREVOR,Screenprint, signed and numbered,30cm x 42cm,Edition of 26Sharon Bennett is a self taught amateur artist who was chosen to be part of Grayson Perry's 1st art club in 2020 with her drawing Trevor. The initial red print run was a huge success selling out in 24 hours.

Lot 112

EILEEN BRIDGET HIGGINS,THE AIR IS FRESH ABOVE LE MERDE,Oil on canvas, Initialed to front,50cm x 70cm,OriginalEileen Higgins is a Glasgow born artist who now works in the south west of Scotland. “Left school with the ambition of being a drunk ….ambition fulfilled at a cost of mental health….redeemed herself by going to Art College until retirement due to Severe mental breakdown…been living in obscurity ever since….I have a Great Love for what I do and this has since coloured other aspects of my life….I’m just happy doing what I do.”

Lot 113

EILEEN BRIDGET HIGGINS,OLYMPIA,Mixed media on canvas, Initialed to front,100cm x 100cm,OriginalEileen Higgins is a Glasgow born artist who now works in the south west of Scotland. “Left school with the ambition of being a drunk ….ambition fulfilled at a cost of mental health….redeemed herself by going to Art College until retirement due to Severe mental breakdown…been living in obscurity ever since….I have a Great Love for what I do and this has since coloured other aspects of my life….I’m just happy doing what I do.”

Lot 114

EILEEN BRIDGET HIGGINS,UNTITLED HEAD 1,Oil on canvas, Initialed to front,10cm x 10cm,OriginalEileen Higgins is a Glasgow born artist who now works in the south west of Scotland. “Left school with the ambition of being a drunk ….ambition fulfilled at a cost of mental health….redeemed herself by going to Art College until retirement due to Severe mental breakdown…been living in obscurity ever since….I have a Great Love for what I do and this has since coloured other aspects of my life….I’m just happy doing what I do.”

Lot 115

EILEEN BRIDGET HIGGINS,UNTITLED HEAD 2,Oil on canvas, Initialed to front,10cm x 10cm,OriginalEileen Higgins is a Glasgow born artist who now works in the south west of Scotland. “Left school with the ambition of being a drunk ….ambition fulfilled at a cost of mental health….redeemed herself by going to Art College until retirement due to Severe mental breakdown…been living in obscurity ever since….I have a Great Love for what I do and this has since coloured other aspects of my life….I’m just happy doing what I do.”

Lot 116

EILEEN BRIDGET HIGGINS,UNTITLED HEAD 3,Oil on canvas, Initialed to front,10cm x 10cm,OriginalEileen Higgins is a Glasgow born artist who now works in the south west of Scotland. “Left school with the ambition of being a drunk ….ambition fulfilled at a cost of mental health….redeemed herself by going to Art College until retirement due to Severe mental breakdown…been living in obscurity ever since….I have a Great Love for what I do and this has since coloured other aspects of my life….I’m just happy doing what I do.”

Lot 125

ROBERT OXLEY,CHURCHILL,Hand embelished box canvas, signed,91.4cm x 91.4cm,Edition of 195As a little boy, Robert Oxley dreamed of becoming a zoo keeper. Today, the lions, tigers and elephants who roamed his imagination are given life in his dazzling wildlife paintings. Immersing himself in Pop Surrealism, Robert presents viewers with what he calls “psychedelic natural history”.

Lot 126

KUNSTRASEN,DRIP REMOVER, YELLOW,Spray paint on canvas, signed,70cm x 70cm,OriginalKunstrasen is a German stencil artist who derives his name from the German term for astroturf. In addition to a sly bit of wordplay, kunst = art on german, his chosen moniker is relevant to lots of questions in the art world today, relating to issues of authenticity, mimicry, and mass production. Kunstrasen’s artwork makes comments which question everyone’s relationship to art, especially within urban and street art genres. His stencil work is clean and well executed and the artist has an instinctive ability to create strong visual puns and eye-catching images.

Lot 164

KIMINOE,FOR YOU,Acrylic on board, signed,53cm x 45.5cm,OriginalKiminoe is a Japanese artist wh says that his main theme is adding a little colour to your day. The lives of the people who look at art and their emotions are so beautiful, he's very happy that his work can be part of that. When asked what kind of message his work conveys he said he doesn't have an answer to that, the answer lies in the people who see his work. Simple lines are drawn in a flowing and uplifting way. This is the point he pays most attention to. Simplicity does not mean lack of substance. It means that there is a margin. In a world filled with so much stuff and information this may be a valuable thing right now.Info: the black lines are painted with special paints. Although it is protected it is delicate and should be handled with care.

Lot 166

LUKE SMILE,YOU'RE THE APPLE OF MY EYE,Spray paint and gold leaf on Somerset paper, signed and dated,50cm x 70cm,OriginalLuke Smile is a lettering Artist based in London, who spray paints large murals and hand paints signs. Worked with various brands including Lego, Karl Lagerfeld & Vans.

Lot 167

CHRIS LEVINE,COMPASSION, 2016, Giclée Print, signed and dated, 43cm x 23cm,Edition of 500Chris Levine is a light artist who works across many mediums in pursuit of an expanded state of perception and awareness through image and form. Levine’s work considers light not just as a core aspect of art, but of human experience more widely and a spiritual, meditative and philosophical edge permeates his work. Levine is perhaps best known for producing what is already being described as one of the most iconic images of the twenty-first century, Lightness of Being. He has recently completed another historic portrait to commemorate the Dalai Lama’s 80th birthday. He is only the second artist to take a formal portrait of His Holiness, the previous being Annie Leibovitz.

Lot 174

POLAR BEAR,PETER,Spray paint, 8 layers stencil on vintage Peter Pan book pages on wood, signed,60cm x 60cm,OriginalPolar Bear is a French street stencil artist who makes multi-layer stencils on walls and materials found on the street.

Lot 175

TABBY,SEARCHING FOR LOVE,Spray paint on canvas, signed to canvas and frame,50cm x 50cm,Artist proof originalTABBY is a renowned Austrian street-art figure who has sprayed stencils all over the world. TABBY’s work is characterized by his sense of humor and critique of the establishment. Active since 2013, the anonymous artist is stylistically indebted to Blek le Rat and Banksy. TABBY uses stencils and simple visual devices to provoke laughter and outrage and to sometimes offer political commentary.

Lot 191

JOHN PASCHE,THE ROLLING STONES LOGO DESIGN,Gouache paint and pencil on 250 gsm art paper, signed,30cm x 42cm,OriginalThe Rolling Stones’ famous hot lips logo is one of the world's most instantly recognisable symbols of rock and roll. It was created in 1970 by then art student John Pasche, who went on to become Art Director at United Artists (Music Division), Creative Director of Chrysalis Records Ltd and ultimately, Creative Director at the South Bank Centre. Pasche was awarded a sought-after place at the Royal College of Art after graduating from Brighton, where he found himself working alongside George Hardy who was working on the album cover for Pink Floyd’s iconic Dark Side of the Moon. Pasche was then himself recommended by the College to attend a meeting with Mick Jagger to discuss a commission for a Stones’ 1970 tour poster.

Lot 195

MR C,SKULL RIDER,Acrylic Posca paint pens on 3 $1 bills, signed,15.5cm x 19.5cm,OriginalMr C is a self taught artist who has been drawing for 5 years and still growing. He is co founder of For the Love of Money Art. They have had work sold at Saatchi Gallery and all over the world. Has been part of many exhibitions here in the UK and Europe. This is just the start of an exciting journey.

Lot 196

MR C,PRESCRIPTION FOR LOVE,Acrylic Posca paint pens on genuine prescription bag, signed,8cm x 14.5cm,OriginalMr C is a self taught artist who has been drawing for 5 years and still growing. He is co founder of For the Love of Money Art. They have had work sold at Saatchi Gallery and all over the world. Has been part of many exhibitions here in the UK and Europe. This is just the start of an exciting journey.

Lot 203

CARL CASHMAN,JAZZ CABBAGE #2,Acrylic on wood, signed, titled and dated verso,30cm x 30cm,OriginalCarl Cashman is a contemporary artist based in Devon, who creates stunning, vibrant geometric-based optical art. Some of Carl’s work is painted using UV reactive paint, which adds a further visual element to the pieces when seen in the right environment.

Lot 205

CARRIE REICHARDT,YOU ARE ENOUGH,Ceramic tiles with digital and vintage transfers and gold lustre in black wooden frame,32cm x 32cm,OriginalCarrie Reichardt is a contemporary artist, who works from a studio in London, The Treatment Rooms. A member of the Craftivism movement, Reichardt uses murals, ceramics, screen-printing and graphic design in her work.

Lot 210

STEVIE UNKOWN,BE WHO YOU WANNA BE,Emulsion, acrylic, spray paint and pastel on canvas, signed and dated verso, 81cm x 101cm,OriginalStevie Unknown is a Brighton based artist, originally from the Isle of Wight, whose creative practice started in graffiti, working with intricate stencil cuts. Over the years his work has naturally evolved into paintings on canvas, screen printing and drawing.

Lot 220

LORRAINE MCMILLAN,BLUE EYES, Finger painted in oils on canvas, signed, 60cm x 97cm, OriginalLorraine McMillan is an artist from the west of Scotland who uses her fingertips to create her bold vibrant and unique form of art. She followed a successful career path in 3D Visualisation & Graphic Design whilst continuing with her love of painting and the use of alternative tools to create her artwork. When the opportunity to return solely to a life of painting presented itself she initially worked with various mediums before transitioning completely to finger painting where she enjoys the connection of moulding and applying the layers of paint directly from the tips of her fingers.

Lot 222

LOW QUALITY JPEG,ARE YOU OK,Spray paint and Posca pen on canvas, signed, 35cm x 28cm,Originallow quality jpeg, aka Iris Ryan, is aged 13 and is the granddaughter of Steve McGill who pulled together this collection of works to be auctioned for Glasgow Children's Hospital. She loves art and wanted to do something that could be sold to help the hospital.

Lot 226

DR.D,SET OF THREE WARNING POSTERS,A4 Digital print on 300 gsm paper, Signed.30cm x 21cm,Edition of 100Dr.D. AKA Subvertiser is a legend of street art subversion, using his insightful observations to ‘doctor’ everything from big brand billboards to political posters. Each ‘rip’ forms a defiant protest and a good kick up the backside. Dr. D.’s subverted images often appear with perfect timing to respond to current affairs and social debate and are a paradox by definition; each piece charged with a powerful passivity. Indeed, the artist’s mischievous mode of social commentary is clear to see for those who are actually willing to take a look around. Dr. D. urges you to raise an enlightened middle finger to the establishment.

Lot 23

SHEPARD FAIREY,FLORAL HARMONY LIGHT BLUE YIN/YANG,Screen Print; print on fine art paper, signed in pencil, dated and and marked AP,45cm x 60cm,Artist Proof. 2020Shepard Fairey is an American graphic artist and social activist who is part of the Street Art movement. Born on February 15, 1970 in Charleston, South Carolina, Fairey graduated from the Rhode Island School of Design in 1992 where he earned his Bachelor of Arts in illustration. In 1989 Fairey created the André the Giant Has a Posse sticker campaign, featuring a stylized image of the wrestler André the Giant. This project was the foundation for his seminal Obey series, which helped to push Fairey into the public spotlight. Fairey blurs the boundary between traditional and commercial art through type and image, communicating his brand of social critique via prints, murals, stickers, and posters in public spaces. His works are included in the collections of the Smithsonian in Washington, D.C., the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London.

Lot 24

SHEPARD FAIREY,ENHANCED DISINTEGRATION (RED),Screenprint in colours on speckled cream paper, signed in pencil, dated and and marked AP,45cm x 60cm,Artist Proof. 2019Shepard Fairey is an American graphic artist and social activist who is part of the Street Art movement. Born on February 15, 1970 in Charleston, South Carolina, Fairey graduated from the Rhode Island School of Design in 1992 where he earned his Bachelor of Arts in illustration. In 1989 Fairey created the André the Giant Has a Posse sticker campaign, featuring a stylized image of the wrestler André the Giant. This project was the foundation for his seminal Obey series, which helped to push Fairey into the public spotlight. Fairey blurs the boundary between traditional and commercial art through type and image, communicating his brand of social critique via prints, murals, stickers, and posters in public spaces. His works are included in the collections of the Smithsonian in Washington, D.C., the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London.

Lot 25

SHEPARD FAIREY,OBEY DECO FLOWER (BLACK),Screen print on speckle tone paper, signed in pencil, dated and and marked AP,45cm x 60cm,Artist Proof. 2019Shepard Fairey is an American graphic artist and social activist who is part of the Street Art movement. Born on February 15, 1970 in Charleston, South Carolina, Fairey graduated from the Rhode Island School of Design in 1992 where he earned his Bachelor of Arts in illustration. In 1989 Fairey created the André the Giant Has a Posse sticker campaign, featuring a stylized image of the wrestler André the Giant. This project was the foundation for his seminal Obey series, which helped to push Fairey into the public spotlight. Fairey blurs the boundary between traditional and commercial art through type and image, communicating his brand of social critique via prints, murals, stickers, and posters in public spaces. His works are included in the collections of the Smithsonian in Washington, D.C., the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London.

Lot 26

SHEPARD FAIREY,OBEY PEACE DOVE HOLIDAY,Screenprint in colors on wove paper, signed in pencil, dated and and marked AP,45cm x 60cm,Artist Proof 2020,This print was not publically available, they were given as gifts to friends and familyShepard Fairey is an American graphic artist and social activist who is part of the Street Art movement. Born on February 15, 1970 in Charleston, South Carolina, Fairey graduated from the Rhode Island School of Design in 1992 where he earned his Bachelor of Arts in illustration. In 1989 Fairey created the André the Giant Has a Posse sticker campaign, featuring a stylized image of the wrestler André the Giant. This project was the foundation for his seminal Obey series, which helped to push Fairey into the public spotlight. Fairey blurs the boundary between traditional and commercial art through type and image, communicating his brand of social critique via prints, murals, stickers, and posters in public spaces. His works are included in the collections of the Smithsonian in Washington, D.C., the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London.

Lot 27

SHEPARD FAIREY,OBEY HOLIDAY PRINT RED/GOLD,Screenprint in colours on wove paper, signed in pencil, dated and and marked AP,45cm x 60cm,Artist Proof 2021,This print was not publically available, they were given as gifts to friends and familyShepard Fairey is an American graphic artist and social activist who is part of the Street Art movement. Born on February 15, 1970 in Charleston, South Carolina, Fairey graduated from the Rhode Island School of Design in 1992 where he earned his Bachelor of Arts in illustration. In 1989 Fairey created the André the Giant Has a Posse sticker campaign, featuring a stylized image of the wrestler André the Giant. This project was the foundation for his seminal Obey series, which helped to push Fairey into the public spotlight. Fairey blurs the boundary between traditional and commercial art through type and image, communicating his brand of social critique via prints, murals, stickers, and posters in public spaces. His works are included in the collections of the Smithsonian in Washington, D.C., the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London.

Lot 37

ALESSIO-B,MY WORLD,Giclee print on Fedrigoni 300 gsm paper,45cm x 32cm,Artists proofBorn in Italy, Alessio-B is a stencil artist who creates unique works often with a message of peace and love. It all started during his college years, while studying architecture in Venice, when the artist was exposed to the works of Blek Le Rat and Banksy. It didn’t take him long before he started experimenting in graffiti writing and becoming an artist in his own right.

Lot 38

ALESSIO-B,GROW LOVE (GREY),Giclee print on Fedrigoni 300 gsm paper,45cm x 32cm,Artists proofBorn in Italy, Alessio-B is a stencil artist who creates unique works often with a message of peace and love. It all started during his college years, while studying architecture in Venice, when the artist was exposed to the works of Blek Le Rat and Banksy. It didn’t take him long before he started experimenting in graffiti writing and becoming an artist in his own right.

Lot 43

JONAS WOOD SIGNED BOOKJonas Wood is an American artist who is known for his bold, graphic artworks that challenge ideas of perspective. Wood’s instantly recognisable aesthetic is heavily inspired by both art history and the artist’s daily environment. Wood’s process of creation involves a series of steps, but most of his works originate from a single photo.

Lot 45

MATT SMALL,ALEXANDRIA,Hybrid lithograph giclee, signed and numbered,43cm x 59cmEdition of 4Primarily a painter, London based Matt Small has a strong, compelling style, often choosing discarded objects like car bonnets or old signs instead of canvas for his work. “The theme of his work is young, dispossessed people: individuals who feel undervalued, who don’t have a voice, who get looked over.” Small explains how the urban debris he paints on becomes symbolic of the feeling of being without value: “I thought it’d be interesting to connect the two – that oven door, that shelving unit, that piece of trash to someone – I don’t see it like that, I see that it can be something beautiful and worthwhile. That’s how I see our young people too. Let’s look at their potential, at the hope that’s in all of them"Condition is good overall

Lot 46

MATT SMALL,KARINA,Lithograph print, signed,38cm x 56cm,Printers proofPrimarily a painter, London based Matt Small has a strong, compelling style, often choosing discarded objects like car bonnets or old signs instead of canvas for his work. “The theme of his work is young, dispossessed people: individuals who feel undervalued, who don’t have a voice, who get looked over.” Small explains how the urban debris he paints on becomes symbolic of the feeling of being without value: “I thought it’d be interesting to connect the two – that oven door, that shelving unit, that piece of trash to someone – I don’t see it like that, I see that it can be something beautiful and worthwhile. That’s how I see our young people too. Let’s look at their potential, at the hope that’s in all of them

Lot 5

GETTING UP TO STUFF ,BEAR WITH ME,Digital print on 380 gsm Hahnemuhle Photo Rag. Cut edges,50cm x 40cm,Timed edition, No 41Getting Up To Stuff is the moniker of a Bristol artist who prefers to stay anonymous but whose work is becoming increasingly more appreciated when it appears in sometimes extremely unlikely locations.

Lot 50

K-GUY,COKE MOSS - WHITE EDITION,3 Colour hand pulled screen print on 300gsm Snow White Peregrina Majestic, signed/blind stamped/numbered by artist,69cm x 69cm,Edition of 25K-Guy is a visual artist who lives and works in the epicentre of the street art scene, London. The artist is best known for his sharp analyses and off-the-mark responses to what goes on around him, politicians, religious leaders, fast food outlets and entire economic systems have all been examined in K-Guy’s work. For his controversial and quirky works in the streets of London, K-Guy received worldwide media attention several times. Renowned works from the artist include his collaboration with the Prodigy on a limited edition print which sold out instantly and his iconic best sellers ‘Coke Moss’, ‘Naomi Campbell’s, ‘Pepsi Cara and LINDA EVANGELISTa’.

Lot 61

THE LONDON POLICE,BOND AT SEA,2 colour screenprint on Hahnemuhle 300 gsm paper, signed and marked AP,60cm x 60cm,Signed and marked Artists proofThe London Police is an art collective started in 1998 when two English geezers headed to Amsterdam to rejuvenate the visually disappointing streets of Hollands capital. They were part of a small group of artists at the end of the last century that helped pioneer the street art movement. After a few years of mixing traveling and making art in the street TLP began to receive worldwide recognition for their contribution to the graffiti/street art movement. The London Police are Chaz Barrisson who draws the iconic ‘LADS’ character and Bob Gibson whose tight portrait and architectural illustrations help marry the two styles to create an endearing, exciting fantasy world...

Lot 70

SWOON,PIGEON FEEDING FAMILY, BROOKLYN 2005,Inkjet print on heavyweight rag, signed and numbered,48cm x 33cm,Edition of 175Caledonia Curry, who works under the moniker Swoon, unites art and activism throughout her expansive multimedia practice. Swoon is perhaps best known for her monumental structures that explore how communities can heal through crisis, and for her large-scale, cut-out portraits of everyday city dwellers, which she often wheatpastes on the sides of buildings. She also works across printmaking, installation, animation, and other media. Swoon studied at Pratt Institute and has exhibited in New York, London, Paris, Tokyo, and Los Angeles. Her work belongs in the collections of the Museum of Modern Art, the Tate, the São Paulo Museum of Art, and the Institute of Contemporary Art, Boston.

Lot 76

HIJACK,YOU'RE NEVER TO YOUNG TO DREAM BIG,Hand finished screenprint on paper, signed to front and stamped verso,46cm x 46cm,1 of 1Born and raised in Los Angeles, Hijack is a contemporary artist who combines fine art and street art to create visual commentaries inspired by social and political issues. His work ranges from one color stencils to large-scale murals executed with painstaking realism. The son of ‘Exit Through the Gift Shop’ star Mr. Brainwash, Hijack, grew up in a world surrounded and inspired by renowned street artists such as Invader, Banksy, and Shepard Fairey. He was able to observe first hand the creative processes of some of the world’s most prolific and successful street artists. He learned how to set up his own studio, how to approach a large-scale mural, and even how to stealthily--albeit illegally--put up stencil art.Condition is good overall

Lot 8

BEN TURNBULL,GUNG HO,Digital inkjet print with a screen printed varnish overlay on somerset satin 330 gsm, enhanced paper,75cm x 75cm,From an edition of 50Ben Turnbull is a British contemporary pop artist who, fascinated by the dominance of American culture, crafts his realizations about the country’s relationship with violence by adopting toys and objects from the Americana youth. Born in 1974 in London, Turnbull is a self-taught artist and craftsman. As a child, Ben found escape through comic books which heavily influenced his future art.

Lot 81

ROB CARTER,TS20 XPU-HA BEACH (WITH RED BOAT), MEXICO, 2007,Cibachrome print, signed verso,60cm x 60cm,Edition 2 from an edition of 12,framedRob and Nick Carter are a husband and wife artistic duo who have been collaborating for over 20 years. Their work is housed in the collections of The Mauritshuis, The Hague; The Frans Hals Museum, Haarlem; The Frick, Pittsburgh; The Victoria & Albert Museum, London; The David Roberts Foundation, London; The Städel Museum, Frankfurt; and The Fondation Custodia, Paris, as well as being the only living artists to show a work at the Frick Museum, New York.

Lot 93

CAMERON BUCHANAN,THISTLE,Acrylics on a lightly textured canvas with white wood frame, signed verso,image size 39cm x 59cmOriginalCameron Buchanan is a Scottish Artist and who works in oils, Acrylics and textured mediums to produce a varied collection of artwork. His background has always involved art in one form or another, as well as working in the fields of mental health, graphic design and teaching.

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