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Jason Gibilaro Utopia V, 2022 Glazed Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   A recurrent theme and starting point in Jason Gibilaro's recent work, has been memories both recent and not so recent that have left a visual impact. This usually represents imagery around a passing moment in a particular place and time. Some of the work has included the use of iconic imagery. Other work follows a social documentary scene with a snapshot of people in a particular place and moment in time.   All the pieces in the series are worked on concurrently. This allows each piece to breathe and develop at its own pace. Resting the work allows reflection, knowing when the work is complete. It is never clear how the final piece is going to resonate from the initial concept. This is always an inspiration that contributes strongly to the creative process. Select Exhibitions/Awards   Recent exhibitions and events have included Electric Art Car Boot Fair, London 2022; Figurative Art Now - Federation of British Arts, Online 21; Art Car Boot Fair, Flora & Fauna, Online 2021; Art Show Off, Studio 73, London 2020; Miniscule Venice Biennale, Venice 2019; Protocol, Q-Park Art, Cavendish Square 2018; Protocol, Q-Park Art, Cavendish Square Art Car Boot Fair Kings Cross, London 2018; ING Discerning Eye exhibition, Mall Gallery, London 2016; Aftermath, L'Aquila, Italy 2016; Liggers and Dreamers, The Stash Gallery, London 2015; Radar 100: Space Rage, The Residence Gallery 2012; Hackney Wicked Festival, London 2011; We live in Public - Bath Fringe Festival, Bath 2011; Korpúlfsstaðir , Reykjavik Iceland, 2009; Artist Flea Market - Tate Modern, London, 2009 Public Art Installations have included B OUR GUEST artwork/sign, commissioned by Brixton Town Centre, which was installed on the central railway bridge in Brixton from 2004 to 2018. Statement about AOAP Submitted Artwork   The artworks submitted are based on an estate in SW9. This iconic estate was designed by the pioneering team who created the Royal Festival Hall on the Southbank. It was built in the late 50s to look forward to a brighter better Britain. At its heart is the pub Hero of Switzerland where artists used to meet in the 90s. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jason Gibilaro The Hero, 2022 Glazed Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) 'About   A recurrent theme and starting point in Jason Gibilaro's recent work, has been memories both recent and not so recent that have left a visual impact. This usually represents imagery around a passing moment in a particular place and time. Some of the work has included the use of iconic imagery. Other work follows a social documentary scene with a snapshot of people in a particular place and moment in time.   All the pieces in the series are worked on concurrently. This allows each piece to breathe and develop at its own pace. Resting the work allows reflection, knowing when the work is complete. It is never clear how the final piece is going to resonate from the initial concept. This is always an inspiration that contributes strongly to the creative process. Select Exhibitions/Awards   Recent exhibitions and events have included Electric Art Car Boot Fair, London 2022; Figurative Art Now - Federation of British Arts, Online 21; Art Car Boot Fair, Flora & Fauna, Online 2021; Art Show Off, Studio 73, London 2020; Miniscule Venice Biennale, Venice 2019; Protocol, Q-Park Art, Cavendish Square 2018; Protocol, Q-Park Art, Cavendish Square Art Car Boot Fair Kings Cross, London 2018; ING Discerning Eye exhibition, Mall Gallery, London 2016; Aftermath, L'Aquila, Italy 2016; Liggers and Dreamers, The Stash Gallery, London 2015; Radar 100: Space Rage, The Residence Gallery 2012; Hackney Wicked Festival, London 2011; We live in Public - Bath Fringe Festival, Bath 2011; Korpúlfsstaðir , Reykjavik Iceland, 2009; Artist Flea Market - Tate Modern, London, 2009 Public Art Installations have included B OUR GUEST artwork/sign, commissioned by Brixton Town Centre, which was installed on the central railway bridge in Brixton from 2004 to 2018. Statement about AOAP Submitted Artwork   The artworks submitted are based on an estate in SW9. This iconic estate was designed by the pioneering team who created the Royal Festival Hall on the Southbank. It was built in the late 50s to look forward to a brighter better Britain. At its heart is the pub Hero of Switzerland where artists used to meet in the 90s. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nathalie Kingdon Untitled, 2022 Hand Pulled Original Screenprint Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nathalie Kingdon is a French-born, London-based artist who specialises in original screen printed Art and has been working from her own bespoke studio at Wimbledon Art Studios for four years. She works from images collated from various sources of inspiration, with a propensity for the South of France, where she comes from. Nathalie transforms and enhances imagery with an acute sense of colour, exploring the juxtaposition between shape and form and reconsidering proportion and perspective. She is most interested in reimagining the narratives of images through the medium of her prints; narratives that organically evolve through her instinctive and playful approach. She has most recently been experimenting with digitally manipulated and printed images, which complements her traditional methods of screen printing. Education   Master in French literature -Universite Aix-Marseille France-   Select Exhibitions/Awards   The London Art Sale - Downstairs at The department Store Brixton 29th September 2022- Royal Academy Summer Exhibition 2022 The Other Art Fair London July 2022 The Affordable Art Fair March 2022   Gallery Representation   Enter Gallery - Brighton and Hove The Electric Gallery - London Molasses House Gallery- Harpenden Rise Art Saatchi Art Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Nathalie Kingdon Little Cactus By Night, 2022 Hand Pulled Original Screenprint Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Nathalie Kingdon is a French-born, London-based artist who specialises in original screen printed Art and has been working from her own bespoke studio at Wimbledon Art Studios for four years. She works from images collated from various sources of inspiration, with a propensity for the South of France, where she comes from. Nathalie transforms and enhances imagery with an acute sense of colour, exploring the juxtaposition between shape and form and reconsidering proportion and perspective. She is most interested in reimagining the narratives of images through the medium of her prints; narratives that organically evolve through her instinctive and playful approach. She has most recently been experimenting with digitally manipulated and printed images, which complements her traditional methods of screen printing. Education   Master in French literature -Universite Aix-Marseille France-   Select Exhibitions/Awards   The London Art Sale - Downstairs at The department Store Brixton 29th September 2022- Royal Academy Summer Exhibition 2022 The Other Art Fair London July 2022 The Affordable Art Fair March 2022   Gallery Representation   Enter Gallery - Brighton and Hove The Electric Gallery - London Molasses House Gallery- Harpenden Rise Art Saatchi Art Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Miyeon Yi Two Women Who Are Not Allowed To Smoke, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Miyeon Yi (born in 1995, Seoul, South Korea) is an artist living and working in London, UK. She obtained her Bachelor of Fine Arts at the School of the Art Institute of Chicago, Chicago, IL, USA (2013-2017), and is pursuing her master's degree on painting at the Royal College of Art, London (2021-2023). Her works have been in group shows in USA, UK and France.   Education   2021-2023 Master of Arts (Painting), Royal College of Art, London, UK 2013-2017 Bachelor of Fine Arts, School of the Art Institute of Chicago, Chicago, IL   Select Exhibitions/Awards   Solo Exhibitions 2022 Ojiri Gallery, London, UK, July 8th-29th 2022 Era Gallery, Milan, Italy May 12th - June 12th Group Exhibitions 2022 Delphian Open Call Winner Show, Unit 1 Gallery, London, UK, Oct 20th-28th 2022 Angel with Dirty Faces, Ojiri Gallery, London, UK, Oct 8th-28th 2022 Fragments, Omer Tiroche Gallery, London, UK, Sep 14th-29th 2022 No Place Like Home, Fitzrovia Gallery, London, UK, August 1st-6th 2022 The Room London Gallery, London, UK, May 17th 2022 Two Doors, House of St.Barnabas, London, UK, May 9th 2022 It's All Fun Until..., Safehouse 1&2, London, UK, March 17th-20th 2022 A Room of Her Own, Irving Contemporary, Oxford, UK, March 10th-April 8th 2022 RAW, Soho Revue, London, UK, March 1st- 5th 2022 WIP SHOW (online), Royal College of Art, London, UK, January 28th-February 4th Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Ian Ritchie OBE RA Have You Seen My Piano?, 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I begin developing my art, architecture, and industrial designs through language: poetry, prose, and the occasional aphorism, influenced by subjects ranging from physics and neuroscience to remote landscapes and history. The scientists, artists, actors, and musicians I am lucky enough to call friends lead me to explore and enjoy every wider field of learning, stretching my imagination further. At the stage when I can sense the emerging project, I attempt to translate the concepts visually. Pencil, pen, biro - all instruments that mark are valid. But the greatest pleasure comes when I draw with a Japanese brush soaked in Sumi black ink. The drawing - a few simple lines of architectural calligraphy - attempts to synthesise and reveal the essential from the words in a way that is immediately tangible as an object or space. I then produce these drawings as etchings in the London studio of the artist and printmaker Norman Ackroyd RA - a good friend who taught me to see the rainbow in black. My late friend John Hoyland RA introduced me to the life and language of colour, which resulted in the monoprints I create in Barbara Rae RA's Edinburgh studio. Her friendship and generosity allows me to feel colour while she encourages me to think less. During recent years I have also been producing figurative works which are reproduced as etchings for the Royal Academy of Arts Summer Exhibition, and as Christmas cards. My art is held in public collections including the Royal Academy of Arts, Reina Sofia Museum of Modern Art, Madrid, Lodz Gallery, Poland, the Hugh Lane Gallery, Dublin, and the Royal Collection Trust / Queen Elizabeth II. I have published several books on architecture and one book of poetry. I am an elected member of the Royal Academy of Arts, and the Akademie der Künste in Berlin, and lead ritchie*studio, an award-winning architecture and design practice renowned for glass architecture, material-technical innovation, and intelligent environmental and sustainable design Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Ian Ritchie OBE RA The Owl + The Pussycat, 2022 Ink on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   I begin developing my art, architecture, and industrial designs through language: poetry, prose, and the occasional aphorism, influenced by subjects ranging from physics and neuroscience to remote landscapes and history. The scientists, artists, actors, and musicians I am lucky enough to call friends lead me to explore and enjoy every wider field of learning, stretching my imagination further. At the stage when I can sense the emerging project, I attempt to translate the concepts visually. Pencil, pen, biro - all instruments that mark are valid. But the greatest pleasure comes when I draw with a Japanese brush soaked in Sumi black ink. The drawing - a few simple lines of architectural calligraphy - attempts to synthesise and reveal the essential from the words in a way that is immediately tangible as an object or space. I then produce these drawings as etchings in the London studio of the artist and printmaker Norman Ackroyd RA - a good friend who taught me to see the rainbow in black. My late friend John Hoyland RA introduced me to the life and language of colour, which resulted in the monoprints I create in Barbara Rae RA's Edinburgh studio. Her friendship and generosity allows me to feel colour while she encourages me to think less. During recent years I have also been producing figurative works which are reproduced as etchings for the Royal Academy of Arts Summer Exhibition, and as Christmas cards. My art is held in public collections including the Royal Academy of Arts, Reina Sofia Museum of Modern Art, Madrid, Lodz Gallery, Poland, the Hugh Lane Gallery, Dublin, and the Royal Collection Trust / Queen Elizabeth II. I have published several books on architecture and one book of poetry. I am an elected member of the Royal Academy of Arts, and the Akademie der Künste in Berlin, and lead ritchie*studio, an award-winning architecture and design practice renowned for glass architecture, material-technical innovation, and intelligent environmental and sustainable design Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Koukoudakis N.M.R.H Death Mask 1, 2022 Graphite, Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Adam Koukoudakis   About   Adam hails from South London - a father, painter, illustrator and collagist who studied Fine Art at Chelsea and Berlin Institutes of Art before graduating from Central Saint Martins in 2006. In the same year he was invited to participate in his first post - graduate show with the likes of Banksy et al at Greek Street's then infamous Lazarides Gallery, at a time when it was inspiring a broader movement of artists who blurred the lines between fine art, street art, illustration and graphics. In 2007 he accepted a further invitation to participate in Santa's Ghetto in Bethlehem, before embarking on a busy circuit of national & international shows, projects, publications, collaborations, auctions & private commissions which kept him out of trouble until 2010, when he took a hiatus to enjoy the rewards of fatherhood. Always a painter and lover of collage, Adam found a way to combine the two through his early exposure to screen printing by hijacking the pulling of ink & screen, and instead projecting his screens onto canvas and applying every benday by hand. His paintings and prints have always depicted subjects and topics close to his heart, from early political angst to the unapologetic love of his family and can be found in the permanent collections of the V&A & University of the Arts London, Atlantic Records & Sony BMG. Adam has been a practicing artist for over 20 years, living & with studios based out of North London.   Education   Chelsea College of Arts Central Saint Martins Berlin University of the Arts   Select Exhibitions/Awards   Stench - Lazardies Gallery - London Outside/Inside - Seth Carmichael Gallery - Los Angeles Santa's Ghetto - Palestine Geisterfahrer - Paintworks - Bristol TEMWA - Art for Africa Charity Auction - London/Bristol Shortlisted Finalist - National Open Art Competition - Chichester Shortlisted Finalist - Mercury Prize Art Competition - The Hospital - London Winning Finalist - Jealous Needs You Prize - Jealous Gallery - London   Gallery Representation   Jealous Gallery Smithson Gallery Paxton Glew   Statement about AOAP Submitted Artwork   The works I have submitted are my way of marking the death of Queen Elizabeth II They are a very loose play on the history of the death mask & are no way intended as an insult or mark of disrespect in her direction. Although I am a firm believer that there is never smoke without fire. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Koukoudakis N.M.R.H Death Mask 2, 2022 Graphite, Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Adam hails from South London - a father, painter, illustrator and collagist who studied Fine Art at Chelsea and Berlin Institutes of Art before graduating from Central Saint Martins in 2006. In the same year he was invited to participate in his first post - graduate show with the likes of Banksy et al at Greek Street's then infamous Lazarides Gallery, at a time when it was inspiring a broader movement of artists who blurred the lines between fine art, street art, illustration and graphics. In 2007 he accepted a further invitation to participate in Santa's Ghetto in Bethlehem, before embarking on a busy circuit of national & international shows, projects, publications, collaborations, auctions & private commissions which kept him out of trouble until 2010, when he took a hiatus to enjoy the rewards of fatherhood. Always a painter and lover of collage, Adam found a way to combine the two through his early exposure to screen printing by hijacking the pulling of ink & screen, and instead projecting his screens onto canvas and applying every benday by hand. His paintings and prints have always depicted subjects and topics close to his heart, from early political angst to the unapologetic love of his family and can be found in the permanent collections of the V&A & University of the Arts London, Atlantic Records & Sony BMG. Adam has been a practicing artist for over 20 years, living & with studios based out of North London.   Education   Chelsea College of Arts Central Saint Martins Berlin University of the Arts   Select Exhibitions/Awards   Stench - Lazardies Gallery - London Outside/Inside - Seth Carmichael Gallery - Los Angeles Santa's Ghetto - Palestine Geisterfahrer - Paintworks - Bristol TEMWA - Art for Africa Charity Auction - London/Bristol Shortlisted Finalist - National Open Art Competition - Chichester Shortlisted Finalist - Mercury Prize Art Competition - The Hospital - London Winning Finalist - Jealous Needs You Prize - Jealous Gallery - London   Gallery Representation   Jealous Gallery Smithson Gallery Paxton Glew   Statement about AOAP Submitted Artwork   The works I have submitted are my way of marking the death of Queen Elizabeth II They are a very loose play on the history of the death mask & are no way intended as an insult or mark of disrespect in her direction. Although I am a firm believer that there is never smoke without fire. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Koukoudakis N.M.R.H Death Mask 3, 2022 Graphite, Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Adam hails from South London - a father, painter, illustrator and collagist who studied Fine Art at Chelsea and Berlin Institutes of Art before graduating from Central Saint Martins in 2006. In the same year he was invited to participate in his first post - graduate show with the likes of Banksy et al at Greek Street's then infamous Lazarides Gallery, at a time when it was inspiring a broader movement of artists who blurred the lines between fine art, street art, illustration and graphics. In 2007 he accepted a further invitation to participate in Santa's Ghetto in Bethlehem, before embarking on a busy circuit of national & international shows, projects, publications, collaborations, auctions & private commissions which kept him out of trouble until 2010, when he took a hiatus to enjoy the rewards of fatherhood. Always a painter and lover of collage, Adam found a way to combine the two through his early exposure to screen printing by hijacking the pulling of ink & screen, and instead projecting his screens onto canvas and applying every benday by hand. His paintings and prints have always depicted subjects and topics close to his heart, from early political angst to the unapologetic love of his family and can be found in the permanent collections of the V&A & University of the Arts London, Atlantic Records & Sony BMG. Adam has been a practicing artist for over 20 years, living & with studios based out of North London.   Education   Chelsea College of Arts Central Saint Martins Berlin University of the Arts   Select Exhibitions/Awards   Stench - Lazardies Gallery - London Outside/Inside - Seth Carmichael Gallery - Los Angeles Santa's Ghetto - Palestine Geisterfahrer - Paintworks - Bristol TEMWA - Art for Africa Charity Auction - London/Bristol Shortlisted Finalist - National Open Art Competition - Chichester Shortlisted Finalist - Mercury Prize Art Competition - The Hospital - London Winning Finalist - Jealous Needs You Prize - Jealous Gallery - London   Gallery Representation   Jealous Gallery Smithson Gallery Paxton Glew   Statement about AOAP Submitted Artwork   The works I have submitted are my way of marking the death of Queen Elizabeth II They are a very loose play on the history of the death mask & are no way intended as an insult or mark of disrespect in her direction. Although I am a firm believer that there is never smoke without fire. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Koukoudakis N.M.R.H Death Mask 4, 2022 Graphite, Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Adam hails from South London - a father, painter, illustrator and collagist who studied Fine Art at Chelsea and Berlin Institutes of Art before graduating from Central Saint Martins in 2006. In the same year he was invited to participate in his first post - graduate show with the likes of Banksy et al at Greek Street's then infamous Lazarides Gallery, at a time when it was inspiring a broader movement of artists who blurred the lines between fine art, street art, illustration and graphics. In 2007 he accepted a further invitation to participate in Santa's Ghetto in Bethlehem, before embarking on a busy circuit of national & international shows, projects, publications, collaborations, auctions & private commissions which kept him out of trouble until 2010, when he took a hiatus to enjoy the rewards of fatherhood. Always a painter and lover of collage, Adam found a way to combine the two through his early exposure to screen printing by hijacking the pulling of ink & screen, and instead projecting his screens onto canvas and applying every benday by hand. His paintings and prints have always depicted subjects and topics close to his heart, from early political angst to the unapologetic love of his family and can be found in the permanent collections of the V&A & University of the Arts London, Atlantic Records & Sony BMG. Adam has been a practicing artist for over 20 years, living & with studios based out of North London.   Education   Chelsea College of Arts Central Saint Martins Berlin University of the Arts   Select Exhibitions/Awards   Stench - Lazardies Gallery - London Outside/Inside - Seth Carmichael Gallery - Los Angeles Santa's Ghetto - Palestine Geisterfahrer - Paintworks - Bristol TEMWA - Art for Africa Charity Auction - London/Bristol Shortlisted Finalist - National Open Art Competition - Chichester Shortlisted Finalist - Mercury Prize Art Competition - The Hospital - London Winning Finalist - Jealous Needs You Prize - Jealous Gallery - London   Gallery Representation   Jealous Gallery Smithson Gallery Paxton Glew   Statement about AOAP Submitted Artwork   The works I have submitted are my way of marking the death of Queen Elizabeth II They are a very loose play on the history of the death mask & are no way intended as an insult or mark of disrespect in her direction. Although I am a firm believer that there is never smoke without fire. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Easton A Bird of Paradise?, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Adam Easton (b.1989) is an American artist who received a Master of Fine Arts from the University of Minnesota in 2019. He has recently exhibited with PAPA Projects in an exhibition titled A Quiet Night, Part 1 in St. Paul, MN (2022). Additionally, in 2022 his work was part of Platform, Unit London's program of online viewing rooms. Adam's work was published in the 2020 Art Maze Mag Anniversary Edition, Issue 20. He currently lives and works in New Haven, CT.   Education   BFA - Lyme Academy College of Fine Arts, Old Lyme, CT MFA - University of Minnesota, Minneapolis, MN   Select Exhibitions/Awards   2022 Platform, Unit London, unitlondon.viewingrooms.com 2022 A Quiet Night, Part 1, PAPA Projects, St. Paul, MN 2020 Reversibility, LOUP 2019 Wine Time, The Guest Room, Hudson Valley, NY 2019 Lobster Dinner, Trestle Gallery, Brooklyn, NY 2019 The Last Day in the Apartment, Katherine E Nash Gallery, Minneapolis, MN   Statement about AOAP Submitted Artwork   These paintings are small reimagining's of imagery that is familiar to my larger work. You can see examples of this if you compare the postcards to the paintings from my recent show A Quiet Night, Part 1. In addition I took the opportunity to work in a dramatically different color palette. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Easton The Poet?, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Adam Easton (b.1989) is an American artist who received a Master of Fine Arts from the University of Minnesota in 2019. He has recently exhibited with PAPA Projects in an exhibition titled A Quiet Night, Part 1 in St. Paul, MN (2022). Additionally, in 2022 his work was part of Platform, Unit London's program of online viewing rooms. Adam's work was published in the 2020 Art Maze Mag Anniversary Edition, Issue 20. He currently lives and works in New Haven, CT.   Education   BFA - Lyme Academy College of Fine Arts, Old Lyme, CT MFA - University of Minnesota, Minneapolis, MN   Select Exhibitions/Awards   2022 Platform, Unit London, unitlondon.viewingrooms.com 2022 A Quiet Night, Part 1, PAPA Projects, St. Paul, MN 2020 Reversibility, LOUP 2019 Wine Time, The Guest Room, Hudson Valley, NY 2019 Lobster Dinner, Trestle Gallery, Brooklyn, NY 2019 The Last Day in the Apartment, Katherine E Nash Gallery, Minneapolis, MN   Statement about AOAP Submitted Artwork   These paintings are small reimagining's of imagery that is familiar to my larger work. You can see examples of this if you compare the postcards to the paintings from my recent show A Quiet Night, Part 1. In addition I took the opportunity to work in a dramatically different color palette. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Easton The Open Frame?, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Adam Easton (b.1989) is an American artist who received a Master of Fine Arts from the University of Minnesota in 2019. He has recently exhibited with PAPA Projects in an exhibition titled A Quiet Night, Part 1 in St. Paul, MN (2022). Additionally, in 2022 his work was part of Platform, Unit London's program of online viewing rooms. Adam's work was published in the 2020 Art Maze Mag Anniversary Edition, Issue 20. He currently lives and works in New Haven, CT.   Education   BFA - Lyme Academy College of Fine Arts, Old Lyme, CT MFA - University of Minnesota, Minneapolis, MN   Select Exhibitions/Awards   2022 Platform, Unit London, unitlondon.viewingrooms.com 2022 A Quiet Night, Part 1, PAPA Projects, St. Paul, MN 2020 Reversibility, LOUP 2019 Wine Time, The Guest Room, Hudson Valley, NY 2019 Lobster Dinner, Trestle Gallery, Brooklyn, NY 2019 The Last Day in the Apartment, Katherine E Nash Gallery, Minneapolis, MN   Statement about AOAP Submitted Artwork   These paintings are small reimagining's of imagery that is familiar to my larger work. You can see examples of this if you compare the postcards to the paintings from my recent show A Quiet Night, Part 1. In addition I took the opportunity to work in a dramatically different color palette. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Adam Easton What Did You Find? 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Adam Easton (b.1989) is an American artist who received a Master of Fine Arts from the University of Minnesota in 2019. He has recently exhibited with PAPA Projects in an exhibition titled A Quiet Night, Part 1 in St. Paul, MN (2022). Additionally, in 2022 his work was part of Platform, Unit London's program of online viewing rooms. Adam's work was published in the 2020 Art Maze Mag Anniversary Edition, Issue 20. He currently lives and works in New Haven, CT.   Education   BFA - Lyme Academy College of Fine Arts, Old Lyme, CT MFA - University of Minnesota, Minneapolis, MN   Select Exhibitions/Awards   2022 Platform, Unit London, unitlondon.viewingrooms.com 2022 A Quiet Night, Part 1, PAPA Projects, St. Paul, MN 2020 Reversibility, LOUP 2019 Wine Time, The Guest Room, Hudson Valley, NY 2019 Lobster Dinner, Trestle Gallery, Brooklyn, NY 2019 The Last Day in the Apartment, Katherine E Nash Gallery, Minneapolis, MN   Statement about AOAP Submitted Artwork   These paintings are small reimagining's of imagery that is familiar to my larger work. You can see examples of this if you compare the postcards to the paintings from my recent show A Quiet Night, Part 1. In addition I took the opportunity to work in a dramatically different color palette. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Shem Desire, 2022 Acrylic, Paint, Biro and Paint Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Shem was born in Tottenham, north London. His mother's heritage includes ancestry from Maroon communities of rebel slaves and runaways who lived in the mountainous interior of Jamaica. Shem started painting in 2016. He successfully staged his first show in 2019 in disused premises where he lived as a property guardian, including a fish and chip shop in Clapham and a bookmaker's in Streatham. In June 2020, he exhibited "We are in the Future", a painted billboard in Old Street, as part of a programme of installations curated by Trix Mendez and Outside the Zone. He had his first solo show, 'When The Sun Falls Out The Sky', at the Hoxton Gallery, Shoreditch, London, between November and December 2020. Since then, without losing his sense of urgency, he has been working at a range of scales, including a whole wall on Dereham Place in Shoreditch. This was a collaboration with Mr Doodle - 'Rock Paper Wizards' - a project that became a series of 1,000 prints sold in aid of the Ben Raemers Foundation. His second solo show, "Fine Art", held in March 2022 in South Kensington, London, featured a whole collection of work made across two studios in Dalston, Hackney between 2021 and 2022. The show was acclaimed a critical success. His work is in numerous private collections around the world from Seoul to san Francisco. Shem performs with Cut With, an alternative hip hop group. He now lives and works in Bow, East London.   Select Exhibitions/Awards   2020 - When The Sun Falls Out The Sky 2022 - Fine Art Gallery Representation   Self Represented Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Shem Untitled, 2022 Acrylic, Paint, Biro and Paint Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Shem was born in Tottenham, north London. His mother's heritage includes ancestry from Maroon communities of rebel slaves and runaways who lived in the mountainous interior of Jamaica. Shem started painting in 2016. He successfully staged his first show in 2019 in disused premises where he lived as a property guardian, including a fish and chip shop in Clapham and a bookmaker's in Streatham. In June 2020, he exhibited "We are in the Future", a painted billboard in Old Street, as part of a programme of installations curated by Trix Mendez and Outside the Zone. He had his first solo show, 'When The Sun Falls Out The Sky', at the Hoxton Gallery, Shoreditch, London, between November and December 2020. Since then, without losing his sense of urgency, he has been working at a range of scales, including a whole wall on Dereham Place in Shoreditch. This was a collaboration with Mr Doodle - 'Rock Paper Wizards' - a project that became a series of 1,000 prints sold in aid of the Ben Raemers Foundation. His second solo show, "Fine Art", held in March 2022 in South Kensington, London, featured a whole collection of work made across two studios in Dalston, Hackney between 2021 and 2022. The show was acclaimed a critical success. His work is in numerous private collections around the world from Seoul to san Francisco. Shem performs with Cut With, an alternative hip hop group. He now lives and works in Bow, East London.   Select Exhibitions/Awards   2020 - When The Sun Falls Out The Sky 2022 - Fine Art Gallery Representation   Self Represented Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Hilary Bond War (Destruction), 2022 Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I am a painter and photographer who relocated to Washington, D.C. from San Francisco, CA during the pandemic. My artwork is influenced by my surroundings, experiences, and meditation.   Education:   San Francisco Art Institute, MFA, 2018 The Cooper Union for the Advancement of Science and Art, BFA, 2007   Select Exhibitions/Awards Solo Shows Clyde & Community Art Award, 2018-2019, San Francisco, CA Juror's Choice Award for Abstract Thinking (2020) Small Presents (2018) at SFWA Gallery, San Francisco   Gallery Representation Artspace Warehouse     Statement about AOAP Submitted Artwork   My pieces are in reaction to the war in Ukraine. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Hilary Bond War (Land and Sky), 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I am a painter and photographer who relocated to Washington, D.C. from San Francisco, CA during the pandemic. My artwork is influenced by my surroundings, experiences, and meditation.   Education:   San Francisco Art Institute, MFA, 2018 The Cooper Union for the Advancement of Science and Art, BFA, 2007   Select Exhibitions/Awards Solo Shows Clyde & Community Art Award, 2018-2019, San Francisco, CA Juror's Choice Award for Abstract Thinking (2020) Small Presents (2018) at SFWA Gallery, San Francisco   Gallery Representation Artspace Warehouse     Statement about AOAP Submitted Artwork   My pieces are in reaction to the war in Ukraine. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Hilary Bond War (Explosion), 2022 Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I am a painter and photographer who relocated to Washington, D.C. from San Francisco, CA during the pandemic. My artwork is influenced by my surroundings, experiences, and meditation.   Education:   San Francisco Art Institute, MFA, 2018 The Cooper Union for the Advancement of Science and Art, BFA, 2007   Select Exhibitions/Awards Solo Shows Clyde & Community Art Award, 2018-2019, San Francisco, CA Juror's Choice Award for Abstract Thinking (2020) Small Presents (2018) at SFWA Gallery, San Francisco   Gallery Representation Artspace Warehouse     Statement about AOAP Submitted Artwork   My pieces are in reaction to the war in Ukraine. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Hilary Bond War (Tears), 2022 Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   I am a painter and photographer who relocated to Washington, D.C. from San Francisco, CA during the pandemic. My artwork is influenced by my surroundings, experiences, and meditation.   Education:   San Francisco Art Institute, MFA, 2018 The Cooper Union for the Advancement of Science and Art, BFA, 2007   Select Exhibitions/Awards Solo Shows Clyde & Community Art Award, 2018-2019, San Francisco, CA Juror's Choice Award for Abstract Thinking (2020) Small Presents (2018) at SFWA Gallery, San Francisco   Gallery Representation Artspace Warehouse     Statement about AOAP Submitted Artwork   My pieces are in reaction to the war in Ukraine. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Lee Madgwick The Barn, 2022 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Lee Madgwick's (b. King's Lynn, Norfolk 1980) mysterious and emotive paintings depict scenes of abandonment, seclusion and dereliction. Both his urban and rural pictures portray parts of the modern landscape that are often overlooked by many (with occasional sprinklings of surrealism). With an undercurrent of mischievous menace throughout, the subject matter is at once thrown into question. Who inhabits these places? What lives do they lead? What is happening or about to happen? "I would describe my work as imagined realism. I hope to achieve a sense of drama in my paintings, presenting a familiar image yet placing it in an intimate, moody and possibly unlikely setting. A narrative is very important - but intentionally never fully explained. I like to leave it for the viewer to come up with their own interpretation." Lee paints on canvas in oils and acrylics. A play of light is used to generate an abundance of seemingly inexplicable moods to contrast with a brooding sky. Lee has exhibited throughout the UK including London and Edinburgh as well as Dublin, Amsterdam, Rome, Milan, Stockholm, Madrid, Singapore and New York. His work features in private art collections around the world.   Education   2003 Graphic Design Norwich University College of the Arts   Select Exhibitions/Awards   Solo Exhibitions 2021 - Brian Sinfield Gallery, Burford, Oxfordshire 2021 - Hybrid Gallery, Honiton, Devon 2019 and 2017 - White Noise Gallery, Rome, Italy 2018, 2015, 2011, 2009 - Byard Art, Cambridge 2016 - Hybrid Gallery, Honiton, Devon 2014 - Langham Gallery, Bloomsbury, London 2005 - Doric Arts Gallery, King's Lynn Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Lee Madgwick The Retreat, 2022 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Lee Madgwick's (b. King's Lynn, Norfolk 1980) mysterious and emotive paintings depict scenes of abandonment, seclusion and dereliction. Both his urban and rural pictures portray parts of the modern landscape that are often overlooked by many (with occasional sprinklings of surrealism). With an undercurrent of mischievous menace throughout, the subject matter is at once thrown into question. Who inhabits these places? What lives do they lead? What is happening or about to happen? "I would describe my work as imagined realism. I hope to achieve a sense of drama in my paintings, presenting a familiar image yet placing it in an intimate, moody and possibly unlikely setting. A narrative is very important - but intentionally never fully explained. I like to leave it for the viewer to come up with their own interpretation." Lee paints on canvas in oils and acrylics. A play of light is used to generate an abundance of seemingly inexplicable moods to contrast with a brooding sky. Lee has exhibited throughout the UK including London and Edinburgh as well as Dublin, Amsterdam, Rome, Milan, Stockholm, Madrid, Singapore and New York. His work features in private art collections around the world.   Education   2003 Graphic Design Norwich University College of the Arts   Select Exhibitions/Awards   Solo Exhibitions 2021 - Brian Sinfield Gallery, Burford, Oxfordshire 2021 - Hybrid Gallery, Honiton, Devon 2019 and 2017 - White Noise Gallery, Rome, Italy 2018, 2015, 2011, 2009 - Byard Art, Cambridge 2016 - Hybrid Gallery, Honiton, Devon 2014 - Langham Gallery, Bloomsbury, London 2005 - Doric Arts Gallery, King's Lynn Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Serpil Mavi Üstün Ask Me Again, 2022 Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About I was born in Turkey. I've been living and working in London since April 2016. Education Mimar Sinan Fine Art University, İstanbul Select Exhibitions/Awards 2022 Caramel Macchiato, C.A.M. Gallery, Istanbul 2019 Everything Is Ok, One Paved Court, London 2018 Royal Arts Prize Runner-up exhibition, Royal Opera Arcade Gallery-London 2015 Along Yourself, Harmony Art Gallery, Istanbul 2013 Timeless, Harmony Art Gallery, Istanbul SELECTED GROUP EXHIBITIONS Another Round, Galeri Nev, Istanbul Mothflower, "Character" Group Show,2022 Contemporary Istanbul -Bloom , 2021 Recto-Verso, C.A.M. Gallery, Istanbul Let it be, C.A.M. Gallery, Istanbul Subsidiary Projects - ROOMS, London,2020 Herstory, C.A.M. Gallery, Istanbul Step İstanbul '19, C.A.M. Gallery, Istanbul ,2019 Visualy Literate2 Manier Gallery, London The Other Art Fair London "Not 30 %" curated by Kate Bryan, Saatchi Art, 2018 99 Kare, Art On, Timeless, HLS Gallery, London Royal Arts Prize Exhibition 2017, London Saint Pulcherie Printemps des Artistes Galeri Od'A, Royal Arts Prize IV. Edition (Second place award), 2017,London Statement about AOAP Submitted Artwork The artist dealing with loneliness of the individual of the present-day; makes us confront with the personal stories of her fragile, perturbed, melancholic, heroes and heroines who refer to solitude. Some of these moments that Serpil dwells on, there are some personal eccentricities, which appear in a passive- aggressive way. Even sometimes the personas of her painting make us think that they are taking a kind of pleasure to procreate drama. They can seem indifferent in a case or atmosphere where they are supposed to take pleasure. In a moment that seems ideal, beautiful or happy they can sabotage it. These heroes, who ruin their own pastel world, reflect the conflicts that we deal with, in our daily routine.     Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising.

Andrew Cranston Midnight In Millport, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Andrew Cranston (b. 1969, Hawick, UK) is a Glasgow-based painter whose narrative vignettes are culled from his own personal history, as well as literary and anecdotal sources.   Education   Manchester Polytechnic Foundation Course 1989-1990; BA in Fine Art Hons Grays School of Art 1990-1993; MA in Painting Royal College of Art 1994-1996   Select Exhibitions/Awards   The Arts Foundation Fellowship 2014; Quality Arts Production Award, Creative Scotland 2013 Artists Award, Scottish Arts Council 2009 Rootstein Hopkins Sabbatical Award for Lecturers, 2006 Gallery Representation   Ingleby Gallery ( Edinburgh) Karma ( New York) Modern Art (London)   Statement about AOAP Submitted Artwork   These are two images exploring a nocturnal landscape, one specifically referencing the Inner city environment of Manchester in the late 1980s, the abandoned decaying modernism of Hulme housing estate, a community of travellers and their dogs and horses. I remember the horses standing sleeping like 'anthracite statues' as Dylan Thomas would call them. The other is an imagined scene in the Firth of Clyde. I was thinking of poet W.S Graham and painter William Scott, exiled Greenock men who made their work out of the beauty and strangeness found in the domestic. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Andrew Cranston Midnight In Manchester, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Andrew Cranston (b. 1969, Hawick, UK) is a Glasgow-based painter whose narrative vignettes are culled from his own personal history, as well as literary and anecdotal sources.   Education   Manchester Polytechnic Foundation Course 1989-1990; BA in Fine Art Hons Grays School of Art 1990-1993; MA in Painting Royal College of Art 1994-1996   Select Exhibitions/Awards   The Arts Foundation Fellowship 2014; Quality Arts Production Award, Creative Scotland 2013 Artists Award, Scottish Arts Council 2009 Rootstein Hopkins Sabbatical Award for Lecturers, 2006 Gallery Representation   Ingleby Gallery ( Edinburgh) Karma ( New York) Modern Art (London)   Statement about AOAP Submitted Artwork   These are two images exploring a nocturnal landscape, one specifically referencing the Inner city environment of Manchester in the late 1980s, the abandoned decaying modernism of Hulme housing estate, a community of travellers and their dogs and horses. I remember the horses standing sleeping like 'anthracite statues' as Dylan Thomas would call them. The other is an imagined scene in the Firth of Clyde. I was thinking of poet W.S Graham and painter William Scott, exiled Greenock men who made their work out of the beauty and strangeness found in the domestic. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Katharina Renneisen Aja With Dots I, 2022 Oil on Silver Gelatin Print Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Katharina Renneisen (*1978) is a German visual artist who uses analogue photography as her main medium. In her work, she focusses on classical subjects like the nude, the landscape, or the still life. Many of her silver gelatin prints are hand-coloured with oil paints.   Education   Humboldt-University of Berlin   Statement about AOAP Submitted Artwork   The submitted works are part of my ongoing occupation with the female nude. I first take the photographs with an analogue large format camera. From the negatives I then make silver gelatin prints, on which I finally apply oil paints. This technique not only allows for a more painterly depiction of the flesh, but it also gives me the possibility to freely create new compositions, which challenge the boundaries between photography and painting, figuration and abstraction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Katharina Renneisen Aja With Dots II, 2022 Oil on Silver Gelatin Print Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Katharina Renneisen (*1978) is a German visual artist who uses analogue photography as her main medium. In her work, she focusses on classical subjects like the nude, the landscape, or the still life. Many of her silver gelatin prints are hand-coloured with oil paints.   Education   Humboldt-University of Berlin   Statement about AOAP Submitted Artwork   The submitted works are part of my ongoing occupation with the female nude. I first take the photographs with an analogue large format camera. From the negatives I then make silver gelatin prints, on which I finally apply oil paints. This technique not only allows for a more painterly depiction of the flesh, but it also gives me the possibility to freely create new compositions, which challenge the boundaries between photography and painting, figuration and abstraction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Katharina Renneisen Aja With Dots III, 2022 Oil on Silver Gelatin Print Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Katharina Renneisen (*1978) is a German visual artist who uses analogue photography as her main medium. In her work, she focusses on classical subjects like the nude, the landscape, or the still life. Many of her silver gelatin prints are hand-coloured with oil paints.   Education   Humboldt-University of Berlin   Statement about AOAP Submitted Artwork   The submitted works are part of my ongoing occupation with the female nude. I first take the photographs with an analogue large format camera. From the negatives I then make silver gelatin prints, on which I finally apply oil paints. This technique not only allows for a more painterly depiction of the flesh, but it also gives me the possibility to freely create new compositions, which challenge the boundaries between photography and painting, figuration and abstraction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jeffrey Harrison Soft Pink, 2022 Watercolour and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jeffrey Harrison is Canadian oil painter who lives and works in Toronto. Harrison shuns the notion that paintings should have rules. And his paintings are anything but boring. Instead, he lets the painting do what he feels it has to do, and bends the rules of the medium to somehow make it work. And it does: The result is chaotic, a departure from the safety we've come to know in paintings. Vibrant colours, flowers, and fluid shapes fill the paintings; as if the amorphous figures are begging to be included, squeezed into the canvas.   Gallery Representation   He has been showing with Dianna Witte Gallery since 2005. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jeffrey Harrison 22 Flowers, 2022 Pencil, Watercolour and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jeffrey Harrison is Canadian oil painter who lives and works in Toronto. Harrison shuns the notion that paintings should have rules. And his paintings are anything but boring. Instead, he lets the painting do what he feels it has to do, and bends the rules of the medium to somehow make it work. And it does: The result is chaotic, a departure from the safety we've come to know in paintings. Vibrant colours, flowers, and fluid shapes fill the paintings; as if the amorphous figures are begging to be included, squeezed into the canvas.   Gallery Representation   He has been showing with Dianna Witte Gallery since 2005. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jeffrey Harrison Wavy Hair, 2022 Ink and Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jeffrey Harrison is Canadian oil painter who lives and works in Toronto. Harrison shuns the notion that paintings should have rules. And his paintings are anything but boring. Instead, he lets the painting do what he feels it has to do, and bends the rules of the medium to somehow make it work. And it does: The result is chaotic, a departure from the safety we've come to know in paintings. Vibrant colours, flowers, and fluid shapes fill the paintings; as if the amorphous figures are begging to be included, squeezed into the canvas.   Gallery Representation   He has been showing with Dianna Witte Gallery since 2005. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Jeffrey Harrison Last Flower, 2022 Watercolour Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Jeffrey Harrison is Canadian oil painter who lives and works in Toronto. Harrison shuns the notion that paintings should have rules. And his paintings are anything but boring. Instead, he lets the painting do what he feels it has to do, and bends the rules of the medium to somehow make it work. And it does: The result is chaotic, a departure from the safety we've come to know in paintings. Vibrant colours, flowers, and fluid shapes fill the paintings; as if the amorphous figures are begging to be included, squeezed into the canvas.   Gallery Representation   He has been showing with Dianna Witte Gallery since 2005. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Grayson Perry RA Study for The Great Beauty (1), 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Perry studied at Braintree College of Further Education from 1978 to 1979 and graduated from Portsmouth Polytechnic in 1982. He was awarded the Turner Prize in 2003. He works in a variety of mediums but is best known as a ceramicist. There is a dissonance between the conventional forms of his vessels and the depictions that adorn them. He uses imagery and text to chronicle social concerns, his own formative experiences and to tell the story of his alter ego, Claire. The tone of his narratives is psychologically complex and often caustic. Although he uses traditional methods to make his pots, he employs a range of techniques, such as embossing and photographic transfers, to create intricate, animated surfaces.   Select Exhibitions/Awards   Recent solo exhibitions 2018 Grayson Perry, KIASMA, Helskinki; touring to Monnaie de Paris, Paris Grayson Perry: Making Meaning, The Gallery at Windsor, Vero Beach, Florida The Vanity of Small Differences, Royal Hibernian Academy, Dublin 2017 The Most Popular Art Exhibition Ever!, Serpentine Gallery, London; touring to Arnolfini, Bristol Making Himself Claire: Grayson Perry's Dresses, Walker Art Gallery, Liverpool Grayson Perry: The Life of Julie Cope, Firstsite Gallery, Colchester 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht; touring to ARoS Aarhus Art Museum, Aarhus 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2014 Who Are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre   Selected collections Arts Council Collection Birmingham Museums & Art Gallery Brighton & Hove Museums British Council Collection The British Library (Map Library) British Museum Chelmsford Museum Crafts Council Gallery of Modern Art, Glasgow Government Art Collection House of Commons Collection Leeds Museums and Galleries (City Art Gallery) Manchester City Galleries Museum of Art, Rhode Island School of Design The Museum of Fine Arts, Houston, Texas The Museum of Modern Art, New York Stedelijk Museum, Amsterdam Tate, London Victoria & Albert Museum, London Yale Center for British Art, New Haven, Connecticut   Awards 2017 Royal Television Society Programme Award (Best Presenter and Best Arts Programme) Evening Standard Contemporary Art Prize Grierson Award (Best Presenter) 2016 Political Studies Association Award RIBA Honorary Fellowship GQ Men / Writer of the Year Award 2015 Chancellor of the University of the Arts, London Trustee of the British Museum BAFTA (Best Specialist Factual) 2013 BAFTA (Best Specialist Factual) Commander of the Order of the British Empire (CBE) 2003 Turner Prize winner Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Grayson Perry RA Study for The Great Beauty (2), 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Perry studied at Braintree College of Further Education from 1978 to 1979 and graduated from Portsmouth Polytechnic in 1982. He was awarded the Turner Prize in 2003. He works in a variety of mediums but is best known as a ceramicist. There is a dissonance between the conventional forms of his vessels and the depictions that adorn them. He uses imagery and text to chronicle social concerns, his own formative experiences and to tell the story of his alter ego, Claire. The tone of his narratives is psychologically complex and often caustic. Although he uses traditional methods to make his pots, he employs a range of techniques, such as embossing and photographic transfers, to create intricate, animated surfaces.   Select Exhibitions/Awards   Recent solo exhibitions 2018 Grayson Perry, KIASMA, Helskinki; touring to Monnaie de Paris, Paris Grayson Perry: Making Meaning, The Gallery at Windsor, Vero Beach, Florida The Vanity of Small Differences, Royal Hibernian Academy, Dublin 2017 The Most Popular Art Exhibition Ever!, Serpentine Gallery, London; touring to Arnolfini, Bristol Making Himself Claire: Grayson Perry's Dresses, Walker Art Gallery, Liverpool Grayson Perry: The Life of Julie Cope, Firstsite Gallery, Colchester 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht; touring to ARoS Aarhus Art Museum, Aarhus 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2014 Who Are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre   Selected collections Arts Council Collection Birmingham Museums & Art Gallery Brighton & Hove Museums British Council Collection The British Library (Map Library) British Museum Chelmsford Museum Crafts Council Gallery of Modern Art, Glasgow Government Art Collection House of Commons Collection Leeds Museums and Galleries (City Art Gallery) Manchester City Galleries Museum of Art, Rhode Island School of Design The Museum of Fine Arts, Houston, Texas The Museum of Modern Art, New York Stedelijk Museum, Amsterdam Tate, London Victoria & Albert Museum, London Yale Center for British Art, New Haven, Connecticut   Awards 2017 Royal Television Society Programme Award (Best Presenter and Best Arts Programme) Evening Standard Contemporary Art Prize Grierson Award (Best Presenter) 2016 Political Studies Association Award RIBA Honorary Fellowship GQ Men / Writer of the Year Award 2015 Chancellor of the University of the Arts, London Trustee of the British Museum BAFTA (Best Specialist Factual) 2013 BAFTA (Best Specialist Factual) Commander of the Order of the British Empire (CBE) 2003 Turner Prize winner Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Grayson Perry RA Study for The Great Beauty (3), 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Perry studied at Braintree College of Further Education from 1978 to 1979 and graduated from Portsmouth Polytechnic in 1982. He was awarded the Turner Prize in 2003. He works in a variety of mediums but is best known as a ceramicist. There is a dissonance between the conventional forms of his vessels and the depictions that adorn them. He uses imagery and text to chronicle social concerns, his own formative experiences and to tell the story of his alter ego, Claire. The tone of his narratives is psychologically complex and often caustic. Although he uses traditional methods to make his pots, he employs a range of techniques, such as embossing and photographic transfers, to create intricate, animated surfaces.   Select Exhibitions/Awards   Recent solo exhibitions 2018 Grayson Perry, KIASMA, Helskinki; touring to Monnaie de Paris, Paris Grayson Perry: Making Meaning, The Gallery at Windsor, Vero Beach, Florida The Vanity of Small Differences, Royal Hibernian Academy, Dublin 2017 The Most Popular Art Exhibition Ever!, Serpentine Gallery, London; touring to Arnolfini, Bristol Making Himself Claire: Grayson Perry's Dresses, Walker Art Gallery, Liverpool Grayson Perry: The Life of Julie Cope, Firstsite Gallery, Colchester 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht; touring to ARoS Aarhus Art Museum, Aarhus 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2014 Who Are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre   Selected collections Arts Council Collection Birmingham Museums & Art Gallery Brighton & Hove Museums British Council Collection The British Library (Map Library) British Museum Chelmsford Museum Crafts Council Gallery of Modern Art, Glasgow Government Art Collection House of Commons Collection Leeds Museums and Galleries (City Art Gallery) Manchester City Galleries Museum of Art, Rhode Island School of Design The Museum of Fine Arts, Houston, Texas The Museum of Modern Art, New York Stedelijk Museum, Amsterdam Tate, London Victoria & Albert Museum, London Yale Center for British Art, New Haven, Connecticut   Awards 2017 Royal Television Society Programme Award (Best Presenter and Best Arts Programme) Evening Standard Contemporary Art Prize Grierson Award (Best Presenter) 2016 Political Studies Association Award RIBA Honorary Fellowship GQ Men / Writer of the Year Award 2015 Chancellor of the University of the Arts, London Trustee of the British Museum BAFTA (Best Specialist Factual) 2013 BAFTA (Best Specialist Factual) Commander of the Order of the British Empire (CBE) 2003 Turner Prize winner Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Grayson Perry RA Study for The Great Beauty (4), 2022 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Perry studied at Braintree College of Further Education from 1978 to 1979 and graduated from Portsmouth Polytechnic in 1982. He was awarded the Turner Prize in 2003. He works in a variety of mediums but is best known as a ceramicist. There is a dissonance between the conventional forms of his vessels and the depictions that adorn them. He uses imagery and text to chronicle social concerns, his own formative experiences and to tell the story of his alter ego, Claire. The tone of his narratives is psychologically complex and often caustic. Although he uses traditional methods to make his pots, he employs a range of techniques, such as embossing and photographic transfers, to create intricate, animated surfaces.   Select Exhibitions/Awards   Recent solo exhibitions 2018 Grayson Perry, KIASMA, Helskinki; touring to Monnaie de Paris, Paris Grayson Perry: Making Meaning, The Gallery at Windsor, Vero Beach, Florida The Vanity of Small Differences, Royal Hibernian Academy, Dublin 2017 The Most Popular Art Exhibition Ever!, Serpentine Gallery, London; touring to Arnolfini, Bristol Making Himself Claire: Grayson Perry's Dresses, Walker Art Gallery, Liverpool Grayson Perry: The Life of Julie Cope, Firstsite Gallery, Colchester 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht; touring to ARoS Aarhus Art Museum, Aarhus 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2014 Who Are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre   Selected collections Arts Council Collection Birmingham Museums & Art Gallery Brighton & Hove Museums British Council Collection The British Library (Map Library) British Museum Chelmsford Museum Crafts Council Gallery of Modern Art, Glasgow Government Art Collection House of Commons Collection Leeds Museums and Galleries (City Art Gallery) Manchester City Galleries Museum of Art, Rhode Island School of Design The Museum of Fine Arts, Houston, Texas The Museum of Modern Art, New York Stedelijk Museum, Amsterdam Tate, London Victoria & Albert Museum, London Yale Center for British Art, New Haven, Connecticut   Awards 2017 Royal Television Society Programme Award (Best Presenter and Best Arts Programme) Evening Standard Contemporary Art Prize Grierson Award (Best Presenter) 2016 Political Studies Association Award RIBA Honorary Fellowship GQ Men / Writer of the Year Award 2015 Chancellor of the University of the Arts, London Trustee of the British Museum BAFTA (Best Specialist Factual) 2013 BAFTA (Best Specialist Factual) Commander of the Order of the British Empire (CBE) 2003 Turner Prize winner Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sadie Tierney Explorer (Matterhorn), 2022 Japanese Woodblock on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   A graduate of the Royal College of Art, London, the artist works in a tradition of painter printmakers who abstract shape and colour to explore subject matter and express human emotion. Objects and places where form is linked to feeling, metaphor and movement or change are explored through celebratory use of colour and line. The vibrant and expressive paintings use drawings made in situ as their source material. Sadie Tierney lives and works in the UK. COLLECTIONS Portsmouth Museum & Art Gallery National Museum, Gdańsk, Poland, The Bronx Museum of the Arts, New York, Otter Collection, University of Chichester, Swindon Museum and Art Gallery, The Royal West of England Academy, Bristol, Clifford Chance, Baker & MacKenzie, The Royal Navy, Eton College, Royal College of Art   Education   Royal College of Art, London (MA), Newcastle University (BA)   Select Exhibitions/Awards   SELECTED EXHIBITIONS (SOLO): 2021 The Mountains are Calling, Rabley Gallery, 2019 Round Tower (solo), Portsmouth, 2017 From Here to There, Eton College 2017 The Night, The Light, and the Half Light, Rabley Gallery 2007 Ships and Sunsets, Rabley Gallery 2003 Funfair, Angela Flowers Ireland 1999 New Prints, Flowers East SELECTED EXHIBITIONS (GROUP): 2022 Royal Academy Summer Exhibition, London Original Print Fair 2021 RWA Annual Open Exhibition, Bristol, 5 January - 11 April Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, National Museum in Gdańsk, Poland Royal Academy Summer Exhibition Woolwich Contemporary Print Fair 2020 London Original Print Fair, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner) 2019 Royal Academy Summer Exhibition, Printfest Printmaker of the Year, Ulverston National Original Print Exhibition, London 2018 RWA, Sawdust and Sequins: The Art of the Circus 2017 Art Basel Miami, London Art Fair   Gallery Representation   Works on Paper with Rabley Gallery   Statement about AOAP Submitted Artwork   Mountains have a fascination for artists from Ruskin, Turner, Hiroshige. The geological drama, awe and power of inhospitable places, the contrast with low lying habitats where most if the population dwell. "In the mountains, in the snow, I am much more aware of my own mortality and the tiny fragile place I hold in space and time. The mountain series are about awe, fear and vitality." (ST) Fujisan - A powerful symbol of a nation, sometimes crystal clear at other times lost in haze and fog, symmetrical and timeless -it is as if it has always been there and always will be. "I felt blessed to have seen it at all, and the feelings of awe, transcience and feeling tiny in the enormity of its presence stayed with me and is still informing an ongoing series of work." (ST) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sadie Tierney Explorer 2 (Matterhorn), 2022 Japanese Woodblock on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   A graduate of the Royal College of Art, London, the artist works in a tradition of painter printmakers who abstract shape and colour to explore subject matter and express human emotion. Objects and places where form is linked to feeling, metaphor and movement or change are explored through celebratory use of colour and line. The vibrant and expressive paintings use drawings made in situ as their source material. Sadie Tierney lives and works in the UK. COLLECTIONS Portsmouth Museum & Art Gallery National Museum, Gdańsk, Poland, The Bronx Museum of the Arts, New York, Otter Collection, University of Chichester, Swindon Museum and Art Gallery, The Royal West of England Academy, Bristol, Clifford Chance, Baker & MacKenzie, The Royal Navy, Eton College, Royal College of Art   Education   Royal College of Art, London (MA), Newcastle University (BA)   Select Exhibitions/Awards   SELECTED EXHIBITIONS (SOLO): 2021 The Mountains are Calling, Rabley Gallery, 2019 Round Tower (solo), Portsmouth, 2017 From Here to There, Eton College 2017 The Night, The Light, and the Half Light, Rabley Gallery 2007 Ships and Sunsets, Rabley Gallery 2003 Funfair, Angela Flowers Ireland 1999 New Prints, Flowers East SELECTED EXHIBITIONS (GROUP): 2022 Royal Academy Summer Exhibition, London Original Print Fair 2021 RWA Annual Open Exhibition, Bristol, 5 January - 11 April Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, National Museum in Gdańsk, Poland Royal Academy Summer Exhibition Woolwich Contemporary Print Fair 2020 London Original Print Fair, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner) 2019 Royal Academy Summer Exhibition, Printfest Printmaker of the Year, Ulverston National Original Print Exhibition, London 2018 RWA, Sawdust and Sequins: The Art of the Circus 2017 Art Basel Miami, London Art Fair   Gallery Representation   Works on Paper with Rabley Gallery   Statement about AOAP Submitted Artwork   Mountains have a fascination for artists from Ruskin, Turner, Hiroshige. The geological drama, awe and power of inhospitable places, the contrast with low lying habitats where most if the population dwell. "In the mountains, in the snow, I am much more aware of my own mortality and the tiny fragile place I hold in space and time. The mountain series are about awe, fear and vitality." (ST) Fujisan - A powerful symbol of a nation, sometimes crystal clear at other times lost in haze and fog, symmetrical and timeless -it is as if it has always been there and always will be. "I felt blessed to have seen it at all, and the feelings of awe, transcience and feeling tiny in the enormity of its presence stayed with me and is still informing an ongoing series of work." (ST) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sadie Tierney Fujisan 1, 2022 Japanese Woodblock on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   A graduate of the Royal College of Art, London, the artist works in a tradition of painter printmakers who abstract shape and colour to explore subject matter and express human emotion. Objects and places where form is linked to feeling, metaphor and movement or change are explored through celebratory use of colour and line. The vibrant and expressive paintings use drawings made in situ as their source material. Sadie Tierney lives and works in the UK. COLLECTIONS Portsmouth Museum & Art Gallery National Museum, Gdańsk, Poland, The Bronx Museum of the Arts, New York, Otter Collection, University of Chichester, Swindon Museum and Art Gallery, The Royal West of England Academy, Bristol, Clifford Chance, Baker & MacKenzie, The Royal Navy, Eton College, Royal College of Art   Education   Royal College of Art, London (MA), Newcastle University (BA)   Select Exhibitions/Awards   SELECTED EXHIBITIONS (SOLO): 2021 The Mountains are Calling, Rabley Gallery, 2019 Round Tower (solo), Portsmouth, 2017 From Here to There, Eton College 2017 The Night, The Light, and the Half Light, Rabley Gallery 2007 Ships and Sunsets, Rabley Gallery 2003 Funfair, Angela Flowers Ireland 1999 New Prints, Flowers East SELECTED EXHIBITIONS (GROUP): 2022 Royal Academy Summer Exhibition, London Original Print Fair 2021 RWA Annual Open Exhibition, Bristol, 5 January - 11 April Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, National Museum in Gdańsk, Poland Royal Academy Summer Exhibition Woolwich Contemporary Print Fair 2020 London Original Print Fair, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner) 2019 Royal Academy Summer Exhibition, Printfest Printmaker of the Year, Ulverston National Original Print Exhibition, London 2018 RWA, Sawdust and Sequins: The Art of the Circus 2017 Art Basel Miami, London Art Fair   Gallery Representation   Works on Paper with Rabley Gallery   Statement about AOAP Submitted Artwork   Mountains have a fascination for artists from Ruskin, Turner, Hiroshige. The geological drama, awe and power of inhospitable places, the contrast with low lying habitats where most if the population dwell. "In the mountains, in the snow, I am much more aware of my own mortality and the tiny fragile place I hold in space and time. The mountain series are about awe, fear and vitality." (ST) Fujisan - A powerful symbol of a nation, sometimes crystal clear at other times lost in haze and fog, symmetrical and timeless -it is as if it has always been there and always will be. "I felt blessed to have seen it at all, and the feelings of awe, transcience and feeling tiny in the enormity of its presence stayed with me and is still informing an ongoing series of work." (ST) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Sadie Tierney Fujisan 2, 2022 Japanese Woodblock on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   A graduate of the Royal College of Art, London, the artist works in a tradition of painter printmakers who abstract shape and colour to explore subject matter and express human emotion. Objects and places where form is linked to feeling, metaphor and movement or change are explored through celebratory use of colour and line. The vibrant and expressive paintings use drawings made in situ as their source material. Sadie Tierney lives and works in the UK. COLLECTIONS Portsmouth Museum & Art Gallery National Museum, Gdańsk, Poland, The Bronx Museum of the Arts, New York, Otter Collection, University of Chichester, Swindon Museum and Art Gallery, The Royal West of England Academy, Bristol, Clifford Chance, Baker & MacKenzie, The Royal Navy, Eton College, Royal College of Art   Education   Royal College of Art, London (MA), Newcastle University (BA)   Select Exhibitions/Awards   SELECTED EXHIBITIONS (SOLO): 2021 The Mountains are Calling, Rabley Gallery, 2019 Round Tower (solo), Portsmouth, 2017 From Here to There, Eton College 2017 The Night, The Light, and the Half Light, Rabley Gallery 2007 Ships and Sunsets, Rabley Gallery 2003 Funfair, Angela Flowers Ireland 1999 New Prints, Flowers East SELECTED EXHIBITIONS (GROUP): 2022 Royal Academy Summer Exhibition, London Original Print Fair 2021 RWA Annual Open Exhibition, Bristol, 5 January - 11 April Portsmouth Revisited, Portsmouth Museum and Art Gallery Kolekcja, National Museum in Gdańsk, Poland Royal Academy Summer Exhibition Woolwich Contemporary Print Fair 2020 London Original Print Fair, Woolwich Contemporary Print Fair (Boodle Hatfield Prizewinner) 2019 Royal Academy Summer Exhibition, Printfest Printmaker of the Year, Ulverston National Original Print Exhibition, London 2018 RWA, Sawdust and Sequins: The Art of the Circus 2017 Art Basel Miami, London Art Fair   Gallery Representation   Works on Paper with Rabley Gallery   Statement about AOAP Submitted Artwork   Mountains have a fascination for artists from Ruskin, Turner, Hiroshige. The geological drama, awe and power of inhospitable places, the contrast with low lying habitats where most if the population dwell. "In the mountains, in the snow, I am much more aware of my own mortality and the tiny fragile place I hold in space and time. The mountain series are about awe, fear and vitality." (ST) Fujisan - A powerful symbol of a nation, sometimes crystal clear at other times lost in haze and fog, symmetrical and timeless -it is as if it has always been there and always will be. "I felt blessed to have seen it at all, and the feelings of awe, transcience and feeling tiny in the enormity of its presence stayed with me and is still informing an ongoing series of work." (ST) Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Szabotage Amy Winehouse, 2022 Hand Finished Unique Print Signed recto 15 x 10cm (5¾ x 3¾ in.) About   Gustav Szabo is a prolific, contemporary urban artist and designer known as Szabotage. He grew up in Hove, where he studied architecture before moving to London where he worked as an architect and designer. After moving to Hong Kong he quickly gained notoriety with sold-out exhibitions, solo shows, collaborative projects, private and commercial commissions with iconic brands such as Prada and Louis Vuitton. Characterised by bright colours and popular cultural references, Szabotage's visual language is high impact. His signature style uses layers of stencils to depict life and create personality in each unique piece. Szabotage works with a variety of formats. His collections range from walls, canvases, prints, and cars to sculptures, stencils and NFTs. He constantly challenges limitations and enjoys creating his art and sculptures using deconstructed aerosol cans, metals and wood. In the digital space, NFTs allow him to add extra dimensions using animation and sound. Szabotage's Koi tag is easily recognisable. The Koi represents strength, adversity and good fortune. Watch Szabotage's Ted Talk below to hear about he overcame his personal adversity with the power of art.   Education   DIP ARCH Part 2 2000 Westminster University London UK. ARCH BA (Hons) Part 1 1996 Kingston University London UK.   Select Exhibitions/Awards   2022 Affordable Art Fair Hong Kong, Presented by Art Supermarket Gallery 2022 Solo Show // Tech Week: The Business of Web, American Chamber Of Commerce 2021 Solo Show // Life Got Real, SHOUT Gallery Hong Kong 2020 Solo Exhibition // SPRAYCATION Art Supermarket, Hong Kong 2019 K11, Musea Art, Crockerydile, Hong Kong 2019 Group Show, LGBT Arcus Pride Art, Clifford Chance, Red Chamber Gallery 2019 The Objet Nomades, By Louis Vuitton, Tai Kwun, Hong Kong 2019 Wallskar, Graffiti and Street Art Festival, Hong Kong Edtion 2017 Solo Exhibition // FISH 'N' CHIPS, Art Supermarket, Hong Kong 2016 Solo Show + Exhibition // GONE FISHING! Loft 22, California Tower, LFK, Hong Kong 2016 Live Mural // Love Is Wild, Walls Of Change, Project C:Change, Hong Kong 2015 Street Art Festival // HK WALLS,, Hong Kong 2014 Finalist, Secret Walls, Hong Kong 2012 Solo Exhibition // Hackney Road Car Park, Shoreditch London 2010 Solo Show // SHHH Women's Erotic Emporium, Shoreditch, London   Gallery Representation   Shout Gallery - https://shout.art/index.php Art Supermarket - https://www.artsupermarketasia.com Awethentic Gallery - https://www.awethenticgallery.com/ WWW.SZABOTAGE.COM.HK Statement about AOAP Submitted Artwork   In this artwork, Szabotage visually contemplates the connections between the talent and tragedy of Amy Winehouse, one of the mystified members of the '27 Club,' the creative geniuses whose impactful lives were all cut short at the young age of 27. In a natural extension of the artist's street art practice, Szabotage interprets this hallowed personality through his signature stencil language. This portrait features stencils in the background relating to Amy's particular journey to greatness and destruction. He painted Amy as a way to commemorate one of the biggest influences in the British music scene who sadly died too young. After painting Frida Kahlo in 2018 and seeing how influential and fruitful yet tragic her life was, he realised that he could respond to her story and paint her passionately, which he wanted to continue with Amy. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Susie Hamilton Dachshund 1, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Susie Hamilton lives and works in London and is represented by Paul Stolper who is giving her a 'Solo Contemporary' show at this year's British Art Fair at the Saatchi Gallery. Since 2018 she has worked with Hospital Rooms art and mental health charity and is painting 3 large murals this September for the new psychiatric unit in Tooting. Recent solo exhibitions include Unbound, Paul Stolper (2022), Ecstasy and C-19, Paul Stolper (2021, 2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Gallery, Hull (2003). Group shows include Trinity Buoy Wharf Drawing Prize, London (2022, 2021, 2019); Beyond Other Horizons, Iasi, Romania (2020); Drawing Biennial, Drawing Room, London (2021, 2019, 20017); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition,Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Her Covid 19 works have been bought by The British Museum,The Science Museum and Imperial College.   Education   BA Hons and Ph.D in English Litersture, Birkbeck College, London University. Dip AD Fine Art St Martins School of Art BA Painting Byam Shaw School of Art. Awarded Graham Hamilton Drawing Prize.   Gallery Representation   Paul Stolper, London   Statement about AOAP Submitted Artwork   These continue a series of dog paintings, begun at Art Car Boot Fair in 2019, which seek to convey in a succinct manner the aliveness of an animal.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Susie Hamilton Dachshund 2, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Susie Hamilton lives and works in London and is represented by Paul Stolper who is giving her a 'Solo Contemporary' show at this year's British Art Fair at the Saatchi Gallery. Since 2018 she has worked with Hospital Rooms art and mental health charity and is painting 3 large murals this September for the new psychiatric unit in Tooting. Recent solo exhibitions include Unbound, Paul Stolper (2022), Ecstasy and C-19, Paul Stolper (2021, 2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Gallery, Hull (2003). Group shows include Trinity Buoy Wharf Drawing Prize, London (2022, 2021, 2019); Beyond Other Horizons, Iasi, Romania (2020); Drawing Biennial, Drawing Room, London (2021, 2019, 20017); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition,Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Her Covid 19 works have been bought by The British Museum,The Science Museum and Imperial College.   Education   BA Hons and Ph.D in English Litersture, Birkbeck College, London University. Dip AD Fine Art St Martins School of Art BA Painting Byam Shaw School of Art. Awarded Graham Hamilton Drawing Prize.   Gallery Representation   Paul Stolper, London   Statement about AOAP Submitted Artwork   These continue a series of dog paintings, begun at Art Car Boot Fair in 2019, which seek to convey in a succinct manner the aliveness of an animal.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Susie Hamilton Dachshund 3, 2022 Acrylic and Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Susie Hamilton lives and works in London and is represented by Paul Stolper who is giving her a 'Solo Contemporary' show at this year's British Art Fair at the Saatchi Gallery. Since 2018 she has worked with Hospital Rooms art and mental health charity and is painting 3 large murals this September for the new psychiatric unit in Tooting. Recent solo exhibitions include Unbound, Paul Stolper (2022), Ecstasy and C-19, Paul Stolper (2021, 2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Gallery, Hull (2003). Group shows include Trinity Buoy Wharf Drawing Prize, London (2022, 2021, 2019); Beyond Other Horizons, Iasi, Romania (2020); Drawing Biennial, Drawing Room, London (2021, 2019, 20017); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition,Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Her Covid 19 works have been bought by The British Museum,The Science Museum and Imperial College.   Education   BA Hons and Ph.D in English Litersture, Birkbeck College, London University. Dip AD Fine Art St Martins School of Art BA Painting Byam Shaw School of Art. Awarded Graham Hamilton Drawing Prize.   Gallery Representation   Paul Stolper, London   Statement about AOAP Submitted Artwork   These continue a series of dog paintings, begun at Art Car Boot Fair in 2019, which seek to convey in a succinct manner the aliveness of an animal.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

Susie Hamilton Terrier, 2022 Acrylic and Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Susie Hamilton lives and works in London and is represented by Paul Stolper who is giving her a 'Solo Contemporary' show at this year's British Art Fair at the Saatchi Gallery. Since 2018 she has worked with Hospital Rooms art and mental health charity and is painting 3 large murals this September for the new psychiatric unit in Tooting. Recent solo exhibitions include Unbound, Paul Stolper (2022), Ecstasy and C-19, Paul Stolper (2021, 2020); On Margate Sands, Paul Stolper (2018); in atoms, Paul Stolper (2016); Here Comes Everybody, St Paul's Cathedral, London (2015); World of Light, Triumph Gallery, Moscow (2008); New Paintings, Galleri Trafo, Oslo (2007); Paradise Alone, Ferens Gallery, Hull (2003). Group shows include Trinity Buoy Wharf Drawing Prize, London (2022, 2021, 2019); Beyond Other Horizons, Iasi, Romania (2020); Drawing Biennial, Drawing Room, London (2021, 2019, 20017); Small is Beautiful, Flowers Gallery, London (2018); Towards Night, Towner Gallery, Eastbourne (2016); John Moores Painting Prize, Walker Art Gallery, Liverpool (2014, 2004); Summer Exhibition, Royal Academy, London (2014, 2009, 2004); Jerwood Drawing Prize, Jerwood Space, London (2012). Her Covid 19 works have been bought by The British Museum,The Science Museum and Imperial College.   Education   BA Hons and Ph.D in English Litersture, Birkbeck College, London University. Dip AD Fine Art St Martins School of Art BA Painting Byam Shaw School of Art. Awarded Graham Hamilton Drawing Prize.   Gallery Representation   Paul Stolper, London   Statement about AOAP Submitted Artwork   These continue a series of dog paintings, begun at Art Car Boot Fair in 2019, which seek to convey in a succinct manner the aliveness of an animal.   Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising

An Indian bronze figure of Naga Kanya, 20th centuryThe winged figure with serpent tail modelled seated, a coronet of five snakes above her head.14.5cm highNaga Kanya (also Naag Kanya or Nagkanya), is Queen of the Naga, a group of serpentine spirits who reside in the underworld, protecting and offering the teachings of the Mother Goddess. Naga deities are said to guard all esoteric and mystical teachings, offering them only to those who come humbly to receive them. In addition, they offer protection and gifts to the seeker.Good overall with only negligible signs of age and use.

An 18K gold keyless wind quarter repeating chronograph full hunter pocket watchDate: Circa 1900Movement: Swiss lever, cut and compensated bi-metallic balance, flyball governor, two polished hammers striking on two gongsDial: White, black Roman numerals, black outer minute and 1/5th second divisions, subsidiary seconds at 6, blued steel spade hands, centre chronograph handCase: Polished round hinged, Ingilby family crest of a boars head to front, repeat button at 6, start/stop button at 2, inner front engraved 'S. Africa 1899-1902, No.311979Size: 52mmFootnotes:The current lot belonged to Sir William Henry Ingilby (1874-1950) who served as a lieutenant in the first battalion of the Scots Guards in the Boer War (1897-1900). He saw action at the battles of Belmont, Modder River, Diamond Hill and in the relief of Pretoria and was awarded the Queen's Medal with six clasps and the Kings Medal with two clasps. Upon the inner front of this watch is engraved 'S. Africa 1899-1902'.Lots 12-19 form part of the Ripley Castle Collection. Located three miles from Harrogate on the edge of the Yorkshire Dales National Park, Ripley Castle has been the seat of the Ingilby family since the 14th century. Sir Thomas Ingliby (c. 1290–1352) married the heiress, Edeline Thwenge in 1308/9 and acquired the Ripley Castle estate with its medieval manor house as her dowry. While hunting, their eldest son, Thomas (1310–1369), saved Edward III from being attacked by a wild boar and was duly knighted with the boar's head incorporated into the Ingilby family crest. Subsequent generations of the Ingilby family have survived periods of political and religious turmoil and witnessed great societal change. Today, the Ingilby family still live at Ripley Castle and have been opening it to the public since 1954.For further information on this lot please visit Bonhams.com

Vacheron & Constantin. An aluminium open face keyless wind pocket watch together with a further aluminium pocket watchDate: Circa 1945Movement: 17-jewel Swiss lever, cut and compensated metallic balance, No.455197Dial: Silvered, applied polished Arabic numeral hour markers, black outer minute track, subsidiary seconds at 6, polished Breguet style handsCase: Polished round, snap on back engraved 'Presented to George Hodson by Aluminium Limited 1947', No.286909Signed: Case, dial & movementSize: 44mm Accompaniments: Vacheron & Constantin box, metal chain, brochure, further aluminium pocket watch bearing the name George Hodson, Chairman of British Aluminium LimitedFootnotes:In the mid 20th Century Vacheron & Constantin were commissioned with the difficult job of making a series of watches predominantly out of aluminium. Despite being so notoriously lightweight, Vacheron & Constantin were able to succeed and the case and plates of these watches were all made out of the material. The result was an exceptionally light but sturdy watch as found with the current lot. These watches were then gifted to important members of the various aluminium companies, often upon their retirement. The history of aluminium production is an interesting tale of cartels comprising global superpowers all pushing for dominance of key markets. There were three main cartels of the early to mid 20th century - Aluminum-Industrie A. G. Neuhausen (AIAG), The Aluminum Co of Amercia (Alcoa) and Alliance Aluminum Compagnie (AAC). The current lot has a presentation to George Hodson who is recorded as being the Resident Assistant Manager in Basel in 1931 until at least 1945 for AAC and along with Ludwig Braasch 'constituted, at least until 1939, the entire executive staff of Alliance'. Also included in the lot is a further aluminium pocket watch with the hour markers spelling out the name of George Hodson. LITERATUREThe Light Metals Industry in Germany, United States Government Printing Office, Washington, 1945For further information on this lot please visit Bonhams.com

QUINTILIANUS. De institutione oratoria ll. XII. Collatione Cod. Gothani et Iensonianae ed. aliorumque librorum ac perpetuo comm. ill. a I.M. Gesnero. Acc. praef. & indices copiosissimi. Gött., A. Vandenhoeck, 1738. (36), 640, (192) pp. 4°. Cont. vellum. (Upper hinge a bit weak/loosening, upper margin faintly stained at the beginning). NOTE:First edition by Gesner, who was appointed Rector of St Thomas School, Leipzig, in 1730, where Johann Sebastian Bach was Director of Music. Gesner much appreciated Bach's work and they became close friends. This work contains one of the earliest published references to the music of J.S. Bach (page 61, note 3). In 1747 Bach published his Musical Offering and it may well be that Gesner's edition of Quintilian provided the inspiration for that work. - Graesse V, 529; Dibdin II, 370: "A very useful and admirable edition. (…) the best edition of Quintilian yet published."

JAPAN -- COLLECTION of 402 fine photographs of Japanese country side scenery, shrines and temples, festivities, beauties, vendors, professions and handicrafts, activities, etc. c. 1900's. All (but 5) coloured by hand. 235 photographs sized c. 200 x 260 mm and 168 photographs sized c. 93 x 137 mm. For the greater tipped in/laid down on greyish limp paper mounts from the period. The larger photographs partly captioned in the image. (Apart from some obvious slight fading/age-toning in very good condition, NB all photographs can be easily removed from mounts). NOTE:Large collection of souvenir photographs which value "lies not only in the information they contain about Japan, but also in the artistic acumen they convey. […] A noteworthy feature of these tourist photographs is that they are hand-coloured. This technique, which was apparently introduced by Wirgman and Beato, became common in Japan from the 1880s onward. Allthough this practice occurred in the West as well, it never reached the degree of sophistication it attained in Japan. Photographers [had] at their disposal […] a pool of well-trained artisans, men who worked in the print shops producing woodblock prints. When lack of work in this field caused them to lose their jobs, the blooming photographic industry presented a new employment opportunity." (M. Winkel 'Souvenirs from Japan' (1991), p. 31).

BRUEGHEL -- "LE GRASSE CUISINE/De Vette Keucken" - "LE MAIGRE CUISINE/De Mager Keucken" - (Amst.), H. H(ondius), (between 1563 and 1573). Engr. attributed to Hans Liefrinck (monogrammed "I.L.F.") after Pieter van der Heyden's print (1563) after Pieter Bruegel (the Elder). W. 2 line caption in French and Dutch. 220 x 280 mm. Framed, glazed and under passepartout. (A bit browned, some colouring in blue added in places to the fat kitchen, uninspected out of frame). NOTE:Both satirical prints: the fat people in their 'fat kitchen' are distorted grotesques who are mocked for their lack of restraint in eating; the poor thin people in their 'thin kitchen' are also caricatured without compassion. Hans Liefrinck was active between 1538 and 1573. - New Hollstein Dutch 36 and 37, copies b.

LIBER AMICORUM -- ALBUM AMICORUM Cornelis Johan de Lange, anno 1772. W. c. 30 contributions in ms. and 2 watercolour drawings. Sm-8°-obl. Bound in elaborately gilt tooled red morocco by the Hunting Roll Bindery, Leiden, dated 1772 on the back side, a.e.g. (Few minor scratches to bind. along edges, but in perfect condition). NOTE:Liber amicorum for Cornelis Johan de Lange from Gouda (1753-1820?), who matriculated as a Law student at Leiden University on April 10, 1771. (Album Studiosorum Acad. Lugd. Bat., col. 1104; NNBW VIII, 1007-8). With manuscript contributions by fellow students, i.a. by Johan Meerman (1753-1815), whose collection of books would eventually form the basis for the 'Museum Meermanno/Huis van het Boek'. This binding similar to the one depicted in Storm v. Leeuwen IIA, p. 292.

MORRIËN, A. Concurreren met de sterren Amst., G.A. van Oorschot, 1959. 197, (3) pp. Owrps. w. dust-j. (Small piece of dust-j. torn off, spine browned & w. stain). (Stoa-Reeks). NOTE:One of 10 copies on 'Oud-Hollands Vergé-papier'. With author's handwritten dedication: "Voor Jantje, sterrenkundige. Adriaan. Amsterdam, 29 december 1959". Inserted is a handwritten letter (2 leaves) by Morriën to the new owner in which he explains who this 'Jantje' is. It was for Jan Vermeulen, (typo)graphic designer.

POST-CHARTE, Neu-vermehrte, durch ganz Teutschland nach Italien, Frankreich, Niederland, Preußen, Polen und Ungarn, von J.P. Nell (…). Nurnberg, J.B. Homann, (c. 1714). Map, cold. in outlines printed on linen (52 x 69 cm). Stored folded in a red moroccan wallet with silver dec. clasp and catch and with gilt lettering: "Mr. de Preux Regt. de Courten". (Linen slightly foxed in places, a few small dam. to wallet). NOTE:Wallet of the French general Charles de Preux (1738-1813), who served in the "Regiment de Courten"; from 1804, he was commander of this Regiment (that was now called after him: "Regiment de Courten de Preux"). He was captured during the Napoleonic Wars and died while in captivity at Bridgnorth in 1813.

INGENHOUSZ, J. Expériences sur les végétaux, spécialement sur la propriété qu'ils possèdent à un haut degré, soit d'améliorer l'air quand ils sont au soleil, soit de la corrompre la nuit, ou lorsqu'ils sont à l'ombre: auxquelles on a joint une méthode nouvelle de juger du degré de salubrité de l'atmosphère. Trad. de l'anglois. Par., Fr. Didot, 1780. lxviii, 333, (2) pp. W. 1 fold. plate of scientific instruments. Cont. hcf. w. richly dec. gilt back & brown label. (Bind. somewhat chafed, small stamp on recto ti., cont. annot. on flyleaf). NOTE:Ingenhousz was a brilliant Dutch physician, biologist and chemist who discovered the processes of photosynthesis and plant cellular respiration. In 1779, Ingenhousz published his findings in "Experiments Upon Vegetables," detailing his findings of over 500 experiments. This work was a milestone in the history of science and helped establish the fields of modern plant biology and chemistry. Our copy is the first French edition. - Bierens de Haan 2259.

ARISTOTELES -- THOMAS AQUINAS. Divi Thome Aquinatis in libru[m] de a[n]i[m]a Aristotelis expositio magistri Dominici de flandria ordinis predicator in eundem libru[m] acrissime questiones & annotationes. (Venice, per Petrum de Quarenghis, 7 Apr. 1501). (75) lvs. W. woodcut of an angel on the title-p.. lge woodcut on first text-leaf, sev. figures in the text. Fol. Later full limp vellum w. overl. sides. (Stamp on ti., upper outer corner of first quires a bit frayed, margins cut (in places touching the running title), last blank (N4) lacks, a few old marg. annot., lower margin waterstained in places). NOTE:Very rare and early edition of Thomas Aquinas' commentary on Aristotle's De anima. Not in Adams, Soltesz, Machiels. - Only a few copies found worldwide. With stamp "Museo Cavaleri" on the title-page. Michele Cavaleri (1813-1890) was a prominent lawyer in Milan, who collected a vast number of paintings, sculptures, antiquities and books. He negotiated with the city council of Milan to create a museum for his collection, but the council declined. Ernesto Cernuschi bought the entire collection in 1873 and it was shipped to Paris. Cernuschi died in 1896, part of the collection survives at the Musée Cernuschi in Paris, but much of it was sold. Bookplate of L.J.M. Corten on paste down.

A large blue & white ginger jar decorated with scenes of scholars, a pierced wood lid, on a hardwood stand (ginger jar neck a.f.), height 27cmFour significant chips to the ginger jar rim, otherwise the jar looks ok.  firing imperfections to the base, small break to the lid.  Provenance: it is from a local collector who is moving home, apart from this nothing else is known.

A hand drawn and coloured memorial picture for Dr Edward Jenner, renowned physician who invented the smallpox vaccine, showing his house, village church, the letters in his name illuminated with scenes leading to discovery of vaccine, by his nephew S Jenner .  Slight discolouration of paper with age and a few minor areas of foxing perhaps, but overall they are in fairly good condition.

Two rare English black wax twin dolls late 19th century, the reinforced black wax shoulder-heads turned slightly to the right with inset with glass eyes, one pair brown and one pair green, eyelid lines, down-turned mouths, black curly wool wigs, black glazed cotton stuffed bodies with stitched on solid black wax limbs, original white cotton and muslin dresses, lace trim with yellow silk sashes and bows at shoulders, underclothes, socks and cream satin socks -20in. (51cm.) high (one leg broken, but most appears to be there, slight wear and one sash perishing) - these dolls and the following 14 lots are the childhood toys of Christabel Browning (b.1897) and her sister Eileen Browning (b.1896); they are mainly pairs or twin dolls, so are being sold like this. The Brownings were a very wealthy family. Their father was Henry Gonne Browning, a partner in the family wine merchants (Twiss and Brownings (later Twiss, Brownings and Hallowes). They had various sole import licenses into England for prestigious brands including Hennessy Cognac and Dry Monopole Champagne. The family lived at 70 Knightsbridge and later 5 Cadogan Square. Their cousin was Freddie Boy (Frederick) Browning who was married to Daphne Du Maurier and another cousin was Maud Gonne the Irish freedom fighter and muse to WB Yeats. Christabel married the vendor’s grandfather Robert Arthur Redhead in 1926. He was managing Director of Associated Newspapers and his cousin, Peggy Redhead, was married to Esmond Harmsworth, the second Viscount Rothermere.