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Lot 82
WALTER WELLENSTEIN1898 Dortmund - 1970 Berlin'TRAUM DES TÄNZERS' (1951) Öl auf Leinwand. 63 x 86,5 cm (R. 64 x 87 x 3 cm). Oben rechts signiert und datiert. Verso: Rückseitig signiert, datiert, ortsbez. und betitelt sowie auf der Rahmenleiste mit Resten von Klebeetiketten. Leinwand part. min. gewellt. Mit Eisenrahmen. Provenienz: Privatsammlung Berlin.
Lot 86
WOLFGANG 'WOLF' HOFFMANN1898 Wernigerode - 1979 Berlin'BRETONISCHER HAFEN' (c. 1956) Öl auf Leinwand. 78 x 98 cm (R. 83 x 103 cm). Unten rechts monogrammiert und datiert 'WH (19)55'. Verso: Rückseitig mit Klebeetikett der Frühjahrsausstellung in Darmstadt, Mathildenhöhe, 1956 betitelt sowie auf der Rahmenleiste signiert und ortsbez. Part. mit Craquelé, part. minimalst fleckig. Rahmen. Provenienz: Privatsammlung Berlin.
Lot 87
WOLFGANG 'WOLF' HOFFMANN1898 Wernigerode - 1979 Berlin'NORDISCHE LANDSCHAFT I' (1958) Öl und Collage auf Leinwand. 90 x 130 cm (R. 95 x 134,5 cm). Unten rechts signiert und datiert 'WH (19)58'. Verso: Auf dem Keilrahmen Etikett der 'Grosse(n) Kunstausstellung München 1959 - Haus der Kunst - 20. Juni - 4. Oktober' mit Titel 'Nordische Landschaft I', Künstlername und Katalognr. '538'. Part. ber. mit leichten Farbverlusten. Rahmen. Provenienz: Privatsammlung Berlin.
Lot 89
WOLFGANG 'WOLF' HOFFMANN1898 Wernigerode - 1979 BerlinSTILLLEBEN MIT BLUMENVASE Farbaquatintaradierung auf Papier. SM 33,5 x 25 cm, DM 29,5 x 23 cm (R. 54,5 x 44,5 c. Unten rechts handsigniert 'Wolf Hoffmann'. Minimalst gebräunt und fleckig. Im Passepartout und hinter Glas gerahmt (ungeöffnet). Provenienz: Privatsammlung Berlin.
Lot 92
HEINRICH EMIL ADAMETZ1884 Heiligenhaus - 1912 Berlin'STUBBENRODEN IM WINTER' (1949) Öl auf Leinwand. 70 x 97 cm (R. 80 x 105,5 cm). Unten rechts signiert und datiert 'H.E. Adametz Berlin (19)49'. Verso: Auf dem Keilrahmen bez. 'H. E. Adametz Wilmersdorf, Offenbacher Str. 6 IV'. Part. besch. und rest. Rahmen.
Lot 144
Robert Lenkiewicz (British, 1941-2002) Esther seated Lithograph in colours on woven paper Signed, titled and numbered 230/475 in pencil Framed and glazed 61 x 61cm (24" x 24") Robert Lenkiewicz was born in London in 1941, to parents who were Jewish refugees from Russia. He attended school at St Martin's, Charing Cross Road before going to the Royal Academy, Piccadilly, where he taught and lectured. Lenkiewicz had a strong interest in philosophy and considerable social activities led to him formulating nine warehouses which he tenanted with several hundred alcoholics and problem people. This led to a term of imprisonment which encouraged Lenkiewicz to re-evaluate his life style, and he decided to approach the social and philosophical issues that interested him from a more oblique angle. This involved large-scale projects on aspects of the human condition. These studies by R. O. Lenkiewicz are attempts to present information by means of visual imagery and they tie up with a line of enquiry related to his interests in the physiological basis of aesthetics. This enquiry is of importance to Lenkiewicz, who possessed a significant library on philosophic and related issues. It was the hope of Robert Lenkiewicz that his library and work could stay together and that, in due course, it might serve the function of an entirely non-commercial museum for the sole purpose of the provocation of thought. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 196
Peter Blake (British, b. 1932) For John Constable - Liberty as Suffolk child by John Constable Etching, signed and numbered 66/100. Comes with two postcards, comprising "A Suffolk Child" by John Constable printed for V & A museum and the Blake's etching. Published by Bernard Jacobson 1976. 13 x 11.5cm ( 5" x 4 6/8") From the Bernard Jacobson Gallery Collection Sir Peter Thomas Blake CBE RDI RA (born 25 June 1932) is an English pop artist. He co-created the sleeve design for the Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band. His other works include the covers for two of The Who's albums, the cover of the Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette. Blake is a prominent figure in the pop art movement. Central to his paintings are his interest in images from popular culture which have infused his collages. In 2002 he was knighted at Buckingham Palace for his services to art. From the late 1950s, Blake's paintings included imagery from advertisements, music hall entertainment, and wrestlers, often including collaged elements. Blake was included in group exhibitions at the Institute of Contemporary Arts. In the "Young Contemporaries" exhibition of 1961 in which he exhibited alongside David Hockney and R. B. Kitaj, he was first identified with the emerging British Pop Art movement. Blake won the (1961) John Moores junior award for Self Portrait with Badges. He came to wider public attention when, along with Pauline Boty, Derek Boshier and Peter Phillips, he featured in Ken Russell's Monitor film on pop art, Pop Goes the Easel, broadcast on BBC television in 1962. From 1963, Blake was represented by Robert Fraser placing him at the centre of Swinging London and bringing him into contact with leading figures of popular culture. Blake had his first solo exhibition with Robert Fraser Gallery in 1965 and appeared on the front cover of LIFE International in a photograph by Lord Snowdon. Blake was given the final exhibition held at Robert Fraser Gallery which closed in 1969. The same year, Blake had his first exhibition with Waddington Galleries, owned by Leslie Waddington who became his lifelong supporter and representative. In 1999, Blake painted Leslie Waddington with Portrait of a Young Man by Hans Memling. Blake participated in Prince Edward's charity television special The Grand Knockout Tournament in 1987. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 52
Max Beckmann (Leipzig 1884 – 1950 New York). „Gesichter“. 1914-19Original-Halbpergamentmappe mit 19 Kaltnadelarbeiten, jeweils auf Japan, in den Original-Passepartouts mit fortlaufenden Nummern in Blindprägung. Mit dem Textheft mit einer Einleitung von Julius Meier-Graefe, Titel, Inhaltsverzeichnis im Original-Umschlag. Mappe: 53 × 39,2 × 3 cm (20 â…ž × 15 â…œ × 1 â…› in.). Jeweils signiert, 12 Blatt datiert und bis auf 2 Blatt betitelt.Hofmaier 81, 84, 88-90, 105, 108, 126-137.–Jeweils einer von 40 Abzügen von der unverstählten Platte für die Vorzugsausgabe aus einer Gesamtauflage von 100 Exemplaren. München, Verlag der Marées Gesellschaft, R. Piper & Co. (=13. Druck der Marées Gesellschaft), 1919. [3067] Provenienz: Leslie und Johanna Garfield, New York (1988 bei Karl & Faber, München, erworben)Wir berechnen auf den Hammerpreis pauschal 32% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.
Lot 8
Renée Sintenis (Glatz/Schlesien 1888 – 1965 Berlin). „Große Daphne“. 1930Bronze mit brauner Patina, auf Steinsockel montiert. 144,5 × 31 × 31 cm (56 â…ž × 12 ¼ × 12 ¼ in.). Rückseitig unten signiert: R. SINTENIS. Darunter der Gießerstempel: H.NOACK BERLIN.Werkverzeichnis: Berger/Ladwig/Wenzel-Lent 117.–Guss nach 1945. [3063] Provenienz: Privatsammlung, Berlin (2003 bei Grisebach, Berlin, erworben) / Privatsammlung, EuropaWir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 27
GWR Brass Cabside Numberplate 1430 ex 517 Class 0-4-2T Built 1877, withdrawn 1958, right hand side plate, writing on the back 'Bristol Bath R' Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 12 inches, Width: 25 3/4 inches Condition: light surface wear noted Category: Collectibles > Railwayana - Locomotive Cabside Numberplates Estimated Sale Time: 11:24 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
Lot 175
Antiquarian Railway History Books (6) items including 'Railways of Great Britain and Ireland' by Francis Whishaw, London 1840 rebound in gilt-stamped red full Morocco leather having engraved frontis and plates at rear including fold-out maps and diagrams, pertinent print-outs laid in, 'The Rail Road Book of England' by Edward Churton, London 1851 in publisher red cloth having a fold-out map and numerous text cuts, 'The History of the London & North Western Railway' by Wilfred L. Steel, London 1914, cloth, illustrated, 'The Story of the Cambrian' by C. P. Gasquoine, Oswestry 1922, quarter leather, illustrated, 'History of the Barry Railway Company' by R. J. Rimell, Cardiff 1923, cloth, illustrated; together with 'Profils de Rails' French language blueprint index from the Chamiers route workshop providing cross-sections of rails including specifications, cloth backed boards Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 11 inches, Width: 9 inches, Depth: 2 inches (largest) Condition: overall light to moderate wear consistent with normal use, 'Railways of Great Britain and Ireland' lacks half-title and title page (facsimiles laid in) Disclaimers: individual pages have not been inspected, we cannot guarantee completeness, may have occasional bent corners, creases, short tears, owner names or notations, foxing or discoloration Category: Collectibles > Railwayana - Books Estimated Sale Time: 1:42 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8Photograph #9Photograph #10
Lot 113
SNCF Brass Tenderplate 30.R.936 Brass plaque having a red field with green border, raised brass lettering, back having raised mark 'ALCO-5270' Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 12 1/4 inches, Width: 22 inches Condition: overall moderate wear consistent with normal use, having scuffs, nicks, chips, missing paint, tarnish Category: Collectibles > Railwayana - Locomotive Tenderplates Estimated Sale Time: 12:44 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
Lot 364
MTH Model Train O Scale Locomotives with Tenders (2) items including a Duluth Missabe & Iron Range 2-8-8-4 Yellowstone steam locomotive #227 with tender and a Great Northern 2-8-8-2 R-2 steam locomotive #2055 with tender Property from: an Estate, Downers Grove, Illinois Height: 4 1/4 inches, Length: 32 inches, Width: 2 3/4 inches (longer) Condition: overall light wear consistent with normal use Disclaimers: not tested, we cannot guarantee the operation, not checked for replacement parts Category: Collectibles > Model Trains - O Scale Estimated Sale Time: 3:38 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
Lot 490
Model Train G Scale Chicago and Illinois Assortment (6) items including an Aristo-Craft model #23607 Chicago and North Western diesel locomotive #5027A and a C&NW cattle car #46102, a Charlie Ro Manufacturing Company C&NW outside braced boxcar #144695, a Chicago Burlington & Quincy caboose #14112, an HLW Chicago Aurora & Elgin electric trolley #308 and an unmarked Illinois Terminal R. R. Company electric trolley #176 Property from: an Estate, Downers Grove, Illinois Height: 6 1/4 inches, Length: 28 1/2 inches, Width: 4 inches (longest) Condition: overall light wear consistent with normal use, a railing partially detached on caboose, no boxes Disclaimers: not tested, we cannot guarantee the operation, not checked for replacement parts Category: Collectibles > Model Trains - G Scale Estimated Sale Time: 4:51 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2
Lot 161
Nameplate TIVERTON CASTLE 4-6-0 GWR Castle Class Numbered 5041, built June 30, 1935, withdrawn December 31, 1963, right side plate per 'R' stamping Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 19 inches, Width: 69 inches Condition: light surface and paint wear noted Category: Collectibles > Railwayana - Locomotive Nameplates Estimated Sale Time: 1:28 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3
Lot 291
WEP Model Train O Scale Car Assortment (10) items including a GWR riding van hand signed on underside 'P. K. Dawson / D. Studley', a signal van hand signed on underside 'A&M models for R. Carss R. H. '98', an iron workshop van, a horse box, a fish wagon tadpole 'A', a bloater, a fish van, (2) beetle cars and signal van Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 2 7/8 inches, Length: 8 1/2 inches (longest) Condition: overall light wear consistent with normal use, some may have scuffs, nicks, chips, missing paint, loose wires Disclaimers: all items not individually inspected, not checked for replacement parts, we cannot guarantee the operation Category: Collectibles > Model Trains (British) - O Scale Estimated Sale Time: 2:51 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3
Lot 37
SNCF Brass Tenderplate 141.R.936 Cast brass plaque having a red field with raised lettering Property from: The Estate of Thomas ('Tom') Jones, Wilton, Connecticut Height: 12 inches, Width: 22 inches Condition: overall moderate wear consistent with normal use, having scuffs, nicks, chips, missing paint, surface rust Category: Collectibles > Railwayana - Locomotive Tenderplates Estimated Sale Time: 11:33 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3
Lot 6440
Schidlof, Léo R. -- The Miniature in Europe, Graz 1964. Das unverzichtbare Standardlexikon zur europäischen Portraitminiaturmalerei in vier Bänden: zwei Bände Text, zwei Bände Abbildungen in Schwarz/Weiss und Farbe. Nr. 626 von 1000 nummerierten Exemplaren. Hier die Ausgabe in englischer Sprache. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 6443
Schidlof, Leo R. -- La Miniature en Europe, Graz 1964. Das unverzichtbare Standardlexikon zur europäischen Portraitminiaturmalerei in vier Bänden: zwei Bände Text, zwei Bände Abbildungen in Schwarz/Weiss und Farbe. Nr. 888 von 1000 nummerierten Exemplaren. Hier die Ausgabe in französischer Sprache. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 6450
Bone, Henry -- Miniatur Portrait des britischen Königs William IV., in der blauen Uniform eines Flottenadmirals mit blauem Schulterband und Bruststern des Hosenbandordens und Herrscherinsignien des Bath-Ordens. Emaille auf Gold. 3,3 x 2,6 cm (oval). In gerillter, vergoldeter Metallfassung auf dem Deckel einer runden, gefleckten dunklen Schildpattdose (D. 7,5 cm, H. 2,6 cm), die weiße Contre-Emaille signiert, datiert und beschriftet "His Majesty / William 4th. / London Octr. / 1830 / Painted by Henry Bone / R. A. Enamel Painter / to His Majesty &c &c / after the Original / by Morton".William IV. (1765 - 1837) war der dritte Sohn König Georgs III. Er folgte seinem Bruder Georg IV. 1830 im Alter von 64 Jahren auf dem Thron als König des Vereinigten Königreiches Großbritannien und Irland und auch als König von Hannover. Seiner seit 1791 bestehenden Beziehung mit der irischen Schauspielerin Dorothy Jordan entsprangen zehn illegitime Kinder, von denen acht das Erwachsenenalter erreichten. Erst 1818 fand William eine passende Braut, die sich auch der unehelichen Kinderschar liebevoll annahm: Adelheid von Sachsen-Meiningen. Da die beiden keine überlebenden Kinder hatten, fiel der britische Thron 1837 an Williams Nichte Victoria, und der Hannoveraner Thron an seinen Bruder Ernst August. Zur Vorlage unserer Miniatur, einem Gemälde von Andrew Morton (1802 - 1845), und anderen Emaille-Fassungen von Henry Bone, siehe Remington 2010, supra.Provenienz: London, Sotheby's, Auktion "British and Continental Portrait Miniatures" am 1. Dezember 1987, Los 129 mit Abb., Zuschlag 620 GBP plus 10 % Aufgeld. London, Bonhams, Auktion "Fine Portrait Miniatures" am 8. März 1993, Los 59 mit Abb., Zuschlag 1.900 GBP plus 10 % Aufgeld.Literatur: Vanessa Remington: "Victorian Miniatures in the Collection of Her Majesty The Queen", Bd. I, London, 2010, S. 80. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 6453
Forster, Thomas -- Miniatur Portrait eines jungen Mannes mit grau gepuderter Allongeperücke, in gebauschtem Seidenumhang und geknoteter weißer Halsbinde mit Fransenrand.Unten rechts signiert und datiert "TForste[r] / delin / 17[..]".Plumbago auf Pergament kaschiert auf Karton. 9,6 x 8,1 cm (oval) wie in der Abbildung, 9,1 x 7,5 cm im Rahmen. In gekehltem und gedrechseltem, schwarz gebeiztem Holzrahmen. Um 1705/1710. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 6469
Mussard, Robert -- Miniatur Portrait des Stadhouder Willem IV. von Oranien (1711, Leeuwarden - 1751, Den Haag) mit gepuderter Perücke, in rosa-geränderter Rüstung mit weißer Halsbinde und Spitzenjabot, dekoriert mit der blauer Schärpe des Hosenbandordens; vor Himmelhintergrund.Unten links signiert und datiert "R Mussard / 1753". Aquarell und Gummiarabikum auf Pergament. D. 4,9 cm. In vergoldetem Messingrahmen, rückseitig altes Etikett handbeschriftet "Guillaume V. Prince / d'Orange, Stadhouder / de Hollande". Karen E. Schaffers-Bodenhausen und Marieke E. Tiethoff-Spliethoff (The Portrait Miniatures in the Collections of the House of Orange-Nassau, Zwolle 1993, S. 98 Nr. 19) bilden eine hochovale Miniatur des Stadhouders von Mussard, unsigniert und auf Elfenbein gemalt, ab. Eine mit Initialen RM signierte Miniatur, queroval und auf Pergament gemalt, ist dort auf Seiten 25 und 26 besprochen und abgebildet. Jene befand sich damals in der Kunsthandlung Kugel, Paris. Eine weitere, querrechteckige und auf Elfenbein gemalte Version ohne Signatur wurde 1999 im Münchner Kunsthandel angeboten (abgebildet in Weltkunst, Nr. 11 vom 1. April 1999, S. 1806). Die kompositorisch ähnlichste Version (Position des rechten Arms) war eine querrechteckige Miniatur auf Elfenbein, unsigniert, versteigert bei Christie's in London am 22. November 1999, Los 42. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 6482
Cosway, Richard -- Miniatur Portrait des Digby Hamilton (gest. 1820) mit grau gepudertem Haar und Koteletten, in blauer Jacke mit weißer Weste und Halsbinde; vor Wolkenhimmel.Rückseitig auf dem Deckkarton Lateinisch signiert und datiert "R:dus Cosway / R A. et F. S. A. / Primarius Pictor. / Serenissimi Walliae / Principi. / Pinxit / 1803".Aquarell und Gummiarabikum auf Elfenbein. 7,5 x 5,8 cm (oval). In vergoldetem Kupferrahmen.Digby Hamilton wurde 1786 Cornet im 2. königlich-britischen Dragonerregiment, 1795 Captain im 19. Leichten Dragonerregiment und 1799 Lieutenant-Colonel of the Royal Waggon Train. 1813 wurde er zum Major General befördert und 1819 zum Colonel Commandant of the Royal Waggon Train. Die Identifizierung des Dargestellten wird bestätigt durch Vergleich mit dem Pastell von Hugh Douglas Hamilton (abgebildet in Neil Jeffares: Dictionary of pastellists before 1800, online Version, Nr. J.375.1431 [eingesehen am 8. März 2022]). Provenienz: London, Sotheby's, Auktion "Fine Silver, Silhouettes and Portrait Miniatures" am 24. November 1983, Los 460 mit Abb., Zuschlag 1.200 GBP plus 10 % Aufgeld. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 6494
Stroely (Stroehling), Peter Eduard -- Miniatur Portrait einer jungen Frau in weißem Mousselin-Kleid mit gelbem Schal, ganzfigurig in verführerischer Pose auf einem rot gepolsterten Diwan sitzend, im Hintergrund Säulen, blaue Draperie und ein schmauchender brûle-parfum. Rechts auf dem Sockel des brûle-parfum signiert "Stroehling".Aquarell und Gummiarabikum auf Elfenbein. 11,6 x 16,2 cm. In vergoldeter Bronzefassung gegossen mit laurel-and-berry Bordüre auf schwarz gebeiztem Holzpaneel, rückseitig Metalldeckel. In originaler Holzkassette mit Messingecken und Samtfutter (verzogen, Schlüssel fehlt). Um 1805/1810.Nach Jahren der Reisen durch Europa kam Stroely Anfang des 19. Jahrhunderts in England an. An der Londoner Royal Academy stellte er 1803, 1804, 1806, 1807, 1819, 1821, 1823, 1825 und 1826 aus. Angesichts des Formats vorliegender Miniatur ist es durchaus möglich, dass sie ausgestellt war, vielleicht anno 1806, als unter Stroelys Modellen eine verstorbene Mrs Duff und eine Miss Manners verzeichnet sind. Eine ähnliche Stroely-Miniatur fast identischer Größe im Querformat, eine Mrs Sarah Thornhill geb. Sober darstellend, ist abgebildet in Leo R. Schidlof: The Miniature in Europe, Graz 1964, IV, Tafel 559 Nr. 1138.Provenienz: Brüssel, Kunsthandel "Antiquités - Décoration Le Brun", Boulevard de Waterloo 12/26, 1000 Bruxelles, im März/April 1971, für 15.000 BEF (Import-Rechnung und Dokumentation vorhanden). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 6495
Smart junior, John -- Miniatur Portrait des George Rundle mit kurzem blonden Haar, in blauer Jacke mit schwarzem Samtkragen und geknoteter weißer Halsbinde mit gefälteltem Jabot. Unten links mit Initialen signiert und datiert "J S Junr / 1800".Aquarell und Gummiarabikum auf Elfenbein. 7,5 x 5,7 cm (oval). In vergoldetem Metallrahmen, rückseitig verkapselt.Provenienz: Washington, D.C., Smithsonian Institution, The National Collection of Fine Arts, 1979.London, Sotheby's, Auktion "British and Continental Portrait Miniatures" am 8. Juni 1987, Sektion Lose 51-83: "The Property of the National Museum of American Art, Smithsonian Institution, to be sold for Acquisition Funds", Los 67 mit Abb. (damals in Lederetui), Zuschlag 3.200 GBP plus 10 % Aufgeld.Literatur: Daphne Foskett: Collecting Miniatures, Woodbridge 1979, S. 331 ("a good miniature by him"), Abb. 92G ("This is a particularly fine example of the artist's work and very close in style to that of his father.").Daphne Foskett: Miniatures: Dictionary and Guide, Woodbridge 1987, S. 331 ("a good miniature by him"), Abb. 92G ("This is a particularly fine example of the artist's work and very close in style to that of his father."). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 6515
Sicardi, Louis Marie -- Miniatur Portrait eines jungen Mannes mit grau gepuderter Perücke, in dunkelblauer Jacke mit gelber Weste und weißer Halsbinde mit Rüschenjabot.Unten links signiert und datiert "Sicardi / 1786".Aquarell und Gummiarabikum auf Elfenbein. 5 x 4,1 cm (oval). In "Réverbère" Rahmen aus vergoldetem Metall mit dunkelblauer Emailbordüre, rückseitig hellblaue Seide.Provenienz: Lille, Sammlung Madame J. Brasseur.Ihr Nachlass: Paris, Galerie Georges Petit, Auktion "Succession de Madame Brasseur de Lille" am 1. June 1928, Los 42 mit Abb., Zuschlag 3.800 Francs an Léon M. Lowenstein.Paris, Sammlung Léon M. Lowenstein.Sein Nachlass: Paris, Galerie Jean Charpentier, Auktion "Objets d'art [...] dépendant de la Succession de M. Léon M. Lowenstein" am 17. December 1935, Los 107 mit Abb., Zuschlag 500 FRF.London, Christie's, Auktion "Important Portrait Miniatures" am 15. Oktober 1996, Los 181 mit Abb., Zuschlag 2.000 GBP plus Aufgeld.Sammlung Henry Weiller (1925 - 2020), Courbevoie.Europäische Privatsammlung.Literatur: Jules Belleudy: "Louis Sicardi, miniaturiste", Bulletin de la Société de l'Histoire de l'Art français, 1931, S. 304.Leo R. Schidlof: The Miniature in Europe, Graz 1964, Bd. II, S. 754.Emmanuel Bénézit: Dictionnaire [...] des peintres, sculpteurs, dessinateurs et graveurs [...], Paris 1976, Bd. IX, S. 581.Michel Lauraine: Louis Marie Sicard dit Sicardi (1743-1825), peintre miniaturiste, biographie, o. O. [Paris] 2005, S. 118 WV Nr. 106. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 6538
Isabey, Jean-Baptiste -- Miniatur Portrait eines jungen Mannes mit lockigem, hellbraunem Haar und Koteletten, in graubrauner Jacke, quergestreifter gelber Weste und weißem Hemd mit geknoteter Halsbinde. Unten links entlang des Jackenrandes aufsteigend signiert "Isabey.".Aquarell und Gummiarabikum auf Elfenbein. 5,4 x 4 cm (oval). In rechteckigem Vermeilrahmen mit ziselierten floralen Spandrillen, in äusserer, schmaler und vergoldeter Kupferfassung. Um 1800.Eine Kopie nach vorliegender Miniatur, signiert von Mansion, befand sich in der Sammlung von Viktor Zuckerkandl, Purkersdorf, versteigert in Wien bei C. J. Wawra, am 26. Oktober 1916 ff., Los 181 mit Abb.Provenienz: Paris, Sammlung Groult.Sammlung De La Hey.London, Sotheby's, Auktion "The De La Hey Collection. Important English and Continental Portrait Miniatures. The Property of the Trustees of the Estate of the late Mrs. F. H. O. de la Hey and The Property of Major R. M. O. de la Hey. Second (and Final) Portion" am 4. November 1968, Los 186 mit Abb., Zuschlag 220 GBP an Graus Antiques.London, Kunsthandel Graus Antiques, Eric Graus (AKA Erich Grausz, 1927 - 2018).Genf, Sotheby's, Auktion "Portrait Miniatures, [...]" am 21. Mai 1992, Los 12 mit Abb., Zuschlag 10.000 CHF plus Aufgeld an Henry Weiller.Europäische Privatsammlung. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 57
A fine George III satinwood, yew wood, palmwood crossbanded, sycamore and marquetry commode attributed to Ince and Mayhew (active 1758/9-1804)Circa 1780The moulded rectangular top centred by a yew wood oval medallion bordered by paterae-filled lappets and an outer band of stylised laurel leaves on a calamander ground within a broad satinwood crossbanding, the frieze drawer above a pair of cupboard doors with circular vase-filled medallions and flanked by leaf carved and fluted engaged columns, the sides with further vacant circular medallions, the slightly outset base-moulding on leaf carved and baluster turned feet, with palmwood crossbanding, pearl motif bandings and stringing throughout, traces of the original ebonised finish to the mouldings, 128.5cm wide x 63cm deep x 89cm high, (50 1/2in wide x 24 1/2in deep x 35in high)Footnotes:ProvenanceReputably previously from the collection of The Metropolitan Museum of Art, New York.Acquired by Hotspur Ltd., London until sold at The Grosvenor House Antiques Fair, 10th June 1988, £70,000. A copy of this Hotspur invoice is available to view.The present lot relates to certain documented English Neoclassical commodes in the Louis XVI taste associated with the Soho, London cabinet making partnership Messrs. Ince & Mayhew. Their unifying characteristics are engaged fluted columns of a distinctive design to the front corners and ebonised mouldings to the tops and aprons. Arguably pre-eminent among these is an example almost certainly supplied by the firm to George Finch, 9th Earl of Winchilsea and 4th Earl of Nottingham for Burley-on-the-Hill, Rutland circa 1773-1775, sold Christie's, London, Simon Sainsbury: The Creation of an English Arcadia, 18 June 2008, lot 250. Aspects of the offered lot are paralleled on the Rutland commode comprising the almost identical engaged columns to the front corners, the profiling of the mouldings to the top and base and the use of an ebonised finish to the latter. Furthermore, the subtly concave front to the frieze drawer and doors is also featured on the Rutland commode. The Swallowfield Park commodes, sold Christie's London, Important English Furniture, 9 June 2005, lot 250, also represent an important pair of cabinets belonging to the aforementioned group which are of a serpentine configuration with marquetry including similar (possibly yew wood) laurel bound top medallions. These were possibly supplied to Charles, 1st and last Earl Whitworth (1752-1825) and by descent to his sister and thence by descent to Swallowfield Park (see also Lucy Wood op. cit., P. 213, fig. 201). Other related cabinets include a chest of drawers sold Sotheby's, Arts of Europe, 12 May 2015, lot 186 and a serpentine chest, sold Christie's London, The Collector: English Furniture, 22 May, 2019, lot 59. The oval medallion to the top of the offered commode features the use of yew wood, a timber identified as 'possibly unique to Mayhew and Ince among London cabinet makers of this date' (C. Gilbert, The Dictionary of English Furniture Makers, 1660-1840, Leeds, 1986, pp.'s 589-593). The firm supplied a veneered yew wood commode to Sir Brook Bridges of Goodnestone Park, Kent, that was exhibited in Treasures from Kent Houses, Royal Museum, Canterbury, September-October 1984, no. 57.The firm of Ince and Mayhew (active 1758/59-1804) were best known for their skilled innovative use of marquetry. Their earliest known commode decorated solely with marquetry dates from as early as 1764. They were also the first to produce semi-elliptical commodes through their involvement with the Countess of Derby's Etruscan commodes for which they were employed by Adam in 1774. Ince and Mayhew's mature Neoclassical marquetry depended upon a vocabulary of large scale motifs, such as urns, tripods and swags, 'coloured and boldly inlaid upon contrasting fields [and] subtle foliage inlaid in different woods'.Comparative LiteratureR. Edwards and P. Macquoid, The Dictionary of English Furniture, rev. edn., 1954, vol. II, p. 52, fig. 56L. Wood, The Lady Lever Art Gallery: Catalogue of Commodes, London, 1994, p. 213, fig. 201.H. Roberts and C. Cator, Industry and Ingenuity: The Partnership of William Ince and John Mayhew, 2022, p. 311, pl's. 165-166 and p. 326, pl's. 213-214.For further information on this lot please visit Bonhams.com
Lot 30
An early Victorian porcelain and ormolu mounted rosewood and tulipwood jewellery coffer on stand or coffre a bijoux attributed to Johann Martin Levien (1811-1871)Circa 1845, an identical model forms part of the Royal CollectionThe quarter veneered box superstructure mounted with five oval Sevres style porcelain plaques painted with a trio of putti and four pairs of putti, variously allegorical of viniculture, geography, astronomy, literature, music and fire making, each plaque set within a shaped C- and S-scroll, floral, foliate and rocaille panel mount, the superstructure comprised of a hinged top enclosing a velvet lined interior, above a cavetto leaf mounted panelled frieze, with canted floral clasped angles, over a re-entrant panel mounted hinged fall front enclosing two pigeon holes, two short mahogany lined tulipwood veneered drawers and one shelf, on a stand with a shaped apron mounted with four oval Sevres style painted porcelain plaques, each within a ribbon tied entwined twin oak leaf branch and oak leaf wreath mount, on keeled cabriole legs each headed by a floral swagged, paterae embedded scrolled corbel, beaded and acanthus clasped mount, with guilloche cast chutes terminating in scrolled foliate sabots, approximately: 54cm wide x 49cm deep x 110cm high, (21in wide x 19in deep x 43in high)Footnotes:An identical model of jewellery cabinet on stand (referred to as a coffre a bijoux in French), which is dated 1846 and is also, as with the present lot, attributed to Johann Martin Levien, forms part of the Royal collection, see www.rct.uk, RCIN 169.Although Levien is famed for his furniture executed in assorted exotic specimen woods, the latter of which were predominantly sourced from New Zealand, the vast majority of his work was in fact made from more traditional timbers. And this seems to have been the case for his output in French styles, particularly those in the Louis XV taste as with the offered model and the Royal comparable. The latter coffre a bijoux, along with the above example, are representative of the endorsement of Queen Victoria and Prince Albert, especially during the 1840s, for French-inspired pieces. The modified or updated Louis XV (or Rococo revival) style was evidently the one preferred by the Royal couple at that time. The porcelain plaques on both of these jewellery cabinets, which are painted in the Sèvres style with scènes galantes, birds and flowers within gilded cartouches, are almost certainly of English manufacture, for more information please refer to Victoria & Albert: Art and Love, 2010, London.Johann Martin LevienLevien was born in Barth on the Baltic coast, in what is today part of Germany. During his youth he was apprenticed to a cabinet maker there before travelling extensively across Europe. Following a trip to Brazil in 1837, Levien took the decision to set himself up there as both a cabinet maker and dealer responsible for making and selling pieces comprised of or incorporating a wide array of exotic timbers. However, the trade in this area evidently proved too competitive at that time in South America and represented too difficult a prospect for the young Levien. Consequently he chose a different course, specifically by boarding an English ship destined for New Zealand in 1840. By the end of the following year, Johann Martin had established a new furniture enterprise in New Zealand. Also, even in what was a relatively brief period, the diligent cabinet maker had greatly expanded his collection of exotic specimen wood samples. And although clearly prospering there, in 1843 Levien moved once again, but on this particular occasion to England. Interestingly he would never return to New Zealand thereafter.His career and renown progressed so rapidly in London, that in hardly any time after his arrival there, Levien was able to set up workshops at New Zealand Company on Broad Street, as well as develop the main room at this location as a space in which to properly display his firm's impressive 'wares'. His most notable clients tended to be affluent and aristocratic, whilst on occasion they were even members of the Royal family, tending to be either from the British or Prussian courts.Included among Levien's most important and illustrious patrons were figures such as: the Prussian ambassador, Christian Charles Josias von Bunsen (later Baron von Bunsen); Frederick William IV, King of Prussia; Baron von Stockmar, Baron Rothschild, Stewart Marjoribanks, Lord Ilchester, John Abel Smith, Lord Ingestre and of course most significantly Queen Victoria.In 1846 a Royal appointment was bestowed upon Levien and this honour was triumphantly announced by 'The London Sun' only a couple of weeks afterwards in the following way: 'We are happy to announce that Her Majesty has been pleased to confer upon Mr Levien the appointment of cabinet-maker to Her Majesty, in token of the very elegant specimens of workmanship made by him... Her Majesty the Queen was the first to patronise him. And he has secured great favour with Her Majesty by his workmanship, his skill, and his woods.'A mere two years later, in 1848, Johann Levien was awarded both a gold medal and a further Royal appointment, albeit on this occasion from the King of Prussia. In fact that year was an especially successful one for Levien's business since they were doing well enough to re-establish themselves at the exclusive and highly sought after 10 Davies Street address, located in Grosvenor Square. Subsequently Levien submitted four pieces to the famous 1851 Great Exhibition.Despite his prolific output and widespread renown, only a very small number of stamped or documented examples of Levien's furniture are known to exist or remain. This seems particularly odd considering the fact that by the time the cabinet maker retired and subsequently sold the firm in 1868, hundreds of works must have been produced in his name. Although it does seem extremely likely that the vast majority of his output was almost certainly left unsigned or unmarked, whilst a great deal of it also went on to be later sold by retailers such as R. Lucas & Co.This lot is subject to the following lot symbols: TP YTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
Lot 28
A George II walnut armchair1750-1755, either made by the firm of Wright and Elwick or executed by Paul SaundersThe shaped beaded and scrolled acanthus wrapped toprail carved with a central sunflower head, with volute scrolled and acanthus clasped arms, above a shaped, foliate scroll carved and channelled seat frame centred by a shell and acanthus spray, on bellflower pendant, scrolled and foliate adorned cabriole legs terminating in scroll feet, with an old metal plaque which reads: 'ANTIQUE FURNITURE FROM NORMAN ADAMS LTD., 8-10 Hans Road, London, SW3', approximately: 71cm wide x 74cm deep x 96cm high, (27 1/2in wide x 29in deep x 37 1/2in high)Footnotes:ProvenanceThe present lot was previously with Norman Adams Ltd., most likely during the 1970s and also into the early 1980s, from which period the metal plaque applied to its seat rail appears to date.The same model of chair sold Christie's, New York, 25 October 1986, Fine English and Continental Furniture, lot 54. Much more recently, an identical pair of these chairs (possibly part of the same set originally as the offered example) sold Christie's, London, 20 May 2021, The Collector, lot 32. It seems highly probable that the partnership of Wright and Elwick, active from 1748 and based in Wakefield, West Yorkshire, was responsible for the making of the present chair. Also it is interesting to note that Richard Wright, who formed one half of this impressive duo, had earlier on worked alongside Paul Saunders (1722-1771). The latter of whom was one of the most significant cabinet makers (and notably chair makers) who flourished in England during the 1750s and 1760s. Saunders also served as Tapestry Maker to His Majesty the King, whilst being based at 'The Royal Soho Manufactory, Soho Square'. During the early part of his career he operated with George Smith Bradshaw (1717-1812), who was then much like a business partner of his. Together they took over, circa 1755, the workshop of William Bradshaw, which was based at 59 Greek Street, also in Soho, and at the same time acquired the stock and pattern books already there. As a consequence of this, there are many similarities among the contemporaneous design elements and motifs employed by Wright and Elwick, Saunders and indeed Bradshaw as well.An example of this shared visual vocabulary is the acanthus carving to the legs of the above chair which appears, albeit slightly varied upon each individual model, on seat furniture produced by all three of the aforementioned makers. These include; a set of four armchairs with tapestry upholstery which were evidently provided for Chesterfield House, London by Bradshaw but are today housed at the Metropolitan Museum of Art, New York, and which feature in G. Beard, Furniture Maker and Tapestry Weaver Metropolitan Museum Journal, Vol.37, 2002, p.168, fig. 1; two sets of dining chairs (1755-1758) made by Saunders on behalf of the 1st Earl of Leicester at Holkham Hall, Norfolk, illustrated in A. Coleridge, Some Mid-Georgian Cabinet-Makers at Holkham, Apollo, February 1964, fig.'s 1 and 2; and a group of twelve chairs most likely supplied by Wright and Elwick to Nostell Priory, Yorkshire, National Trust, NT 959745.The Nostell Priory variant of this type, which was seemingly devised and executed by Wright and Elwick, incorporates a very similar carved cartouche to that appearing on the seat frame of the offered chair. Further to this, the present lot relates to a group of dining chairs, also believed to have been provided by this same firm, albeit for Kippax Park, Yorkshire. The latter appear in M. Harris and Sons, The English Chair, London, 1946, pl. LI, p. 123. All of this lends serious weight to the view that the above is a production of the renowned Wakefield business.Additional seat furniture of this closely comparable design was previously located at Swaines Hill Manor, Hampshire. Whilst a pair of armchairs together with a sofa from this suite, which had formed part of the collection of the late Marjorie Wiggin Prescott, Belle Haven, Greenwich, Connecticut, sold Christie's, New York, 31 January 1981, lot 354. Subsequently, the same sofa sold Christie's, London, 11 May-1 June 2020, lot 108. These notable pieces feature in R. Edwards, C. Claxton-Stevens and S. Whittington, 18th Century English Furniture, The Norman Adams Collection, 1983, Woodbridge, pp.'s 38 & 39. It is possible that the present lot is indeed the exact same armchair which is illustrated therein.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 6344
Orlik, Emil -- Vor der Stadt.Radierung in Braun auf Velin. 11,8 x 19,6 cm (16,3 x 24,8 cm). Signiert "Orlk" und datiert sowie gewidmet "s.(einem) l.(ieben) G.(erhart)". 1911. Voss-Andreae R 275.9.Entstanden für die Mappe "20 Radierungen aus Ägypten", erschienen im Eigenverlag 1913. Ganz prachtvoller, klarer Druck mit Rand.Literatur: Liegnitzer Katalog S. 209.Antje Johanning: Die Sammlungen Gerhart Hauptmanns aus dem Besitz Anja Hauptmanns, Dresden 2006, S. 280 mit Abb. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 6355
Orlik, Emil -- Portrait Gerhart Hauptmann (Kopf im Profil nach rechts).Radierung in Braun auf Similijapan. 23 x 18,3 cm (41 x 31,5 cm). Signiert "Orlik", datiert und gewidmet "seinem lieben Freunde Benvenuto.", zudem vom Drucker Otto Felsing signiert. 1912. Voss-Andreae R 256 wohl b (von d). Wohl Abzug des vierten Zustandes, der von Orlik, Voss-Andreae zufolge, noch 1912 statt 1913 datiert wurde. Prachtvoller Druck von der beschnittenen Platte, mit delikatem Plattenton und breitem Rand. Literatur: Liegnitzer Katalog S. 210Antje Johanning, Die Sammlungen Gerhart Hauptmanns aus dem Besitz Anja Hauptmanns, Dresden 2006, S. 279 mit Abb. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 6343
Orlik, Emil -- Zu Michael Kramer.Radierung in Braun mit Punktiermanier auf festem Velin. 14,5 x 20,9 cm (ca. 22 x 27 cm). Signiert "Emil Orlik", datiert und bezeichnet "Prag". Auflage 15 Ex. 1903. Voss-Andreae R 149.Gerhart Hauptmanns naturalistisches Drama wurde am 21.Dezember 1900 am Berliner Deutschen Theater uraufgeführt, unter der Regie von Erich Lessing und mit Max Reinhardt in der Titelrolle. Die kleine Auflage entstand 1904 bei Otto Felsing, Berlin; unser Exemplar ohne Numerierung, wohl vor der Auflage direkt für Hauptmann. Das Blatt befand sich im unteren Turmzimmer. Im Druck Gerhart Hauptmann zugeeignet. Prachtvoller, fein differenzierter Druck mit Rand. Literatur: Liegnitzer Katalog S. 208.Antje Johanning: Die Sammlungen Gerhart Hauptmanns aus dem Besitz Anja Hauptmanns, Dresden 2006, S. 281 mit Abb. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 196
A 9ct gold Cyma manual wind wristwatch, A 9ct gold Cyma manual wind wristwatch, cal. R.486.2, the signed dial with baton markers, signed 18 jewel movement, numbered 335541, within a 9ct gold case bearing hallmarks for Birmingham, numbered 433874 and 12834, to the integral fancy bracelet and folding clasp, case diameter 34mm, length 19.5cm, gross weight 50.5g. With maker's case.Overall condition good to fairWatch working at time of cataloguing. Wilson 55 does not guarantee the working accuracy of any timepiece offeredScratches to glassWear and discoloutation to bracelet in keeping with general wear
Lot 105
A citrine and diamond cluster ring, A citrine and diamond cluster ring, the pear shape citrine weighing approx. 8cts within a brilliant cut diamond surround, estimated total diamond weight 0.90ct, stamped 18ct, ring size R, gross weight 9g.Overall condition good to fairScratches, discolouration and abrasion in keeping with general wearAbrasion and scratches to citrine visible with magnificationDiamonds bright and well matched - a few with scattered light and dark inclusions visible with magnification
Lot 152
An early 20th century diamond single stone ring, An early 20th century diamond single stone ring, the transition cut diamond weighing approx. 0.70ct, within a six claw setting, estimated colour G-H, estimated clarity VS, ring size R, gross weight 2.1g. With Bucherer ring box.Overall condition good to fairRing resizedRing band thinningMarks 'M&Co Ld' other marks wornScratches in keeping with age and wear
Lot 173
An 18ct gold amethyst single stone ring, An 18ct gold amethyst single stone ring, the fancy rectangular cut amethyst weighing approx. 7cts with polished bar sides, stamped 750, ring size R, gross weight 9.6g.Overall condition good to fairScratches, discolouration and abrasion in keeping with general wearMarks clear - maker's marks CJ
Lot 123
ALVAR AALTO (1898-1976)Lampadaire mod. 'A810'Création en 1959Edition ValaisinpajaEtiquette de l'éditeurMétal laqué, laiton, cuir et acierH: 163,5cm. (64 3/8in.); L: 44cm.(17 5/16in.); P: 27cm.(10 5/8in.).A 'A810' floor lamp in lacquered metal, brass, leather and steel by Alvar Aalto designed in 1959 edited by Valaisinpaja.Footnotes:Bibliographie:M. Emery, Furniture by Architects, Ed Harry N. Abrams, New York, 1983, p. 45, n. 45R. Weston, Alvar Aalto, Ed Phaidon, London/Hong-Kong, 1999, p. 94 n. 48M. Lahti, et. al., Alvar Aalto Designer, Ed Gallimard, Paris, 2003, p. 24J. Eisenbrand, M. Kries, Alvar Aalto, Second nature,Ed Vitra Design Museum, Weil am Rhein, 2014, p. 246, 561N. Yoshida, et al., 'Feature: Alvar Aalto Houses - Material and Details', a+u. Architecture and Urbanism, n. 606, Mars 2021, Japon, p. 53For further information on this lot please visit Bonhams.com
Lot 18
JACQUES ADNET (1901-1984)Table basse tripodeCréation circa 1949Cuir, bronze, laiton et verre H: 46,5cm. (18 5/16in.); D: 81,5cm. (32 1/16in.)A tripod coffee table in leather, bronze, brass and glass by Jacques Adnet designed circa 1949.Footnotes:Bibliographie : B. Champigneulle, 'Les meubles de Jacques Adnet', Art et décoration, n. 14, 1949, p. 10, 11R. Ferrette, 'Les derniers meubles de Jacques Adnet', Art et industrie, n. XXII, 1951, pp. 34-37A.-R. Hardy, G. Millet, Jacques Adnet, Ed L'Amateur, Paris, 2014, p. 211This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 192
AINO AALTO (1894-1949)Chaise longue mod. 'Mairea'Création circa 1938Edition Huonekalu-ja Rakennustyötehdas A.B.Bois peintH: 65cm.(25 1/2in.); L: 160cm.(63in.); P: 50cm.(19 11/16in.).A 'Mairea' chaise longue in painted wood by Aino Aalto designed circa 1938.Footnotes:Bibliographie :R. Weston, Alvar Aalto, Ed Phaidon, London/Hong-Kong, 1999, p. 90 n. 42M. Lahti, et. al., Alvar Aalto Designer, Ed Gallimard, Paris, 2003, pp. 30-31U. Kinnunen, Aino Aalto, Ed Alvar Aalto Museum, Jyväskylä, 2004, p. 100-101, 129N. Stritzler-Levine, Artek and the Aaltos : Creating a Modern World, Ed Bard Graduate Center, New York, 2016, p. 620For further information on this lot please visit Bonhams.com
Lot 29
ROGER CAPRON (1922-2006)Table basse mod. 'Soleil'Circa 1960Signée 'R. CAPRON'Grès émaillé et acier chroméH: 39cm. 515 3/8in.); L: 121cm (47 5/8in.); P: 40,5cm. (15 15/16in.).A signed 'Soleil' low table in glazed stoneware and chrome-plated steel by Roger Capron circa 1960.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 82
RICHARD MEIER (Né en 1934)Prototype du fauteuil mod. 810A pour Strada2013 MonogramméHêtreH: 70cm.(27 9/16in.); L: 54cm.(21 1/4in.); P: 46cm.(18 1/8in.).A prototype for the armchair '810A' for Strada by Richard Meier designed for the reading room of the Solomon R. Guggenheim Museum in New York.Footnotes:Historique :Le modèle a été créé pour la salle de lecture du musée Solomon R. Guggenheim à New YorkBibliographie:P. Serra Zanetti, 'Design Review : 'High Quality'', Domus, no. 614, février 1981For further information on this lot please visit Bonhams.com
Lot 55
Nine books to include English Coinage 600-1900 by C H V Sutherland, Scottish Coins by Donald Bateson, Canadian Government Paper Money edited by R J Graham, British Countermarks on Copper & Bronze Coins by J Gavin Scott, A Guide book of United States Coins by R S Yeoman, 42nd edition, The English Silver Coinage From 1649 by Seaby and Rayner, English Hammered Coinage Volume 2 by Jeffrey North, published by Spink, two other coin books and a Spink jigsaw puzzle. (10)
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