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Lot 21

Diamond cluster ring, the octagonal shaped panel set with nine small graduated single cut diamonds, panel size 8mm diam, stamped 18ct, size R

Lot 230

Unusual silver and enamel 'grouse' desk seal, the naturalistic model grouse having chased and engraved detail, highlighted with two cabochon red stone set eyes, standing on a green guilloche enamel banded and silver gilt pedestal, the matrix below engraved 'R H. R M', hallmarked London 1967, 35mm tall

Lot 24

9ct gold gents signet ring of angular design, the centre engraved with initials, Birmingham 1939, 4gms, size R

Lot 3

18ct gold sapphire and diamond three stone ring centring an oval faceted sapphire between two brilliant cut diamonds, 0.20ct total approx, size Q/R

Lot 36

Precious metal, ruby and diamond ring centring a small round faceted ruby raised above small mixed cut diamonds (one missing) (a/f), stamped 18K, size R

Lot 37

Mixed lot: 9ct gold gents signet ring, the square panel geometrically engraved, size V, together with a 9ct gold and black onyx ring set with a small diamond, size R/S, g/w 6.7gms

Lot 69

Modern 9ct gold opal doublet 8-stone ring, featuring 8 small opal doublets, line set in a pierced gallery, size R

Lot 72

Five stone diamond ring featuring five old cut diamonds in engraved settings, 0.25ct approx, stamped 18ct, size R

Lot 77

Modern 9ct gold synthetic emerald and small diamond ring, a chequerboard design featuring seven rectangular emeralds and seven small single cut diamonds, size R

Lot 85

Modern 9ct gold and emerald ring featuring 10 calibre cut square emeralds, channel set, size R

Lot 100

René Lalique (French 1860-1945), 'Inséperables' No.765, an opalescent glass timepiece, Designed 1926, moulded R Lalique on the front bottom edge, The square form with rounded corners moulded with two pairs of love birds perched on flowering branches flanking the movement with circular face and Arabic numerals, easel back support, marked on the dial ‘8 days-Swiss Made’,Glass 11.1 cm x 11 cmThere is a small chip to one edge, towards the top on the right hand side. One small nick on the top right corner on the front edge. There are some other tiny nicks to the back on the edges and corners – all very small.Metal elements of movement all aged. Please note Rosebery's do not guarantee the working condition, duration or timekeeping of clocks offered for sale.

Lot 102

René Lalique (French 1860-1945), 'Ondine’, No.380, an opalescent glass bowl, Designed 1921, wheel engraved R. Lalique France,Moulded in relief with mermaids,20.7 cm diameterThe neck rim is flat and there are some small chips and nicks. A few small scratches in the bottom, some light wear to the base.

Lot 103

René Lalique (French 1860-1945), ‘Ormeaux’, No.984, a clear and frosted vase, Designed 1926, intaglio moulded R. Lalique, engraved R. Lalique France,Moulded in relief with overlapping leaves,17 cm highLight natural wear and to underside of base.

Lot 105

René Lalique (French 1860-1945), ‘Espalion’, No.996, an opalescent glass vase, Designed 1927, engraved R. Lalique France,Moulded in relief with overlapping fern fronds,18 cm highA few minute abrasions to the neck rim. Natural wear and to underside of base. There are some very faint traces of staining.

Lot 106

René Lalique (French 1860-1945), ‘Poissons No2’, No.3264, an opalescent ‘coupe plate’, Designed 1931, moulded R. Lalique,Moulded with fish and a bubble suffused centre,25.2 cm diameter Light wear – good condition.

Lot 107

René Lalique (French 1860-1945), ‘Poissons No1’, No.3211, a pair of opalescent bowls, Designed 1921, moulded R. Lalique,Moulded with fish and a bubble suffused centre,23.8 cm diameter Rounded rim with a few minute nicks and some minor polishing. One with a scratch in the centre of the bowl. Some light natural wear.

Lot 108

René Lalique (French 1860-1945), ‘Gui No1’, No.3223, an opalescent bowl, Designed 1921, acid-etched mark R. Lalique France,Moulded with leafy, berried branches of mistletoe,23.7 cm diameter Rounded rim, some minor polishing on the inner edge, probably from the glassworks. Light wear – overall good condition.

Lot 109

René Lalique (French 1860-1945), 'Rampillon' No. 991, an opalescent glass vase, Designed 1927, engraved R. Lalique France, N:991, The flared form moulded with lozenge shaped protrusions against a foliate ground,12.5 cm high There is a tiny, shallow slither chip on the inside of the rim and some further minute nicks. There are some small nicks and abrasions on the ends of some of the protrusions. A mould-stress line to the inside on the base and a few on the sides - but this is not damage - it is part of the making process. Wear to the raised rim of the underside of the foot in keeping with age and use.

Lot 24

A stoneware sculpture of a woman standing full-length, c.1990, indistinctly signed, 'Mary S. R-----',Modelled as a stylised pregnant woman stood with arms behind her back,48cm high Please refer to department for condition report

Lot 86

René Lalique (French 1860-1945), ‘Bouchon Cassis’ No.494 a glass perfume bottle with ‘Tiara’ stopper and white staining, Designed 1920, finely engraved 'R. Lalique' and partial moulded 'R. Laliq',The clear glass bottle moulded with vertical lines heightened with complimenting coloured enamel, the elaborate stopper of cassis colour moulded with pendant stems laden with blackcurrants, with white staining on the stopper, 11.5 cm highThere are some minute abrasions on the neck rim, underside of the foot rim and on the stopper and an occasional fine scratch. There are also some tiny open bubbles and inclusions in the glass from the making process. There is a tiny nick/open bubble on the edge of the shoulder on the stopper shank and on the end of the tiara stopper. The white staining is a little faded. Overall in good condition.

Lot 87

René Lalique (French 1860-1945), ‘Serpents’ No.1651 a sea-green glass pendant, Designed 1920, engraved on the reverse 'R. Lalique, No.1651',Moulded on one side with the open-mouthed and entwined body of a snake, with silk cord,4.4 cm long, 3.6 cm wide No damages detected. Light natural wear, occasional paint spot.

Lot 91

René Lalique (French 1860-1945), ‘Poussins’ No.1330 a dark green glass bracelet,Designed 1928, the top edges of two segments engraved R. Lalique,Comprising fifteen segments of glass united by elasticated thread, each segment moulded with two birds heads,Approximate circumference 22 cmTwo segments with some tiny nicks to edge/corner. Light natural wear. Probably re-strung.

Lot 93

René Lalique (French 1860-1945), 'Ambre De Siam', Volnay-7, a glass perfume bottle (without stopper) with sepia staining,Designed 1920, engraved R. Lalique, moulded 'R. Lalique', Moulded with overlapping beaded ovals on the sides, plain open neck, with sepia staining,2.4 cm high, 4.4 cm wideBase of bottle only - NO stopper. Light natural wear to base.

Lot 95

René Lalique (French 1860-1945), 'Tourterelles’, No.963, a cased opalescent glass vase with cover, Designed 1925, engraved R. Lalique France on the bottom of the vase,The vase of plain oviform, the cover moulded with a pair of doves perched on a flowering branch and heightened with blue staining,29 cm highCover: there is a slither chip on the shank and some additional minute nicks on the rim. Some fading/losses to the staining. A couple of minute speck inclusions. A few fine stress lines from the mould – but this is how it was made.Vase: There are a number of chips and nicks to the neck rim. A few minute pin prick abrasions on the side and some light wear. Wear to the underside of the base.

Lot 96

René Lalique (1860-1945), 'Ondines' No.3003, an opalescent glass plate, Designed 1921, wheel engraved R. Lalique France, No.3003, Moulded on the underside with water nymphs, 27.2 cm diameterThere is a tiny nick on the rim - a little like a tiny open bubble. There are some scratches and some tiny abrasions - mostly to the outer edge of the clear centre - the wear is quite heavy. Light wear to the underside.

Lot 626

PETERNELJ-MAUSAR, JOZÉ (1927-2013), GEMÄLDE: "Winterliches Dorf mit Bauer und Kuh", u. r. signiert "Jozé Peternelj-MAUSAR" und datiert "1977", wohl Temperamalerei auf Platte. Charakteristische Arbeit des slowenischen Künstlers im Stile der Naiven Malerei. Hinter Glas gerahmt. Gesamtmaße mit Rahmen: H. 60 x B. 75 cm.

Lot 1282

A stitched leather and silver mounted blackjack: the mount bears marks for R & S Garrard & Co, London, 1894, of traditional design with loop handle, (patched), 46cm high.

Lot 456

R. Wainwiller, Bruxelles, an 18 carat gold pocket watch,: the circular white enamel dial with black Arabic numerals, Breguet hands and subsidiary seconds dial, case numbered 17258, Breguet movement, stamped 18k, 48mm diameter; and a two colour watch chain, stamped 18ct, with a bloodstone fob, stamped 9ct

Lot 521

A 9 carat gold ring,: of plain polished form, stamped 375, ring size R; a further 9 carat gold ring; and three 9 carat gold chains, 9.8g gross.

Lot 465

A Royal Worcester fruit-decorated part tea service, 20th century, painted with various scenes of apples, cherries, grapes, plums, peaches and other fruits on the woodland floor, variously signed by F. Higgins, J.Cook, C. Bowen and R. Tomson, black printed marks. Comprising: a teapot and cover, six tea cups, six saucers and six cake plates. (20)

Lot 470

A Royal Worcester two-handled vase, date code for 1899, painted by Raymond Rushton with a fisherman beneath silver birch trees beside a mountain lake, a viaduct and castle in the distance, signed R. Rushton, the reverse with a similar landscape, puce printed mark, 27.5cm.

Lot 571

Two Sèvres tea cups and saucers, c.1768-70, painted with scattered pink roses between berried leafy borders, interlaced Ls marks in blue and green enclosing date letters including P and R, some damages, 13.4cm. (4)

Lot 573

Two Sèvres ice cups (tasses à glace), c.1770,, painted with small flower sprays on a white ground within narrow blue borders with gilt intersections, interlaced blue Ls mark enclosing date letter R to one, 6.6cm. (2)

Lot 823

A Worcester blue and white coffee cup and saucer, c.1755-58, painted with the Gazebo pattern, a small hut protruding from crossed rocks, a figure in a boat to the foreground, workman's marks, 11.7cm. (2) The coffee cup with a paper label for the A R Hobbs Collection.

Lot 300

WWI MESSAGE BOOK & CHRISTMAS CARDS. A WWI officer's Field Message Book (Army Book 153). Inscribed inside cover 'J. R. Douglass. R.F.A'. Blank pages in cover, with a few missing used pages, with original carbon & pencil. Also, two signed 1917-1918 Christmas Cards.  Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Lot 318

PAIR OF KUKRI. A matching pair Kukri in leather scabbards c.1930's. Provenance: formerly the property Lt. Colonel A. R. Dawe of the 4th/10th Gurkha Rifles.  IMPORTANT...SHIPPING OF EDGED WEAPONS, PISTOLS, MUSKETS & MILITARIA… Our in-house postal shipping service is NOT available for edged weapons, pistols, muskets, heavy, fragile or large multi-lot purchases from the Militaria section of this auction. We can only offer our in-house postal shipping service for items suitable or accepted by Royal Mail or ParcelForce services. Our recommended alternative carrier is MBE Plymouth on 01752 257224 or info@mbeplymouth.co.uk or a specialist edged weapons & militaria carrier PDQ Freight who should be contacted direct on +44 (0)1784 243695 or info@pdq.uk.com. Collection in person or by a buyer's own carrier is possible, but advanced notice by telephone is required for items to be made ready for collection.

Lot 358

NAMED 89th HIGHLANDERS DIRK A Scottish officer's dirk of the 89th Regiment of Militia - Royal Aberdeen Highlanders. Scratch signed to reverse of scabbard on the three mounts: 'R. Campbell Captain RAH 1858'; 'Royal Abereen (sic) Highlanders; 1858 Captain R Campbell at point. Grip with silver plated pommel set with (damaged) cairngorm. Leather covered scabbard with plated mounts of St. Andrew & Saltire, Regiment number 'LXXXIX' & knife & fork. Total length 44.5cm. Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase and only to the UK mainland.  WE CANNOT SEND THIS ITEM TO A NON-UK ADDRESS.

Lot 546

WILLIAM R. PODMORE. 'Hearts and Flowers', a trompe l'oeil oil on canvas by William Podmore. Signed & dated 3.74. Artist's personal label & Coventry & Warwickshire Society of Artists Exhibition label to the reverse. 60 x 50cm.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CANNOT SHIP THIS LOT or other large, glazed or fragile pictures. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk  

Lot 595

LALIQUE GLASS. A Lalique frosted glass paperweight 'Moineau Moqueur', moulded as a sparrow. Stencilled mark R Lalique. (Slight damage to base).  Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Lot 232

Four Delft tiles, late 17th century, two painted with birds in blue, green, ochre and manganese, within blue circular panels, another with a butterfly perched on a flower stem, the last with a symmetrical flower spray, within geometric blue corners, some chipping, 13cm. (4) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent.

Lot 233

Four Bristol delftware tiles, c.1750-70, painted in the Bowen manner with figures, boats and buildings beneath tall sponged trees in waterside landscapes, 12.8cm. (4) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent.

Lot 234

Four Liverpool delftware tiles, c.1750-75, painted in blue with octagonal panels containing buildings including a church, windmill and tower in harbour settings, within 'Louis XV' borders with diaper corners, a little chipping, 12.8cm max. (4) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent.

Lot 235

Four Lambeth delftware botanical tiles, c.1760-80, finely painted in blue, each with a single flower stem including peony, ranunculus and rose, with stylized corner motifs, 12.8cm. (4) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent. Illustrated: Anthony Ray, English Delftware Tiles, pl.48, nos. 471-474.

Lot 236

Six delftware Biblical tiles, c.1750-75, mostly London, painted in blue and manganese, four within circular panels, with scenes of the Crucifixion, Abraham dismissing Hagar, Joseph being put into a pit, the Mocking of Elisha, and two with the Baptism of Christ, one broken and restuck, 12.9cm max. (6) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent.

Lot 237

Eight delftware tiles, c.1725-50, London and Bristol, variously painted with octagonal and shaped panels of flowers in vases and baskets, reserved on a powdered manganese ground with carnation and quarter flowerhead corners, some damages, 12.8cm max. (8) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent.

Lot 238

Five delftware tiles, c.1760-90, three probably Liverpool and painted in manganese with baskets of flowers over diaper panels, two other Liverpool and painted with vases of flowers in blue or manganese, and a Dutch Delft tile painted with a vase of flowers within fleur de lys corner motifs, the latter broken and restuck, 13.3cm max. (6) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent.

Lot 239

Six delftware Biblical tiles, c.1720-50, two Liverpool and decorated with the Stoning of Stephen and Christ appearing to Mary Magdalen, within octagonal panels on a powdered blue ground, the rest London and painted with Daniel in the lions' den, the Mocking of Elisha, and two with Jonah under the gourd, 13cm max. (6) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent.

Lot 240

Five Bristol delftware tiles, c.1750-70, painted in blue, three with vases of flowers, two with flowering plants, all within stud borders and sunflower corners, some damages, 12.7cm. (5) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent.

Lot 241

Four delftware tiles, c.1755-75, probably Liverpool, each painted in manganese with a curved flower stem within feathery corners, a few small chips, 12.5cm. (4) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent. Cf. Anthony Ray, English Delftware Tiles, pl. 45 for tiles with the same designs in a Fazackerly palette.

Lot 242

Four Liverpool delftware tiles, c.1725-50, well painted in blue with large flower arrangements issuing from two-handled vases decorated with lion masks, within quarter flowerhead corners on a powdered blue ground, 12.5cm. (4) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent. Cf. Anthony Ray, English Delftware Tiles, p.215, no. 500.

Lot 243

Four delftware tiles, c.1750-70, Bristol or Liverpool, two painted in blue with buildings on an island, one in manganese with a cow grazing beneath trees, the last in manganese with a flower spray, all within studded borders with sunflower corners, some chipping, 13cm. (4) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent. Cf. Jonathan Horne, English Tin-Glazed Tiles, p.41, no.184.

Lot 244

Four London delftware tiles, c.1725-40, each painted in blue with a simple flowerhead rosette to the centre, the corners with quarter rose motifs, some chipping, 12.7cm. (4) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent.

Lot 245

Four Liverpool delftware tiles, c.1750-75, painted in blue with octagonal panels containing figures in landscapes, within 'Louis XV' borders with diaper corners, three with a corner lacking, 12.5cm. (4) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent. Cf. Anthony Ray, pl.21 no.208.

Lot 246

Four delftware tiles, c.1750-70, Bristol or Liverpool, two painted in blue and two in manganese with a stylized flowering plant within a continuous floral scroll border, some chipping, 12.8cm. (4) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent. Cf. Anthony Ray, English Delftware Tiles, pl.44, no. 442 for a manganese tile attributed to Bristol. Sherds of this pattern in blue were excavated at the Gilbody site in Liverpool in 1966.

Lot 247

Two Liverpool delftware woodblock printed tiles, c.1756-7, printed in blue by John Sadler, one with a European couple taking tea at a table beneath a rococo arbour, the other with three figures at a Chinese altar, within 'Louis XV' borders with floral corners, some chipping, 12.8cm. (2) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent.

Lot 248

An unusual pair of delftware tiles, c.1700, probably London, painted in a bright blue with a circular panel of a shepherd and a shepherdess tending their flock, reserved within a flowerhead panel on a powdered manganese ground, with heart-shaped motifs to the corners, 12.7cm. (2) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent. Cf. Anthony Ray, English Delftware Tiles, pl.9, no.102 for a similar tile.

Lot 249

Three delftware bird tiles, c.1750-70, probably Bristol, painted in manganese, each with a large bird strutting beside low rocks, two with their heads turned, some chipping, 13.2cm max. (3) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent. Whilst sharing attributes with pheasants or peacocks, these birds probably derive from those being depicted on English porcelain (especially at Worcester and Chelsea) of the same period.

Lot 250

An unusual pair of Liverpool delftware tiles, c.1770, painted in blue with a double grapevine stem issuing leaves and grapes, 13cm. (2) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent. Cf. Jonathan Horne, English Tin-Glazed Tiles, p.69, no.395.

Lot 251

Two Liverpool delftware woodblock printed tiles, c.1756-7, printed in blue by John Sadler, one with a gallant kissing the hand of a maiden, the other with hunters beside a rococo fountain, within octagonal panels enclosed by 'Louis XV' borders, some damages, 12.7cm. (2) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent. The decoration on both tiles is taken from Johann Esaias Nilson's 'Coffee, Tea and Tobacco Ornament'.

Lot 252

Two rare delftware tiles, c.1750-70, probably Liverpool, simply decorated in blue with a central flower sprig, the corners with unusual flower stem motifs, some glaze chipping, 12.7cm. (2) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent. Cf. Anthony Ray, English Delftware Tiles, pl.44, no.435 for a tile with the same corners.

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