We found 5272 price guide item(s) matching your search

An English porcelain tapering cylindrical cache pot, decorated with navette panels of flower sprays, on salmon ground, picked out in gilt, ring loop handle, 10.5cm high; another, similar, c.1800

A good George III half-fluted hot water pot, button finial, flush-hinged domed cover, acanthus capped scroll handle, gadrooned rim, the spout applied with shell and acanthus cut-card work, flower, shell and leafy scroll cast border, bun feet, ivory insulators, 22cm high, Paul Storr, London 1815, 35oz gross The maker`s mark is the eighth version used by Storr, registered on 21st October 1813 Penzer, N. M., Paul Storr 1771 - 1844: Silversmith and Goldsmith, The Hamlyn Publishing Group Ltd (London 1971), p. 82

A matched pair of Victorian silver large cauldron salts, by Edward & John Barnard, London 1855, and by George Angell, London 1858, flower embossed and engraved with a crest; a coffee spoon and two King`s pattern salt spoons, 8.5 oz gross; and a plated mustard pot with a blue glass liner Visit www.dnfa.com for condition reports

A William IV silver compressed lobed small tea pot by Charles Gordon, London 1830, with a flower finial, a loop handle and on a shaped circular foot, 22.5cm (8.75in) long, 16.55 oz Visit www.dnfa.com for condition reports

MEISSEN PEAR-SHAPED COFFEE POT AND COVER, c. 1740, with a puce scroll handle, painted with Deutsche Blumen, the cover with a flower finial (cover chipped), blue crossed swords mark. 24cm. Sold Christie`s Raby Castle Sale, 10th/11th October 1994, lot 648 (part).

A VICTORIAN GREEN GLASS DUMP with flower pot inclusion, 4" high, and another with well to top and bubble inclusions, 3 1/2" high (2)

A Victorian four piece tea and coffee service. E & J Barnard, London 1860, comprising; a coffee pot; a teapot; a milk jug and a twin handled sugar bowl, each with tapered baluster bodies with intertwined beaded borders forming panels and cartouches, these with displayed flower heads and motifs between, with simple scroll handles and raised on collar foot (4). Coffee pot 29cm high, combined weight 67oz

EUGENIO EDUARDO ZAMPIGHI (Italian 1859-1944) He Loves Me, He Loves Me Not, interior with father holding a terracotta pot of marguerites, sitting beside his daughter as she pulls petals from a flower, a hen pecking at corn at her feet, oil on canvas, signed to lower left, 60cms x 45cms. See illustration

A William IV circular Mustard Pot with floral embossing, flower finial, blue glass liner, Dublin 1835 and a later bead pattern Spoon

A Victorian baluster Coffee Pot with floral embossing and engraved crest, flower finial and leafage scroll handle, London 1851, maker: R.H, 23oz

A pair of tiny Moorcroft McIntyre vases, with painted flower decoration, base impressed `McIntyre`, 6cm, and a Moorcroft florianware pepper pot, with a silver plated top, 6.5cm (3)

A VICTORIAN SILVER MUSTARD POT with chased diamond shaped panels some with flower matching lid with shell thumb piece, London 1888, 2 1/2" high.

Two Lladro figure `Talk to Me`, no 5987 and `Linda con Maceta` (girl with flower pot), both with original boxes (2)

Chinese blue and white pot with painted dragon handle, Japanese blue and white pot with dragon and landscape decoration and Chinese celedon plate with polychrome painted flower and butterfly decoration (3)

Trade cards - Anon, as Liebig set 52, `The Flower Oracle` but without the Liebig pot, captions to fronts, backs blank, Liebig set c/v £425 (set, 5 cards) (gd/vg)

An 18th Century English porcelain mask head jug florally decorated with flowers in underglazed blue and of leaf moulded form together with a small Worcester baluster mug, tea bowl and a pot lid with open flower finial.

A silver mustard and cover of plain tapering form with flower head finial and a similar dressing table pot, both Marjorie Edith Barralet, London hallmarks, 8 ozs

A Barbara Linley Adams stoneware model of a robin on a flower pot together with a chickadee on a cone, Goldcrest on oak leaf and one other.

A Barbara Linley Adams stoneware model of a robin on a flower pot together with a chickadee on a fir cone and a mouse on an apple.

A contemporary pattern cucumber dish, shape 145, painted by Betty Gooby together with a vegetable dish, jam pot and small black glazed Freeform flower trough.

Aynsley pot holder decorated with flower, Worcester cup and saucer and two other items

A plated four piece tea set, comprising teapot, hot water pot, milk jug and sugar bowl, each decorated with a border in the Celtic taste, and a four piece table centrepiece, fitted with four candle holders and four trumpet shaped flower flutes.

Plated wares, comprising; a three piece King`s pattern dessert serving set, cased, a hot water jug, a twin handled sugar bowl, an inkstand of triple division shell form, fitted with a glass ink bottle, a tea pot, a twin handled sugar bowl, a milk jug, a sugar scuttle, a flower flute, a pair of sugar tongs and five various egg cups.

A quantity of metalware collectables, including; two oak coppered buckets, a copper jam pan with cast iron handles, a five branch tin chandelier moulded with flower heads, a middle Eastern carved wooden bench seat, a copper plate warmer, an earthenware wash jug and chamber pot, an oil on board depicting a young girl and sundry.

A 19thC green glass dump, internally decorated with a pot flower, 12cm high.

A VICTORIAN SILVER MELON SHAPED COFFEE POT WITH FLOWER KNOP, SHEFFIELD 1837 34OZS

Scarlet Flower-A Clarice Cliff shape 516 preserve pot circa 1929 hand painted with a large stylised red flower with further flowers and foliage over a black line ground, height 8 cms. Condition-Hairline crack to the rim.

A 1920`S/30`S JAPANESE CLOISONNÉ COFFEE POT having detachable lid, loop handle, all over flower and graphic character decoration, 15cm high

? The Little Ranelagh House by Peter Hill Jones modern 366cm.; 144ins high by 225cm.; 88½ins deep by 303cm.; 119ins wide, together with chestnut picket fence, laid hedges entwined with hawthorn, guelder rose, hazel and field maple together with a miniature wooden seat and carved stone birdbath Quotations can be obtained for reconstructing the Little Ranelagh House and gardens in the UK Little Ranelagh House was so named because in it`s prime incarnation in May this year, it appeared within Ranelagh Gardens which forms part of the site that comprise the RHS Chelsea Flower Show. The building which is also considered to be a `Sculpted Casket for Diverse Purpose` by its creator, Peter Hill Jones, was exhibited as a Trade Stand and was complete "with an interior specifically designed to be hostile to children yet with an exterior that was appealing to them! The garden was designed to be appealing to passerine birds in particular and bryologists!" (Bryology is the study of mosses, liverworts and hornworts) "The building does not have an age or purpose bias", says Peter. "But there are 2 distinct entrances: the front door which is clearly for people under 30" in height and a `secret` side door which could accommodate a tall person or even a wheel chair bound adult. "In short it can be used for whatever you like: to keep the dogs, pigs, chickens or donkey in. As a hide, study - particularly for natural history, dark room, explosives factory or drug manufacturing unit! A wendy house - whatever that is - or an area for children to attempt to fulfil themselves or not, or just address the problems encountered from being a child! A den for adults to keep children out? A private cinema to watch dubious films or library to collect operatic scores or decent First Editions. A space to encourage bats to go when the Planning Authority has deemed the bat roost in your loft is going to really Muck Up your Application to demolish all/some/a bit of your house!"! The building/casket is designed to have an upstairs which is present in a basic form here in The Walled Garden. The building itself is constructed entirely from FSC accredited timber which means that it all comes from sustainable forests. The original building, Little Burndell House, which is the prototype of this one, is situated at Peter`s yard in Yapton, West Sussex and is largely constructed from recycled timber. The window design was extensively researched (despite it`s apparent simplicity) to achieve the `correct look` and designed by Peter and features a design of glazing bar based on the so-called Georgian `knife-edge` glazing bar. The undersized `Sussex Red` roof tiles and half round ridges were hand made as were the clay chimney stack and its 2 undersized pots (one of which is in fact a bird nesting box and other could function as a real pot). The `mortar` on the stack is specially coloured to mimic lime mortar. Such detail was of major importance to Peter! An important feature present are the two `Teddy windows` at either end of the the buildings upstairs area. The term is self explanatory (if you possess a pair of psycho-killer teds as Peter does: Teddy Binns and Hopscotch). Every quarter has a look out point and the house is equipped with three above ground `escape` points and the facilities for an underground tunnel. The `wall paper` at the opposite end to the `secret/adult` door comprises an original motif by Peter. The pattern consists of 4 squares with a central square - like the side depicting `5` on a dice. The 4 outer squares depict a man looking at his dog: the dog has the man`s eyes and the man`s eyes are dentures! The central motif depicts one of Michelangelo`s sculptural male heads but with inserts into the face of Walker`s `Special Edition Spice Girls` crisp packets! Peter`s stand and garden of Little Ranelagh House won an Award of Commendation at the RHS show and over 6,000 people viewed it including Prince Charles and the Duchess of Cornwall. (John Savings of Abingdon, who provided Peter with the plants for his laid hedge is Prince Charles` teacher in the methods of laying a hedge. The Prince is an enthusiast of this ancient country craft. Peter Hill Jones who has exhibited at the Royal Academy of Art Summer Exhibition twice and the Royal Society of British Artists some 4 times is a scrap metal merchant and general dealer by trade and botanist, free-lance journalist and occasional-artist by inclination! He was - he admits - born with an EPNS spoon in his mouth and was slightly over educated "on the proceeds of scrap" he is also on show in London 24 hours a day 365 days of the year as `Peas` one of the 120 sculpted motifs on the gates at The Globe Theatre.

Satin wood marble top Washstand with green and yellow flower tiles to back, single door to pot cupboard.

A small late Victorian silver three piece Teaset of circular form, embossed with flower heads and scrolls, the tea pot with stained wood handle and lift, London 1900, maker Charles Stuart Harris.

A Beswick china model of a kitten together with a Poole Pottery robin on a flower pot and a stylised bronze figure.

An electro-plated circular tray, with scrolling grape and foliage border, the cusped well engraved foliage in panels, 42cm (16in) diameter, a pair of nut dishes on pedestal feet, moulded with flower and gadroon border, 15cm (6in) diameter, a circular fruit dish on pedestal foot with pierced gallery 21cm (8.25in), a rectangular lidded and twin handled entrÄe dish with pierced gallery side and Pyrex liner, a chocolate pot and two finials from a candelabra. Provenance: Clive Visit www.dnfa.com for condition reports

A COALBROOKDALE BY COALPORT POT and cover, with applied allover flower decoration, numbered 64 to the base, 4 1/4" high, a Royal Worcester pin dish on mottled green ground with applied flower decoration, number 3298, 4" across, and a small Royal Copenhagen vase

An Edwardian four piece tea and coffee set Nathan & Hayes, Chester 1907, comprising coffee pot, teapot, twin handled sugar bowl and milk jug, each with baluster bodies heavily embossed with flower head and scroll motifs, the spouts similarly, each with angular handles and raised on ball feet (4) coffee pot 23cm high combined weight 51oz

A Derby Mansion House dwarf, the pot-bellied form resplendent in a harlequin-checked waistcoat and floppy broad-brimmed hat, raised on a flower-encrusted base, incised `No 227`, c.1770-80, restored, 18cm.

A Chinese famille rose export porcelain coffee pot, late Qianlong period, the low bellied body and dome cover painted with scattered flowers and flower festoons, height approx 18.5cm (cracked).

Large late nineteenth century wrought iron garden flower pot stand with ornate floral scroll work decoration and four scroll feet, 95cm wide, 76cm high

A CLARICE CLIFF BONJOUR PATTERN PRESERVE POT AND COVER, decorated in, `Rhodanthe` pattern with large yellow and orange flower. Together with a Clarice Cliff, `Nasturtium` pattern flower brick. Transfer printed factory marks to base. Height 4.5" and 3"

An Artwork Gouache Study "Flower Pot Men", in gilt frame, 15cm x 12.5cm, also a pencil sketch depicting Noddy, in gilt frame (2)

A set of eight Coalport `Flower-Pot` pattern coffee cans and saucers (two cans with faults), together with an Orrefors clear glass vase, a Copenhagen crystal clear bowl and a small group of other ceramics and glass.

Wedgwood Redware Coffee Pot, having Polychrome Flower Decoration, Impressed Mark

ENGLISH SCHOOL, EARLY 20 Th CENTURY. A Still Life of Dahlias and Flower Pot, oil on canvas, 16 x 26 in; and one other oil painting by another hand depicting Rose and Porcelain Vase (2)

WEMYSS COMBE FLOWER-POT, CIRCA 1900 decorated with cabbage roses, impressed mark `Wemyss Ware/ R. H. & S.` ,18cm diameter, 17cm high; and A WEMYSS CHAMBER POT, CIRCA 1900, decorated with cabbage roses, impressed mark `Wemyss Ware/ R.H. & S.`, T. Goode & Co retailers mark, 21.5cm diameter, 13.5cm high (2)

WEMYSS STUART FLOWER-POT, EARLY 20TH CENTURY decorated by Edwin Sandland with purple plums, painted and impressed marks `Wemyss`, painted mark `T.Goode & Co`. 17cm high

An early George III Scottish silver coffee pot Ebenezer Oliphant, Edinburgh 1741 - 42, Assay Master Dougal Ged, of flared form with chased borders of flower head, fruit and scroll decoration, with reeded foot, the slender spout with chased panels of flower heads and foliate detail, the hinged domed cover with similar decoration and simple squat bun finial, with simple S scroll wooden handle with scroll capped terminals 27cm high, 30oz Note: Ebenezer Oliphant was the maker of the travelling canteen given to Prince Charles Edward Stewart - interestingly made the preceding year to this piece - which is rightly considered one of the finest examples of mid 18th century Scottish silver work. This can be seen on display in the National Museum of Scotland (see `Silver; Made in Scotland` 8.21) and also featured in Ian Findlay`s `Scottish Gold and Silverwork`. Oliphant is considered to be one of the few true Jacobite silversmiths who`s unswerving allegiance to the Jacobite cause can be gauged by the patrons who commissioned him, unlike many other silversmiths at the time who did not let their political leanings interfere with possible commissions.

Dundee - a Scottish provincial christening spoon Alexander Cameron, marked CAM/ERON, C, thistle, pot of lilies, DUN/DEE, of pointed Old English pattern with finely engraved stem and reverse of bowl, with all over trailing foliate and flower head designs with textured background, the scroll cartouche with initials MMcG, in fitted case; together with a pair of Fiddle pattern tablespoons marked AUS/TEN, E&Co, Edinburgh 1831, DUN/DEE (3) Notes: For an illustration and details of the christening spoon from this lot see `Dundee Silver 1750 - 1850` by Dr William Guthrie M.B Ch. F.R.C.Path page 38 - 39

Late 19thC Continental porcelain centrepiece, decorated with cherubs holding a flower encrusted basket form pot

A ROYAL DOULTON STONEWARE MUSTARD POT with all over flower decoration, a plated cruet set and a glass and plated riding flask (3)

A Victorian silver three piece cruet, with a salt shaker, pepper shaker and mustard pot, engraved with flower heads, Birmingham, 1889, Elkington & Co

An early 18th century silver coffee pot with a domed lid and pineapple finial above a tapering body on a spreading foot, the body decorated with flower heads, `c` scrolls and leaves, London, date code obscured Richard Bayley. 26cms high, 819 grams

A Staffordshire Pottery Poodle, circa 1840, the lion dog standing holding a plant pot brimming with leaves in its jaw, on a rounded rectangular base with gilt line detail, 8cm high; Another Similar, smaller, 6cm high; A Continental Porcelain Model of a Seated Cat, circa 1910, with black and white coat and blue collar, on a flower encrusted circular base, 7.5cm high; and A Tin Glazed Pottery Seated Cat, in the style of Emile Galle, the yellow coat with heart and trilobed motifs, and applied with green glass eyes, signed Mosanic 16, 15cm (a/f) (4)

A Pair of Meissen Encrusted Porcelain and Figure Mounted Pedestal Pot Pourri Vases and Covers, circa 1870, each with tall encrusted diverse flower finials to the trellis and scroll pierced domed covers, the ogee two-handled bodies painted on one side with Watteauesque figures in a woodland glade, on the other with flower sprays, framed by encrusted flowers and flanked by a pair of infants, the other "in flight", on rocaille frill edged circular bases, in soft colours throughout, crossed swords mark in underglaze blue, one with incised 2707, 42cm high See illustration

A Wemyss honey pot with cover on stand, the pot and stand hand painted with beehive and bees, the cover with bees and flower finial, painted Wemyss in green, base 18.5cm square

A 19th century Staffordshire figure `The Archer` modelled as a lady with a bow and arrow standing before a target and flowering tree; together with another figure `The Gardener` modelled as a man with spade and flower pot before a flowering tree and another Walton figure of a lady gardener with watering can (all restored)

An early Mason`s ironstone part dessert service with table and flower pot decoration

A Noritake part coffee set, decorated with landscape vignettes reserved against a puce and gilt border united by bell flower swags, comprising coffee pot and cover, sugar bowl and cover, cream jug, cup and two saucers, on a circular tray.

A Davenport Sevres pattern coffee set, decorated with a large gilt border, of stylized flower heads and scrolls, between a black ground, comprising of six coffee cans and saucers, coffee pot, milk and sugar, a WMF style green glass and silver plated jar and cover, moulded with cherries and scrolling leaf decoration, impressed marks to base, height 15 cm, (a lot).

A Clarice Cliff Forest Glen pattern conserve pot, the lid with flower sprig finial.

Worcester flower pot circa 1820, probably Flight Barr and Barr, painted with a cottage landscape within a gilt vermicule ground, (restored crack) also three conical beakers two with monograms, one by Chamberlain (hairline cracks to the two monogrammed beakers) (4) 9cm high