An Islamic bronze jug, possibly ancient, the cover with finial, with shaped spout and spherical top, flared neck, circular shoulder and baluster body, with shaped handle, rasied upon flared circular foot, overall with typical encrustation, height 25.5 cm; an applique a jour pot with cover, of circular form, the reticulated cover of flower and foliate form, the body of fish scale and foliate design, diameter 8 cm; two Islamic gilt metal and polychrome vases, of differing size, decorated with foliage and figural panels, height of tallest 20 cm, (4).
We found 5276 price guide item(s) matching your search
There are 5276 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
5276 item(s)/page
A George III English provincial silver oblong baluster tea pot by Dorothy Langlands, Newcastle 1812, with a flower finial to the part lobed domed cover, a shell-capped and foliate engraved scroll handle, the body half gardooned with foliate chased borders, and on four bun feet, 29cm (11 1/2in) long, 693g (22.25 oz)
Pair C18th Berlin Porcelain Figurines, young girl holding a basket of flowers, posy in her left hand, flower in her hair, blue striped shawl, beige top with lilac coloured over-skirt, under skirt with blue/white/gilt flower heads, orange shoes on square base, & boy with hat, orange bow, puce scarf, holding a flower pot with flower, pale green tunic with gilt edges, lilac/purple decorated trousers, sitting on a tree stump, similar base, approx. 6 1/4H"
Miscellaneous porcelain - mainly continental, including a Dresden basket, small trinket pot & cover painted with flower on green ground, a pair of Italian basket dishes, a Meissen style dish decorated with a rose, two Derby style sucriers one painted with gilt floral sprigs and the other brick red having lionmask handles. (A lot)
1920s silver and tortoiseshell mounted dressing table set with flower and ribbon decoration comprising two pairs hair brushes, hand mirror and two pot covers (London 1928 / 1929), another silver mounted dressing table set with engine-turned decoration, comprising two pairs hair brushes, face mirror and comb (Birmingham 1917 / 1918), together with one other comb (Birmingham 1962) (qty)
A pair of pink satin en point ballet shoes by Bloch decorated with silk and velvet flowers and beads, by Basia Zarzycka together with three silk and velvet flower hair combs, two silk moire, ribbon and silk flower pot pourri cushions, three silk damask small cushions all by Basia Zarzycka and two further pot pourri small cushions and a small velvet parrot (9)
A 19th Century pottery toilet bowl with ribbon and swag decoration containing a collection of china wares to include a Crown Devon Fieldings lustre ware preserve pot cover and stand, 19th Century cups and saucers with bamboo and stork decoration, Wedgwood trinket dish, etc, together with a box of china and other wares to include teapot, flower encrusted basket, a small quantity of Paragon china "Cherwell" pattern tea wares, a Bing and Grondahl vase, etc, together with a black painted metal adjustable flower stand and a rectangular garden flower holder
A Victorian Scottish silver coffee pot, J.M., Glasgow 1857, of baluster form with scroll and foliate embossed decoration, scroll handle and flower finial, all raised on spreading circular foot, 26cm high, weight 23.5ozWE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
A William IV three part silver tea service, Edward Barnard, Edward Junior, John & William, London 1835, each piece of lobed circular form with heavily embossed leaf decoration to the body and flower and scroll cast borders, comprising; a coffee pot with floral finial and scroll handle, 24cm high, a teapot with floral finial and scroll handle, 17.5cm high and a two handled sugar bowl with silver gilt interior, 13cm high, all monogrammed and raised on four scroll bracket feet, total weight of silver approx 77.7oz (3)WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
A four piece Victorian silver tea and coffee set by Robert Hennell, of octagonal form, embossed scroll leaf and flower design, `S` scroll handles with leaf and scroll decoration, surmounted by decorative octagonal knops, hallmark for London 1854, comprising of tea pot, coffee pot, cream jug and two handled sugar bowl. Gross weight 91 ozs.
A Victorian silver coffee pot by Edward, Edward Jun, John & William Barnard, London, c.1844, of baluster form, the hinged cover with flower finial, the body, handle and spout of reeded and repousse foliate decoration, the base of foliate form on four scroll feet, height 26 cm, (approx gross weight 29 ozs).
A William IV silver compressed circular tea pot by Edward, Edward junior, John & William Barnard, London 1832, with a flower finial to the ogee domed cover, a tongue-capped moulded C-scroll handle, an embossed lappet band, on four scroll bracket feet, engraved with a script `B`, 29cm (11 1/2in) long, 723g (23.25 oz) gross
A WORCESTER GLOBULAR TEAPOT AND COVERenamelled to either side with Chinese scenes, the brightly dressed figures in turquoise or other robes in iron red frame on a ground of tightly packed gilt tendrils reserved with puce landscapes and black floral medallions, flower knop, 14cm h, c1770-78++A good example in fine condition save for a minute chip to the tip of one of the two flat leaves on the stalk on the cover. The cover original to the pot and not a marriage
AN 18TH CENTURY WORCESTER PORCELAIN BULLET SHAPE TEA POT painted in underglaze blue with flower forms and butterflies with an associated cover, 'W' mark to base, 16cm high, together with a similar period saucer, printed in blue with flower and butterflies, hatched crescent mark to base, 10cm diameter (2)
A GEORGE IV SILVER THREE PIECE TEASET, comprising teapot, two handled sucrier and cream jug of squat circular form, repousse decorated with large flowers and foliage and gilded to the interior, the teapot having hinged cover and flower finial. By William Bateman, London 1825. Together with a matched coffee pot of baluster form similarly decorated with repousse and applied flowers. Makers mark indistinct, London 1828. Teapot 6" High, sucrier 4" , jug 3.5" and coffee pot 9". Weight approx total 76oz. (4).
DEINEKA, ALEKSANDR (1899-1969) Still Life with Azalea and Apples , signed and dated 1937. Oil on canvas, 64.5 by 74.5 cm. Provenance: Private collection, Europe. Authenticity of the work has been confirmed by the expert T. Levina.Deineka’s 1937 painting Still Life with Azalea and Apples is a fine example of his work in the still life genre from the period when his artistic talent was blossoming. It was painted soon after his return from an extended trip to the USA, France and Italy, and it retains that very keen, strong “impression of an assertive freshness of technique”, of which the renowned critic Abram Efros wrote in 1935.In the artist’s approach to his entirely traditional nature morte - flowers, fruit and drapery - there is none of the unity of picturesque subject matter inherent in classical painting, which portrays everything in a single textural key. With Deineka, it is as though he endows every object with its own personal texture and colour, emphasising the diversity of the matter of which the forms are composed - a diversity of organic matter and geometry. Natural shapes that are round - the flower-heads, the foliage, the apples - are moulded in strokes of thick, sculptural impasto. Treatment of the clay pot and bright yellow porcelain dish is more subtle, but solid enough. And lastly, the busy checked pattern of the fabric is painted deliberately sketchily and the paint layer is fairly light (similar checked fabric will appear in the dress of the model in Deineka’s later work Young Construction Worker, painted in 1966).Painting crafted in this way shows the impact of Cubist collage, transformed to introduce a variety of textures to the painted surface. A distinct pure form of the style became especially evident in the work of Deineka’s senior contemporary and close associate within the Society of Easel Painters, David Shterenberg. While Deineka does not venture so far into laying bare techniques as does Shterenberg, there is a palpable interplay of contrasting material structures in his Still Life with Azalea and Apples.
Collection of Pewter Articles Pitcher, dated 1806, height 11 3/4 in.; pot with engraved flower motifs, height 10 1/5 in.; pitcher, dated 1769, with hallmark at the handle, height 13 3/4 in.; beer mug, dated 1810, with hallmark under the lid; pot with screw-cup, height 9 1/2 in.; pot, height 11 2/5 in.; large ornated can with fraternity motif, c. 1980, height 14 1/5 in.; 5 plates and bowls, Ø up to 13 in. - Add-on: Book on the pewter history (German language). Sammlung Gebrauchs- und Ziergegenstände aus Zinn Stitze, datiert 1806, Höhe 30 cm; Kanne mit gravierten Blumenmotiven, Höhe 26 cm; Stitze, datiert 1769, am Griff gepunzt, Höhe 35 cm; Bierkrug, datiert 1810, im Deckel gepunzt; Erntekanne mit Schraubverschluß, Höhe 24 cm; Zinnkanne, Höhe 29 cm; große Zinnkanne mit Burschen-Motiv, um 1980, Höhe 36 cm; 5 Teller und Schüsseln, Ø bis 33 cm. - Dabei: Buch zum Thema Zinn. Condition: (3-/-) Starting Price: €180
Mostly plated wares, comprising; a Wedgwood biscuit barrel, a pair of goblets, two mugs, a lidded twin handled sugar bowl, a coffee pot, a flower stand, a sugar castor, a candle holder formed as a rose, a spherical lidded butter dish with a glass liner, a bowl, a trinket dish and a set of condiments, formed as a pair of owls on a branch.
An early Victorian silver mustard pot, with engraved looped foliage to the sides, the shallow domed hinged cover with a vacant cartouche and entwined ribbon work, a pierced fan shape thumbpiece, a flower engraved to the bracket handle, a blue glass liner. Makers Joseph & John Angell, London 1845. 4.15oz (150gm).
* Susan Jameson, British b.1944- `Knife Scar II`; etching in colours, signed and dated 77, titled and numbered 52/60, 37x27cm: Susan Jameson, British b.1944- `Knife Scar III`, 37x27cm: Jenny Devereux, British b.1945- `Flower from Maria`; etching in colours on tissue stuck down on card, signed, titled and numbered 15/125, 49x40.3cm: Jenny Devereux, British b.1945- `Three Vases of Flowers`; etching in colours on tissue, signed, titled and numbered 21/75, 36.3x45cm: Jenny Devereux, British b.1945- `Summer Fireworks`; etching in colours on tissue, signed, titled, numbered 4/125 and inscribed, 19.5x22.6cm: Jenny Devereux, British b.1945- `Spring Primroses`; etching in colours on tissue, signed, titled, numbered 8/125 and inscribed, 16.7x19cm: Jenny Devereux, British b.1945- `Pot of Pinks`; etching in colours, signed, titled and numbered 44/15, 7.7x9cm: Jenny Devereux, British b.1945- `Paper Flowers; etching/mixed media, signed, titled and numbered 47/75, 37x14cm., (8) (unframed) (may be subject to Droit de Suite)
-
5276 item(s)/page