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SELECTION OF CERAMICSCarlton Ware including an Australian design buttercup sauce boat and stand, a Lily pad preserve pot, an Australian design shaped dish with raised purple flower decoration, leaf design dishes etc.; together with a selection of Wade Whimsies including badgers, a horse, elephants, camel, lion, an otter, a dog, hedgehog, wolf, llama, rabbit and a chipmunk
Bairnsfather (Bruce, 1888-1959). Old Bill reprimanding a smoking youth, pen & ink, with traces of pencil, on paper, showing Old Bill smoking a pipe and absentmindedly pouring a tankard of beer over a flower in a pot, whilst pointing his finger at a slim youth wearing a flat cap and blowing smoke rings, signed lower right, some light spotting and marks, 32 x 26 cm (12.75 x 10 ins), mounted (Qty: 1)
A large 19th century Barge ware pottery teapot decorated in relief with floral sprays, flower heads, exotic birds and surmounted with a teapot finial in the usual way, with the applied plaque 'Remember Me' (30cm high) There is a possibility that the spout on the tea/coffee pot that is the finial on the dome topped cover has been restored, if so it has been done extremely well. The rest of the cover appears to be in good general overall condition with no problems noted. The teapot itself appears large and very heavy with the brown glaze not reaching fully over all of the circular raised foot to the underside. The rest of the piece appears to be in good general overall original condition with no major cracks, chips or restoration noted.
A fine walnut long case clock the design attributed to the Guild of Handicraft to a design by Charles Robert Ashbee, the clock movement by John Moore & sons, the barometer by Negretti and Zambra, the tall case surmounted with pepper pot finial, the cover with carved open panels to the sides, crenellated top and pillasters, the slightly flaring body carved with sunflower stem, the flower set with a barometer and inscribed Take Time While Time is For Time Will Again, 275cm. high Catalogue notes A comparable clock case is illustrated in The Studio volume XII The Guild of Handicraft A Visit to Essex House, page 34. The Essex House workshop on Mile End Road was relatively close to John Moore's workshop in Clerkenwell Close.
A 19thC porcelain ink stand, in the French style the circular top inset with a receptacle for an ink pot, pen stands, etc., decorated to the centre with flower sprays within gilt borders, on a blue ground, the paw feet set on a plinth base, unmarked, 12cm dia.Provenance: The property of Joan Stephenson, Kirkwood, North Church Walk, Newark, Nottinghamshire.
A SEVRES PORCELAIN POT POURRI JAR AND COVER painted with a couple playing instruments on a dark blue ground with gilt flower decoration, the whole with ormolu mounts, marks to underside of lid, 24cm high Condition Report: the lid has a chip to the underside with two small frits to the rim. Rubbing to gilt on rims.
A COLLECTION OF ROYAL WORCESTER BLUSH IVORY PORCELAIN including a pot pourri jar and cover with inner lid, the jar decorated with moulded swags of flowers, 19.5cm high, shape number 1332, a tall flower decorated vase, number 993, four other flower decorated pieces and a white glazed nautilus shell vase (7) Condition Report:Vase with fluted rim, shaped no 1663 is restored. Shell dish has a few chips to rim. Plate is crazed and has surface scratches. The other items are in nice condition.
EDWARD VII SILVER POT BELLIED COFFEE POT RAISED ON FOUR SPLAY FEET with wooden handle and flower head finial. London 1904, 22.5 cm high, 22 troy ounces approximately. Condition Report: Good overall condition with no obvious or major damage. Surface wear and scratches. Makers mark rubbed. Provenance: lady collector, West Wales
RALPH HALE MOTTRAM: 88 titles including: SIXTY-FOUR NINETY-FOUR, London, 1925 1st edition, original cloth: THE CRIME AT VANDERLYNDEN'S, London, 1926 1st edition, original cloth: OUR MR DORMER, 1927 1st edition, original cloth dust wrapper: THE SPANISH FARM TRILOGY, 1927 1st one volume edition, original cloth, THE ENGLISH MISS, London, 1928 1st edition, original cloth dust wrapper, THE APPLE DISDAINED, London, Elkin Matthews & Marrot 1928 (530) (500) numbered and signed, original decorative boards, dust wrapper: TEN YEARS AGO, London, 1928 1st edition, original cloth dust wrapper, THE BOROUGHMONGER, London, 1929 1st edition, original cloth dust wrapper, A HISTORY OF FINANCIAL SPECULATION, London, 1929 1st edition, lacks front free end paper, original cloth, POEMS NEW AND OLD, London 1930 1st edition, original cloth dust wrapper, THE NEW PROVIDENCE, London, 1930 1st edition, original pictorial boards, EUROPA'S BEAST, London 1930 1st edition, 4 pages of adverts at end, original cloth dust wrapper, EUROPA'S BEAST, London, 1930 (358) (350), 1st edition, numbered and signed, original cloth backed decorative boards, THE HEADLESS HOUND, London, 1931 1st edition, original cloth, CASTLE ISLAND, London, 1931 1st edition, original cloth dust wrapper, THE LOST CHRISTMAS PRESENTS, London, 1931 1st edition, original wraps, HOME FOR THE HOLIDAYS, London, 1932 1st edition, 4 pages adverts at end, WESEN UND GESCHICHTE DER FINANZSPEKULATION, Leipzig 1932 1st edition, original cloth dust wrapper, A GOOD OLD FASHIONED CHRISTMAS, London 1932 1st edition, 2 copies, original wraps, AT THE SIGN OF THE LAME DOG, Boston and New York, 1933 1st edition, signed and inscribed, original cloth dust wrapper (tatty), ESSAY SUR LA SPECULATION, Paris 1933 1st edition, original wraps, EAST ANGLIA, London 1933 1st edition, original cloth dust wrapper, THE LAME DOG, London 1933 1st edition, original cloth dust wrapper (tatty), THE GHOST AND THE MAIDEN, London [1940] 1st edition, original cloth, THE NORWICH PLAYERS, Norwich [1940] 1st edition, original wraps, THE WORLD TURNS SLOWLY ROUND, London [1942], 1st edition, original cloth dust wrapper, VISIT OF THE PRINCESS, A ROMANCE OF THE NINETEEN-SIXTIES, London [1946], 1st edition, original cloth dust wrapper, THE GENTLEMEN OF LEISURE, London [1948], 1st edition, original cloth dust wrapper, COME TO THE BOWER, London [1949], 1st edition, original cloth, A CONTRIBUTION OF A PROVINCIAL CENTRE (NORWICH) TO ENGLISH LETTERS, in "Essays by divers hands being the transactions of the Royal Society of Literature of the United Kingdom", London, 1934, new series volume 13, original cloth dust wrapper, BUMPHREY'S, London 1934 1st edition, original cloth dust wrapper, THE BANQUET, London 1934 1st edition, original cloth, FLOWER POT END, London 1935 1st edition, original cloth soiled, PORTRAIT OF ANN UNKNOWN VICTORIAN, London 1936 1st edition, original cloth dust wrapper, SUCCESS TO THE MAYOR, London 1937 1st edition, original cloth, THERE WAS A JOLLY MILLER, London [1938] 1st edition, 24 pages adverts at end, original cloth, AUTOBIOGRAPHY WITH A DIFFERENCE, London 1938 1st edition, original cloth, THE PART THAT IS MISSING, London 1952 1st edition, original cloth dust wrapper, IF STONES COULD SPEAK, London 1953 1st edition, original cloth dust wrapper, THE WINDOW SEAT OR LIFE OBSERVED, London 1954 1st edition, original cloth dust wrapper, OVER THE WALL, London 1955 1st edition, original cloth dust wrapper, SCENES THAT ARE BRIGHTEST, London 1956 1st edition, original cloth dust wrapper, FOR SOME WE LOVED AN INTIMATE PORTRAIT OF ADA AND JOHN GALSWORTHY, London 1956 1st edition, original cloth dust wrapper, ANOTHER WINDOW SEAT OR LIFE OBSERVED, London 1957 1st edition, original cloth dust wrapper, BUXTON, THE LIBERATOR, London [1958] 1st edition, original cloth, NO ONE WILL EVER KNOW, London 1958 1st edition, signed and inscribed to Doreen Wallace, original cloth dust wrapper, VANITIES AND VERITIES, London 1958 1st edition, original cloth dust wrapper, TO HELL WITH CRABB ROBINSON, London 1962 1st edition, original cloth dust wrapper, MAGGIE MCKENZIE, London 1965 1st edition, original cloth dust wrapper, THE SPEAKING LIKENESS, London 1967 1st edition, original cloth dust wrapper, TWELVE POEMS, dedicatory poem by Edmund Blunden, illustrated Rigby Graham, Daedalus Press 1968 (312) (300) numbered and signed, original decorative wraps, THE 20TH CENTURY A PERSONAL RECORD, London 1969 1st edition, original cloth dust wrapper + 35 others including some duplicates + J N CONNELL: THOMAS PAINE, intro R H Mottram, London 1939 1st edition, original wraps + GILBERT H FABES: THE FIRST EDITION OF RALPH HALE MOTTRAM, London 1934 (300) out of series, original cloth dust wrapper, from the collection of the late Ron Fiske of Morningthorpe Manor (90)
An American silver tea or coffee pot and sugar basin by William Mannerback, Reading, PA, circa 1830, the pot with a flower finial to the dome centred cover, the loop handle with foliate ends, the spot formed as an eagle's head, decorative bands, on a canted-square pedestal base, engraved with a crest, 28cm (11in), 1854g (59.6 oz) gross
A substantial Swedish matched three piece silver coffee service, in the Rococo taste, comprising coffee pot, twin handled sugar bowl and milk jug, the coffee pot and milk jug by C Hammer, impressed Swedish hallmarks for Stockholm 1857, the twin handled sugar bowl by C G Hallberg, impressed Swedish hallmarks for 1914, all of gently tapering circular form with bright cut waisted side, integral applied base rim and out swept pedestal feet and double scroll handle/s, the coffee pot with domed hinged cover with flower and leaf finial, handle with ivory collars and swan neck spout, the milk jug and sugar bowl with gilt washed interiors, (1561.2g/50.2Toz.). (3)
A COLLECTION OF SILVER AND PLATED ITEMS INCLUDING A SUGAR CASTER comprising; a facetted caster with a pierced domed cover, Sheffield 1905 by Martin & Hall, 15cm high (6 in); a silver cauldron-shaped mustard pot with a shaped border, an angular scroll handle and three pad feet, Sheffield 1935, with a blue glass liner and with a silver bead end mustard spoon; a silver egg cup, spoon and napkin ring, all by S Blanckensee & Son, Chester and Birmingham circa 1934-35, in a fitted case as a christening set; an English silver coffee spoon with a flower pierced terminal; 262g of weighable silver; together with various silver handled tea knives and foreign white metal souvenir type coffee spoons; a small quantity of plated flatware including a set of cake forks; a specimen vase; and a Ronson oval pat fluted table lighter
A late 19th century rosewood Tonbridge ware box, width 22cm, a George III elliptical fruitwood tea caddy with flower head paterae and marquetry decoration in the shape of swags and festoons, a small cylindrical pot with green cabochon stones, marked 'Allarn' to the base and a small walnut playing card case with mosaic bandwork to the centre, marked 'Bordichigre'.
Mediterranean Tour.- Young (Sir Frederick, traveller and writer on Imperial affairs, Honorary Secretary of the Royal Colonial Institute (RCI), married Cecilia, daughter of Thomas Drane, brewer of Torquay, c. 1820-73, 1817-1913) [Tour of Greece, Malta, Turkey & Italy], autograph manuscript, 118pp. excluding blanks, 9pp. of 10 botanical specimens collected from various locations, slightly browned, original straight-grained morocco, rubbed, lacks most of spine, sm. 4to, 29th September 1844 - 4th February 1845.⁂ Young's itinerary includes: Queen Victoria's yacht at Tilbury; passing Tangiers, Ceuta and Gibraltar; visits Malta, goes ashore at Valletta, visits St. John's Cathedral and Knights Templar Library; lands at Corfu, Olive groves, indolent people, meets Mrs Ward and her son, visit to the Citadel and Messonghi; Greek mainland, Patras, Piraeus, long description of Athens classical antiquities, visit to the field of Marathon, attends the opening of the Chamber of Deputies and saw King Otto (1815-67); visits Syra [Syros]; lands in Turkey at Smyrna [Izmir], sees a caravan of camels, bazaars in Smyrna; passes the site of Troy; mentions Lord Byron's swimming the Dardanelles; passes Gallipoli; lands at Constantinople, "a most superb City", bazaars, procession of the Sultan [Abdülmecid I, 1823-61) attending Friday prayers, visits the "dancing Dervishes", the tomb of Mahmoud II, the Hippodrome, Egyptian obelisk, the Cistern of Constantine, visit to the Royal Armoury and Saint Sophia; slavery in Turkey; travels back to Malta and put in quarantine in the Lazaretto; sails to Italy and lands at Syracuse, visits the catacombs, sails along the coast and visits Catania, Etna, Messina, cooking lunch in the heat of Vesuvius, Naples, description of the ruins of Pompeii, Pozzuoli, and Baiae, Pisa, Genoa, Marseille & Paris.Constantinople: [Dervishes]. "On the 9th... I went to see the Dancing Dervishes. The place, where this religious sect exhibits their singular performances is of somewhat spacious dimensions, and of a circular shape. Their costumes... is a high crowned felt hat, in shape like a flower pot, and a coarse kind of woollen cloak of a dark brown, or green hue. Suddenly they each throw off their cloaks... they commence twisting round, and round the room in a kind of waltz". [Slavery]. "On our way home, we passed thro' the Slave Market, where the traffic in the sale of human blood is held every morning... . It is a large quadrangular court, with railed platforms ranged round the sides - These were elevated about six, or eight feet from the ground; and parties of slaves are placed in them, previously to being sold, like flocks of sheep - Slavery in the East is not, however, to be regarded in the same light, as elsewhere - Here the slaves are invariably treated most kindly by their masters... ".
A Victorian silver coffee pot, the gadrooned baluster body heavily embossed with flowers and leaves, with flower finial, raised on four scroll feet, London 1837, maker Joseph Angell son & jun, weight 30oz all inCondition Report: Cracks to the ivory insulators. Minor dents to the high points of the lower body.
A group of English porcelain, 19th/20th century, comprising; a pair of Stevenson & Hancock, Derby white glazed figures of a milkmaid and companion, blue painted mark, 22.5cm high, a Coalport 'Japan' pattern oval stand and dessert plate, two porcelain flower painted plates, a small Royal Worcester blue ground circular pot and cover gilt with leaves, printed mark, 4cm diameter (7).
A Susie Cooper Flower Motif harlequin coffee set for six in original box and a collection of other Susie Cooper designs, including a coffee pot, two cups and saucers and a sugar bowl in the Black Fruit design and miscellaneous coffee cups and saucers including Flower Motif, Reverie and other patterns, etc. (Q)
A late Victorian silver coffee pot, of Georgian pear shaped design, the hinged lid with a pineapple knop and with heavily embossed flower heads and scrolls and a leaf capped spout, with brown double scroll fruitwood handle, and raised upon a circular foot, makers James Wakely & Frank Clarke Wheeler, London 1893, 26.9oz all in, 27cm H.
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5272 item(s)/page