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A Sèvres small milk jug (pot à lait 'à trois pieds') and a sugar bowl and cover (pot à sucre 'Calabre'), circa 1780Of the third (jug) and fourth sizes (sugar bowl), decorated with wide blue-ground bands reserved with interlacing gilt-edged scrollwork enclosing gilt trellis work above interlacing flower garlands, the milk jug: 8cm high, the sugar bowl: 7.6cm high (the milk jug restored) (3)Footnotes:Provenance:Property from the Collection of Dr. Johannes Ralph LafrenzFor further information on this lot please visit Bonhams.com

A Sèvres helmet-shaped milk jug (Pot à lait aiguière), dated 1788Decorated by Denis Levé with a trophy emblematic for love amongst trailing foliate scrollwork interspersed with birds and flowers, between blue-ground bands painted with flower garlands, gilt rims, the handle heightened in gilding, 13.7cm high, interlaced LL monogram enclosing date letter LL, painter's mark for Levé, incised marksFootnotes:Provenance:Anon. sale, Christie's New York, 18 November 1999, lot 229;Sèvres Porcelain from an International Private CollectionLinda Roth identifies this rare shape of milk jug with the pots à lait forme Eguere in three sizes found in the factory documents and fired in the glaze kiln in 1788. Another example and a surviving plaster model of the same shape was described as pot à lait buire and is illustrated in Linda H. Roth and Clare Le Corbeiller, French Eighteenth-Century Porcelain at the Wadsworth Atheneum, The J. Pierpont Morgan Collection (2000), p. 252, no. 131.A helmet jug with a similar type of decoration and also painted by Levé was sold at Sotheby's Paris, 19 December 2017, lot 235.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A Sèvres pomade pot and cover (pot à pommade), circa 1760-65Painted with scattered flower sprays, gilt dentil borders to the rims, the cover applied with a flower finial, 9.3cm high, incised mark (tiny chip to rim) (2)Footnotes:Provenance:Property from the Collection of Dr. Johannes Ralph LafrenzFor further information on this lot please visit Bonhams.com

A Meissen coffee and tea service, circa 1755-60Painted with putti within clouds surrounded by scattered flower sprays, under wide borders of puce scale ground edged with gilt scrollwork, comprising: coffee pot and cover, teapot and cover, shaped stand, tea canister and cover, sugar bowl and cover, milk jug and cover, waste bowl, twelve tea cups and saucers, and six coffee cups and saucers, the coffee pot: 23.5cm high, the teapot: 11cm high, the waste bowl: 16.8cm diam., crossed swords marks in underglaze-blue, gilt numerals 80 and some impressed numerals (minuscule chips to finials) (48)Footnotes:Provenance:The Rosa Alba Collection of Meissen PorcelainThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A large Sèvres blue-ground sugar bowl and cover (pot à sucre 'Calabre'), circa 1770Of the first size, the blue ground reserved with gilt-edged cartouches enclosing putti and trophies 'en grisaille' surrounded by berried laurel garlands, gilt foliate and dotted borders to the rims, the cover applied with flower bud finial, 11cm high, interlaced LL monogram and dot in blue, incised mark (some flaking to gilt rim) (2)Footnotes:Provenance:With Antiquité Vandermeersch, Paris;With Vincent l'Herrou, Paris;Property from the Collection of Dr. Johannes Ralph LafrenzFor further information on this lot please visit Bonhams.com

A Sèvres covered ewer and basin (Pot à l'eau à la Romaine et jatte à feuille de choux), circa 1777Based on a model first designed by Jean-Claude Duplessis in 1751, the ewer of hard-paste porcelain, painted by Louis-Gabriel Chulot with elaborate floral wreaths of different varieties including roses, poppies and cornflowers, on either side, the front with turtle doves flanking a wicker basket with a musette de coeur, a straw hat and letters, one entitled 'Pastor Fido' all set between moulded stylised leaf shapes heightened in gilding, the shell-shaped cover with a flower wreath enclosing a single rose, the large scrolling handle brought forth from gilt bulrushes surrounding the base of the handle, the basin of soft-paste porcelain painted by François-Marie Barrat with floral wreaths and swags between the moulded sways picked out in gilding, the ewer: 26cm high, the basin: 36.5cm wide, the basin: interlaced LL monogram enclosing dated letter 'Z' over painters mark FB all in mauve colour, the ewer: crowned interlaced LL mark and painters mark of a quaver (2)Footnotes:Provenance: Sotheby's New York, 11 November 2000, lot 40;Christie's New York, 24 October 2012, lot 156; Private European Collection;Property from the Collection of Dr. Johannes Ralph LafrenzThe writing on the letter on the ewer, 'Pastor Fido' likely refers to popular pastoral tragicomedy Pastor Fido by Giovanni Battista Guarini, first published in 1590. The play was to have its first performance in 1584 at the court of Vincenzo Gonzaga, who had intended to mount a production of the play as part of the festivities around his marriage to Leonora de'Medici, but remained unfinished until 1585, when it was performed in its completed version in honour of the marriage of the Duke of Savoy and Catharine of Austria. After its initial publication, Guarini revised the play many times, and it appeared in over a hundred editions following its first publication. It became one of the most famous plays of the 17th century, and inspired numerous composers including Monteverdi, Alessandro Grandi and Heinrich Schütz. Sonatas playing on themes from Il Pastor Fido for the instrument musette de coeur, depicted on the ewer, were long published as Vivaldi's opus 13. They were however secretly composed by a man called Nicholas Chédeville. The music was published in 1737 by Jean-Noël Marchand through a secret agreement with Chédeville to publish a collection of Chédeville's compositions under Vivaldi's name. Chédeville supplied the funding and received the profits, all of which was documented in a notarial act by Marchand in 1749. The work includes six sonatas for musette, Vielle à roue, recorder, flute, oboe or violin, and basso continuo (documented by Federico Maria Sardelli, Vivaldi's music for flute and recorder (2007), pp.76 ff. ) According to some, Chédeville was the most famous musette player France ever had. He was born in 1705 into a family of musicians and took up a post in the prestigious royal oboe consortium Les Grands Hautbois, where he stayed until a few years before his death in 1782. Notwithstanding his self-pronounced title as 'musette layer to the King', Chédeville was plagued by financial difficulties eventually leading to his bankruptcy shortly before his death in 1782. He however seems to have been successful in keeping up appearances at the French Court and taught the musette to Princess Victoire from about 1750. He became a popular teacher among the aristocracy, eventually attaining the title of maître de musette de Mesdames de France.For further information on this lot please visit Bonhams.com

A pair of large Meissen flower-encrusted pot-pourri vases and covers, late 19th centuryAfter the model by J.J. Kaendler of 1760, of reverse baluster form on a flared foot, each side with a moulded scrollwork cartouche edged in gilding, puce and turquoise and profusely applied with fruit and flowers with Cupid to one side, enclosing a painted scene depicting a elegant couple in a park setting, the sides with applied with flowering branch handles, the reverse with a similar cartouche enclosing a painted flower spray, the domed foot moulded with similar scrollwork and applied with flowering branches and a nymph holding a flower basket, the domed cover moulded with pierced scrollwork applied with leaves and flowers, surmounted by a tall finial of leaves and flowers, 62cm high, crossed swords marks in underglaze-blue (one with one incised line), incised model number 2745. to both, one incised 44. and one with impressed 103, painter's numeral to one cover (some restoration and small chips to applied leaves and flowers) (4)Footnotes:Provenance:A Private Swiss Collection of 19th century MeissenThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A small Sèvres sugar bowl and cover (pot à sucre 'Bouret'), circa 1770Of the second size, decorated with straight and undulating bands of blue harebells on a striped gilt ground, gilt dentil borders to the rims, the cover applied with a flower finial, 9.5cm high, interlaced LL monogram in blue, incised mark o (2)Footnotes:Provenance:Property from the Collection of Dr. Johannes Ralph LafrenzFor further information on this lot please visit Bonhams.com

Various items of European porcelain, 19th century and laterComprising: eight hard-paste Sèvres style plates after 18th century originals, a modern hard-paste porcelain tulip, a Sèvres style lobed oval dish with putto in monochrome colours, a Worcester cup and saucer of Jabberwocky pattern, circa 1770, two Wedgwood cups and covers (one in creamware and one jasper ware), three Sèvres-style plates, all with different decoration, a Sèvres style flower vase, a Sèvres-style turquoise-ground cup and saucer, and a hard-paste porcelain neo-classical cup and saucer with a scale pattern, a later-decorated Sèvres blue-ground helmet-shaped jug (pot à lait aiguière), the plates: 25.5cm diam., various marks (25)Footnotes:Provenance:Property from the Collection of Dr. Johannes Ralph LafrenzFor further information on this lot please visit Bonhams.com

Vintage flower and gardening-themed earrings, mainly clip on and ear screw fittings, to include Hobé, Ciner, Jewelcraft, in glass, plastic, metal, enamel, ranging from 13mm to 50mm; plus a brooch in the form of a plant pot with blue paste daisies.

Spanish earthenware dish depicting a knight 35 cm diameter (hairline), French earthenware ornamental flower pot 17 cm high, 18 x 17 cm and Gmundner Keramik Austrian earthenware bowl with hunting decor 13.5 cm high, 30 cm diameter. Provenance collection Castle Frymerson in Sint Odiliënberg

Lot porcelain, China 18th and 19th century b.u. 2 milk and blood saucers with flower decor, 12 cm diameter, Famille Rose dish with tree decor and cartouches, 11.5 cm diameter, Famille Rose dish with lady by the river in a landscape full of peonies, 11 cm diameter, colorful Famille Rose dish with flower decor on rock, 4 cm high and 16.5 cm in diameter, 2 Amsterdam Bont dishes, 12 cm in diameter and a dish with man, woman and child in a mountain landscape by the sea, 12 cm in diameter, red lidded pot, 8 cm high and Imari lidded pot 12 cm high (various damage)

3 Herend Hungary porcelain flower pots with rams ears, including 2 with red/brion flower decor (1 pot with edge chip of base ring) and 1 with green flower decor 16.5 cm high, 20 cm diameter

Herend Hungary porcelain flower pot with green apponyi decor 16 cm high (small chip on the base ring), ashtray green apponyi decor diameter 15 cm

9 pieces Herend Hungary porcelain with red/brown floral decor including lidded trays, baskets, dishes, flower pot and butter dish (chip of rose petal on lid butter dish and chip of rose petal oval lid dish)

6 pieces Herend Hungary porcelain with purple and blue flower decor including lidded dishes, dishes and flower pot (chip of rose petal, smallest lidded dish)

Herend Hungary porcelain flower pot with polychrome decor 16.5 cm high, 19.5 cm diameter, 2 tea canisters with green decor 14 cm high, dish with green decor 12.5 cm diameter and turkey 12.5 cm high. Provenance collection Castle Frymerson in Sint Odiliënberg

A ROYAL DOULTON FIELD FLOWER PATTERN PART DINNER AND TEA SERVICE, comprising twenty one dinner plates, nine breakfast plates, four breakfast bowls, teapot and hot water pot, twelve cups, thirteen saucers, twelve side plates, two mugs, six egg cups, (two with nibbles to the rim), milk and sugar (with cover), salt and pepper

A quantity of bird and cat ornaments to include; Border Fine Arts 'Kitten in a Flower Pot', 'Kitten in a Cat Bed', etc.

A group of Herend hand painted porcelain, comprising pair of plates with basket weave effect rims, D22.5cm, two small dishes with open work sides, a small jug and cover with flower finial, all decorated with green floral sprays, plus a small twin handled pot and cover or sucrier.

A Meissen three-piece café au lait service, in the Rococo taste, comprising a baluster coffee pot and cover, an ogee-shaped sucrier and cover, and a tripod cream jug, painted with bands of oak leaves and acorns in puce on a mottled yellow lustre ground, flower bud finials and scroll handles, the coffee pot 21.5cm high, underglaze blue crossed swords, early 20th century

Antique wrought iron florists display stand, with scrolling cresting, of lattice form on scrolled bracket supports, with ten flower pot holders slotting onto the framework, 121cm wide x 215cm highCondition report: Structurally sound, the frame comes with ten holders which are interchangeable, attaching to the horizontal supports to either side - see images

A Chinese blue and white 'lion-dog' flower pot,painted with lion-dogs on white slip, on a pale celadon ground,20cm diameter

A reclaimed and partially later infilled terracotta cylindrical chimney pot, 58cm high, together with various terracotta flower pots and planters of varying design (collection)

A miniature of The SS Great Britain, a brass snuff box and figure, a plant pot, a treen flower holder, etc

Gilded "Bristol" Blue glass flower pot with handle

Hallmarked 926 silver leaf design flower pot weight 260g

Three early 19th century pearlware yellow ground bough pots, with gilt edging and enamelled with flower sprays, 14cm high, 18.5cm wide (3). One pot and cover free from damage and repair. One with chipping to the cover and a rim chip to the base. One with badly damaged cover re stapled and with a rim chip to the base. Some general wear throughout.

AN ART DECO CROWN DEVON FIELDING'S ORIENT PATTERN POT AND COVER with geometric and flower decoration in green, orange, white and gilt on black ground, printed marks and pattern number 2115 to base, 10cm high x 13cm diameter, together with a Carlton Ware Bullrushes pattern two handled vase, 12.5cm high Condition Report: pot and cover - all over light crazing. Lid does have a crack. vase - nice condition.

A WILLIAM IV SILVER COFFEE POT BY EDWARD BARNARD, EDWARD BARNARD JR, JOHN AND WILLIAM BARNARD London 1835, of baluster form with engraved foliate decoration, scrolling acanthus decorated handle & flower head finial on pierced & scrolling base 26cm high 993 grams Condition Report: One tiny dent in one cartouche, otherwise good condition. .

A rare Lowestoft coaster or potting pot, circa 1765Of deep cylindrical form with a neatly turned foot, painted in blue with trailing flowers, a single sprig and two insects in flight, the interior with a floral sprig and a 'flower and loop' border below the rim, 12.2cm diam, painter's numeral 5 inside footrimFootnotes:ProvenanceChristie's sale, 6 December 2004, lot 197This rare form has been interpreted as a wine coaster for a bottle or decanter, following in the tradition of contemporary silver coasters, see Geoffrey Godden, Lowestoft Porcelains (1985), p.90, pl.102 and p.200. A similar example painted with chinoiserie vignettes was sold by Bonhams on 2 June 2004, lot 286. A smaller coaster with almost identical decoration to the present lot, also marked for Robert Allen, was offered by Bonhams on 15 November 2017, lot 231. Perhaps these were produced to be sold in graduated sizes for use with different sized bottles.For further information on this lot please visit Bonhams.com

A rare Lowestoft tea canister and cover, circa 1775-80Of large size and ovoid shape with a cylindrical cover, printed in blue with the 'Floral Sprays with Butterflies' or 'Three Flowers' pattern of a large floral spray, smaller sprigs and two butterflies between tramline borders, 15.2cm high (2)Footnotes:This rare form of tea canister and its decoration are derived from Worcester. The adaptation of Worcester's original 'Three Flower' design and its use at Lowestoft across a number of teawares including a complete miniature service held in Norwich Castle Museum is discussed by John Howell, Transfer-Printed Lowestoft Porcelain, ECC Trans, Vol.7, Pt.3 (1970), pp.215-6 and pl.184. See also a related sugar bowl and mustard pot illustrated by Geoffrey Godden, English Blue and White Porcelain (2004), p.297, pls.369-70. A similar tea canister printed with the 'Fence' pattern was sold by Bonhams on 2 May 2018, lot 404.For further information on this lot please visit Bonhams.com

Galvanised Pail , Jam pan , pot and terracotta flower pot

Silver salt by Mappin & Webb, Birmingham 1925 and a matching mustard pot and cover, both of panelled form, two other silver mustard pots, the silver mounts for a hip flask (glass missing), a white metal naturalistic part chamberstick modelled as a flower (unmarked) and various other items 

A flower pot costume with top hat made for BBC show "That's Life"

Five Nao figurines, Girl carrying Dove, Girl with Parasol, Girl carrying Cake, Girl carrying Flower Basket and Girl with Two Birds and Flower Pot

Pair of Volkstedt figures, boy with a flower pot and a girl holding up her apron, 10.5cm together with a pair of German porcelain sweet meat figures 16.5cm High, 14cm Wide, 8.5cm Deep.

Joseph Beuys - - 1921 Krefeld - 1986 Düsseldorf Erdobjekt 'TA..KA-(TURM)'. 1975. Erdobjekt, Muschel. Auf einem Zettel unten auf dem Erdobjekt signiert, datiert und betitelt (aufgrund der Montierung nicht zugänglich). Höhe: 15 cm (5,9 in). Plexiglaskasten: 25,5 x 27 x 27 cm (10 x 10,6 x 10,6 in). Es handelt sich um afrikanische Erde. [EH]. • Erde ist einer der wichtigsten Werkstoffe bei Beuys. • Erde ist für Joseph Beuys ein verdichtetes Material des Ursprungs, ein Generator von Formkräften. • Erdobjekte wie das 'Erdtelefon' (1967) oder 'Erdhaufen und elektronisches Gitter' (1957) gehören zu Beuys’ bekanntesten Werken. • Erdobjekte von Beuys kommen äußerst selten in den Handel. • Wichtige Objekte mit dem Material Erde befinden sich u.a. im Block Beuys in Landesmuseum Darmstadt, dem Museum Schloß Moyland. Mit einer schriftlichen Bestätigung von Eva Beuys vom 14. Februar 2019 (in Kopie vorliegend). PROVENIENZ: Atelier des Künstlers (Drakeplatz 4). Privatsammlung Deutschland (direkt vom Künstler erworben). AUSSTELLUNG: Joseph Beuys: Natur, Materie, Form, Ausst.-Kat. Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 30.11.1991–9.2.1992, Kat.-Nr. 419 (Abb. S. 334). Joseph Beuys: Wo ist Element 3?, Ketterer Kunst, Berlin, 26.3.–22.5.2021. Im Dezember 1974 lädt der Fotograf Charles Wilp Joseph Beuys und seine Familie zu einer Fotosession nach Diana an der Küste Kenias ein. Offenbar hat Beuys von dieser Reise Erde mitgebracht und in einem Blumentopf aufbewahrt. Bisher hat sich die Bezeichnung 'TA…KA-(Turm)' nicht erschlossen. Es wäre sicher gewagt, an Astrid Lindgrens Kinderbuch „Pippi in Taka-Tuka-Land“ zu denken, andererseits fügt Beuys wiederholt Spielzeug seiner Kinder in seine Installationen ein, etwa in Vitrinen des 'Block Beuys' im Hessischen Landesmuseum in Darmstadt. Oder er verwendet auch die Laute seines die Sprache erlernenden Sohnes Wenzel als Titel, wie in der Aktion 1964 in Aachen das 'Kukei, akopee – Nein!' ('Kukei' für ich gucke, 'akopee' für einkaufen). (Uwe M. Schneede, Joseph Beuys, die Aktionen, Stuttgart 1994, Nr. 4, S. 42) Im Buch ist Pippi die Tochter eines in Afrika als König lebenden Vaters, der in einem Turm auf der Taka-Tuka-Insel gefangen gehalten wird. Oben auf unseren 'Turm' aufgelegt ist eine auch in Afrika vorkommende Kaurischnecke (Cypraeidae). Ihr Schneckengehäuse wurde aufgrund ihrer wertvoll erscheinenden, porzellanenen Oberfläche als Währung verwendet, so wurden etwa Sklaven in Westafrika mit Kaurigeld gehandelt. In Beuys‘ letztem großen Werk 'Palazzo Regale' von 1985, das sich heute in der Kunstsammlung Nordrhein-Westfalen in Düsseldorf befindet, liegt eine Riesen-Meeresschnecke (Cassis Tuberosa cornuta) in einer der Vitrinen. Erde als Substanz spielt bei Beuys eine wichtige Rolle, wie etwa in dem Werk 'Erdtelefon' von 1968, das ein mögliches Gespräch mit der Erde suggeriert. [Eugen Blume] Aufrufzeit: 18.06.2021 - ca. 18.54 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONJoseph Beuys -1921 Krefeld - 1986 Düsseldorf Erdobjekt 'TA..KA-(TURM)'. 1975. Erdobjekt, Muschel. Signed, dated and titled on a note below the object. (Not visible due to mounting). Height: 15 cm (5.9 in). Plexiglass box: 25,5 x 27 x 27 cm (10 x 10,6 x 10,6 in). The object is made of African soil. [EH]. • Soil is one of Beuys' most important materials. • For Joseph Beuys soil is a condensed material of the origin, a generator of formative power. • Earth objects like the 'Erdtelefon' (1967) or 'Erdhaufen und elektronisches Gitter' (1957) count among Beuys’ most famous works. • Earth objects by Beuys are very rare on the market. • Significant earth objects are also part of the Block Beuys at Landesmuseum Darmstadt and the Museum Schloß Moyland. Accompanied by a written confirmation from Eva Beuys dated February 14, 2019 (in copy). PROVENANCE: The artist's studio (Drakeplatz 4). Private collection Germany (acquired directly from the artist). EXHIBITION: Joseph Beuys: Natur Materie Form, ex. cat. Kunstsammlung Nordrhein-Westfalen, Düsseldorf, November 30, 1991 - February 9, 1992, cat. no. 419 (with illu. on p. 334). Joseph Beuys: Wo ist Element 3?, Ketterer Kunst, Berlin, March 26 – May 22, 2021. In December 1974 the photographer Charles Wilp invited Joseph Beuys and his family to a photo session in Diana on the Kenyan coast. Apparently Beuys returned home with Kenyan soil which he kept in a flower pot. So far, the designation 'TA… KA- (Turm)' has not been fully unlocked. It is certainly daring to think of Astrid Lindgren's children's book 'Pippi in Taka-Tuka-Land' (Pippi in the South Seas), however, Beuys repeatedly integrated the toys of his children into his installations, for example in the showcases at the 'Block Beuys' at the Hessian State Museum in Darmstadt. Or he used the sounds his son Wenzel made while learning to speak as titles for his works, such as it is the case with 'Kukei, akopee - No!'. (Uwe M. Schneede, Joseph Beuys, die Aktionen, Stuttgart 1994, no. 4, p. 42). In Lindgren’s book Pippi’s father lives as a king in Africa, where he is held captive in a tower on Taka-Tuka Island. On top of our 'tower' is a cowry snail (Cypraeidae) that also commonly occurs in Africa. Their shell were used as currency, because of the porcelain-like surface, which appeared to be valuable, so slaves in West Africa were traded for cowry money. Beuys‘ last large work 'Palazzo Regale' from 1985, which is now part of the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, also has a giant sea snail (Cassis Tuberosa cornuta) in one of the showcases. Soil as a substance plays an important role for Beuys, for example in the work 'Erdtelefon' from 1968, which suggests a possible conversation with the Earth. [Eugen Blume] Called up: June 18, 2021 - ca. 18.54 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

OLIVER CLARE (1853-1927), Still Life with Flower Pot and Nest, oil on board, signed, 12" x 9 3/4", swept gilt gesso frame (Illustrated) (Est. plus 21% premium inc. VAT)Good condition, reframed and cleaned

A rare Derby coffee pot and cover c.1760, of unusual tapering lozenge shape, painted with butterflies and moths in flight above flower sprays including rose, tulip and heartsease, with faceted spout and angular handle, the cover of domed square section with similar floral decoration, damages, 19cm. (2) Provenance: from the collection of Lady Kate Davson, née Kate Foster (1938-2020). Gift of Bob Williams.

A Meissen white-glazed figure emblematic of Smell mid 18th century, modelled by J J Eberlein as a Classical maiden holding a flower to her nose and standing beside a pot pourri vase on a square plinth, a dog sniffing the ground by her feet, blue crossed swords marks, some damages, 28cm.

A large Swarovski pink & green Flower in a pot height 20cm; 3 similar flowers

An Indonesian Yogya white metal four-piece coffee service on tray, the tray with presentation inscription dated 1977, comprising coffee pot, hot water pot, sugar, cream, and six spoons, each with scroll leaf and flower chased decoration, the sugar with domed cover and caddy spoon, each stamped NZ.800 DELUX, gross weight 80oz, coffee pot h.19cm, tray w.38.5cm

An 18th century continental copper bed warming pan, probably German, decorated in relief with flower heads and spandrels, a set of fire irons, six various decanters, Singer sewing machine, turned ebony candlesticks and brush pot, books, etc (qty)

A group of Doulton Lambeth, to include a Slaters Patent tobacco jar and cover, H14cm, beaker with moulded lozenge and flower decoration, H11.5cm, cache pot wit crimped rim, small vase with bulbous body and flared rim, H14cm, etc., all with various impressed and incised marks and makers monograms beneath.

Theodore Deck, a pair of Japanesque vases, circa 1880, cylindrical brush pot form, painted in the Oriental style with Persian cartouches of birds on chrysanthemum and peony branches, within a Chinese foliate scroll ground, between flower head borders, impressed marks, 27.5cm high

A LARGE CHINESE BLUE AND WHITE LIDDED PRESERVE POT. DETAILED WITH VARIOUS BIRD AND FLOWER DESIGNS. SHOWING A BLUE DOUBLE CIRCLE MARKING TO THE BASE. [AS FOUND TO RIM]

Large Collection of Wedgwood Jasper Pale Blue comprising Christmas Plates between 1969 and 1990, American Independence Plates, Apollo 1969 Man on Moon plate. 10 boxed plates, 16 unboxed. Together with a boxed Jasper Pale Blue Grecian Flower Pot. All in good condition.

An extensive collection of 19th century Masons Ironstone table ware, including thirteen pieces in the Green Mandarin pattern, thirty six pieces in the Table & Flower Pot pattern, eight pieces in the Mogul pattern, ten pieces in the Blue India Pheasant pattern, and seven other pieces in various patterns (a/f - many pieces damaged or restored)

A pair of Norwegian David Andersen silver-gilt and guilloche enamel novelty toadstool salts and other cruet itemsfirst marked D A Norway Sterling, in red and yellow enamel on a circular foot, together with a novelty silver longboat salt with clear glass liner by Magnus Aase, and and a cornucopia pepper pot, by Theodore Olsens Eftf and a silver gilt and yellow guilloche enamel salt in the form of a flower bud on a circular foot (5)first height 5.5 cm., total weight including stoppers and glass liner 3.45 ozt.Condition: Enamel is in good condition for all three enamelled items. First in good condition but with some rubbing to gilt. Both fitted with stoppers. Second good condition. Third Slight tear /crack to rim of base where base plugs in

An early Victorian silver coffee potLondon, 1848 by Robert Hennell IIIof baluster form, embossed with c scrolls and flowers, having leaf capped scroll handle with ivory insulators and hinged dome cover with flower bud finial, on foliate scroll racket feet, crestedheight 27 cm., weight approx. 29.1 ozt.Condition: Fair condition commensurate with age. Occasional light dings to body and lid

An early 20thC Chinese amber tea pot, of squat form, the cylindrical body heavily carved with flower heads and branches, with a naturalistic handle and spout, 7cm high.

AN IRISH FOUR PIECE SILVER TEA SERVICE, Dublin c.1887, mark of by West & Son, comprising a teapot, hot water pot, cream jug and two handled sugar bowl, each of lobed circular form, profusely decorated all over with embossed scrolling foliage, with cast c-scroll handles, raised on masked cabriole legs and paw feet, the teapot and hot water pot with flower head finial, all with presentation inscription and dated 1887 (c.90 troy ozs)

AN IRISH SILVER WILLIAM IV FOUR PIECE TEA AND COFFEE SERVICE, Dublin c.1830, makers mark of Frederick Mann & Son, comprising tea pot, coffee pot, sugar bowl and creamer, each of compressed baluster form, the tea and coffee pots with hinged lids, with cast flower finials, all pieces with profusely chased and embossed bodies with vacant cartouches, raised on cast splayed feet, (c.116 troy ozs). 22cm high

An English porcelain bough pot and cover, circa 1810, painted with a panel of flowers within elaborate gilt borders, 17cm high; and an English porcelain lime-green ground flower basket and pierced cover, circa 1820, 31cm in lengthCondition Report: 1st item: repaired section to cover. Condition Report Disclaimer

A German teddy bear circa 1920, with golden mohair, black boot button eyes, pronounced muzzle, black stitched nose, mouth and claws, swivel head, jointed limbs with felt pads, slight hump, growler, white cotton and lace dress with mother of pearl and rolled gold Baby brooch, a wrist nosegay of violets and a recent flower pot of artificial violets —19in. (48.5cm.) high (feet pads covered, general wear and thinning) - this bear is known as Violet and appears on page 171 of Bears and page 6 of Teddy Bears (and is sold with an Italian version) by Sue Pearson

Dolls' house porcelain, a Goebels coffee set on tray painted in green and gold with pin roses --3½in. (9cm.) width of tray (coffee pot missing handle and one lid missing); three vases; six stoneware vessels; a white and blue laundry basket; and a bronze flower in pot

A celadon hexagonal porcelain flower pot with relief decoration with archaic motifs. Marked with seal mark Yongzheng. China, 19th/20th century.Provenance: Christie's, Amsterdam, 25 November 1986, lot 296.H. 17 cm. W. 26 cm.Condition Report: http://www.zeeuwsveilinghuis.nl/notices

Chinese blue and white brush pot having stylised flower decoration with six character mark, 6cm.

Three filigree boats, an enamelled flower pot and a snuff bottle