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A rare and early Caughley coffee can painted with the Mansfield pattern, circa 1776-79, associated border to inside rim, pot-hook style S mark, 6.3cm highProvenance: Wright Collection no.483, purchased in 1995 from Venners. Literature: Ironbridge 1999 no.171 and The Caughley Society, Caughley Blue and White Patterns, p.93.
A Caughley coffee can painted with the Chantilly Sprigs pattern, circa 1785-92, S mark, 5.8cm highProvenance: Wright Collection no. 920, purchased from Richard Winterton's in 2012.Literature: This is an interesting shape of handle, compare with that of no.112 in Ironbridge 1999's Exhibition, that one now being in the Ironbridge Gorge Museum. This is only one of three that Maurice Wright has seen.
A Caughley coffee pot and cover, circa 1777-90, transfer-printed in underglaze blue with the Fence pattern, the cover with three flowers, S mark, 24.5cm high (slight damage to twig and leaf, glaze run)Provenance: Wright Collection no.986, purchased from Neales in 2015.Literature: See Caughley Newsletter February 2016 no.65 p19.
A Caughley tea bowl and saucer painted with the Girl with Parasol pattern, circa 1788-85, S mark, bowl 8cm diameter, saucer 12.2cm diameter (2)Provenance: Wright Collection no.632, purchased for in 2000 from R. Sillito.Literature: Antique D & Col Guide, March 1974, possibly the very same example.
A reeded Caughley tea bowl and saucer painted with the Bright Sprigs pattern, circa 1785-92, S mark, tea bowl 7.9cm diameter and saucer 12.8cm diameterProvenance: Wright Collection no.409 purchased in 1989 from Venners. Literature: See Ironbridge 1999 no.493 and Geoffrey Godden, 'Caughley and Worcester Porcelain' pl.50.
A Caughley tea bowl and saucer painted with the Waiting Chinaman pattern, circa 1776-80, S mark, tea bowl 7.9cm diameter and saucer 12.2cm diameter (chipped saucer, very fine hairline to tea bowl) (2)Provenance: Wright Collection no.245, purchased in 1981 from Venners.Literature: See Ironbridge 1999 no.441.
A Caughley teapot transfer-printed with the early version of the Fruit pattern, lacking cover, circa 1776-79, S mark, 8.7cm highProvenance: Wright Collection no.460, purchased in 1994 from Phillips.Literature: See Ironbridge 1999 no.1. Ex. Geoffrey Godden Collection, referred to in Godden, 'Eighteenth Century English Porcelain', p.226. See collection no.261 for the other example.
A Caughley coffee cup transfer-printed in the Apple and Damson pattern, circa 1778-85, C mark, 6.5cm highProvenance: The Apple and Damson cup is Wright Collection no. 788 and was purchased in 1998 from Cavendish H. This is one of the earlier prints, with a rare mark which looks like a crescent with an added serif.
A Caughley teapot and cover painted with the Gillyflower I pattern, circa 1776-80, inscribed 'Sar'h MITTON', of fluted barrel form with an ear-shaped handle and flat cover, 11.5cm high (chips to cover and spout, restored tip of spout)Provenance: Wright Collection no. 386, purchased in 1987 from Simon Spero. Literature: Ironbridge 1999 no. 148 and The Caughley Society, Caughley Blue and White Patterns, p. 236. A named teapot by Caughley is otherwise unknown. This was possibly made in celebration of a marriage, William Wilberforce is known to have bought a Caughley tea set for his sister as a wedding present on her marriage to Rev. Dr. Thomas Clarke at Bakewell on 11/9/1790.
A Caughley teapot and cover transfer-printed with the early version of the Three Flowers and Butterfly pattern, circa 1776-80, S mark, 12.2cm high (chip to cover)Provenance: Wright Collection no.451, purchased in 1994 from Geoffrey Godden. Literature: See Ironbridge 1999 no.220 and The Caughley Society, 'Caughley Blue and White Patterns' p. 117. Godden refers to this teapot in 'Eighteenth Century English Porcelain', p.226.
A Caughley teapot painted with the very rare Bird in the Ring pattern, lacking cover, circa 1776-79, S mark, 10.7cm highProvenance: Wright Collection no. 408 purchased in 1990.Literature: See Ironbridge 1999 no. 93 and The Caughley Society, Caughley Blue and White Patterns, p.43. This is a copy of the Worcester version of this pattern, and is the only Caughley example known. It was discontinued at Worcester by 1775 so there is the possibility that this was a replacement for an original piece, however the possibility of a full service cannot be discounted.
A Caughley tea bowl painted with the Blown Seed Head pattern, circa 1780, underglaze blue painted S mark, 9cm diameter Literature: Godden, Geoffrey 'Caughley and Worcester Patterns', plate 29, p.183 illustrates a waster from the factory, which appears to be a thickly potted saucer painted with this Blown Seed Head pattern. See also Phillips London, The Watney Collection, Part III, 1st November 2000, lot 1209, for two small bowls similarly decorated in this pattern and Ironbridge 1999 no.111 where it states that these shapes are influenced by the Chinese stem cup shape.Provenance: Originally purchased in 1983 from Pat Ratcliffe, sold later Halls 28th April 2010.
A Caughley ewer transfer-printed in underglaze blue with the Pleasure Boat pattern, circa 1780-89, S mark, 23cm highProvenance: Wright Collection no.145, purchased in 1977 from Bill Burchell, who purchased it from an auction house in Much Wenlock.Literature: Caughley Newsletter May 2016 no.66 p16, this ewer formed part of a wash basin set.
A very rare Caughley teapot stand painted in underglaze blue with the Banana Tree pattern within a gilded rim, circa 1796-99, unmarked, 16.6cm wide (chipped, cracked)Provenance: Wright Collection no.839, purchased in 2010. This stand would have most likely been for a New Oval teapot with crinkles or fluting
A Caughley beaker transfer-printed in the Willow Nankin pattern, with additional painted blue wash a painted concentric line towards the bottom edge, unmarked, 7.7cm high (faint star crack to base)Provenance: Wright Collection no. 388, purchased in 1988 from Portobello road. Literature: Ironbridge 1999 no. 414.
A Caughley coffee cup and saucer with basket weave moulding, painted with the Chantilly Sprigs B pattern, circa 1785-92, S mark, cup 5.8cm high and saucer 10.7cm diameter (2) (firing fault at base of handle) Provenance: Wright Collection no.479, purchased in 1995 from N. Gent and David Basford.
A Caughley pounce pot transfer-printed with sprigs, circa 1776-85, C mark, 7.9cm highProvenance: Wright Collection no.205, purchased from G. Brown, Wem in 1980 - a house sale. The sellers are reported to have said, 'We don't know where the salt pot is!'Literature: Ironbridge 1999 no.45 and Caughley Society, Caughley Blue and White Patterns, p.214.'Pounce' is a fine powder, made predominantly from cuttlefish bone that was used to dry ink and make rough surfaces suitable for writing on. After sprinkling the paper, 18th or 19th century ink would generally take around ten seconds to dry before the paper could safely be folded without the risk of blotting. The paper would be gently shaken to avoid excess sticking to the paper, which could then be safely discarded prior to this folding. Despite blotting paper being available since Tudor times, this method of using 'pounce' or sand proliferated well into the 19th century.
A Caughley coffee cup transfer-printed in the Birds in Branches pattern, circa 1780-85, unmarked, 6.9cm high, together with a Coalport saucer of the same design, circa 1800-10, unmarked, 12.5cm diameter (2)Provenance: Wright Collection no.'s 916 and 938.Literature: See Newsletter May 2014 No 58 pp. 26-7, this is a rare conjunction of print and border.
A selection of decorative ceramics to include Four Royal Doulton figures comprising Top O'The Hill HN 1834, Choir Boy HN 2141, Tinkle Bell HN 1677 and Goody Two Shoes HN 2037 along with a Staffordshire lady figure, a Caithness perfume atomiser, two Coalport Caughley mask-head jugs, a Hadley's Worcester mug on stand and six Royal Doulton plates etc (Qty)
18th Century porcelain, possibly Worcester or Caughley cabbage rose pattern miniature saucer boat CONDITION REPORT: -height 7cm at tallest point, (handle) and 13cm at widest point (spout to handle)-marks around the rim and edges (two small cracks)-crack to the lower part of the handle a small hairline down srom the spout-otherwise good conditon
English Porcelain and Pottery Books - Sandon (John), The Dictionary of Worcester Porcelain: Volume I, 1751-1851, Antique Collectors' Club, Suffolk 1993, hb, dj; Godden (Geoffrey, F.R.S.A.), English Blue and White Porcelain, Antique Collectors' Club, Suffolk 2004, hb, dj; Godden (Geofrrey, F.R.S.A.), An Introduction to English Blue and White Porcelains, first edition, limited to 750, Private Press [c.1970]; Fisher (Stanley W.), English Blue and White Porcelain of the 18th Century [...] 1740-1800, T. Batsford Ltd, London 1947, hb, dj; another, later; Coysh (A.W.) and Henrywood (R.K.), The Dictionary of Blue & White Printed Pottery 1780-1880, Antique Collectors' Club, Suffolk 2001, two-volume set, hb, dj; Priestman (Geoffrey), An Illustrated Guide to Minton Printed Pottery 1796-1836, Endcliffe Press, Sheffield 2001, hb, dj; Staffordshire pottery; English Tin-Glazed Earthenware; Bernard Watney; Caughley; Spode; Moorcroft (3); etc [30]
A Worcester The Gilliflower pattern fluted sugar bowl, decorated in underglaze blue, with cornflower sprigs, blue line border, 15.5cm diam, crescent mark, c.1770; Worcester Cormorant pattern saucer and Caughley tea bowl, printed with fishermen, pagoda and rockwork, the interior with cell border, crescent mark, c.1770 (2)
A group of late 18th century Liverpool and Caughley blue and white porcelains: comprising a set of three John Pennington teabowls and saucers transfer printed with the 'Stag and Doe' pattern [one saucer cracked]; a similar teabowl and saucer printed with the 'Scallop Shell and Flower Head' pattern [saucer chipped]; a Seth Pennington small bowl painted with the 'Chinese Lady Servant' pattern, 11.5 cm diameter; and two Caughley asparagus servers printed with the 'Fisherman' pattern [11].
WORCESTER FLIGHT PERIOD CABBAGE LEAF EWER, in the Queen Charlotte pattern, with mask spout, blue Flight and crescent to base, height 22cm; together with a Chelsea Derby style ewer with blue and gilt foliate decoration, a Caughley style nut basket in the pine cone group pattern, blue printed CB to base (3)
Worcester; a rare pair of c1780 salad bowls, shell relief moulding to interior with mulberry pattern and English fruits and vegetables to include radish and lettuce etc, snails and butterflies, one with blue Worcester crescent mark to base, the other with blue Caughley mark, 8cm high, 25cm diameter. CONDITION REPORT Large star hairline crack to the base of one example, some scratching/general wear throughout commensurate with age.
Two late 18th Century English blue and white pottery tea bowls and saucers with floral spray and strawberry pattern, (one probably Caughley, the other possibly Pennington of Liverpool circa 1760-80) CONDITION REPORTS One saucer has been repaired/restored with a crack running all the way through it and damage to the rim. All four pieces have light surface scratching, firing faults and some roughness and small chipping to the edgess. general wear and tear conducive with age and use - see images for further details.
A Pair of Caughley Porcelain Miniature Sparrowbeak Jugs, circa 1785, printed in underglaze blue with the fisherman pattern, 5.5cm high; and A Similar Tea Bowl (2) Provenance: Ex Christie's Boothman Smallwood Collection, lot 888Tea bowl with tiny rim chip. Both sparrowbeaks with minor abrasions to rims. 100217
A CAUGHLEY BLUE AND WHITE FENCE PATTERN BUTTER TUB, COVER AND STAND, C1777-90 with twig handles, stand 18.5cm w, printed C ++In unusually fine condition, the tub with minute pinhead sized grazes on the edge of the footrim, the handles and encrusted flowers undamaged save for one petal of one flower on the cover, no restoration

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6698 item(s)/page