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Two Caughley leaf moulded pickle dishes with serrated rims. One early example largely undecorated save for an edged border in underglaze blue and another painted in underglaze blue with the Pickle Leaf Vine pattern c.1770-80, largest 9cm. Small dish with a hair crack. Large dish With a chip to the rim and fritting.
Late 18th century Caughley pattern ‘Fisherman’ pattern mask jug height 25cm, with Caughley parrot pecking fruit pattern mask jug height 14cm, and Caughley marked ‘The Bouquets’ pattern mask jug height 19cm (hole in base). IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £30 (inc. VAT) applies to this lot to cover postage to registered address.
Various 18th century Caughley blue white ware to include a ‘Mother and Child’ pattern bowl, saucer and marked teacup, with ‘Island’ pattern toy bowl and saucer and ‘Birds in Branches’ pattern bowl and marked saucer. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £30 (inc. VAT) applies to this lot to cover postage to registered address.
Nine pieces of 18th/19th century English blue and white porcelain, some marked, including Caughley ‘Pine Cone’ pattern plate and marked teacup, marked ‘Bandstand’ pattern bowl, etc. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £30 (inc. VAT) applies to this lot to cover postage to registered address.
Various 18th/19th century English porcelain to include Caughley Dresden pattern mask jug height 19cm, eight teacups, three bowls and eight saucers. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £30 (inc. VAT) applies to this lot to cover postage to registered address.
Late 18th century and 19th century Caughley items to include ‘temple’ pattern cream jug, two cups, bowl and two saucers, ‘fenced garden’ pattern jug, bowl and saucer, together with a cup and saucer with Chinoiserie landscapes. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £30 (inc. VAT) applies to this lot to cover postage to registered address.
Ten pieces of English blue and white porcelain in various patterns including Chinoiserie landscapes, some gilt, some Caughley marked. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £30 (inc. VAT) applies to this lot to cover postage to registered address.
A mixed selection of ceramics to include a Chinese blue and white ginger jar, a Chinese cylindrical vase decorated with a scaly dragon, a graduated set of three Coalport Caughley-style maskhead jugs, Gaudy Welsh cream jug, ironstone chinoiserie waisted mug, large earthenware chinoiserie bowl on pedestal foot, further earthenware etc (three trays) (some damages)
A mixed collection of English tea and coffee wares late 18th and early 19th century comprising twelve coffee cans and one matching saucer; thirteen tea bowls; four teacups; six saucers and a Wedgwood tyg; factories including Spode, Coalport, Worcester, Liverpool, Caughley and others (qty, some damage)
A Bristol figure emblematic of Water, circa 1775From a set of the Elements, the female figure wearing classical drapery painted with floral sprigs, with a wreath in her hair, holding a net filled with fish in her right hand, her left resting on an urn gushing water, three further fish at her feet, raised on a shell-moulded mound base, 25.4cm high, impressed mark 'To'Footnotes:A similar figure is illustrated by F Severne Mackenna, Champion's Bristol Porcelain (1947), fig.103. The impressed mark 'To' is the personal mark of John Toulouse and suggests a link with Bow, Worcester, Caughley and Chamberlain figures. A figure emblematic of Air from this series from the Liane Richards Collection was sold by Bonhams on 13 April 2016, lot 195.For further information on this lot please visit Bonhams.com
A very unusual cornucopia attributed to Caughley, circa 1775-76Of spiral horn shape with a foliate scroll-moulded rim, crisply moulded in low relief with a rural landscape of a shepherd beneath a tree beside an ecclesiastical building, cattle grazing in the foreground, the rim edged in blue, a simple floral spray in underglaze blue to the base, 21.5cm high,Footnotes:The moulded decoration is based on a saltglaze prototype popular at Worcester twenty years earlier, see lot 179 in this sale. However, the distinctive style of the underglaze blue flower spray places this example in the mid-1770s and is related to a series of dated tankards that have been attributed both to Caughley and to Worcester. Early Caughley shapes closely followed Worcester forms and it is presumed Thomas Turner made use of some Worcester moulds, but it has been noted that early Caughley versions are frequently superior and more sharply moulded than their Worcester counterparts. The use of a single thin line as a border and the absence of any blue painting to highlight the modelling reminds us of early Caughley chrysanthemum-moulded pieces, in which the moulded detail is far superior to Worcester examples popular a decade or more before. No similar cornucopia from the 1770s appears to be recorded.For further information on this lot please visit Bonhams.com
A rare Caughley punchbowl by Fidelle Duvivier, circa 1792Finely painted in delicate colours with two figures in a rural riverside landscape, a sailing boat in the distance, framed by characteristic trees with trailing roots and foliage below, the reverse with three smaller landscape vignettes, another to the interior, a border of brown and gold foliate festoons undulating around a gilt line inside the rim, gilt lines around the rim and low foot, 21cm diamFootnotes:Exhibited at the Caughley Polychrome Exhibition, Ironbridge 2005, see the catalogue, Caughley in Colour, no.44. The attribution is based on similarities in style to a Caughley saucer by Fidelle Duvivier in the same exhibition, no.290, suggesting that both pieces were painted during his brief period at the Chamberlain factory in October 1792 when the firm was painting Caughley blanks. The wage records for that month include the entry 'M DEVIEA', presumably phonetic spelling for Monsieur Duvivier.For further information on this lot please visit Bonhams.com
Two Caughley tea bowls and saucers circa 1775, each printed in blue with the Fisherman and Cormorant pattern within gilt borders, saucers 12.5cm diameter, with an English porcelain jug bat printed with courting couples within gilt bordered and initialled 'H', 11cm high and three further 19th century documentary type mugs, smallest 6.5cm high, largest 10cm high (8)
A rare and early Caughley monogrammed mug dated 1776 painted in blue with fruit sprays, an elaborate scroll cartouche enclosing a musical treble clef and the initials 'CD', crescent with serif mark, 8.5cm high Hitherto unrecorded, this mug forms part of a small collection of pieces dated 1776, which is the earliest known date to be inscribed on Caughley. A similar example sold at these rooms as part of Maurice Wright's Collection in April 2017 and the painted date on both mugs can be attributed to the same hand.
A rare Caughley pounce pot circa 1777-88 of grooved form, transfer-printed in underglaze blue with Damsons, supplementary flowers and a single Butterfly, the foot and rim printed with 'Fruit and Wreath' border, unglazed base unmarked, 8.5cm high Provenance: Caughley Bicentenary Exhibition no. 25.
A very rare Caughley dessert centre dish circa 1788-93 of melon shape with a basket-weave border, finely painted in light blue with the 'Bright Landscapes 4' pattern, featuring a milkmaid and a cow with houses and trees beyond, impressed 'SALOPIAN', 30cm wide Notes: One of only three pieces recorded with this pattern, this dish likely formed part of a single service. Unlike the other Bright Landscapes patterns, each piece is painted with the same scene. Although the scene bears a stylistic resemblance to engravings by Paul Sandby, no source has yet been traced.
A rare Caughley butter boat circa 1776-80 of geranium leaf form, painted in blue with the 'Gooseberry' pattern, painted C mark, 9cm long Literature: See Ironbridge 1999 no.27, The Caughley Society, Caughley Blue and White Patterns, p.126 and p.214, further illustrated in Godden pl.286 and discussed in a Caughley Newsletter 2016.
A rare Caughley dessert plate circa 1788-93 painted in a light, bright underglaze blue with 'Bright Landscapes 3', combined with an elaborate Gold Star and Spangles gilded border, central panel painted with a monk standing before a ruined building, impressed 'Salopian', 23cm wide Provenance: Ex. Gittins and CB Collection. Featured in Caughley Bicentenary Exhibition, no, 525 and previously sold by Klaber & Klaber. Notes: By the release of Godden's book on Caughley and Worcester porcelains, the author knew of only six pieces in this pattern. It was Gaye Blake Roberts who first shed significant light on these designs in 1974 within an English Ceramic Circle Transaction paper in which it was reported that the source of several scenes from a Bright Landscapes dessert service were taken from Paul Sandby's Virtouosis' Museum published in 1778. The Gold Star Border and Spangles dessert service was first illustrated in 1969 by Godden. Research has shown that there are at least two dessert services with this gilt design.
A rare Caughley vase circa 1785-90, of baluster form, painted in polychrome with mixed fruit and flowers attributed to George Davis, a smaller group and sprigs to the rear, with border of linked gilt ovals to the neck and further band of gilding to the rim, unmarked, 13cm high (gilding rubbed) Provenance: Caughley Polychrome Exhibition 2005 no. 23.
A Caughley armorial muffin dish circa 1790, painted with the family coat of arms of the Braithwaite family of Yorkshire and Westmorland, contained within concentric blue lines, with Fitzhugh-type and double Nankin border, unmarked, 19cm diameter Notes: The 1976 Caughley Exhibition catalogue, illustrates this plate with the suggestion that this was made as a replacement for a Qianlong export porcelain service specially commissioned by the family, the original pieces of which are on display in the V&A museum. Research suggests this piece was commissioned by Major-General Sir John Braithwaite, who was Commander in Chief of the coast of Coromandel in India. This dish is illustrated CBE Catalogue, plate 667 on page 62 and Ironbridge 1999 Exhibition, no. 91.
A rare Caughley trial plate circa 1785-90 of lobed form, transfer-printed in underglaze blue with the Prince of Wales feathers, gilded with four distinct outer borders, painted S mark, 20.5cm diameter Provenance: Ex. Willis Collection. Notes: Items from the 'Prince of Wales' service usually appear decorated in polychrome rather than underglaze blue. It is therefore possible that this plate is a trial piece, although a bowl and cover with a similar type of decoration is held by the Shrewsbury Museum Services.
A Caughley coffee cup circa 1785-90 of octagonal form with angular handle, painted with the very rare 'Kangxi Figures' pattern, unmarked, 5.5cm high; together with a Chinese 'design prototype' cup, Kangxi period (1662-1722), 5.5cm high (2) Although opinion is still divided on attribution, this cup was attributed to Caughley in the Phillips sale of the Watney Collection pt. 1 and features in the Caughley Blue and White pattern book, page 57, where it is suggested that this cup was a replacement piece for a Chinese service.
A set of five Caughley pickle leaf dishes circa 1772-80 of leaf moulded form, painted in blue with the 'Single Flowerhead' pattern between feathered blue borders, including a very rare early example, single example with painted 'S', otherwise unmarked, 8cm wide (minor damage, repair) Provenance: Ex. Willis and Sandon Collections.

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6698 item(s)/page