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A Caughley blue and white mug c.1780, printed with the Parrot Pecking Fruit pattern, two Caughley coffee cups painted with the Fisherman and Cormorant pattern, and a small bowl printed with the Temple pattern, various marks, 11cm max. (4)

A comparison lot of teawares 18th century, including a Chantilly saucer, a large Caughley saucer, a miniature Worcester coffee cup and saucer and a miniature pearlware coffee cup and saucer, all decorated in blue with variations of the Chantilly sprig pattern, various marks, the Worcester cup cracked, 14.8cm max. (6) Provenance: the John Pinnick collection.

Two Worcester blue and white small or toy-sized blue and white teabowls and saucers c.1770-80, printed with the Fence pattern, a Worcester teabowl and saucer in the Immortelles pattern, a Caughley teabowl in the Fence pattern, with two Worcester Fence pattern saucers, and a Caughley teabowl printed with fruit sprays, 10.5cm max. (8) Provenance: the John Pinnick Collection.

A rare Caughley saucer dish c.1790, with scallop-edged rim, with fine gilt decoration of husks and chains suspended from a fringed and enamelled crescent border, 17.8cm.

A miniature matched Caughley tea and coffee service c.1780, printed with the Fisherman and Cormorant pattern. Comprising: a coffee pot and cover, a teapot and cover, a milk jug, six coffee cups, seven varying teabowls, six saucers in differing sizes, and a miniature milk jug printed with the ZigZag Fence pattern. (25) Provenance: the John Pinnick Collection.

An interesting comparison group of English and Chinese ceramics most 18th century, including a Chinese plate and two small Worcester plates decorated with the Pinecone pattern, a Chinese plate and a cup and saucer with later European polychrome decoration, two Chinese teabowls, one decorated with the Royal Lily pattern, two Worcester cups and a modern Worcester thimble in the same pattern, a Caughley printed cup and a pearlware cup and stone china plate in the same design, and two Chinese copies of Worcester fluted polychrome coffee cups, some faults, 23.5cm max. (16) Provenance: the John Pinnick Collection.

Twenty Caughley blue and white coffee cups c.1780-90, of varying form, printed with patterns including The Temple, Banana Tree, Fruit Sprigs, ZigZag Fence, Three Flowers, Mother and Child, Fisherman, and Birds in Branches, various marks, some with later gilding, 6.5cm max. (20) Two with a paper labels for the Edmundson Collection, one exhibited at the Caughley Bicentenary Exhibition at Ironbridge in 1999. Provenance: the John Pinnick Collection.

Seventeen Caughley and Worcester coffee cups c.1780-90, most of fluted form and variously decorated in gilt and mazarin blue with formal floral designs, two with the Gold Queen's pattern, one Caughley example with an armorial crest, one broken and restuck, 6.5cm. (17) Provenance: the John Pinnick Collection.

An octagonal delftware plate c.1770, Liverpool or Dublin, painted in blue with La Pêche, a lady fishing, regarded by a figure beneath an archway, within stylized narrow panelled borders, a chip to the rim, 22.7cm. This design, commonly seen on Caughley and Worcester porcelains, is copied from a design by Jean Pillement, engraved by P C Canot and published in 1759. It was then published in the second edition of The Ladies Amusement the following year.

A comparison lot of blue and white teawares 2nd half 18th century, including a Chinese coffee cup, a Worcester teabowl, coffee cup and saucer, and a Caughley cup and saucer painted with versions of the Rock Strata Island pattern, a Chinese teabowl and saucer and a Lowestoft saucer painted with the Dragon pattern, and a Worcester teabowl printed with the Plantation pattern, some restoration, 13.6cm max. (10) Provenance: the John Pinnick Collection.

Four Caughley asparagus servers late 18th century, painted in overglaze blue with a version of the Gillyflower pattern, 7.4cm. (4)

Four Caughley or Worcester trios and two cups and saucers late 18th century, two trios decorated with versions of the Gold Queen's pattern, one spiral-moulded and gilded with the monogram 'GJH' within flower sprigs, one fluted with gilt and blue husk garlands, a coffee cup and saucer with similar gilt decoration, and a coffee cup and saucer with cornflower sprigs, 13.5cm max. (16) Provenance: the John Pinnick Collection.

A small collection of Worcester and Caughley blue and white porcelains 2nd half 18th century, including a small Worcester bowl painted with the Landslip pattern, a Caughley miniature teabowl printed in the Fence pattern, a Worcester teabowl and saucer printed with fruit sprays, another printed with the Fruit and Wreath pattern, a pickle dish and a pair of Caughley asparagus servers in the Fisherman and Cormorant pattern, some damages, 12.5cm max. (9)

A group of Worcester and Caughley blue and white teawares c.1770-80, including three Worcester teabowls and five saucers printed with the Fence pattern, three Worcester teabowls and saucers, a Caughley saucer and a Lowestoft saucer all printed with the Three Flowers pattern, a Worcester teabowl and saucer and a coffee cup printed with the Mother and Child pattern, most with hatched crescent and additional letter marks, 15cm max. (19) Provenance: the John Pinnick Collection.

A set of three Coalport Caughley mask head jugs, graduated set, largest 17cm

Art Reference, Porcelain, Pottery & Glass, Antiques Reference, a large collection including Godden, G.A. Minton Pottery & Porcelain of the First Period 1793-1850. 1968; Godden, G.A. Caughley and Worcester Porcelains 1775-1800. 1969; Godden, G.A. The Illustrated Guide to Lowestoft Porcelain. 1969; Barrett, F.A. Derby Porcelain. 1971; Sandon, H. Royal Worcester Porcelain from 1862. 1974; Cushion, J. English Porcelain. 1974; Cushion, J. Continental Porcelain. 1974; Bell, R.C. Tynside Pottery. 1971; Whiter, L. Spode. 1978; Godden, G.A. An Illustrated Encyclopaedia of British Pottery and Porcelain. 1966; Sandton, H. The Illustrated Guide to Worcester Porcelain. 1969; Godden, G.A. The Illustrated Guide to Ridgway Porcelains. 1972; Wills, G. English & Irish Glass. [n.d.], 16 numbers bound in 1, green half morocco gilt; most original cloth, dust-jackets; and others, similar (quantity)

Decorative modern ceramics, to include a Coalport Caughley mask and head-jug, Wedgwood Jasper ware, etc.

An 18th century Caughley tea bowl and saucer printed in the Two Men on a Bridge pattern, S mark to base, wear to gilding on rim of cup

An 18th century Caughley spoon tray with rare impressed Salopian mark to base, a sparrow beak jug unmarked and a Worcester slop bowl with crescent mark and nasty crack - all in the Fisherman and Cormorant pattern,

An 18th century Caughley small tureen and cover on stand, printed in the Two Men pattern, the stand has a long crack otherwise condition is good, the tureen marked with S to base

A collection of 18th and early 19th century cobalt blue and gilt porcelain, white ground, comprising two spiral fluted Barr Flight Barr cups and saucers and matching plate, two Barr cups, an early Derby cup and saucer with puce marks, a Derby teapot stand, a Caughley saucer and a Spode dish(a/f)

A CAUGHLEY BLUE AND WHITE TEAPOT STAND, 16CM W, C1790, A WEDGWOOD QUEENS WARE EWER BY ERIC OWEN, INCISED SIGNATURE, TWO EARLY 19TH C PEARLWARE JUGS PAINTED IN BRIGHT ENAMELS WITH FLOWERS, A MASONS JUG AND A JAPANESE EARTHENWARE VASE

A Caughley jug, a novelty shoe shaped pot, damaged/cracked, and a Wedgwood oval dish

ROYAL DOULTON 'GLORIA' BOWL PATTERN No. D4937 (DIA: 15.7 cm) (BASE NOW BROKEN), COALPORT CAUGHLEY MASK HEAD JUG (H: 19.8 cm), POOLE POTTERY, DOULTON 'ADRIAN' PATTERN H.4816 BOWLS x 6 AND OTHER ITEMS [19]

A 19thC Riley's semi China Pearlware dish, in the Europa pattern, 27cm wide, a Newhall Swimming Ducks pattern jug, clover shaped dish, small bowl decorated with flowers and a large chocolate cup and saucer in dark blue Caughley Temple pattern. (a quantity)

AN 18TH CENTURTY CAUGHLEY TUREEN, COVER AND STAND and three matching dishes with gilded decoration.

AN 18TH CENTURY WORCESTER SILVER SHAPED TEAPOT, painted with the Prunus Root pattern, a Mansfield tea bowl, a plantation saucer, a Royal Lily side plate and a Worcester pinecone soup plate; together with three Caughley dishes and two saucers.

Caughley Low Chelsea Ewer circa 1790, painted with flora and moulded with acanthus leaves, 11cm wide Condition report: Chips to the feet. No restorations.

Worcester spoon tray circa 1770, painted with a Kakiemon design in imari colours on blue scale ground with hatched square mark to base. Also a Caughley spoon tray painted with blue and gilt flora. 15cm wide Condition report: No damage or restoration to either piece. Some rubbing to the gilding of the Worcester tray and to the border of the Caughley tray.

Caughley coffee cup and saucer circa 1780, printed with the Bridge and Windmill pattern in underglaze blue, 'S' mark to base of cup, (2) Condition report: The saucer has a minor footrim chip. No restoration or other faults.

A Caughley coffee cup painted in the very rare 'Trailing Rose Sprays' pattern, circa 1780-88, the strap loop handle with pronounced central seam, associated border of a concentric line with rising and falling leaves and flower heads, curtains border to inside edge, unmarked, 6.7cm highProvenance: Wright Collection no.334 purchased in 1988 from McCartney's.Literature: Ironbridge 1999 no.57, noted as 'Blue Posy' and The Caughley Society, Caughley Blue and White Patterns, p.120 where it states that this pattern was produced in both printed and painted versions, though only two coffee cups and one tea bowl are known.

A small Caughley bowl painted with a Single Flowerheard, circa 1776-78, with a dash and half filled oval border to inside rim, unmarked, 9.3cm diameter and a Caughley coffee cup transfer-printed in underglaze blue with the Peony pattern, circa 1780-85, C mark, 6.3cm high (2)Provenance: Wright Collection no. 452, purchased in 1994 from J. Wyatt. Wright Collection no.228, purchased in 1981.Literature: Ironbridge 1999 no.204. An unusual pattern for tea wares, this design is normally seen on earlier pickle dishes from Caughley. See also Ironbridge 1999 no.18. The coffee cup is also illustrated in The Caughley Society, Caughley Blue and White Patterns, p.96.

A Caughley trio of coffee cup, tea bowl and saucer transfer-printed in the Three Flowers and Butterfly pattern, circa 1776-80, S mark, cup 6.8cm high and saucer 12.3cm diameter (3)Provenance: Wright Collection no.248 purchased in 1981 from Sewell. Literature: See Ironbridge 1999 no.216. This is the early version of this print.

A small collection of Caughley blue edged border wares, circa 1776-80, comprising a tea bowl, coffee cup, a saucer, a milk jug, a spoon tray, slop bowl, sucrier and cover and tea caddy and cover. S mark (10) (assorted collection numbers)

A very rare Caughley inkwell and liner transfer-printed in the Bell Toy pattern, circa 1777-88, unmarked, 7.3cm high (chipped, cracked, repaired)Provenance: Wright Collection no.459, purchased from Norley in 1994. Prior to the widespread use of fountain pens in the 1800s, people would have to carry ink with them if they wanted to write whilst out on the road. A large number of inkwells were also made from various materials which were intended to remain solely in situ on a desk. In this case, as with this example, the use of decoration became more important than practicality. Generally, records show that a large number of porcelain inkwells were made in England intended either as souvenirs or for intended export to the USA. However, due to the fragility of these objects, porcelain examples are rare survivors and are sought after by collectors, particularly as the end of the 19th century saw the mass-market use of fountain pens which transformed the inkwell from an much needed important, functional object to a purely decorative one.

A Caughley coffee can transfer-printed in the Fence pattern, circa 1785-90, 6.5cm highProvenance: Wright Collection no. 915, purchased in 2012 from C. Brown. Literature: Newsletter November 2012 No.52 p.3.

A Caughley coffee cup and saucer transfer-printed in the Apple and Damson pattern, circa 1778-85, unmarked, cup 6.7cm high and saucer 12.4cm diameterProvenance: Wright Collection no.737 purchased in 2005 from Tim Olney. This cup and saucer date from the middle production of this print by Caughley; it is therefore interesting to compare with collection number 818.

A Caughley tea bowl and sparrow beak jug transfer-printed in the Apple and Damson patterns, circa 1778-85, unmarked, tea bowl 7.8cm diameter, jug 10.6cm high (chipped) (2)Provenance: The tea bowl is Wright Collection no.949 and was purchased from Moore Allen & Innocent in 2013. The extremely thin and fine potting of this piece suggests an early date, somewhere along from the transition of Apple to Apple and Damson. Compare this with the jug, collection no.475 which though is an unusual shape, is potted much more thickly. This piece was purchased in 1995. Literature: Ironbridge 1999 no.23 and Newsletter August 2014 No.59 p221f for both pieces.

A half-fluted Caughley sauce boat transfer-printed with the Fisherman or Pleasure Boat pattern, circa 1782-90, unmarked, 10.8cm highProvenance: Wright Collection no.680, purchased in 2002 from 'JCB'.

A Caughley sauce boat transfer-printed with the Birds in the Tree pattern, circa 1777-82, unmarked, 8.5cm high (cracked)Provenance: Wright Collection no.589, purchased in 1998 from S. Millington. Literature: Ironbridge 1999 no.90. This is a rare print to find on tableware. This is further illustrated in Nick Pane's, 'British Porcelain Sauceboats of the 18th Century', p247.

A Caughley Chelsea ewer painted a Simple Posy pattern, circa 1786-1791, with an associated blue line around the base, unmarked, 6.3cm high (hairline)Provenance: Wright Collection no. 473, purchased in 1995.Literature: The Caughley Society, 'Caughley Blue and White Patterns', p.113.

A Caughley ink pot transfer-printed with the Stalked Fruit pattern, lacking cover, circa 1776-82, C mark, 5.5cm highProvenance: Wright Collection no.198, purchased in 1980 from Lindum. Literature: See Ironbridge 1999 no.5 for a pounce pot in the same pattern. Otherwise this shape is unrecorded, with an unglazed flat base. This is an unusual print which also occurs on early tea ware and looks like a plum or similar with a stalk.

A Caughley low Chelsea ewer painted with the Chantilly Sprig pattern, unmarked, 6cm high (a.f)Provenance: Wright Collection no.979, purchased in 2015 from Mellors and Kirk. Ex Roger Edmunson Collection and sale.

A Caughley Chelsea ewer painted with the rare Fruit Sprays pattern, circa 1778-88, unmarked, 6.9cm high (firing flaw and associated hairline)Provenance: Wright Collection no. 514, purchasedin 1996 from Gus Brain. Literature: Ironbridge 1999 no.13.

A Caughley tall Chelsea ewer painted with a rare Fruit Sprays pattern, circa 1776-80, C mark, 9.4cm high (a.f, glued together)Provenance: Wright Collection no. 630, purchased in 2000 from J.Wyatt. Literature: The Caughley Society, Caughley Blue and White Patterns, p.125 where it is noted that though rare on Caughley, this pattern is not uncommon on Worcester porcelain. Examples from the two factories are sufficiently similar within the tolerances of painted patterns to make distinguishing them difficult when unmarked.

A Caughley/Coalport Chelsea ewer, circa 1797-1801, printed in the Birds in Branches pattern, unmarked, 7cm high (hairline)Provenance: Wright Collection no. 935, purchased from Woolley and Wallis in 2013. Literature: Newsletter August 2013 No 55 pp 25. A hybrid hard paste porcelain, this ewer is somewhat of a puzzle piece with the quality of the printing suggesting production within the final few years of the Caughley factory when they had trouble with consistency of paste and running of the prints.

A Caughley reeded sauce boat, transfer-printed in the Chrysanthemum pattern, with splayed foot, kinked handle and curled thumb piece, circa 1778-83, unmarked, 7.4cm highProvenance: Wright Collection no. 320, purchased in 1984. Literature: See Godden pl. 175; The Caughley Society, Caughley Blue and White Patterns, p.74 and Newsletter November 2013 No.36.This print was also used on tea wares (collection no.745) but was not recorded on sauce boats. Worcester also used this pattern, though this was painted rather than printed.

A Caughley sauce boat transfer-printed in the Apple and Damson pattern, circa 1780-88, 5.8cm high, 17cm long (cracked, chipped)Provenance: Wright Collection no.458, purchased in 1994 from Shrewsbury Antiques Market.

A Caughley sauce boat transfer-printed with fruit, circa 1782-90, unmarked, 7.2cm high (firing fault inside foot)Provenance: Wright Collection no. 434. Purchased in 1993 from Geoffrey Godden.

A very rare Caughley tall Chelsea ewer painted with a Single Flowerhead pattern border, circa 1776-1778, S mark, 8.1cm high Provenance: Wright Collection no. 722, purchased for in 2004 from J. Wyatt.Literature: The Caughley Society, Caughley Blue and White Patterns, p.212 where it is noted that this border is found on items where it may not have been possible to paint the main pattern, such as this ewer because of the moulding. This is the only one of this mould recorded.

A rare Caughley eye bath painted in underglaze blue with Locre Sprigs, circa 1785-93, with a deep oval bowl and baluster stem moulded in relief with scrollwork, supported by a reeded almost circular foot, 5.3cm high (hairline and filled chip)Provenance: Wright Collection no. 207, purchased in 1980 from Vera Dunk/Pagoda. Another eyebath of this shape is illustrated alongside two matching wasters from the factory site by Geoffrey Godden, Caughley and Worcester Porcelains. The Locre Sprigs pattern also occurs on butter boats, e.g collection no.426, but is still an uncommon pattern.These eye baths were used to wash out people's eyes when they became infected. Initially, in the 16th century people who were wealthy had eye baths made of silver and it was not until the 18th century that they were made of earthenware or porcelain and came into general use. The bath was filled with a boric acid to wash out the eye and alleviate conjunctivitis.

A Caughley tall Chelsea ewer transfer-printed with the Fisherman or Pleasure Boat pattern, circa 1782-1790, S mark, 9cm highProvenance: Wright Collection no. 412, purchased in 1990 from Bill Dickenson. This is also ex Geoffrey Godden collection and is a rarer version than the low Chelsea ewer.

A Caughley two-handled cup painted with the Bright Sprigs pattern, circa 1785, with a single blue line to the upper rim, S mark, 7.4cm highProvenance: Wright Collection no.967, purchased in 2014 from Halls.

A rare Caughley rice spoon painted with the Maltese Cross pattern, C mark, 13.5cm longProvenance: Wright Collection no. 683, purchased in 2002 from Peter Wilsons (25/9/02 Lot 270) Literature: The Caughley Society, Caughley Blue and White Patterns, p.92 and Newsletter September 2007 No.31 p.20.

A Caughley wine taster painted in the Chantilly Sprigs pattern within a Salopian border, circa 1785-92, unmarked, 5cm diameterProvenance: Wright Collection no. 634, purchased for in 2000 from R. Sillito. Literature: Newsletter September 2003 No 15 p.10. The combination of Chantilly Sprigs with this border is an unusual one.

A Caughley wine taster transfer-printed with a rare fruit pattern, circa 1780-85, with associated single blue line border, unmarked, bowl 5cm diameter (faint hairline)Provenance: Wright Collection no.448, purchased for in 1994 from N. Gent. This is the only one recorded in this pattern.Literature: See Ironbridge 1999 no.4 where this is catalogued as a 'scoop' and Newsletter September 2003 No.15 p.10. Whilst catalogued as a wine taster in this description, the actual function of these is still somewhat disputed. Ideas ranging from caddy spoons to tasters have been put forth, however realistically their actual use remains unknown beyond being intended to serve a 'single' portion similar to asparagus servers and custard cups.

A rare Caughley salt painted with the Bright Sprigs pattern, circa 1782-90, 7.2cm at widest point (a.f)Provenance: Wright Collection no. 633, purchased from R. Sillito in 2000. One set of three and a pair slightly different, of which this is the right hand one, were illustrated by Gaye Blake Roberts in Antiques Dealers & Collectors' Guide, March 1974. No 183 in the Shrewsbury Exhibition belongs to the set of three.

A Caughley twin handled Caudle-style cup painted the Salopian Sprig pattern, circa 1785-92, painted S mark, 8cm highProvenance: Wright Collection no.419, purchased in 1991 from Whittington.Literature: The purpose of this vessel is as yet unknown; though refer to Ironbridge 1999 no.190 for a twin handled jug of the same shape and pattern with the addition of a spout.

A large Caughley bowl transfer-printed with the Thorny Rose pattern, circa 1775-80, S mark, 23cm diameterProvenance: Wright Collection no.995, purchased for in 2016 from Bellmans.Literature: Newsletter 2017 No.59 p15f. This is the only bowl recorded in this pattern.

A Caughley bowl transfer-printed with the Three Flower and Fox pattern, circa 1776-80, S mark, 20.8cm diameterProvenance: Wright Collection no.291 purchased in 1982 from Worcester Fair.Literature: Ironbridge 1999 no.217, Newsletter May 2014 No.58 p.25 and The Caughley Society, Caughley Blue and White Patterns, p.200. A similar example features in the Winnipeg Museum.