A collection of porcelain, to include a Minton dish with painted floral centre and gilt trellis border, a Coalport square dish with floral painted reserves, gilt border on a deep blue ground, a similar square dish with floral centre, a Caughley gilt decorated dish, a circular plate with relief moulded foliate design, with T. Goode & Co stamp to reverse. together with a Poole shaped 435 vase in the HJ pattern (6)
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A collection of Caughley porcelain tea wares, comprising a Gillyflower pattern floated tea bowl, c.1775, a Fruit Sprig pattern tea bowl, a Pagoda pattern tea bowl with scalloped rim, a Fisherman pattern tea bowl bearing 'EX COLLECTIS ERIK HANCOCK' label, two further tea bowls and two coffee cups with gilded decoration (9)
A group of 18th century English blue and white porcelain: comprising a First Period Worcester bowl printed in the 'Birds In Branches' pattern, hatched crescent mark, 12 cm diameter; a Philip Christian Liverpool ribbed teabowl and saucer moulded with flowering branches within painted lattice and foliate borders, saucer 12.5 cm.; a Caughley sparrow beak cream jug printed in the 'Fruit and Wreath' pattern, hatched crescent mark, 9 cm [tiny chip to footrim]; and a Lowestoft sparrow beak miniature ream jug printed in the 'Fence' pattern,7 cm [some damage] 5.
A group of English porcelains, late 18th century, comprising; a Lowestoft `Dolls House' pattern bowl, 11cm. diameter; a Liverpool polychrome bowl painted with flowers, 11cm. diameter; a Worcester blue and white cylindrical mug printed with the `Parrot pecking fruit' pattern, 9cm. high; two Worcester `Three Flowers' pattern teabowls; a Caughley tea canister and milk jug printed with the `Fisherman and Cormorant' pattern, (a.f), ( 7).
A Worcester sparrow beak jug, fence pattern, a Caughley fisherman cup and saucer and another late 18th/early 19th century cup and saucer. CONDITION REPORT: The sparrow beak jug is in good order with no damage, no repairs and no restoration. The fisherman pattern cup and saucer is also in generally very good order. The gilding is rubbed to the top lip of the cup. The base has a very small under edge chip. The saucer has rubbing to the gilding on the top lip. There is no restoration to either piece. The third cup and saucer is also in good order with no condition issues.
A Caughley slop bowl and bread and butter dish, circa 1785-90, decorated cobalt blue and gilt with the Dresden Flowers pattern, 'D' in gilt to base of the dish, otherwise unmarked, 15cm and 22cm diameter together with a Derby porcelain circular dish or stand, similarly decorated in gilt and cobalt with a central single flowerhead and repeating border of flowers toward the exterior rim, factory marks in puce, 18.5cm diameter (3)
A small Caughley porcelain sauce boat, printed in blue with Full Nankin pattern and Fitzhugh border,circa 1782-92, unmarked; a Caughley Fence and House pattern saucer, with gilded dotted banding, c 1785; a gilded Caughley pagoda pattern saucer; a gilded Caughley Temple pattern saucer; and a Gilly Flower pattern saucer, with cell diaper border, 16.5cm max (4)
A group of late 18th/early 19th century blue and white ceramics, a possibly Liverpool c1840 blue and white transfer in the 'Swan' pattern, diameter 24cm, a Worcester c1775 blue and white transfer sparrow beak jug, two c1830s coffee cans and a possibly Caughley/Worcester c1770-75 floral and fruit transfer mug, some with paper labels of provenance to the base (5). CONDITION REPORT From the private collection of Mr Paul Breen.Large crack to the base of the bowl, large hairline crackSparrow beak jug, crack to side, small old hairlines to both cups, area of restoration to the rim of mug.
A Copeland & Garrett c1840 blue and white transfer pen tray with lily and abstract decoration, blue marks to the base, a Caughley c1780 pickle dish, 'Fisherman's Pattern', a Caughley c1780 asparagus server and a c1820s blue and white Chinoiserie transfer-printed tea bowl and saucer with gilt-heightened rim (4). CONDITION REPORT From the private collection of Mr Paul Breen.
A pair of Royal Worcester squat vases in the blush ivory colourway, with floral decoration and puce ciphers, height 8 cm, together with a part Caughley tea service with scalloped bowls and hand painted foliage and butterfly decoration, a pair of candlestick holders in the form of figures of a Lady and Gentleman in 18th Century costume in the manner of the bisque ware of Jean Gille of Paris 19th Century yet with some gilt and glazed sections, and other ceramics over two boxes (30+)
Group of early blue and white ceramics including Crescent mark Worcester, Caughley etc. including tea bowls, dishes and bowls, (8) Condition Report:Smallest bowl - crescent moon to base and pits to the bowl.2nd bowl - heavily pitted and stained3rd bowl - pits again, strange texture to the base maybe a repair.Three other bowls in good order.Plates have pits and firing flaws
A BOW BLANC DE CHINE PORCELAIN COFFEE CUP, c.1750, moulded with prunus, 2 1/2" high, together with a Worcester "Fruit" painted coffee cup, crescent mark, 2 1/2", a ribbed and gilded Worcester cup, unmarked, 2 1/2" high and a Caughley "Mother and Child" printed can, marked "C", 2 1/4" high (4) (Est. plus 21% premium inc. VAT)
A Very Important Rare Private Collection of 18th Century English Blue & White PorcelainThe following Collection was amassed over 50 years by a well-known Irish Collector, and consists of the following Items:1.Worcester Tea Bowl painted with the prunus root pattern circa 1765. Open crescent mark on base. The lobed (or notched) rim is quite unusual on the prunus pattern as mentioned in Bonham's catalogue, part 1 of the Zorensky collection of Worcester porcelain (lot 364) 16 March 2004. A plain Tea Bowl with notched rim together with a press-moulded fluted saucer was sold by Phillips (now Bonhams), in the Watney sale (lot 604) on 10 May 2000, They fetched £1050 plus commission, (see catalogue). 2.Worcester saucer painted with the prunus root pattern circa 1765. Crescent mark on base. Provenance: Purchased from Roderick Jellicoe, 18th century English porcelain specialist. The dealer's label is on the base.3. Worcester Saucer painted with the prunus root pattern. Workman's mark on base. Circa 1755-1760.4.Worcester Tea Bowl painted with the prunus root pattern. Slight chip to footrim. Workman's mark to base. 1755-60.Note: Numerous peculiar marks were used on Worcester painted Blue & White tea wares. In the absence of any definitive explanation for the purpose of these marks they are referred to as Workmens' marks. They were used between c. 1752-605. Worcester moulded Tea Bowl & saucer embossed with the 'Chrysanthemum' pattern. An example of this pattern is illustrated in the Watney collection sale catalogue, Lot 608 10 May 2000. Note: the tea bowl was bought at auction in 1981, it took a further twenty seven years to find a matching saucer. C17656. Worcester fluted Tea Bowl painted with the rare 'Hollow Rock Lily' pattern. Open crescent mark. 1760-68. Illustrated: Godden's Guide to English Blue and White Porcelain, page 152, plate178 7. Worcester fluted Saucer painted in the 'Hollow Rock Lily' pattern.1760-1768. See Godden's Guide to English blue and white porcelain. Match with 6, (repaired)8. Worcester fluted Tea Bowl, painted with the Hollow Rock Lily pattern. 1760-68. See Godden's Guide to English Blue & White porcelain, plate 178, page 152. Has been broken in two and re-stuck.9. Rare/Unique? Derby moulded sauce boat with open handle. C. 1765. This item has been identified after correspondence with the Victoria & Albert Museum and Dr Bernard Watney. 10. Worcester Tea Bowl painted with the 'Rock Strata Island' pattern.This design has been copied exactly from Chinese porcelain. It is sometimes referred to by the name Island Sampan because of the sampan moored to one side of the island. Open crescent mark. C.1770.11. Worcester sparrow beak Jug of small proportions with a grooved handle. Painted in the Mansfield pattern. C. 1770. Open crescent mark. This pattern was re-introduced by Royal Worcester in the 1930s. Re-named (Mansfield) after the person who made this decision.12. A delightful little Worcester Mug 2.5" h. Slightly flared at the bottom.Painted in the Prunus Root pattern. 1760-65. The price gives an idea of the value of these highly sought after mugs, the smaller the more desirable. 13. Worcester rare Tea Bowl and matching saucer, both painted in the "Waiting Chinaman" pattern, 1765-1775. Open crescent mark.14. Rare miniature Caughley Plate painted in the 'Island' pattern between 1755 and 1758. Miniature Caughley mug painted in the Island pattern between 1755 and 1758. 'S' mark = Salopian porcelain works, Caughley. Miniature Caughley platter painted in the 'Island' pattern 1755-1758. Illustrated in Godden's English Blue and White Porcelain p.458.15. Worcester Tea Bowl painted in the "Waiting Chinaman" pattern c. 1765-7516. Worcester Saucer with crescent mark. C. 177017. Worcester Tea Pot with matching tea bowl and saucer c.177518. Worcester Jug with matching tea bowl and saucer c. 1770 19. Worcester Slop Bowl painted in the Rock Strata Island pattern. c.1770 Similar to 18 20. Caughley porcelain fluted Slop Bowl, printed "Temple" Pattern. Pre 1799. No mark. On the sale of the Caughley factory in 1779 the new owner, John Rose ceased manufacturing soft paste porcelain and changed to bone china, the formula having been recently discovered by Josiah Spode. It is possible that Rose or the previous owner Turner had added some of the new clay creating a hybrid paste. Either way the bowl is Caughley soft paste porcelain pre 1800.21. Liverpool Coffee Cup and Saucer inscribed; Alice Coffey Carlow 1786Note: According to Richard Lucas' General Directory of the Kingdom of Ireland 1788, John Coffey had a China and Glass Warehouse in Burrin Street, Carlow. An important collection amassed over 50 years. As porcelain, w.a.f. (1)
An uncommon marked Caughley large salad bowl. With scalloped rim, moulded with shells and printed in underglaze blue with the pine cone pattern. Decorated to the exterior with vegetables, a snail and a moth. Printed C mark c.1780, 26cm wide.Condition report intended as a guide only.Some pitting. No chips, cracks or repair.
A rare Caughley mustard spoon. Painted in underglaze blue with a flower sprig to the bowl and a symmetrical scroll design to the handle c.1780, 10.25cm. Notes; Cf. Geoffrey Godden, Caughley & Worcester, plate 214 p.279 for a matching waster from the factory site.Condition report intended as a guide only.No damage or repair. Good condition.
A Worcester saucer dish and a Caughley teabowl and saucer, the porcelain circa 1770-80Redecorated in the 19th century, the fluted saucer dish painted with fruit and butterflies within gilt bordered panels, reserved on an apple-green ground, gilt dentil rim, 18.4cm diam, the teabowl and saucer in Giles style with rustic figures in rural landscapes, within undulating pink scale borders edged with gilt scrolls, saucer 12.2cm diam (3)
Caughley blue and white saucer decorated in the conversation pattern c1780, pair of small earthenware plates in the two temple pattern D10cm, miniature pearlware blue and white saucer dish and a Spode blue and white saucer dish c1814 D10cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
AFTER JOHN COLLET (c.1725-1780)'Bachelor Fare or Bread and Cheese with kisses'mezzotint engraving, published by Carrington Bowles, London, 1777with horizontal paper discolouration in lower plate, Pl.14 x 10 inSold with two other mezzotints after John Collet titled 'Miss Tipapin going for all Nine' (publ.1779 ); and 'The Ladie's (sic) Shooting Pony (publ.1780); together a further mezzotint engraving by Robert Hancock after I. Wright depicting 'Edward Scofield Aet 71. 3 feet 2 inches high, Deputy Clerk of St.Chad's in Shrewsbury', margins trimmed to plate on three sides; four (4)John Collet was a pupil of the artist George Lambert. He first exhibited at The Society of Free Artists in 1761. His satirical subjects were often based on those of William Hogarth whose 'Comedy in art' he strove to imitate. A number of his works were reproduced by leading printmakers of the day.Robert Hancock, (the engraver of the mezzotint depicting Edward Scofield), joined the Worcester Porcelain Company in 1756. He worked there for the next twenty years before having a short spell at Caughley. After 1780 he concentrated more on stipple and mezzotint portrait engravings.
A collection of Coalport late 20th century, comprising a twin-handled Ironbridge mug, Punch jug, Elizabeth II Silver Jubille mug, 25th Anniversary of Queen Elizabeth II's Coronation mug, three Caughley-style mask head jugs, Ironbridge jug, tallest 15cm high and twelve Coalport Christmas plates, printed factory marks (20)
A group of English and European porcelain to include a Coalport Banana Tree pattern tea bowl, coffee cup and two saucers, Curly Pagodas tea bowl and saucer, Caughley gilded tea bowl and saucer, early 19th century pink lustre saucer dish decorated with berries and flowers and a small Samson porcelain tapered beaker decorated in the Chinese style with famille rose flowers, gold mark to the base, 6cm high (some damages) Provenance: Ex. Cartwright Reference collection.
CAUGHLEY: 18th Century fruit and wreath pattern tea bowl, pair of tea bowls and saucers decorated in the Willow patter, bearing SX and S mark to base.Additional InformationSingle tea bowl with flat chip to inside of rim, light surface scratches, pair of tea bowls with rubbing to gilding in parts, one has hairline to inside of body, one saucer with star crack to base, each with rubbing to gilding.
Four items of Caughley blue and white printed porcelain, circa 1780, comprising: a cabbage-leaf moulded mask jug, 24cm high 'C' mark; a spoon tray, impressed 'Salopian', 16.5cm in length; a hexagonal teapot stand, 'S' mark, 15.5cm; and a soup plate in the St. Cloud manner, 'C' mark, 22.5cm diameter Provenance: The collection of the late Professor Michael Jaffé, Clifton Maybank

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