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An early eighteenth century oak linen press. the upper half with two cupboard doors, each with two arched sections, opening to reveal single shelf. The lower part consisting of two small drawers flanking a larger drawer over two further long drawers, each with bone escutcheons, brass handles to drawers, single brass knob to top doors, column corners, inlaid frieze, bracket feet, of unusual low height - 52in high, 52 in wide, 20 in deep.
A Charles II oak press cupboard, with stepped cornice and lunette carved frieze on turned cup-and-cover uprights flanking two doors and a central sunken panel inlaid with a vase of flowers or chip-carved whorls, the lower part also carved with lunettes to the frieze and triple panelled doors, on channelled stiles, 152cm h; 142cm w, 55cm d, perhaps Yorkshire
"Doktor Schreklichkeit" (Robert & Philip Spence) STRUWWELHITLER, A NAZI STORY BOOK, a parody on the original Struwwelpeter, presented by the authors to the Daily Sketch War Relief Fund ("which supplies wireless sets, games and woollen comforts to our Fighting Services, and clothing, bedding, boots and food to air raid victims"), Copyright, Haycock Press Ltd, London, in original printed covers
TWO CHILDREN'S BOOKS comprising THE GAPING, WIDE-MOUTHED, WADDLING FROG, A new and entertaining games of Questions and Commands, with proper directions for playing the game and crying forfeits, Embellished with Thirteen Coloured Engravings, The Leadenhall Press Series of Forgotten Picture Books for Children Republished by Field & Tuer, The Leadenhall Press 1887 (after the 1823 original published by Dean & Munday, Threadneedle Street, and A.K.Newman & Co, The Minerva Press, Leadenhall Street), in original printed coloured covers, and A VICTORIAN CHILDREN'S BOOK containing stories from the “Pleasure Books for Young Children” series, illustrated by John Absolon and Harrison Weir, hand-coloured, publ. Robson, Levey, and Franklyn, Great New Street in half red calf and marbled boards (2)
A MID 20TH-CENTURY PHOTOGRAPH ALBUM OF GOLFING INTEREST, comprising thirteen entitled monochrome photographs including "Bobby Locke/S.A./Mere 1946","Flory Van Donck/Belgium/Winner/1947", "J. Bulla/U.S.A./1947", the others similarly entitled and illustrating tee shots, presentations etc., all 1947, together with contemporary press cuttings relating to the "Evening Chronicle Professional Golf Tournament, Mere Golf & Country Club, 24-26 June 1947"
Nicolas, Yvon, The Belief in Personal Immorality, Kensington, The Cayme Press, 1925, 8vo (220 x 140mm.), half title, printers device at end, original stiff backed boards, title label in-laid on front cover, First Edition. Campbell, Roy, The George A satirical fantasy in verse, London, Boriswood Limited, 1931, 8vo (220 x 140mm.), half title, printers device on title, original cloth, spine and front cover lettered in gilt, First Edition. With two other works, Arthur Machen's 'Strange Roads & With the Gods in Spring' (London, 1923), and 'The Symposium on Love or the Banquet A Dialogue of Plato translated by Percy B. Shelley' (New York, n.d.).
Rodker, John, Adolphe 1920, London, The Aquila Press, 1929, tall 8vo (225 x 140mm.), printers device on title, original cloth, marked, No. 96 of 850 Limited Edition copies. Jeremy, Reed, Target, Jersey, Andium Press, 1972, 8vo (210 x 135mm.), half title, presentation inscription form the author to Hugo Manning, original green cloth, dust-jacket, 1 of 100 Limited Edition copies signed by Jeremy Reed with the added dedication 'special authors' copy'. With two other works, a Limited Edition copy (One of 500 copies, presentation inscription from the author to Manning) of Leonard Clark's 'The Hearing Heart' (London, 1974), and Stephen Spender's 'Ruins and Visions' (London, n.d.).
Beckett, Samuel, Molloy a novel translated from the French by Patrick Bowles in collaboration with the Author, Paris, The Olympia Press, 1955, 12mo (180 x 130mm.), half title, presentation inscription to Hugo Manning from the author on title, original paper wrappers, dust-jacket. Read, Herbert, A World Within A War, London, Faber and Faber, [n.d.], 4to (220 x 135mm.), half title, original red cloth, dust-jacket. With eight other works, including Lynette Roberts 'Poems' (London, n.d.), Leo Rosten's 'A Trumpet for Reason' (London, 1971), and W. S. Merwin 'The Drunk in the Furnace' (London, 1960).
Barker, George, Calamiterror, London, Faber and Faber, 1937, 8vo (220 x 135mm.), half title, original light green cloth, spine lettered in gilt, yellow dust-jacket, First Edition. Barker, George, Two Plays, London, Faber and Faber, 1958, 8vo (220 x 135mm.), half title, dedication inscription from the author to Hugo Manning on title, original black cloth, spine lettered in gilt, First EditionBarker, George, At Thurgarton Church, London, Trigram Press, 1959, 8vo (230 x 140mm.), half title, illustrated verso of the half title, & title, plates by the author, original blue morocco backed spine, spine lettered in gilt, First Edition. With two other works by George Barker, 'Eros in Dogma' (London, 1956), and 'The View from A Blind I' (London, 1962).
Campbell, Roy, Talking Bronco, London, Faber & Faber, 1946, 8vo (210 x 130mm.), half title, original cloth, spine lettered in gilt, First Edition. Atik, Anne, Words in Hock Poems, London, Enitharmon Press, 1974, 8vo (210 x 145mm.), half title, original blue cloth, spine lettered in gilt, dust-jacket, One of 500 Limited Edition copies, not numbered but the author has written 'complimentary'. Pinter, Harold, Monologue, London, H. Pinter Ltd, 1973, 8vo (205 x 145mm.), half title, original decorative tan calf, slip-case, No. 89 of 100 Limited Edition copies signed by the author. With O. Henry & Stephen Gooden (illustrator) 'The Gift of the Magi' (London, n.d.), and a signed copy of Mary Savidge Denyer 'Et Ecce Vivimus' (Cambridge, 1967).
Gardam, Jane, A Few Fair Days, London, Hamish Hamilton, 1970, 8vo (215 x 135mm.), half title, frontispiece, plates, and illustrations, original paper wrappers, Uncorrected Proof Copy. Crane, Hart, Seven Lyrics, Cambridge, Massachusetts, The Ibex Press, 1966, 4to (210 x 180mm.), engraved frontispiece by Laurence Scott, original paper wrappers, No. 100 of 250 Limited Edition copies. Cundall, Peter & Paul Peter Piech (illustrator), Ballsgame, Willow Dene, by Taurus Press for Piech, [n.d.], 4to (240 x 85mm.), plates and illustration by Piech, original paper wrappers, No. 148 of 200 Limited Edition copies. Auden, W. H., Mountains, London, Faber and Faber, [n.d.], tall 8vo (215 x 140mm.), illustrated title, and colour lithograph by Edward Bawden, original yellow paper wrappers, and original pink presentation envelope. With a number of other pamphlet works, including a signed copy of Jennifer Hales 'The Split Moment' (Walton-on-Thames, 1973), Howard McCord & George Nama's (illustrator) 'Longjaunes his Periplus' (San Francisco, 1968), and 'Picasso sei tavole a colori' (Milan, 1939).
Zukofsky, Louis, 'A' 1-12, London, Jonathan Cape, 1966, large 12mo (215 x 140mm.), half title, original calf backed spine, dust-jacket, torn in places. Hamburger, Michael, Flowering Cactus Poems 1942-49, Aldington, The Hand & Flower Press, 1950, 8vo (225 x 140mm.), half title, title printed in red and black, printers device at end, original green cloth, dust-jacket, First Edition. Hamburger, Michael, Travelling Poems 1963-68, London, Fulcrum Press, 1969, 4to (235 x 150mm.), illustrated title, original brown cloth, spine lettered in gilt, dust-jacket, First Edition. With a number of other works including Frederic Prokosch (translator) 'Some Poems of Friedrich Holderlin' (Norfolk Connecticut. 1943), and James Joyce 'Giacomo Joyce' (London, 1968).
Lee, Laurie, The Sun My Monument, London, The Hogarth Press, 1944, 8vo (180 x 115mm.), half title, signed and dated by Iris Murdoch on the front free endpaper, stiff board wrappers, dust-jacket, First Edition. Auden, W. H., The Enchafed Flood or The Romantic Iconography of the Sea, London, Faber & Faber, 1951, 8vo (218 x 130mm.), half title, original blue cloth, spine lettered in gilt, dust-jacket, First Edition. Myers, Frederic W. H., Fragments of Prose & Poetry, London, Longmans, Green, and Co., 1904, 8vo (220 x 140mm.), half title, frontispiece portrait of the author, and 3 portrait plates, original cloth, spine and front cover lettered in gilt, First Edition. Spark, Muriel, Doctors of Philosophy A Play, New York, Alfred A. Knoff, 1966, 8vo (215 x 135mm.), half title, printer device on title, dedication inscription from the author to Hugo Manning on front free endpaper, original blue cloth, spine lettered in gilt, dust-jacket, First Edition. With a number of other works a limited edition of F. E. Budd (editor) 'Lullabies' (London, 1930), Sidney Keyes 'The Cruel Solstice' (London, 1943), and Elizabeth Jennings 'Recoveries' (London, 1964).
They Fell In The Battle A Roll of Honour of The Battle of Britian 10 July - 31 October 1940 - Royal Air Force Museums, Cambridge, by Will Carter at Rampant Lions Press, 1980, folio (375 x 255mm.), title printed in gilt and blue, original blue morocco gilt, spine lettered in gilt, t.e.g. slip-case, No. 43 of 80 Limited Edition copies signed by His Royal Highness The Prince Philip, Duke of Edinburgh
AMALGAMATED PRESS LTD., Ships of the World, 24/24 complete, 1924; Sweetacre Chewing Gum, Steamships of the World, 48/48 complete, 1932; Edmondson (Jonathan) & Co., British Ships, 20/20 complete, 1925; Savoy Products, Famous British Boats, 56/56 complete, 1928; Wills (W.D.) & (H.O.), Famous British Liners, two series, both complete, 1934-1935; Player (John) & Sons, Racing Yachts, 25/25 complete, 1938, together with other sets on Ships and Shipping, (Qty).
Lucien Pissaro- 'The Crowning of Esther', publ. by Venture Pear Tree Press, 1903, 9.8x8.8cm: together with a collection of prints by or after different hands including: Cheriane, John Copley, Lucien Gautier, Marcel Frischmann, and a drawing of a seated woman by an unknown hand, various sizes, (7), (unframed)
William Butler Yeats (1865-1939) A Selection from the Love Poetry, Cuala Press, Dublin, 1913. First edition. Printed and published by the author's sister Elizabeth C. Yeats. LIMITED EDITION OF 300 COPIES. Octavo, in the original grey papered boards, backed with linen and with paper title label at spine. An attractive book, containing much of Yeats' finest work and rare in this condition. €500-€700
James Stephens (1850-1900) Themes and Variations, Fountain Press, New York, 1930, LIMITED EDITION (no. 651 out of 850), SIGNED BY STEPHENS on half-title. A beautiful book of poetry, printed at the Curwen Press on hand-made paper, with an etched vignette on the title-page. Green boards decorated in gilt. Also with this lot, Stephens' Irish Fairy Tales, illustrated by Arthur Rackham (1867-1939) with 16 colour plates. Third edition, red cloth decorated in gilt. (2) €120-€150
Jack Butler Yeats RHA (1871-1957) Seamus O'Kelly, The Weaver's Grave, Talbot Press, Dublin, n.d. [1922] With eight b&w illustrations and a colour frontispiece by Jack B. Yeats. Octavo, in original cloth blocked in an art-deco design and lettered in gilt. The design is carried over in green to the endpapers and continues in the margins of each page throughout. A very scarce item in the only edition to be illustrated thus by Yeats. €300-€400
Irish country houses, Maurice Craig, Classic Irish Houses of the Middle Size, Architectural Press Ltd, London, 1977. Illustrated throughout with photographs, elevations and floor-plans. Very difficult to come by. Also, Desmond Guinness and William Ryan, Irish Houses & Castles, Thames & Hudson, London, 1978 (second impression), the much reprinted and lauded volume, illustrated with copious photographs, many of them interesting and little-seen interior views. Plus, Brian de Breffny and Rosemary Ffolliott, The Houses of Ireland: Domestic architecture from the medieval castle to the Edwardian villa, Thames & Hudson, London, 1975 (first edition) with photographs by George Mott; and Mark Bence-Jones, Burke's Guide to Country Houses. Volume 1: Ireland, Burke's Peerage Ltd, London, 1980 (reprint); a useful reference. All in exceptionally nice condition. (4) €250-€300
Irish heritage and architecture, George Lennox Barrow, The Round Towers of Ireland: A Study and Gazetteer, Academy Press, Dublin, 1979, Very scarce reference. Also, Brian de Breffny, Castles of Ireland, Thames & Hudson, London, 1977, with photographs by George Mott, and by the same author and photographer, Heritage of Ireland, Weidenfeld and Nicolson, London, 1980. Also, Micheal MacLiammoir, Ireland, Thames & Hudson, London, 1977 (reprint), with photographs by Edwin Smith reproduced beautifully in photogravure; V. S. Pritchett, Dublin: A Portrait, Bodley Head, London, 1967, with photographs by Evelyn Hofer. Finally, Michael Herity and George Eoghan, Ireland in Prehistory (1977); Curriculum Development Unit, Viking Settlement to Medieval Dublin (1978); and Treasures of Irish Art 1500 B.C. - 1500 A.D., with contributions from Peter Harbison and Liam & Maire de Paor among others, Metropolitan Museum of Art, New York, 1977. All first editions except where stated and all in complete dust-jackets. (8) €200-€300
An early Victorian mahogany linen press, the detachable moulded cornice above four slides, enclosed by a pair of applied scroll and cartouche panel doors, the base with two short and two long drawers fitted petal wood knob handles and brass Bramah style locks to a plinth, 4ft 3.25in (130cm) wide, 6ft 5.75in (197.5cm) high.
A late Victorian mahogany linen press, with carved foliate decoration, the broken swan neck pediment above a later hanging rail previously with slides, enclosed by a pair of rectangular panel doors, the base with three long drawers fitted replaced pierced brass plate handles, on ogee bracket feet, 4ft (122cm) wide, 7ft 5in (226cm) high.
A George III North Country oak clothes press, the upper section with moulded cornice above a pair of panelled cupboard doors enclosing hanging space, the lower section with moulded rectangular top above a similarly panelled cupboard door enclosing shelves flanked with four short drawers, standing on shaped bracket feet, 193cm wide
A Regency mahogany linen press, the upper section with moulded cornice above a pair of panelled doors enclosing hanging space, the lower section with reeded rectangular top above two short and one long graduated dummy drawers and one long true drawer, standing on bracket feet with a shaped apron, 129cm wide
A LATE GEORGE II MAHOGANY LINEN PRESS, the moulded cornice above two panelled doors enclosing a void interior (slides lacking), above two short and two long drawers standing on bracket feet, bearing paper label of 'Paul Morthorst, St. Catherine's Square, London', (on later bracket feet, doors split, right bracket foot possibly replaced) 26in deep (66cm), 51in wide (130cm), 73.5in high (186cm).
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104060 item(s)/page