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A Regency mahogany and inlaid linen press, early 19th century, with boxwood and ebony faux fluted cornice above a dentil moulding and two ribbed cupboard doors enclosing three slides over two short and two long graduated cockbeaded drawers with gilt brass flowerhead ring handles over a shaped apron and splayed bracket feet, door panel cracked, restorations, 50" wide, 22.5" deep, 85" high
A LATE 18TH CENTURY WELSH OAK PRESS CUPBOARD in one stage, the upper part with a seven panelled fall front enclosing a shelf, the lower part with an arrangement of five drawers, now with brass handles throughout, and raised on a shaped plinth. Converted from a Coffer. Width 56". Height 51". Depth 22".
An early 19th century mahogany press cupboard with bobbin moulded cornice above a pair of rectangular ripple veneer panelled doors, the projecting base with two short and two long similar moulded drawers, later oval brass handles, shaped apron and bracket feet, 114cm x 200cm, with pine sides and carcase (a.f.).
Arthur Netherwood R.Cam.A. (1864-1930) "POLPERRO HARBOUR", FISHING BOATS AND COTTAGES IN A SUNLIT HARBOUR Signed, also bears an old black and white press cutting showing Polperro harbour from the exact spot the artist painted this example from, pencil and watercolour, {58cm by 93cm (23in by 36_in).
An Early 18th Century Joined Oak Press Cupboard, with shallow cornice and carved frieze centred with the initials WSMS and dated 1705, the upper stage with two panelled doors flanking a fixed panel, the lower part with two drawers over two panelled doors, on stile feet {115cm by 56.5cm by 173cm}.
THE HOLY BIBLE, ACCORDING TO THE AUTHORIZED VERSION...., prepared by George D'Oyly and Richard Mant, 3 volumes, Clarendon Press, Oxford 1817, numerous engraved plates and maps, uniformly bound in contemporary gilt and red morocco with A CONCORDANCE TO THE HOLY BIBLE, edited by James Bellamy, London 1818, rubbed, some hinges cracked, light spotting and off setting, 4to.(4).
Kingdon, Johnathan. East African Mammals. An Atlas of Evolution in Africa. 3 volumes (in 7). 4to., Academic Press, 1974-1982 (volume one a corrected second printing (1978) the rest first editions. Original cloth bindings in slightly chipped dust wrappers. Together with a small collection of books about mammals. Various formats and bindings.
Kennett, White, Parochial Antiquities attempted in The History of Ambrosden, Burcester, and other adjacent parts in the Counties of Oxford and Bucks, Oxford, Clarendon Press, 1818, 4to (280 x 220mm.), two volumes, engraved portrait frontispiece of the author by James Fittler, and 8 plates, some offsetting onto text leaves, contemporary calf backed boards, worn, armorial bookplate of Gustavus J. Basset
Heath, Sidney & W. DE C. Prideaux, Some Dorset Manor Houses: with their Literary and Historical Associations, London, Bemrose and Sons Limited, 1907, 4to (310 x 250mm.), half title, title printed in red and black, 20 plates, 35 vignettes, and 10 plates of brass rubbings, original red cloth gilt, partially torn away lot label pasted down onto lower portion of spine. Lloyd, Nathaniel, A History of the English House from Primitive Times to the Victorian Period, London, The Architectural Press, 1949, 4to (310 x 225mm.), half title, title printed in red and black, photographic illustrations, contemporary green cloth gilt. Curzon, The Marquis of Kedleston, Bodiam Castle Sussex, London, Jonathan Cape, 1926, 4to (285 x 220mm.), half title, title within black ruled margin, photographic frontispiece, plates and two folding plans, contemporary cloth, spine lettered in gilt, booksellers label of Exeter Rare Books on verso of front cover and two others, John Steegman's 'The Artist and the Country House', (London, 1949), and Mrs Charles Roundell's 'Cowdray The History of a Great English House', (London, 1884)
Cooke, W. E., Haddon Hall, London, Liverpool, & Nottingham, George Philip & Son, 1892, 4to (365 x 260mm.), lithographed illustrated title, and 48 plates, verso of title and plates stamped with Leamington Free Public Library, original decorative boards, boards detached. Streatfield, Thomas, The Prospectus of A History of Kent, London, William Nicol, Shakspeare Press, 1822, folio (435 x 295mm.), lithographed illustration on verso of title, illustrations, three engraved portrait plates at rear, author's presentation inscription on upper portion of title, later red calf backed spine. Author's Presentation Copy. Strong, S. Arthur, A Catalogue of Letters and other Historical Documents Exhibited in the Library at Welbeck, London, John Murray, 1903, 4to (270 x 210mm.), half title, engraved portrait frontispiece of William, first Earl of Portland, 2 portraits, and ca. 24 facsimile letters, contemporary calf backed spine, spine lettered in gilt, g.e.. Heath, Sidney, Old English Houses of Alms, London, Francis Griffiths, 1910, 4to (320 x 250mm.), half title, title printed in red and black, title vignette, 48 full-page plates, 4 plans, illustrations, contemporary cloth backed spine. With Mary Teresa Forescue's 'The History of Calwich Abbey', (London, n.d.), and Thomas Hannan's 'Famous Scottish Houses' (London, 1928)
Richardson, A. E., & H. Donaldson Eberlein, The Smaller English House of the Later Renaissance 1660-1830. An Account of its Design, Plan, and Details, London, B. T. Batsford, 1925, 4to (285 x 220mm.), half title, photographic frontispiece, 107 plates and plans, illustrations, original green cloth gilt, t.e.g.. Small, Tunstall, & Christopher Woodbridge, Houses of the Wren & Early Georgian Periods, London & New York, The Architectural Press, [1928], large 8vo (325 x 255mm.), half title, title printed in red and black, title vignette, photographic frontispiece of Ormeley Lodge, Ham., plates and plans, original blue cloth gilt. Ramsey, Stanley, C., Small Houses of the Late Georgian Period 1750-1820, New York & London, 1919-1923, large 8vo (320 x 210mm.), two volumes, 2 photographic frontispieces, 160 photographic plates, and 40 plans by J. D. M. Harvey, illustrations, contemporary cloth gilt. Jourdain, M., English Interiors in Smaller Houses, from the Restoration to the Regency, 1660-1830, London, B. T. Batsford, 1923, 4to (310 x 240mm.), half titles, photographic frontispiece, plates and plans, contemporary green cloth gilt. With a duplicate copy of volume I of Ramsey's 'Small Houses of the Late Georgian Period' (London, 1919), and Maurice B. Adams 'Modern Cottage Architecture' (London, 1904)
Roberts, Henry, D., A History of the Royal Pavilion Brighton, London, Country Life Limited, 1939, 8vo ( 280 x 210mm.), half title, photographic frontispiece of Gainsborough's portrait of George, Prince of Wales, plates, plans, illustrations, contemporary blue cloth gilt, bookplate of James William Lindus Forge. Phillips, Sadler, Fulham Palace formerly called Fulham House and Fulham Manor, London, Wells Gardner, Darton & Co, 1907, 8vo (195 x 137mm.), photographic frontispiece of Fulham Palace from the lawn, plates, contemporary blue cloth gilt, t.e.g.. Knowles, David, & J. K. S. St Joseph, Monastic Sites from the Air, Cambridge, University Press, 1952, 4to (280 x 210mm.), half title, title printed in blue and black, 138 photographic illustrations, contemporary blue cloth gilt. Together with H. Clifford Smith 'The Haynes Grange Room' (London, 1935), Helen Northumberland 'Albury Park' (London, 1951), Clifford Musgrove 'The Royal Pavilion' (Brighton, 1962), and C. Stuart Macdonald 'A History of Hopwood Hall' (London, 1963), and a duplicate copy of Musgrove's 'The Royal Pavilion'
Fowler, John, and John Cornforth, English Decoration in the 18th Century, London, Barrie & Jenkins, 1974, large 4to (295 x 205mm.), half title, photographic plates and illustrations, original green cloth, and dust-jacket. Linstrum, Derek, West Yorkshire Architects and Architecture, London, Humphries, 1978, 4to (270 x 215mm.), half title, photographic frontispiece of a detail of carton-pierre of the Grand Theatre, Leeds, plates and illustrations, original green cloth, and dust-jacket. Pearce, David, London's Mansions The Palatial Houses of the Nobility, London, B. T. Batsford, 1986, large 4to (300 x 205mm.), half title, photographic frontispiece of a Section drawing of Sir William Chamber's proposal for York House, plates and illustrations, original red cloth, and dust-jacket. Stalley, Roger, The Cistercian Monasteries of Ireland, London & New Haven, Yale University Press, 1987, large 4to (285 x 225mm.), half title, photographic frontispiece of Corcomore Abbey at the end of the nineteenth century, plates and illustrations, original blue cloth, and dust-jacket. Together with 14 other works in 14 volumes, including Olive Cook's 'The English House Thorough Seven Centuries' (London, 1968), Frank Russell's 'Art Nouveau Architecture' (London, 1979), and Graham Stuart Thomas 'Gardens of the Natural Trust', (London, 1979)
Pothorn, Herbert, Styles of Architecture, London, B. T. Batsford, 1971, 4to (240 x 215mm.), half title, two tone illustrations, original yellow cloth, and dust-jacket. Wilson, Michael I., William Kent Architect, Designer, Painter, Gardener, 1685-1748, London, Boston, Melbourne, and Henley, Routledge & Kegan Paul, 1984, 4to (250 x 185mm.), half title, illustrations, original maroon cloth, and dust-jacket. Aslet, Clive, The American Country House, London & New Haven, Yale University Press, 1990, 4to (255 x 190mm.), half title, photographic frontispiece of a Costume dinner at George Gould's Georgian Court in New Jersey, plates and illustrations, original black cloth, and dust-jacket. With 29 other works in 29 volumes, including, Sackville-West 'Knole and The Sackvilles' (London, 1926), Sylvia Sprogge's 'Berenson A Biography' (London, 1960), Nicholas Penny 'Church Monuments in Romantic England' (London & New Haven, 1977), and Pierre de la Ruffiniere du Prey's 'John Soane The Making of an Architect' (Chicago & London, 1982)
Praz, Mario, Conversation Pieces A Survey of the Informal Group Portrait in Europe and America, London, Methuen & Co, 1971, 4to (280 x 245mm.), half title, colour and black white plates and illustrations, original grey cloth gilt, and dust-jacket. William & Mary and their House, New York &London, The Pierpont Morgan Library & Oxford University Press, 1979, 4to (300 x 230mm.), half title, title vignette, initials printed in red, illustrations at end, original blue cloth gilt, and dust-jacket. Aslet, Clive, Quinlan Terry The Revival of Architecture, London, Viking, 1986, 4to (280 x 210mm.), half title, title vignette, and illustrations, many full page, original grey cloth, gilt title label inlaid onto front cover, dust-jacket. Wainwright, Clive, The Romantic Interior The British Collector at Home 1750-1850, London & New Haven, Yale University Press, 1989, 4to (275 x 245mm.), half title, colour and black & white illustrations, original black cloth, & dust-jacket. With 7 other works in 7 volumes, including Simon Thurley's ' The Royal Palaces of Tudor England', and in addition 4 volumes of Sotheby catalogues, 3 covering 'The Rene Fribourg Collection', sale and the other the 'Tyninghame', disposal
Croston, James, A History of the Ancient Hall of Samlesbury in Lancashire, London, Whittingham and Wilkins at the Chiswick Press, 1871, 4to (385 x 270mm.), half title, title printed in red and black, title vignette 2 engraved plates, 3 double-page genealogical tables, folding lithographed facsimile deed, initials, head-pieces, illustrations, contemporary green morocco gilt, outer and inner gilt dentelles, g.e., One of 200 privately printed copies
Niven, W., Illustrations of Old Warwickshire Houses, London, for the author by the Chiswick Press, 1878, 4to (320 x 240mm.), half title, engraved frontispiece of Aston Hall, and title, showing Blythe Hall, and 30 plates and plans by the author (and others), head-pieces, and initials, inner stitching loose, contemporary calf, spine and front cover lettered in gilt
Campion, P., The Wessex Series - A Recent History of Hampshire, Wiltshire, and Dorset, Poole, J. Looker Ltd, The Wessex Press, [n.d.], large 4to (310 x 235mm.), volume concerning Hampshire only, half title, title printed in red and black, portrait frontispiece of John Powlet, Marquis of Winchester, plates, and illustrations, original cloth, spine and front cover lettered in gilt, t.e.g., No. 183 of 500 limited Subscribers edition copies, signed by the author. With a duplicate copy of the above work, No. 273 of 500 limited Subscribers edition copies, signed by the author
Girouard, Mark, Robert Smythson & The Elizabethan Country House, New Haven & London, Yale University Press, 1983, 4to (210 x 160mm.), half title, illustrated title, colour plates, plans, and illustrations, original blue cloth, and illustrated dust-jacket. Hunt, John Dixon, Garden and Grove The Italian Renaissance Garden in the English Imagination: 1600-1750, London, J. M. Dent, 1986, 4to (200 x 155mm.), half title, illustrations, green cloth, spine lettered in gilt, illustrated dust-jacket. Howard, Deborah, Jacopo Sansovino Architecture and Patronage in Renaissance Venice, New Haven and London, Yale University Press, 1975, 4to (200 x 150mm.), half title, illustrations, blue cloth, spine lettered in gilt, illustrated dust-jacket. With a number of other reference works, and a number of booksellers catalogues
Oswald, Arthur, Country Houses of Dorset, London, Country Life, 1935, 4to (200 x 150mm.), half title, frontispiece plate, plates, illustrations, and plans, contemporary ownership inscription on front free endpaper, original maroon cloth Gotch, J. Alfred, Old English Houses, London, Methuen & Co, 1925, 8vo (180 x 145mm.), half title, frontispiece plate, 6 plates, illustrations, ownership inscription on front free endpaper, original red cloth, armorial bookplate of Noel Tweddell. Harris, John, & Gervase Jackson-Stops (editors), Britannia Illustrata Knyff & Kip, Bungay, The Paradigm Press, 1984, small folio (255 x 175mm.), half title, title printed in red and black, facsimile plates, original red cloth, black morocco title label on front cover. With a number of other works and catalogues
Stillman, Damie, Decorative Work of Robert Adam, New York, Transatlantic Arts, 1966, 8vo (310 x 230mm.), half title, colour frontispiece plate, title printed in red and black, plates, and illustrations, original blue cloth, spine lettered in gilt, dust-jacket. Stamp, Gavin, and Andre Goulancourt, The English House 1860-1914 The Flowering of English Domestic Architecture, Chicago, The University of Chicago Press, 1986, Oblong 4to (270 x 315mm.), half title, photographic frontispiece, plates, and illustrations, original green cloth gilt, dust-jacket. With a number of other modern reference works
Roberts, Henry D., A History of the Royal Pavilion Brighton, London, Country Life, 1939, 4to (230 x 180mm.), half title, photographic portrait frontispiece of George, Prince of Wales, taken from Gainsborough Portrait of 1782, illustrations, and plans, later ownership inscription on front free endpaper, original blue cloth, spine and front cover lettered in gilt. Girouard, Mark, Robert Smythson & The Elizabethan Country House, New Haven & London, Yale University Press, 1983, 4to (210 x 160mm.), half title, double-page illustrated title, plates, and illustrations, original blue cloth, spine lettered in gilt, dust-jacket. With a number of other works including a selection of Murrays County Handbooks, and the Jennifer Sherwood and Nikolaus Pevsner edited 'The Buildings of England', and a number of country house postcards
Scenery of Great Britain and Ireland in Aquatint and Lithograph 1770-1860 from the Library of J. R. Abbey A Bibliographical Catalogue, Plaistow, privately printed at the Curwen Press, 1952, folio (258mm x 195mm.), half title, title printed in red and black, colour frontispiece plate, facsimile plates, and illustrations, original cloth, red morocco lettering piece, dust-jacket, No. 328 of 500 Limited Edition copies
Aldrich, Megan, Gothic Revival, London, Phaidon Press, 1994, folio (290 x 250mm.), illustrated half title, frontispiece plates, plates, and illustrations, many colour, original blue cloth, spine lettered in gilt, decorative dust-jacket. Davis, Michael C., The Castles and Mansions of Ayrshire, Argyll, Privately Published, 1991, folio (295 x 210mm.), subscribers list, photographic plates, and illustrations, original green cloth, spine lettered in gilt, decorative dust-jacket, No. 296 of 500 Limited Edition copies signed by the author. With two other modern reference works
Forrester, Harry, The Smaller Queen Anne and Georgian House, Chelmsford, Tindal Press, 1964, 8vo (215 x 135mm.), illustrations, original green cloth, spine and front cover lettered in gilt, dust-jacket. Woodforde, John, Georgian Houses for All, London, Routledge & Kegan Paul, 1978, tall 8vo (215 x 135mm.), half title, photographic frontispiece, plates, and illustrations, original cloth, spine lettered in gilt, dust-jacket. With a other works including a number of the Nikolaus Pevsner edited 'The Buildings of England'
Lloyd, Nathaniel, A History of the English House from Primitive times to the Victorian Period, London, The Architectural Press, 1931, large 8vo (310 x 220mm.), half title, title printed in red and black, plates, plans, and illustrations, later ownership inscription on front free endpaper, original green cloth gilt
Amery, Colin, Three Centuries of Architectural Craftsmanship, London, The Architectural Press, 1977, 4to (295 x 210mm.), half title, photographic frontispiece plate, plates, plans, and illustrations, original cloth, dust-jacket. Reilly, Robin & George Savage, Wedgwood the Portrait Medallions, London, Barrie & Jenkins Ltd, 1973, 4to (300 x 210mm.), half title, plates, and illustrations, original light blue cloth, dust-jacket. With eight other works including five volumes from the Country Life published series 'English Country Houses'
Toynbee, Paget, Strawberry Hill Accounts A Record of Expenditure in Building Furnishing, &c. kept by Mr Horace Walpole from 1747-1795, Oxford, Clarendon Press, 1927, large 4to (300 x 230mm.), collotype frontispiece plate, 25 plates, 4 plans, illustrations, title and plates with Brooklyn Public Library stamp, original half vellum, spine lettered in gilt, Brooklyn Public Library, One of 500 Limited Edition copies
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104060 item(s)/page