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ANTHONY PRITCHARD: RACERS, MEMOIRS OF THE GENTLEMEN DRIVERS, London, Palawan Press, 2011, (525) (500) out of series, "promotional use only, not for re-sale", 4to, original cloth, slip-case

ERIC ARTHUR BLAIR "GEORGE ORWELL": 2 titles: CRITICAL ESSAYS, London, Secker & Warburg, 1946, 2nd impression, original cloth, d/w; ENGLAND YOUR ENGLAND AND OTHER ESSAYS, London, Secker & Warburg, 1953, 1st edition, original cloth, d/w + JAMES LEES-MILNE: 2 titles: MIDWAY ON THE WAVES, London, Faber & Faber, 1985, 1st edition, original cloth, d/w: ANCIENT AS THE HILLS, London, John Murray, 1997, 1st edition, original cloth, d/w + VIRGINIA WOOLF: A MOMENTS LIBERTY, THE SHORTER DIARY, ed Anne Olivier Bell, intro Quentin Bell, London, Hogarth Press, 1990, 1st edition, original cloth, d/w (5)

Curwen Press. Collection comprising: Adam 300, 1966, pictorial cloth covers and dust-jacket by Jean Cocteau; Willobie His Avisa, 1926, pictorial cloth; How to Write a Village History, 1930, paper boards; The Child, by Rabindranath Tagore, 1931, paper boards with matching dust-jacket; Bibliographical Catalogue of the First Loan Exhibition, 1922 (two copies), limited edition of 500, paper boards (6)

Juvenalia. Collection comprising: The True History of David Saunders, London: T. Williams, no date [c.1810], paper covers with advertisements for 'Children's Books', very well-preserved; The Child's Bethel Flag, London: T. Ward, 1846, blue paper covers, wood-engraved cover and frontispiece, very well-preserved; A Selection of Poems, London: John Mason, 1829, bound together with A Farmer's Boy, by Robert Bloomfield, London: J. Besant, 1827, wood-engraved illustrations by Pickering (reminiscent of Thomas Bewick), half-calf, contents generally good but loss to title of Farmer's Boy; The Sweet Robin, ballad, woodcut illustration, four pages (one sheet, folded), London: Pitts, no date, well-preserved; Spring Flowers and the Monthly Monitor, by Mrs Ritson, with Juvenile Stories and Dialogues, London: John Harris, 1832, woodcut illustrations, loose contents (possibly incomplete) as found; Old Mother Hubbard and Her Dog, A Facsimile, San Marino: Huntington Library, 1962, paper covers; The History of Little Henry, facsimile, London: Scolar Press, 1977 (7)

Nonesuch Press. Collection comprising: Minnow Among Tritons, 1934, limited edition numbered 381 of 675, signed by Francis Meynell, blue buckram lettered in gilt; The Princess of Babylon, by Voltaire, 1927, limited edition numbered 141 of 1500; Directions for the Gardiner, 1932, limited edition numbered 150 of 625, quarter-cloth with marbled boards; Love Poems of John Donne, 1923, limited edition numbered 153 of 1250, quarter-vellum; Henry Vaughan: Silurist, 1924, paper-covered boards, dust-jacket; Nonesuch Dickensia, 1937 (three copies), gilt blue cloth; Nonesuch Dickens Specimen Pages, 1937; Bodkin Permitting, Prospectus, 1929; A History of the Nonesuch Press, 1981, hardback, dust-jacket (10)

Hart, Horace. Notes on A Century of Typography at the University Press, Oxford, 1693-1794, Oxford: Printed at the University Press, 1900. One of 150 copies printed. Presentation copy featuring tipped-in autograph letter signed by the author to poet Robert Bridges, offering this book as 'a souvenir of the work which we have done together', 27 June 1900, blue ink on headed paper (University Press Oxford). Quarto, publisher's quarter-cloth with paper-covered boards, top edge gilt (remainder untrimmed). Contents very good, clean, bright, a couple of small marks in places; binding tight and solid with some general discolouration, light bumping/wear to corners, light wear around headcaps, and wear/loss to the paper on lower board

An Irish George II mahogany side table, circa 1750, the rectangular top with moulded edge, above a plain frieze, the carved and pierced apron incorporating floral acanthus scrolls, centred by a flowering basket motif, on acanthus carved tapering cabriole legs, terminating in claw on ball feet, 82cm high, 184cm wide, 76cm deep For a remarkably similar example of side table incorporating a central flowering basket motif to the frieze, see The Knight of Glin and James Peill, Irish Furniture, Yale University Press, 2007, page 233, figure 117. For a table of related form and featuring similar foliate carving and acanthus collars to the legs see, Sotheby's, New York, Masterworks, 11th December 2014, lot 23 ($221,000). Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. Some additional knocks and scuffs to feet and legs. To one end half of the central flower roundel is detached and lacking. Very slight opening between the two boards of the top. The front corners of the top with very neatly executed old repairs. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A Northern French or possibly Mosan polychrome painted limestone Sedes Sapientiae, probably 14th/early 15th century, the fragmentary, draped Virgin portrayed on a stylised throne and balancing the Christ Child, wearing a tunic, on her knees, on a rectangular section plinth with indistinct inscription, 36cm high overallThis frontal, formal portrayal of the Virgin with the Christ Child standing on her knees has its roots in Byzantine iconography. Statues of the Virgin seated on a Solomonic throne were part of French liturgical practice, and are often executed on a smaller scale so they could be moved and carried.The heavy folds of the draperies and incorporation of a low-backed chair shares similarities to examples from the Meuse valley, note for example Sotheby's London, 9 July 2015, lot 9 (in oak).For further reading on this iconographic type, mainly centred on wood sculpture though citing some examples in stone, please see I. H. Forsyth, Throne of Wisdom, Princeton University Press, 2019.Condition Report: Fragmentary, some losses to finish, old repairs.Plaster repair to rear of socle.Lacking heads.Condition Report Disclaimer

A George III mahogany clothes press, circa 1765, the dentil moulded, fluted and anthemion moulded cornice, above a pair of oval panel doors, opening to three sliding trays, the lower section with two short and three long graduated drawers, on ogee shaped bracket feet, 193cm high, 118cm wide, 62cm deep

A George III mahogany clothes press, circa 1780, in the manner of Thomas Chippendale, the moulded cornice above a pair of panel doors, opening to five sliding trays, the lower section with two short and two long graduated drawers, on bracket feet, 173cm high, 128cm wide, 59cm deep

A rare South German steel and brass mounted table top book press, 17th or early 18th century, the arched frame mounted with faceted and gadrooned finials, above twin Solomonic column supports, descending to a rectangular base raised on bracket feet, 33cm high, the base 28 x 16cmThe present book press shares some stylistic similarities with examples in oak that have recently appeared on the market. See for example Christie's New York, 27 October 2015, lot 172 ($6,250), for a press with twin baluster uprights and a similarly architectural design. The use of metal instead of timber, and the fine engraving of the brass elements, point to the South German cities of Augsburg or perhaps Nuremberg as the item's potential origins.Condition Report: The mechanism to lower the central thread is in functioning order.The press is sold with two loose elements.Condition Report Disclaimer

An Irish George III mahogany silver table, circa 1760, the rectangular top with raised moulded edge and re-entrant corners, above the cavetto moulded frieze incorporating a slide, on tapering cabriole legs, terminating in pad feet, 69cm high, 70cm wide, 42cm deepFor a closely related table with similarly moulded frieze see, The Knight of Glin and James Peill, Irish Furniture, Yale University Press, 2007, page 239, figure 144. Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old split and chips. Some old repairs. Of cleaned/polished appearance. Slight movement within table. Top lifting slightly from frieze with some old glue residue visible. Old dowel repairs made to tops of two legs. Some later supporting blocks to underside. It is possible that the slide is a later adaptation. The front of the slide with a old filled hole and splits from where the handles have been moved or replaced. Some later screws to underside.      Condition Report Disclaimer

A George III satinwood and tulipwood crossbanded clothes press, circa 1800, manner of Thomas Sheraton, the arcade moulded cornice above a pair of oval inlaid doors, opening to six sliding trays, the lower section with two short and two long graduated drawers, on bracket feet, 217cm high, 141cm wide, 63cm deepProvenance:Property from a Sibyl Colefax & John Fowler Interior, London

A Irish George II mahogany silver or tea table, circa 1750, the rectangular top with raised moulded edge, above the plain frieze and shaped apron, on moulded tapering cabriole legs, terminating in channel carved pad feet, 72cm high, 74cm wide, 51cm deepProvenance:Property from a Sibyl Colefax & John Fowler Interior, LondonFor a remarkably similar example of table see, The Knight of Glin and James Peill, Irish Furniture, Yale University Press, 2007, page 240, figure 153.

GEORGE III OAK PRESS CUPBOARD 18TH CENTURY the moulded cornice over three short drawers and two shaped panel doors opening to hanging space, raised on block feet(140cm wide, 155cm high, 56cm deep)

A 19th century mahogany linen press, the pair of cupboard doors with inlaid decoration, opening to reveal slides, the base fitted with two short over two long drawers, raised on bracket feet, height 76ins, width 51ins, depth 23ins

Letters from Iceland, by W H Auden and Louis MacNeice, first edition published by Faber & Faber, 1937, together with Selected Poems by Louis MacNeice, published by Faber & Faber, 1953 edition, and The Collected Poems of C Day Lewis, published by Jonathan Cape & The Hogarth Press, 1954

Siegfried's Journey, by Siegfried Sassoon, published by Faber & Faber, 1945 first edition, together with Meredith, by Siegfried Sassoon, published by Constable & Co, 1948 first edition, The Testament of Beauty, by Robert Bridges, published by the Clarendon Press, 1945 edition, The Ballard of Reading Gaol, by Oscar Wilde, 1899 edition, and Democracy & The Arts, by Rupert Brooke, published by Rupert Hart-Davis, 1946 first edition

An Adana 'Five-three' printing press

An Adana model no. 2H/S printing press, with several type blocks etc

Three cast metal letter press stamps, with floral decoration

Good collection of original concert programmes to include David Bowie 'Serious Moonlight' tour 1983 with related paper and patch badge, Queen - 'Spring Tour 1978', Bob Dylan - 1978 'Black Bush' tour, The Shadows - 'Thirty Years of Hits' tour, The Who - '1981 and 1996' tours, Paul McCartney - two world tour programmes and a Wings programme, The Bootleg Beatles, two Beatlemania programmes, Night of 100 Guitars and Led Zeppelin at Knebworth 1979, two Jimmy Page programmes and a Zeppelin press cutting

David Bowie - 1977 Decca press release, signed with dedication to the vendor to the front, within original envelope, sold with a signed letter of authenticity from the vendor *From the collection of Keith Smart - 'Ken Pitt sent me this early David Bowie Decca press release in the '70s, talking about the nineteen year old Bowie. He has signed it and dedicated it too. Another press release included. The original bespoke Ken Pitt envelope from the '70s completes the package'

After Julien Trevelyan, 'Harbour', coloured print, printed by Baynard Press for School Prints Ltd., 48.5cm x 75.5cm, Discolouration throughout. A few spots of foxing.

After Edward Ardizzone, 'Shelter Scene', coloured print, Baynard Press/National Gallery, 74.5cm x 99cm,

Shakespeare,W.Shakespeare,W. The Complete Works. 39 Bde. Norwalk, Connecticut, The East Shakespeare,W. Shakespeare,W. The Complete Works. 39 Bde. Norwalk, Connecticut, The Easton Press (1992). 4°. Mit zahlr. Taf. Omaroquinbde. mit dekorat. Goldpräg., Rverg., Rsch. u. Goldschnitt. The ultimate leather bound Heirloom Collection for the Shakespeare Reader. Limited Edition. Collector's Set. A luxurious matching collection of 39 volumes. - - Printed on archival quality paper especially miled for this edition. - Illustrators include Arthur Rackham; Fritz Eichenberg; Robert Gibbings; John Austen; Fritz Kredel; Stanislas Ostoja-Chrostowski, along with others. - Neuwertiges Ex.

Austen,J.Austen,J. The novels. 6 Bde. Norwalk, Connecticut, The Easton Press (1996). Mi Austen,J. Austen,J. The novels. 6 Bde. Norwalk, Connecticut, The Easton Press (1996). Mit einigen Farbtaf. Rote Omaroquinbde. mit goldgepr. floralen Bordüren, Rverg. u. Rsch. sowie Goldschnitt u. Seidenmoiree-Vors. (= Collector's Edition). - Enthält: Pride and Prejudice, Persuasian, Mansfield Park, Northanger Abbey, Sense and Sensibility, Emma. - Neuwertiges Ex. - +Dabei: 45 weitere Bde. der Easton Press.+ 1963-2006. Omaroquinbde. mit dekorativer Goldpräg., Rverg. sowie Goldschn. - +Bitte Liste anfordern+. - A fine set of 6 volumes, complete as issued. Attractively bound in full red leather, spines with raised bands, spines and covers stamped in gilt and black, all edges gilt, silk endpapers. - With: 45 more volumes of the Easton Press. Original morocco bindings. Please request a listing.

MANGOLD, ROBERT MANGOLD, ROBERT 1937 North Tonawanda Titel: Multiple Panel Paintings: A Book of Silk Screen Prints. Datierung: 1973-1976. Komplette Serie von neun Farbserigrafien auf Fabriano. Jeweils: Blatt 30 x 61cm. Eines signiert und nummeriert. Edition Domberger/Parasol Press S.A., New York (Hrsg.). Ex. 18/300. Einzeln gerahmt. - Blätter zum Teil verso mit minimal durchgeschlagener Farbe. Serie aus der 2. Auflage von 1976. WVZ. Baker Sandback, Nr. 12.01-12.09A. Erläuterungen zum Katalog Robert Mangold USA Minimalismus Zeitgenössische Kunst Grafik 1970er Abstrakt Druckgrafik Serigrafie MANGOLD, ROBERT MANGOLD, ROBERT 1937 North Tonawanda Title: Multiple Panel Paintings: A Book of Silk Screen Prints. Date: 1973-1976. Complete series of nine colour silkscreens on Fabriano. Each: sheet 30 x 61cm. One signed and numbered. Edition Domberger/Parasol Press S.A., New York (publisher). Number 18/300. Individually framed. - Sheets partly verso with minimally bled-through paint. Series from the 2nd edition from 1976. WVZ. Baker Sandback, no. 12.01-12.09A. Explanations to the Catalogue Robert Mangold USA Minimalism Contemporary Art Prints 1970s Abstract Print Silkscreen

Speiseservice mit Tischchenmuster Meissen, 1. Drittel 20. Jahrhundert Bestehend aus 1 ovalen Deckelterrine, 2 runden Deckelterrinen, 2 Rundplatten, 2 Saucieren, 2 ovalen Schalen, 3 ovalen Servierplatten, 12 Menutellern, 12 Brottellern, 10 Vorspeisentellern, 10 Suppentellern, 6 Tellern ohne Goldrand. Polychrom staffiert, Goldrand. Unterglasurblaue Schwertermarken, teils mit Punkt, Press- und teils Malermarken. 1. Wahl. Etwas berieben. 1 min. Chip. Provenienz: Aus einer alten Stuttgarter Sammlung. A MEISSEN "TISCHCHENMUSTER" PATTERN DINNER SERVICE FOR 10-12 PEOPLE, 1st third of 20th century. 1st choice. Marked. Minor wear.

Feininger, LyonelFeininger, Lyonel (1871 New York 1956). Zug auf der Brücke. Locomotiv Feininger, Lyonel Feininger, Lyonel (1871 New York 1956). Zug auf der Brücke. Locomotive on the bridge. Holzschnitt auf cremefarb. Papier 1918. Ca. 9,3 x 11,6 cm. Unt. li. sign. Unter Passep. u. Glas gerahmt (nicht ausgerahmt). Prasse 81 II. Bl. Nr. 4 aus 'Ten Woodcuts', 1941. Eines von 30 num. Ex. Guter Abdruck des II. Zustands mit dem fehlenden Steg vom letzten Wagen. - +Dabei: Ders.+ Auf der Quaimauer. On the seawall. Holzschnitt auf fast weißem Papier 1921. 17 x 21,5 cm. Num. Unter Passep. u. Glas gerahmt (nicht ausgerahmt). - Nr. 61/100 (GA: 150). - Prasse W 243. - Abdruck der 1. posthumen Auflage bei der Cosmo-Press, Genf 1978, verso Auflagenstemp., unten beschn. Zus. 2 Bl. - Locomotive on the bridge. Woodcut on paper, bottom left signed, framed under passepartout and glass. One of 30 numbered copies. Good print of the II. state. With: On the seawall. Woodcut on paper, numbered, framed under passepartout and glass. One of 150 numbered copies. Print of the 1. posthumous state.

Nevill Johnson (1911-1999) Kilkeel (c.1946) Oil on canvas, 40 x 60cm (16 x 24'') Signed with monogram; inscribed verso Kilkeel was probably included in the first exhibition Nevill Johnson took part in with Victor Waddington in 1947, soon after he was taken on as a gallery artist. It belongs to a small group of paintings in which Johnson included the most appropriate of the driftwood, shells and stones he collected in the mid-1940s from the shores of Lough Neagh. Their arrangement suggests unease or struggle between these anthropomorphic forms into which human and animal life has been mutated by some apocalyptic event. Painted in response to the Second World War, this group of works also express a more profound consciousness of the fears and despair of the atomic age. This is the existential psychological landscape of the post-war world, at the edge of sea and land and illuminated in a mysterious, nocturnal glow, and there is an interesting comparison with Francis Bacon in the blurred, turning profile of the left-hand 'head' of the large driftwood form. S.B. Kennedy wrote of Johnson's paintings in this period that 'along with Jack B. Yeats' Tinker's Encampment: The Blood of Abel, 1940, Kenneth Hall's Après la Guerre and Middleton's Our Lady of Bikini [they] are amongst the most poignant images of war and its effects painted by any artist in Ireland in the modern period'. (S.B. Kennedy, 'Irish Art and Modernism 1880-1950', Irish Academic Press, Queen's University, Belfast, p.139) Dickon Hall

Daniel O'Neill (1920-1974) Horseman Pass By Oil on board, 51 x 69cm (20 x 27¼'') Signed; inscribed verso Provenance: Purchased from the artist in 1971 by George and Maura McClelland; sold privately c.1980; The Irish Sale, Sotheby's, 21st May 1999, Lot 365; Sale, Whyte's, 26th April 2005, Lot 69. Exhibited: 'Daniel O'Neill: Recent Paintings', Dawson gallery, Dublin, 12-31 May 1971. Literature: 'Daniel O'Neill (1920-1974): Landscape and Figure Painter', by Gena Lynam, Irish Arts Review, Volume 15, 1999, Page 141. Illustrated in new monograph on artist 'Daniel O'Neill Romanticism & Friendships' by Karen Reihill Fig. 320 Page 151. (Available to purchase at reception.) Daniel O'Neill was a largely self-taught artist, beginning his journey by experimenting with watercolours at the age of fifteen. He educated himself in Art History, researching the Renaissance through reference books in his local library. In the 1940s, O'Neill took up work as an electrical engineer with the Belfast Corporation Transport Department. This provided him with an opportunity to work night shifts, leaving him free to paint during the day. In 1945, this demanding timetable came to an end when O'Neill was offered a contract by gallerist Victor Waddington. O'Neill gladly ceased work as an electrician and turned to art fulltime. Waddington presented Daniel O'Neill's first solo show in 1946 with great success. With a high sale rate, O'Neill was firmly established as one of Ireland's great upcoming artists. In 1958, O'Neill moved to London. He continued to work and exhibited largely in Montreal through the Waddington Gallery. Optimising on his strong international market, Daniel O'Neill's name began to fade from the Irish art scene. However, in 1970, George McClelland convinced O'Neill that it was time for him to return. The Belfast that he now encountered was not the same as the one he had left twelve years earlier. The underlying tensions had been given full reign to ravage the city as the Troubles spread fear and violence through the streets. Against this backdrop, O'Neill maintained his artistic drive, re-entering the Irish market through a one-man exhibition which opened on May 12th 1971. Thirty-two works were presented, amongst which was 'Horseman, Pass By'. The show brought acclaim from critics, many of which were pleasantly surprised by O'Neill's bold use of colour which contrasted so greatly to the sombre tones of the 1950s. In particular, the current lot was picked out by The Irish Press for its 'atmosphere' and 'mystery'. With an eye for remarkable pieces, the work was purchased at the time by George and Maura McClelland. Despite its colourful disposition, 'Horesman, Pass By' reads as lament on mortality. The title itself is borrowed from the poem 'Under Ben Bulben' by W.B. Yeats, a piece in which the poet finishes by describing his own resting place. Yeats implores any visitors to the spot to Cast a cold eye / On life, on death / Horesman, pass by!. These lines are now immortalised as his epitaph. Given the political climate against which this work was produced, it is hard not to read the painting as a cry for a dying Belfast. Striding through the centre of the piece a man, possibly a self-portrait of O'Neill, sits atop a white horse. This horse is resemblant of the white charger often pictured alongside William of Orange and, thus, is a direct connection to Belfast's religious apartheid. Led by a faceless woman, perhaps the representation of artistic muse, the horse and rider move past the city and the skeleton that keeps guard. Staring directly ahead the man seemingly shows a stoic indifference to what is around him, however, the firm set of the jaw belies the exertion that it costs to do so. As is characteristic of his works, O'Neill utilises the landscape in this piece to depict the concerns of the central figure. The city, which he leaves behind, is lit up, emphasising its importance in this saga. To the front of the rider, a shadowed wood awaits, beckoning him forth into an unknown. It is up to the viewer to decide this horseman's fate. By Ciaran MacGonigal

Approx. 150 small format children's books including; Picture History of the Motorcar, Sleepy Time Tales, Mr Buffin Series, Snow White, Babies on the Farm, Pixie Books, Mellifont Press Children Series, etc. Mostly 1950s to 1970s. Please see images for more titles  and condition.

The first Dalek Book published Souvenir Press 1964 in very good clean condition, light rippling to laminate on front cover Not price clipped. Dr Who annuals 1965 and 1966 are in nice clean condition, 1967 has wear to spine and ink inscription. Together with a Paint and Draw The Film of Dr Who and The Daleks 1965, published Souvenir Press 1965 in conjunction with Regal Films, a souvenir of the first Dalek film starring Peter Cushing. 65 Colouring pages, dot to dot etc. 5 pages have been neatly completed. (5)

Paul Nash (British, 1889-1946)The Raider On The Moors (Postan L21) Lithograph printed in colours, 1940, on wove, printed by The Curwen Press, London, published by the National Gallery for the Ministry of Information, London, with full margins, 502 x 690mm (19 3/4 x 27 1/8in)(SH)For further information on this lot please visit Bonhams.com

Prunella Clough (British, 1919-1999)Mirror and Plant; Paper Flowers Etching and aquatint, 1996, on wove, signed and inscribed 'a/p' in pencil, an artist's proof aside from the numbered edition of 25, printed by Hope (Sufferance) Press, London, with margins, 290 x 250mm (11 3/8 x 9 7/8in)(PL); together with 'Paper Flowers', etching, 1996, on wove, signed and numbered 12/25 in pencil, printed by Hope (Sufferance) Press, London, with full margins, 355 x 380mm (14 x 15in)(SH)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Antony Gormley RA (British, born 1950)Body Giclée print in colours, 2014, on Hahnemühle paper, signed, titled, dated and numbered 89/250 in pencil verso, published by Oak Tree Fine Press, Fyfield, with full margins, 279 x 216mm (11 x 8 1/2in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Tracey Emin (British, born 1963)No Time Softground-etching, 2010, on Somerset, signed, titled, dated and numbered 20/100 in pencil, printed by Paupers Press, London, published by Counter Editions, London, with wide margins, 145 x 210mm (5 3/4 x 8 1/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Keith Haring (American, 1958-1990)UFO; Barking Dogs; Love; Man Riding Dog Four lithographs printed in black, 1982, on wove, from the edition of 2000, printed by Fleetwood Press, New York, published by Tony Shafrazi Gallery, New York, the full sheets, 227 x 217mm (9 x 8 1/2in)(SH)(4)For further information on this lot please visit Bonhams.com

Keith Haring (American, 1958-1990)Flying Angel; Leaping Dog; Pyramid; Embrace Four lithographs printed in black, 1982, on wove, from the edition of 2000, printed by Fleetwood Press, New York, published by Tony Shafrazi Gallery, New York, the full sheets, 227 x 217mm (9 x 8 1/2in)(SH)(4)For further information on this lot please visit Bonhams.com

Frances Mary Hodgkins (New Zealander/British, 1869-1947)An Arrangement of Jugs Lithograph printed in colours, 1938, on wove, signed in pencil, from an edition of approximately 250 impressions (circa 100 impressions were signed), printed by The Curwen Press, London, published by Contemporary Lithographs Ltd., London, with margins, 460 x 610mm (18 1/8 x 24in)(I)For further information on this lot please visit Bonhams.com

Laurence Stephen Lowry R.A. (British, 1887-1976)Britain at Play Offset lithograph printed in colours, on wove, signed in pencil, from the edition of 850, printed by Beric Press, London, published by Mainstone Publications, Norwich, with the Fine Art Trade Guild blindstamp, with margins, 445 x 598mm (17 1/2 x 23 1/2in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Laurence Stephen Lowry R.A. (British, 1887-1976)The Pond Offset lithograph printed in colours, 1974, on wove, signed in pencil, from the edition of 850, printed by Beric Press, London, published by Mainstone Publications, Norwich, with the Fine Art Trade Guild blindstamp, with margins, 430 x 575mm (16 7/8 x 22 5/8in)(I)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Terry Frost R.A. (British, 1915-2003)Trewellard Suns (Kemp 110-117) The complete set of eight linocuts printed in colours, one with additional hand-colouring in watercolour and one with pencil additions, 1990, on Zerkall wove, each signed, dated and numbered 27/40 in pencil, printed by Vivien Hendry, London, published by The Paragon Press, London, the full sheets, with colophon page, loose as issued, within the artist-designed blue buckram portfolio with circular cut-out orange cloth inlay, each 640 x 645mm (25 1/3 x 25 3/8in)(SH)(8)(Folio)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Howard Hodgkin (British, 1932-2017)A Furnished Room (Heenk 33) Soft-ground etching and aquatint printed in colours, with hand-colouring, 1977, on Arches, signed, dated and numbered 52/100 in pencil, printed and hand-coloured by Petersburg Studios, New York, published by Petersburg Press, New York, the full sheet printed to the edges, 540 x 692mm (21 1/4 x 26 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Howard Hodgkin (British, 1932-2017)Evermore (Heenk pp.218-219) The rare complete deluxe blue edition book, 1996, comprising the frontispiece hand-painted in acrylics, and a further six etchings with aquatint and hand-colouring in acrylics as included in the book, including the two loose etchings with aquatint and extensive hand-colouring in acrylics (as issued), on Arches, each initialled, dated and numbered 9/50 in pencil verso, with the justification page, title page and text, the justification page signed and dated in pencil by the artist; further signed, numbered 9/50 and inscribed with the poem 'No More Dawns...' in black ink by the author, Julian Barnes (British, b.1946), printed by the 107 Workshop, Wiltshire, published by Palawan Press, London, bound as issued within the original hand-dyed paper wrappers, housed within silver paper-covered boards and a matching slipcase, with the original packaging, overall 335 x 255 x 35mm (13 1/4 x 10 x 1 3/8in)(Vol)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Revolver LeMat, 3rd model, Paris Kal. .38 BlackPowder, Kal. 12 GA Blackpowder, Nr. 2472, Nummerngleich. Matter Achtkantlauf, Länge 172 mm. Glatter Schrotlauf, Länge 125 mm. Neunschüssige, glatte Trommel um zentralen Schrotlauf. Div. Beschusszeichen. Single Action. Hahn mit zweiter, klappbarer Schlagnase. Seitliche Ladepresse mit integriertem Putzstock. Auf dem Lauf signiert "SYSTme LEMAT Bté S.C.D.G. PARIS", rechts "Stern/L.M.". Alle Teile weißgrau patiniert, fleckig, partiell Putzspuren. Dunkle Nussholzgriffschalen mit feiner Fischhaut. Kolbenkappe mit ausgeprägter Fangriemenöse. Südstaatenwaffe im Sezessionskrieg. WBK: Achtung - Erlaubnispflichtig Zustand: II - III A LeMat revolver, 3rd model, Paris Cal. .38 BlackPowder, Cal. 12 GA Blackpowder, SN. 2472, Matching numbers. Matte octagonal barrel, length 172 mm. Smooth shot barrel, length 125 mm. Nine-shot, smooth cylinder around central shot barrel. Various proof marks. Single action. The cock with a second, folding firing pin. Lateral press with integrated cleaning rod. The barrel signed "SYSTme LEMAT Bté S.C.D.G. PARIS", with "Stern/L.M." on the right. All parts with a greyish-white patina, stained, traces of cleaning in places. The dark walnut grip plates with fine chequering. The butt cap with a distinctive lanyard loop. A Confederate States firearm from the American Civil War. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer Condition: II - III

A Victorian mahogany linen press, the moulded cornice above a pair of cupboard doors with linen slides, the base with two short and two long drawers on a plinth base

Ernest Bramah. Kai Lung's Golden Hour, signed by the author, limited edition number 3 out of 250, 1924, printed by the Riverside Press Ltd, together with 'The Story of the Arab Legion' by Brigadier John Bagot Glubb, and a copy of 'Seven Pillars of Wisdom' by T. E LawrenceLocation: L.4

Twentieth century china to include a Royal Doulton Kingswood six setting tea set, other mixed part tea sets, commemorative items, a cheese cover, a lettuce leaf dish, cutlery, a book press, a silver photo frame and other items

A rare William III oak and polychrome painted press cupboard, circa 1700, the cavetto moulded cornice above a painted panel door flanked by a painted panel on each side, the lower section with a pair of painted panel doors, all panels decorated with floral foliage, figures and animals, on shaped bracket feet, 197cm high, 134cm wide, 42cm deepCondition Report: Marks, scratches and abrasions comensurate with age and use. old splits and chips. some minor losses. some old repairs. The painted elements appear to be original. Lacking the lock to the upper door. The interior shelves to the upper section are all 20th century/ modern pine replacements, as are the screwed in brackets to the interior sides of the interior of the cupboard to support the shelves. The handles to the lower doors are replacements. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A George III oak dwarf press cupboard, circa 1780, the rectangular top with moulded edge above a pair of panelled cupboard doors, opening to a shelved interior, on shaped bracket feet, 81cm high, 96cm wide, 58cm deep

A George II mahogany linen press, circa 1760, in the manner of Giles Grendey, the foliate and dentil moulded cornice above a fluted frieze, the cartouche panelled doors cornered by carved shell and bellflower motifs, opening to three sliding trays, the lower section with two short and two long graduated drawers, on moulded and shaped bracket feet, 192cm high, 125cm wide, 62cm deep For comparable presses and related examples see the following:Christies Fine English Furniture 14 September 2000, lot 175For an example bearing the trade label of Grendey, see Jourdain & Edwards, Georgian Furniture Makers, 1944 edition, Fig 44, page 107 (very similar shaped panels)Edwards: Dictionary of English Furniture, P.164, Fig 18 (from V&A)Sothebys New York , Magnificent English Furniture From the Collection of Theodore and Ruth Baum, October 22 2004, Lot 456Christies, 500 Years Decorative Arts Europe, Lot 284, 9 June 2011, Christies 500 Years Decorative Arts Europe, 9 June 2011, Lot 284Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old splits and chips. Of cleaned/polished appearance. Some old repairs. Section of replacement timber to side of one sliding tray. Brass door catches are period replacements. One door catch lacking its handle. Thin fillet of timber applied beneath one hinge. Handles and escutcheons are replacement. Small filled holes visible from previous escutcheons. Locks appear original. Key present and operated door. No key present for drawers. Some later blocks to backs of feet. Later tape applied to backboards. Please refer to additional images for visual reference to condition. The re-confirmed dimensions (slightly varying from those printed) The press is 192.6cm high overall at highest point129cm wide at widest point (cornice)64cm deep at deepest point (cornice)        Condition Report Disclaimer

Signed Limited Edition Montague (John) The Dead Kingdom, 8vo D. (The Dolmen Press) 1984, No. 123 (125) copies, Signed by the Author, leather backed marbled boards, slipcase, with gilt lettered spine. Clean Copy. (1)

Evelyn Gleeson AssociationMeredith (George) Poetical Works, 8vo L. 1912. T.e.g. in fine full tooled gilt mor. (1)* Front loose blank inscribed 'Evelyn Gleeson with Joseph Fisher's best, Christmas 1912' Miss Gleeson was one of the founders of the original Cuala Press.

Co. Leix: Shaw-Mason (Wm.) A Descriptive and Architectural Sketch of the Grace-Mausoleum in the Queens County, 8vo D.(Faulkner Press) 1819. Privately Printed Lim. Edition 50 Copies Only, Special Graingerised Copy with numerous extra illustrations. Orig. quarter morocco, rebacked with original spine. (1)

Poetry: MacDonagh (Don.) Veterans and Other Poems, 8vo D. (Cuala Press) 1941. Lim. Edn. 266 (275), unopened boards; Twenty Poems, D. 1934. Privately Printed Lim. Edn. 79 (300) wrappers; Greacen (R.), Williamson (B.) & Val Iremonger, On the Barricades, 8vo D. (New Frontiers) 1944, wrappers; Mankowitz (Wolf) XII Poems, 8vo Ahakista 1972, Lim. Edn. No. 4 (250), Signed by Author, cloth; & 2 others same author. A lot. (1)

Periodical: Tynan (K.), De la mare (W.)etc., Contributors, The Gypsy, 4to L. (The Pomegranate Press) 1915, Vol. 1, No. 1, illustrated by Allan Odle, ptd. wrappers, special illus boards. Scarce. (1)

O'Connor (Frank) A Picture Book, Illustrated by Elizabeth Rivers. 8vo Dublin (Cuala Press) 1943. Lim. Edn. 40 (480) Copies, illus. unopened, cloth backed illus. boards; also Three Old Brothers and Other Poems, L. 1936, wrappers; The Art of the Theatre, D. (M. Fridberg) n.d. cold. frontis by Louis le Brocquy; and Towards an Appreciation of the Theatre, D. 1945, d.w.; Colum (Padriac) Three Men, 8vo L. 1930. Signed Lim. Edn., decor. boards, and Old Pastures, N.Y. 1930. First Edn., cloth, & d.w. v. good copy. A lot. (6)

Limited EditionJuvenalia: Perault - Histories or Tales of Past Times Told by Mother Goose with Morals, 12mo Lond. (Nonesuch Press) 1925. No. 210 of 1250 Copies Only, hd. cold. frontis & 8 hd. cold. illus., uncut, orig. buckram backed boards. (1)