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HOMER, 'THE ODYSSEY'Latin and Greek text, volumes I and II, published by the Clarendon Press, Oxford 1827, brown three-quarter leather binding, the spines with black and red half titles; together with two other antiquarian Homer volumes; two antiquarian Ovid volumes; and a leather bound volume of Latin poetry (7)
George Romney (1734-1802)Portrait of James Evelyn of Felbridge, DCL (1718-1793)three-quarter length, in a scarlet academic gown, the Evelyn Column by Sir John Soane in the distanceoil on canvas156cm x 119cm with Charles Cecil Cope Jenkinson, 3rd Earl of Liverpool (1784-1851); with The Hon. Henry Berkeley Portman (1860-1923), later 3rd Viscount Portman; with Emma, Viscountess Portman (1862-1929); with her daughter Lady Moyra Dawson-Damer (1897-1962); thence by family descent. Mentioned in Lord Hawkesbury's Catalogues of Portraits at Compton Place and at Buxted Park, in Sussex, 1903, p. 21, no. 11, at Buxted Park, at Buxted Park, as in the 'Dining Room, West Wall'.Further bibliography:Kidson (Alex), George Romney, A Complete Catalogue of his Paintings, New Haven and London: Yale University Press, 2015, I, p. 205, no. 421 (illus). The painting has been relined, restored and cleaned quite recently. The picture surface is stable. The painting is in good condition overall, with some craquelure.
George Romney (1734-1802)Portrait of Julia Annabelle, Lady Shuckburgh (1756-1797), wife of Sir George Shuckburghhalf-length, in a white dress and hatoil on canvas74cm x 60cm with Charles Cecil Cope Jenkinson, 3rd Earl of Liverpool (1784-1851); with The Hon. Henry Berkeley Portman (1860-1923), later 3rd Viscount Portman; with Emma, Viscountess Portman (1862-1929) by 1926; by descent to her daughter Lady Moyra Dawson-Damer (1897-1962); thence by family descent. Painted in 1788. Mentioned in Lord Hawkesbury's Catalogues of Portraits at Compton Place and at Buxted Park, in Sussex, 1903, p.20, no. 9, at Buxted Park, as in the 'Dining Room'. Further bibliography: Kidson (Alex) George Romney, A Complete Catalogue of his Paintings, New Haven and London: Yale University Press, 2015, II, p. 530, no. 1186 (illus). The canvas has been restored and relined. The picture surface is stable and appears to have been cleaned fairly recently. There is some craquelure. Some evidence of in-painting appears under UV, especially to the left of the sitter's chin.
A Regency mahogany linen press of small proportions, the upper part with two panelled doors enclosing two sliding trays, with two short and a long drawer below, original handles, 156cm high, 15.5cm, 53cm deepAll over fair condition with wear, bumps, scuffs and scratches commensurate with age and use. Reeded moulding section missing upper left side and slight loss to moulding upper right corner. Several old restorations including a little patching to above centre door, replacement door lock and added locking block. Key to door a little stiff. Drawer locks original but lacking key. Back panel with movement letting. Right door panel with movement as pictured.
George Romney (1734-1802)Portrait of Sir George Augustus William Shuckburgh-Evelyn, 6th Bt., (1751-1804)half-length, seated, in a dark blue coat with a white cravatoil on canvas89cm x 68cm with Charles Cecil Cope Jenkinson, 3rd Earl of Liverpool (1784-1851); with The Hon. Henry Berkeley Portman (1860-1923); with 3rd Viscount Portman; with Emma, Viscountess Portman (1862-1929) by 1926; with her daughter Lady Moyra Dawson-Damer (1897-1962); thence by family descent. Mentioned in Lord Hawkesbury's Catalogue of Portraits at Compton Place and at Buxted Park, in Sussex, 1903, p. 19, no. 7, as by 'John Hoppner, R.A.', at Buxted Park, as in the 'Dining Room'.Further bibliography: Kidson (Alex) George Romney, A Complete Catalogue of his Paintings, New Haven and London: Yale University Press, 2015, II, p. 530, no. 1187 (illus,) Relined. Generally good condition overall. Picture surface is stable, with some craquelure. There are some bituminous areas, especially around the edge of the sitter's head, probably as a result of previous restoration.
Allan Ramsay (1713-1784)Portrait of Edward Medley Esq. of Conyborough (1719-1751)half-length, in a brown coata feigned ovalsigned and dated lower right 'A Ramsay 1742'oil on canvas74.5cm x 61cm with Charles Cecil Cope Jenkinson, 3rd Earl of Liverpool (1784-1851); with The Hon. Henry Berkeley Portman (1860-1923), later 3rd Viscount Portman; with Emma, Viscountess Portman (1862-1929) by 1926; with her daughter Lady Moyra Dawson-Damer (1897-1962); thence by family descent. Mentioned in Lord Hawkesbury's Catalogues of Portraits at Compton Place and at Buxted Park, in Sussex, 1903, pp. 21-22, no. 14, at Buxted Park, as in the 'Hall, West Side'.Further bibliography:Smart (Alastair) and Ingamells (John), Allan Ramsay: A Complete Catalogue of his Paintings, New Haven and London: Yale University Press, 1999, p.158, no. 363, fig. 108. The painting has been restored and relined. The painting bears some condition issues, including craquelure throughout and some unevenness to the picture surface. This includes many shining areas indicating resoration, as well as some bituminous areas, as illustrated in the images that accompany this condition report.
George Romney (1734-1802)Portrait of Anne Evelyn (1767/8-1790)half-length, in a white dress with a blue sashoil on canvas74cm x 61cm with Charles Cecil Cope Jenkinson, 3rd Earl of Liverpool (1784-1851); with The Hon. Henry Berkeley Portman (1860-1923), later 3rd Viscount Portman; with Emma, Viscountess Portman (1862-1929) by 1926; with her daughter Lady Moyra Dawson-Damer (1897-1962); thence by family descent. Painted in 1788. Mentioned in Lord Hawkesbury's Catalogues of Portraits at Compton Place and at Buxted Park, in Sussex, 1903, p.18, no. 3, at Buxted Park, as in the 'Dining Room, South Wall'. Further Bibliography:Gower (R. S.) Romney, London, 1904, p. 175Kidson (Alex) George Romney, A Complete Catalogue of his Paintings, New Haven and London: Yale University Press, 2015, I, p. 205, no. 422 (illus).Ward (Humphrey) and Roberts (William) Romney: A Biographical and Critical Essay, London: T Agnew & Sons, 1904, p. 51 The painting has been restored and relined. The artwork is in good condition overall, with the picture surface stable and some craquelure. UV light examination reveals some in-painting, especially around the sitter's face.
William Lawson (1892-1946) 'Saint Barnabas', 'Saint Oswald' and 'Resurrected Christ'three stained glass tracery window designs, pencil and watercolour, each signed 'W. Lawson 1931'the largest 370 x 75cm and 306 x 73cm;together with four smaller tracery designs,each entitled 'Raphael J'; 'K'; 'O'; 'P', for the New East Window of the Parish Church of All Saints, Portsea, Portsmouthlargest 174 x 39.5cm;and the sketch elevation design for the New East Window, inscribed and titled43 x 61cm, and a small tracery fragment (10)William Lawson (1892-1946) was the first managing director and chief designer of Faith Craft-Works (later Faith Craft), which was based in St Albans. The enterprise came into being in the mid-1920s, when the Society of the Faith decided to add a non-profit-making enterprise specialising in church art to its existing publishing arm, Faith Press. Lawson worked in a style that harked back to the Middle Ages.Condition ReportAll with stains, tear to the ends and edges, rolled - but have fold marks. Elevation design has cut out missing and is creased, rolled and stained.Christ resurrected - split and torn through the centred 1/2 was through from the top, also from the bottom. Creased, tears to the sides and fold marks.
The Beatles, four 12" albums related to the band. The Beatles; 'Please Please me', (PCS 3042), VG, George Harrison and Ringo Starr; '1980s Press Conferences', (Picture disc, YOU RE 16), VG, Paul McCartney; 'McCartney III', (00602435136592), VG+, Ringo Starr; 'And His All-Start Band', (EMS 1375), VG. (4) Estimated in-house shipping for this lot is available to the UK for £19.76.
Bruce Springsteen; Books and tour programme. Eight works; 'Glory Days, A Biography in Co-operation with Bruce Springsteen', by Dave Marsh, published by Sidgwick & Jackson; 'Springsteen: Blinded By The Light', by Patrick Humphries and Chris Hunt, Pexus London; 'Springsteen Photographed by Lynne Goldsmith', Sidgwick & Jackson; 'Bruce Springsteen: Born In The U.S.A.', by Robert Hilburn, Rolling Stone Press Book, Sidgwick & Jackson; 'The Anabas Look Book Series - An Independent Story In Words and Pictures', by Roger St. Pierre, Anabas; 'Anabas Fotofile - 6 big glossy photographs', complete set, photograph research by Mick Alexander, Anabas; 'Born To Run - The Bruce Springsteen Story', by Dave Marsh, Omnibus Press; 'Tunnel of Love Express Tour, Featuring The E Street Band', tour programme. (8) Estimated in-house shipping for this lot is available to the UK for £30.50.
'Hippie' & 'The Art of Rock' 'Hippe', hardback, a tribute to and examination of the hippie movement, 2003, Cassell Illustrated, London. 'The Art of Rock' Posters from Presley to Punk', hardback, 1987, Abberville Press, New York. (2) Estimated in-house shipping for this lot is available to the UK for £19.76.
A mid-19th century mahogany and rosewood cross banded linen press - the flared cornice over a pair of panelled, rosewood cross banded doors enclosing the three original slides, over a base with two short over two long graduated drawers with oak linings and original turned handles, on turned toupie feet. (LWH 134 x 56.5 x 228 cm)
Fifteen books including poetry and nature, many with decorative bindings: William Blake - The Marriage of Heaven and Hell (Oxford University Press 1975); John H. Ingram (ed.) - The Poetical Works of Elizabeth Barrett Browning from 1826 to 1844 (Ward, Lock & Bowden, London); Alfred Lord Tennyson - Idylls of the King (Hodder and Stoughton); Longfellow's Poetical Works (George Routledge and Sons, London); Rev. Robert Aris Willmott (ed.) - The Poets of the Nineteenth Century (George Routledge & Co, London 1857); Michael Fairless - The Roadmender (Duckworth & Co, London 1909); George Saintsbury (ed.) - Poetical Works of Robert Herrick, vol. 1 (George Bell and Sons, 1900); Robert Blatchford - A Book about Books (Clarion Press, London); Lilian Gask - Folk-Tales from Many Lands (George Harrap & Co., London 1929); Lucy M. J. Garnett - Greek Wonder Tales (A & C Black, London, 1920); Julia Luard - Royal Children (Groombridge and Sons 1887); Mary Entwistle - Children of Other Lands (Humphrey Milford OUP, London 1923); Mrs Brightwen - Inmates of My House and Garden (T. Fisher Unwin, London): T. Carreras - Rambles among the Flowers (S. W. Partridge, London); W. Percival Westell - Nature's Wonderland (The Pilgrim Press, London).
Vase ''Murrine Incatenate'' Anzolo Fuga (Entwurf), A.V.E.M., Murano, um 1960 Farbloses, in der Masse Gelbgruen eingefaerbtes Glas. Auf der Wandung eingeschmolzene Sternmurrine in Tuerkis und Rotbraun sowie horizontal liegende 'Zanfirico' Baender aus opak weissem und altrosa farbenem Glas in alternierender Reihenfolge. H. 43 cm. Lit.: Rosa Barovier Mentasti, Anzolo Fuga-Murano Glass Artist-Designs for A.V.E.M., Acanthus Press, New York, 2005. S. 122 ff. S. 139 (Formidentisch).
Parfuemflakon Joel Philip Myers, 1976 Dickwandiges, weisslich-grau marmoriertes Opalglas, teilweise mattiert. Auf der Wandung umlaufend mehrfarbige feine Aufschmelzungen in Marqueterietechnik (Orange, Hellblau, Schwarzviolett und Magenta). Oberhalb des Standes in Diamantriss signiert und datiert: Joel Philip Myers 1976. H. 21,5 cm. Erworben 1976 im Corning Museum of Glass, New York, 1976. Lit.: D. Klein, Glass - A Contemporary Art, London 1989, S. 52 - Contemporary Crafts and the Saxe Collection, The Toledo Museum of Art, Hudson Hills Press, New York 1993, plate 38 & 39
Schalenobjekt Toots Zynsky Ausgezogene, verschmolzene und heiss verformte Farbglasfaeden. Unterseitig bezeichnet: Z (aufgeschmolzener schwarzer Glasfaden). H. 15,5 cm; B. 33 cm. Lit.: Contemporary Crafts and the Saxe Collection, The Toledo Museum of Art, Hudson Hills Press, New York 1993, Plate 61''
Master Of Delft -Die mensche. Scriptura / Description: Scriptura and man : A man kneeling. A woman looks into the book, behind her a bookcase. She is the personification of the Scriptura, of the Bible. Christ as Salvator Mundi appears in heaven. (Banderolles with the text still upside down, that was not the case in later editions...) This is a full page incunabula woodcut, in fact the first and title woodcut of a very rare and early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". This woodcut is discussed by Prof. Henri Defour in his article 'story of the woodcuts from the Ludolphus editions' DBNL 24/2017. The history of the woodcuts is very complicated, see an extract under 'literature'. It belongs to the very rare first edition or an earlier work that has not survived as described below. The fresh impression still with complete intact borderlines also emphasizes that fact. / Dimensions: 17,50 x 14,5 cm / Condition: Excellent impression with unbroken woodcut borderlines tipped with borders on a support sheet. Nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017)… Ina Kok is of the opinion that an earlier edition preceded Leeu's edition of 'tBoeck vanden Leven ons lief heeren Jhesu Christi of 3 November 1487, which has not been preserved. She assumes that on the basis of the similarity of the second title woodcut with Mensch and Scriptura in the above edition with the title woodcuts in a two-part passionael, consisting of a winter and a summer piece, which appeared on 1 March 1487 in Delft by Jacob Janszoon van der Meer (ilc 1510, see figures 7 and 8) The maker of these woodcuts has been given the 'Second Delft Woodcutter' by Conway as an emergency name. The title page of both volumes shows a female figure sitting behind a lectern, with a bookcase full of books behind her. Before her kneels a man, looking up to Christ appearing in the sky in a mandorla. Above the woman floats a banderole with the text upside down: Dat Passionael, and above the man a banderole with the words upside down on one side: Summer stuck and the other time: Winter stuck. The Delft printer also used the same woodcut for his edition of the short redaction of the life of Christ by Ludolphus de Saxonia, which came off the press on 22 May 1488 (ilc 1504) There the words scriptura and die mensche can be read in the bands respectively. These words make sense here, since the text of the book largely consists of a dialogue between scriptura and die mensche. This indicates that the woodcut was originally cut for an edition of the Life of Christ by Ludolphus de Saxonia and must therefore be older than 1 March 1487, the publication date of the two-volume passionael. No copies of this earlier (probably also) Delft edition have survived, nor of the early edition by Gheraert Leeu, which Kok presumes....... The stylistic affinity between the paintings of the Master of Virgo inter Virgines and the woodcuts of the Second Delft Master is so great that it is generally assumed that he was the designer of the woodcuts of the Second Delft Master It can be concluded from this that the Second Delft Master is most likely identical with the Master of the Virgo inter Virgines.......( The Master of the Virgo inter Virgines was an Early Netherlandish painter and designer of woodcuts active around Delft between 1483 and 1498. He is named for The Virgin and Child with Four Holy Virgins, an altarpiece of the Virgin with Saints Catherine, Cecilia, Ursula, and Barbara which formerly hung in the convent of Konigsveld, but which is now in the Rijksmuseum in Amsterdam.) / Medium: Colored woodcut /Circa: Pre 1487 280
§ John Piper OM, CH (1903-1992) Windsor Castle, 1948offset lithograph, published by Penguin Prints, with publisher's original text, unframed27 x 36cm;together with two wood engravings (Rhayadr Ogwen and Ffynnon Llugwy) by Reynolds Stone after John Piper, published by Rampant Lions Press, 1968, unframed18.5 x 13cm and 16 x 17.5cm (3)
Tennyson, Alfred, 'Idylls of the King', illuminated and decorated by the Brothers Rhead, Robert Howard Russell, USA, 1898; Carroll, Lewis, 'Alice's Adventures in Wonderland', with illustrations by Arthur Rackham, William Heinemann Ltd., London, 1933; Carroll, Lewis, 'Alice in Wonderland', with illustrations by Charles Pears and T.H. Robinson, Collins' Clear Type Press, London & Glasgow; 'A Midsummer Night's Dream', with illustrations and introduction by Mrs Herbert Railton, Freemantle & Co., London; and De Foe, Daniel, 'Robinson Crusoe', with illustrations by W.B. Handforth, George Routledge and Sons, London & New York (5)
Huddersfield Town - A History of the Club, from 1959 to 1976, with handwritten and printed match reports, images, statistics, player information, press and magazine cuttings, trade cards, A & B.C, Topps, 63-4 West Riding, cup semi replay programme v. Leeds, 67-8 League Cup Semi v. Arsenal (both punch holes), photos, etc, neatly displayed in nine albums.
1966 World Cup Press Association Photographs, England Match Action v. Mexico (x 2), v. France (x 4) including two Hunt goals, v. Argentina - Banks Save, Hurst Goal and Goal Celebrations. Argentina v. West Germany match action, each approximately 25.5 x 20.5cm, with stamp and image details label. (10).
Rugby League Programmes, 1948 Belle Vue v. Swinton, 1937 Seven-A-Side at Leeds, 1951 Wales v. New Zealand, 1960 Yorkshire Cup Semi at Odsal, etc. Quantity of autographs (unverified) 1960s and later, generally signed on press cuttings:- Two albums.Programme included of Salford, the condition is poor.
1966 World Cup Press Association Photographs, of England players in off field moments, including Moore and Greaves drinking with Sean Connery and Yul Brynner, Bobby Charlton, Hurst and Wife, Greaves reading newspapers, Stiles and Ball shopping, Stiles walking, relaxing drink for Moore, Hurst and Wife, each approximately 20.5 x 25.5cm, with stamp and image details label. Larger Stiles signing autograph by Bippa. Plus Greaves (9)
Huddersfield Town - A History of the Club, from WWII to 1957, with handwritten and printed match reports, images, statistics, player information, press and magazine cuttings, mainly reprinted, some trade cards are originals, including Churchman's Will's, Rover, Typhoo, A &B.C etc, neatly displayed in seven albums.
Sean Mac Bride – A Biography, Anthony J Jordan, 1993, Blackwater Press, 1st edition, hardback in dustjacket, in excellent condition. Sean Lemass A Biography, Michael O’Sullivan, 1994, Blackwater Press, 1st edition, 1st printing, hardback in dustjacket, as new condition. The Liberal Ethic, The Irish Times, 1st edition,. 89pp publication in beige card wraps, good copy. “Following a report in the Irish Times in January 1950 headlined 'Liberal Ethic Condemned by Professor' a heated correspondence erupted in the newspaper's letters page and ran on for about two months. Writers argued the Nature of Liberalism, the rights and wrongs of censorship, and 'Article 44' of the Irish constitution. This 89-page booklet is an edited summary of the controversy.” The Will of a Nation, Eoin McKiernan, 1964, Patrick Butler Family Foundation St. Paul, Minnesota. Pamphlet in support of the Irish language. History and Loyalty, Lionel Thomas, Reprint from Envoy, Vol.3, No. 9, August 1950. (5)
Downstream, Thomas Kinsella, The Dolmen Press, First Edition, First Printing , 1962, with Dust Jacket The story of the Irish People, Sean O’Faolain, Avenel Books, First Edition, First Printing, 1990, with Dust Jacket And Again?, Sean O’Faolain, Constable London, 1979, First Printing with Dust Jacket Executions, Ulick O’Connor, Brandon, 1992, First Edition, Inscribed “Michael McDowell, Best Wishes, Ulick O’Connor, July 1999”. (4)
The Irish Brigades, 1685-2006, David Murphy, Four Court Press, First Edition, 2007 with Dust Jacket ,inscribed by the author The Dead Kingdom, John Montague, Dolmen Press, 1984, soft cover, inscribed by the author The Ballad of Reading Gaol, Oscar Wilde, illustrated by Arthur Wragg, Castle Press, First Impression 1948, No Dust Jacket . (3)
The Achill Missionary Herald and Western Witness. February 1852. 16 pages. As issued. Printed and Published for Edward Nangle of Skreen, Co. Sligo at Missionary Settlement, Dugort, Achill Island, Mayo. Includes activities of Protestant Mission in Mayo. printed on a small printing press at Achill. Rare and important publication.
Yeats, Jack B. Sligo London: Wishart & Company, 1931. 2nd Imp, First edit, green cloth; The Careless Flower, 1947, Pilot Press, 1st edit, dj; Jack B Yeats by Roger McHugh, Dolmen, 1971, pb; The Selected Writings of Jack B Yeats by Robin Skelton, London: Andre Deutsch Ltd, 1991 and The Life and Times of Jack B Yeats At The Architectural Archive, Sept 2008 (5)
The Different Worlds of Jack B. Yeats. Illustrations. Hilary Pyle; The Yeats Family and the Pollefexens of Sligo. Dolmen Press; Contemporary Irish Art by Knowles; Pauline Bewick. Seven Ages; Three Hundred Years of Irish Watercolours and Drawings by Patricia Butler and Master European Paintings from National Art Gallery of Ireland. 6 art books, 3 in djs
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102398 item(s)/page