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Click here to subscribeApprox. Four Hundred Horror/Adult Comics Predominately 1990s. Various issuers such as 'Adventure Comics', 'Avatar', 'Cosmic Comics', 'Eternity', 'Fleetway Quality', 'AC Comics', 'Eclipse', 'Image', 'Dark Horse', 'Zone', 'Chaos City Cosmics', 'Heavy Hitters', 'Epic', 'ACME Press', 'Caliber', etc. Conditions VG Overall Clean Throughout.
An 18th Century Oak Press Cupboard. The upper section having a moulded breakfront cornice above two cupboard doors with dome-topped fielded panels, opening to reveal internal hanging space extended into the box-form lower section with a rail of turned pegs to the back and two base drawers below, 81 ins (206 cms) high, 71½ ins (181 cms) wide, the cornice 27 ins (68 cms) deep.
ORWELL (G), ANIMAL FARM, reprint within the same year, d.j, London, Secker & Warburg, 1945; THE LONDON MAGAZINE, Oct 1959 including poems by Sylvia Plath; WALTERS (M), THE SHAPE OF SNAKES, signed ltd ed of 600, un-opened; with a collection of Wintworth Press boys original novels with pictorial paper covers (Qty)
MASEFIELD (J), THE WANDERER OF LIVERPOOL, signed limited edition, 209/525, Heinemann, 1930; ST. JOHN (C), ELLEN TERRY AND BERNARD SHAW A CORRESPONDENCE, The Fountain Press, 1931; PRIESTLEY (J.B), ANGEL PAVEMENT, signed limited edition, 177/1025, Heinemann, 1931; YOUNG (F), JIM REDLAKE, signed limited edition, 41/275, Heinemann, 1930; TOMLINSON (H.M), ALL OUR YESTERDAYS, signed limited edition, 943/1025, Heinemann, 1930, all with original sleeves (5)
A fabulous black and white photograph of Errol Flynn taken by the vendors grandmother when Flynn was working at the Bristol Hippodrome. Flynn walking to the nearby photographers to have this photo taken with her. Also a large series of press release photographs - cards 76 in total to include more Flynn's and other stars of the period. Also a John Player & Sons album of film stars
Woolf, Virginia; Orlando. 1928, 2nd Impression. Pub. The Hogarth Press, London. Presented in the publisher's vibrant First Issue orange cloth. 299pp. Woolf's amazing fictitious history of four centuries of transgender "biography" about a mythical being named Orlando who starts life as an Elizabethan nobleman and transforms into a woman poet of vast social insight. Written for & inspired by, Vita Sackville-West, to whom the book is dedicated & who appears as Orlando at various life-stages in several of the book's photographs. Considering Woolf's time, an extraordinarily courageous achievement in English letters & fantastic literature. Described as the longest love-letter ever written by Sackville's son, Sir Nigel Nicolson. Kirkpatrick A1 1a. Woolmer 185.
Attributed to Edward Lawton Moss, MD (Irish, 1843-1880) A collection of fourteen 19th century topographical watercolours to include exotic, coastal and mountainous landscapes and sketches, featuring Gibraltar, Malta, Anton Lizardo Mexico, Mexican Cordilleras, Isla de Sacrifios, Madeira, Greece and Ponta de Pico; together with a watercolour of a 'Maltan Lady'; a sketch of a Greek warrior in Fustanella; pen and ink figural sketches and a drawing of Giant's Causeway 'drawn by Miss Pike' one bearing Edward Lawton Moss's monogram lower right; some dated 1865; Sep '70; 16 Dec '78; June 1865; Feb 9 '70, 1870; watercolour, unframed Literature: Resurrecting Dr. Moss: The Life and Letters of a Royal Navy Surgeon, Edward Lawton Moss MD, RN, 1843-1880. By Paul C. Appleton, edited by William Barr. (Calgary: University of Calgary Press, 2008). Other Notes: Edward Lawton Moss was a naval surgeon and British Polar artist educated at the Royal College of Surgeons in Ireland. Appointed a surgeon with the Royal Navy in 1864, he developed a passion for painting during his extensive travels and explorations of various exotic locations. He was notably assigned to depict the feats of the British Arctic Expedition in 1875-1876 while aboard HMS Alert. His vivid account of the journey with accompanying illustrations was published in his "Shores of the Polar Sea: A Narrative of the Arctic Expedition of 1875". He perished in a tragic shipwreck off the coast of Barbados in 1880. One of the watercolours bears an inscription verso, corroborating its provenance: 'Original sketch lost in H. M. S. Bulldog, Cape Haitien, 23 October 1865. January 1866 Royal Adelaide'. Moss is known to have served aboard this ship, as illustrated by his depiction of HMS Bulldog Shelling the Forts at Cap Haiti on November 9th 1965. Some foxing. All loose and unframed. Some wear to the papersIn total there are approximately:16 watercolour studies1 pencil study1 ink studyAll of varying sizes
A George III mahogany press, with a dentil moulded cornice, slides to the interior, enclosed by panel doors with applied outline moulded decoration, above two short and two long drawers with brass handles, on square bracket feet 193 x 128 x 57cm (75 x 50 x 22in) A moulding is missing from one door panel and a moulding from the cornice.
A diamond encrusted heart-shaped pendant, the convex surface and articulated bale pavé set over the whole front with old round, cushion and mine cut diamonds, in white precious metal, verso similarly convex in yellow precious metal (no marks found) with circular press-in glazed panel with red foil lining; length including bale 3.3cm, width 2.8cm; total estimated weight of all old cut diamonds in excess of 4.50cts; gross weight 11.38g
Royalty: Princess Margaret, Nine vintage press release photo's (most 21 x 16cm,) taken at the official opening of the Amwell Court Housing Estate in Stoke Newington Sat. 11th Nov 1950 Stamped on back of two photo’s "This is a North London Observer Series picture taken by Sydney E. Veronique" the other six "Photo by E.Edwards Clapton E5". With copied cover of official programme of the event.
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