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Click here to subscribeWilliam Wright, Cambridge, early 19th Century ebonised mantel clock surmounted by gilt, metal pineapple finial waving, pediment top, dentil cornice, circular painted face, Roman numerals, eight day movement, the recess spandrel with brass moulding's, brass handles and fish scale pierced sides, the base with brass banding raised on ball feet, 50cms high
18th Century lacquered chinoiserie cabinet enclosed by a pair of ornately decorated doors depicting pagodas and figure with cast metal hinges and lock plate opening to reveal a finely fitted interior of drawers decorated with flowers, the inner doors decorated with exotic birds among foliage raised on a later base fitted with three drawers on cabriole supports, 96cms
Pair of Regency rose wood card tables having D shaped fold over baize lined tops with brass anthemiun and strip inlay, the friezes similarly inlaid and with brass and rectangular tablets with cast gilt metal ornament, raised on turned leaf carved tapered columns, quadripartite bases with fluted legs, brass capping's and castors, 91cms
Victorian gilt metal mounted walnut credenza of shaped outline with inlaid frieze, the central cupboard enclosed by panel door with cross banding and inlaid cartouche panel, flanked by carved glazed doors with fluted lined interior and shelves, the plinth base raised on turned feet, 165cms
AN EARLY 20TH-CENTURY YELLOW METAL BAR BROOCH centred by a spider, its body a blue gemstone of good quality, in millegrain collet mount, with seed pearl, marked 9CT, AN UNMARKED YELLOW METAL BAR BROOCH with seed pearl rosette, and A PLAIN 22CT GOLD WEDDING RING, hallmarked Birmingham, 1921, R & S (3)
AN EARLY 20TH-CENTURY GENTLEMAN'S HALLMARKED 9CT GOLD CURB-LINKED DOUBLE WATCH ALBERT having a clip to one end, central T-bar with later yellow-metal scroll seal (with diamond chips) set with a black onyx half cabochon, and 9CT GOLD FOB to the other end, of shield design, hallmarked Birmingham, 1919, 37gm, (1.19ozs) (all-in)
A GROUP OF 19TH-CENTURY ITALIAN LAVA-STONE CAMEOS, all oval, comprising four of Renaissance-style bust portraits, in gilt metal mounts, another, smaller, female, in metal mount, a sixth, unmounted, the largest cameo 34mm, (1.3in) high, and a yellow-metal mounted ring of six conjoined small cameos
FOUR 19TH-CENTURY ROMAN MICROMOSAICS comprising: an oval view of the Colosseum in rectangular aventurine glass-metal brooch mount, an oval view of a ruined arch within an oval blue glass surround in gilt-metal dress mount, an oval view of Trajan's column in dark blue glass surround, and another oval view of a Roman building in sky blue glass surround, the largest 26mm, (1in) long and A FLORENTINE RECTANGULAR PIETRA-DURA PANEL, with polychrome floral bouquet inset in black slate 6.5cm x 5cm, (2in x 2.6in) (5)
A MID 19TH-CENTURY ROMAN MICRO-MOSAIC FLEXIBLE BRACELET comprising seven rectangular conjoined gilt-metal mounted rectangular panels of lapis-blue glass with chamfered edges, each inset with a micro-mosaic polychrome view of one of the buildings of ancient Rome including the Colosseum, Trajan's column, and the Triumphal Arch, St. Peter's etc, 16.5cm, (6.3in) long
A LATE 18TH-CENTURY GILT-METAL AND ENAMEL BROOCH (formerly a bracelet mount) the bright-cut engraved oval bezel inset with an enamel painted in brown monochrome in the en grisaille manner with Venus, with attendant, arousing Cupid from his slumber, 4cm, (1.6in) high, and a small shell cameo, classical head, (unmounted) (2)
THREE UNUSUAL 19TH-CENTURY RINGS comprising a ceramic ring with leaf-moulded decoration centred by a classical human mask, in matt brown stoneware, to fit size K, a coquilla-nut ring carved with daisy heads, centred by a shield with brass escutcheon, to fit size N and a yellow-metal ring with pendent coral hand with turquoise ornament, on contemporary card (3)
A YELLOW-METAL CURB-LINKED BRACELET OF CHASED LINKS having attachments: A 15CT GOLD CARNELIAN AND HELIOTROPE SWIVEL SEAL (vacant), Birmingham, 1890s, A GOLD SOVEREIGN, Edward VII, 1905, ANOTHER, 1910, A HALF-SOVEREIGN, Edward VII, 1910, (all in removeable mounts), A SOVEREIGN, 1906 in fixed mount, and A HEART-SHAPED PADLOCK
A FINE ART-DECO STYLE YELLOW AND WHITE METAL DIAMOND AND HALF PEARL BAR BROOCH having a central millegrain collet-set large half pearl flanked by twelve graduated old-cut diamonds on each side also in millegrain setting, 8cm, (3.15in) long in fitted case of the Mikara Pearl Company, London.
AN EARLY 20TH-CENTURY ART DECO STYLE DIAMOND AND SAPPHIRE DRESS RING, the setting of lozenge form having a navette shaped centre of three old-cut stones, within arrow-form borders of calibre-cut sapphires, with outer border of small diamonds, the shank of precious white metal marked .750, to fit size K, in box
AN UNUSUAL SET OF SIX GAMBLING-RELATED ENAMELLED CUFFLINKS, or buttons, each printed and colour-tinted with a different 'vice' - a bottle of champagne with glass, a horse and jockey, playing cards, a tumbler and dice, a snooker/pool/billiards player at the table in cueing position, and a can-can dancer, each in base metal surround, each 14mm, (0.6in) diameter
Hoppner: A HIGH-QUALITY LATE 18TH-CENTURY OVAL PORTRAIT MINIATURE in watercolour and body colour of a gentleman, half-length left, in powdered wig, russet frock coat and white stock, signed Hoppner, in gilt-metal mounted neo-classical dark tortoiseshell or horn frame, the reverse bezel bright-cut engraved with central glazed medallion with applied cypher RB in foliate cursive script 10cm, (4in) excluding suspender
Gaillot: A FINE LATE 18TH-/EARLY 19TH-CENTURY OVAL PORTRAIT MINIATURE in watercolour on ivory of a young man, three-quarter length facing, in grey coat with tan facings and collar, with white stock holding a twitch or crop, signed Gaillot, in gilt metal bezel, horn or tortoiseshell backed, 11.5cm, (4.5in) (excluding suspender)
A HIGH QUALITY 19TH-CENTURY OVAL PORTRAIT MINIATURE of a gentleman, bust length facing, in black coat with white stock, in watercolours on ivory, indistinctly signed, in gilt-metal-mounted tortoiseshell frame with reverse medallion under glass having applied cypher HS(?) in foliate cursive, 11cm, (4.3in) excluding suspender
AN 18TH-CENTURY OVAL PORTRAIT MINIATURE in watercolours on ivory of a lady bust-length three quarters right, in the style of Jeremiah Meyer, in mother-of-pearl-backed gold bezel 4.5cm, (1.75in) excluding suspender, and AN EDWARDIAN OVAL PORTRAIT MINIATURE in watercolours on ivory of a young lady holding a rose, in gilt-metal frame, 7.5cm, (3in) high, excluding suspender (2)
A LATE 19TH-CENTURY CIRCULAR ENAMELLED PORTRAIT MINIATURE of Mary Queen of Scots, painted in polychrome enamels on an amber coloured moire ground, in ermine-trimmed dress and wearing jewelled headdress and necklace, of convex form with gold-tooled leather backing labelled "Miss Marey" in gilt metal frame with "ribbon" surmount, and A 19TH-CENTURY OVAL PORTRAIT MINIATURE of a bride, watercolour and Chinese white on ivory, in gilt-metal ornamental frame, 92mm, (3.6in) high (2)
A MINIATURE PAINTING in watercolour on ivory of a snowscene with large house, in the foreground a red stag and two does, rectangular, 11.5cm x 9cm, (4.5in x 3.5in), in gilt-metal frame under glass, with brown plush easel support, labelled "Winter 1936/Miss McCorkindale/Bernam" in manuscript
Dutch School, (19th century) A SET OF FOUR OVAL STILL LIVES ON SHEET METAL, probably brass, each depicting an arrangement of roses and other flowers on a ledge or shelf, unsigned, 20.5cm x 17.5cm, (8in x 6.9in), in gadroon-edged oval giltwood frames, label of "Henderson White Ltd, Deansgate, Manchester" to one frame (fragment to another)
A VICTORIAN GENTLEMAN'S 18CT-GOLD OPEN-FACED KEY-WOUND POCKET WATCH, the movement signed Robt. Walshaw, Liverpool, numbered 53731, the white enamelled dial having Roman hour numerals and subsidiary seconds dial, the back engraved with the heraldic badge of Thomas Milner & Son "TO FAITHFUL HOPLEY AFTER 25 YEARS SERVICE 1866", the case hallmarked Chester, 1864, maker HS, the bow of gilding metal, complete with key
A LONGCASE CLOCK by Robertson, Montrose, the eight day movement with arched dial painted with allegorical female figures, secondary dial, the arch painted with an interior scene with figures, in mahogany case with rosewood inlay and crossbanding, turned finial on scrolled pediment, Corinthian columns with gilt metal mounts, arched door, panel base and bracket feet, 89" high
A MANTEL CLOCK by Junghans, the eight day movement with arched brass dial applied with gilt metal mask and spandrels, on arched mahogany case with urn surmount and turned finials, canted corners applied with gilt metal term figure, flared and moulded base with lion paw feet, 20" high
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