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George Nelson Asterisk clock, by Howard Miller, model 2213, black enameled metal form with white enameled hands, original finish, signed with Howard Miller stamp to back, 10"dia, plugs in, second hand missing, otherwise excellent condition Motor runs. Appears to keep time. No second hand. The cord is very short. Light wear to the finish. Slight bend to the minute hand.
Pierre Chareau Butterfly table lamp, 1990s production of the 1920s design, produced by Edition Modern, two alabaster shades mounted in a metal frame, 10.5"w x 9"d x 12.5"h, excellent original condition No chips or cracks. Some roughness to the alabaster plates where the metal clips attach. The lamp works. Low wattage bulbs are recommended; higher wattage bulbs can cause opaque spots to form on the alabaster. Sturdy and structurally sound.
Pierre Chareau Block 145 sconces, pair, 1990s production of the 1920s design, produced by Edition Modern, each with three alabaster block shades mounted in a metal frame, 9"w x 5.25"d x 15.25"h, excellent original condition Signs of minor heat damage to the interior of one block. No chips or cracks. Light wear to the edges of the finish on the metal. Both lamps work. Low wattage bulbs are recommended; higher wattage bulbs can cause opaque spots to form on the alabaster.
Pierre Jeanneret desk, Chandigarh Administrative Buildings, India, Indian rosewood, rectangular top, one drawer over an open compartment, one flared leg, back side with storage compartments, top with an inset brown leather writing surface, leather replaced, 48"w x 32.5"d x 28"h, very good condition Small nicks and chips to edges of top. Substantial scratches to surface of desk from use over time, mostly consisting of cross-hatching; small chips to gray finish on metal; all adjustment knobs and mechanisms in good working order. Sturdy and structurally sound.
Pierre Chareau Dragonfly sconces, pair, France, 1990s production of the 1920s design, produced by Edition Modern, each with two alabaster plates, metal frame, original finish, unsigned, 12"w x 8"d x 14.5"h, excellent original condition Some scuffs and abrasions. Very small chip to the point of one shade. No heat damage. Both work. Low wattage bulbs are recommended; higher wattage bulbs can cause opaque spots to form on the alabaster.
Large Dale Chihuly Mardi Gras tabletop or hanging sculpture, 2001, brilliantly colored hand-blown glass elements are held in a brushed steel stand, includes hardware that allows the sculpture to be hung, included are six extra glass pieces (not shown), authenticated, provenance upon request, as shown: 48"dia x 46"h, excellent original condition No breaks or repairs. Minor roughness to the bases of the glass elements where they fit onto the steel rods. One glass rod has a textured surface - the rest are smooth. Six extra rods are included. Includes a copy of the bill of sale provided by the Chihuly Studio. Parts are included for hanging the sculpture rather than displaying it as shown. We do not have a complete diagram for the placement of the glass rods- some are marked with letters or numbers on blue painter`s tape on the base of the rods; these numbers/letters correspond with numbers on the metal rods of the base. However, the system is incomplete. The pieces are interchangeable and can be configured as desired.
Gilbert Rohde vanity and mirror, by Cavalier, walnut, black platform base with hidden castors, four drawers and a swing out shelf with the original exaggerated painted wood pulls, mirror with matching trim, refinished, signed with Cavalier metal tag, cabinet: 44"w x 18"d x 30.75"h, mirror: 22"w x 2"d x 30"h, very good condition No water rings or stains. No chips or cracks. Excellent restored condition. Small veneer repairs to both top back corners (under new finish). The vanity is on hidden castors. The drawers are clean and work well; the pull-out metal shelf is in very good condition.
Edmund Spence cabinet, by Industria Mueblera S.A., Mexico, c. 1955, three drawers with the original gilt metal trim to the center drawers, metal legs, original finish, each drawer signed with branded mark to side, 62"w x 20"d x 32"h, wear to finish, otherwise very good original condition Wear to the finish including light to moderate scuffs and abrasions and finish loss. The finish has bubbled in an area of the front of the cabinet -- it was placed too close to a space heater. The wood underneath is not damaged. The drawers are generally clean and work well. All of the external metal decoration is intact. Tiny veneer chip to front left corner of the top. Refinishing is needed. Sturdy and structurally sound. Quote for refinishing by Furniture Revival in Chicago: $400, pending in-person inspection.
C. Jere Crane table lamp, chromed metal wire structure over a black enameled base, one light source with black enameled metal diffusers, adjustable arm, 12"w x 30"d x 23.5"h as shown, very good condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage or repairs. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
Verner Panton Ring lamp, re-edition, by Vitra Design Museum, 2001, originally designed in 1969, square form with raised circles, red and clear plastic, max 60 watts, original finish, signed with metal Vitra tag, 24"w x 8"d x 24"h, excellent original condition No chips or cracks. No repairs. Sturdy and structurally sound. Works. Cord has an on/off switch. One small screw on the back is missing a nut but this is not a problem because there are three other nuts/bolts.
Vico Magistretti Mezzachimera table lamp, by Artemide, one-piece molded plastic form on a white enameled metal base, uses three light bulbs, fully marked on base, 9"dia x 31.5"h, excellent original condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage or repairs. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
1970s mobile, painted wire and metal, red, white, yellow and black elements, original finish, unsigned, approximately 28"dia x 20"h, very good original condition No breaks. No repairs. Light wear consistent with age and use over time. Sturdy and structurally sound. Small losses to the finish.
Large 1970s mobile, painted wire and metal, black and white elements, unsigned, maximum size: 74"w x 55"d x 49"h, very good original condition No breaks. No repairs. Light wear consistent with age and use over time. Sturdy and structurally sound. Small losses to the finish. Brush marks are visible on the large pieces. Some slight bends to the large pieces.
Friso Kramer drafting table, the Netherlands, 1950s, adjustable gray enameled steel frame with wood top, top adjusts from vertical to horizontal position, partial label "Made in Holland", 41.25"w x 32"d x 29.5"h, very good condition Small nicks and chips to edges of top. Substantial scratches to surface of desk from use over time, mostly consisting of cross-hatching; small chips to gray finish on metal; all adjustment knobs and mechanisms in good working order. Sturdy and structurally sound.
Odelberg Olson task chairs, pair, 1940s, birch plywood seats and backrests, steel base, backrest and seat height are adjustable, made in Sweden, original finish, stamped "Made in Sweden", 17"w x 19"d x 28.5"h, some wear, good original condition No chips or cracks. Light to moderate surface scratches, scuffs and abrasions. Wear consistent with age and use over time. Water spots and stains to the seats. Significant wear to the finish of the metal bases.
Clay Michie table lamp, for Knoll Associates, c. 1950, brass base, white enameled shade, switch on base, arm swivels at base and at center, shade adjusts, original finish, 12"w x 17"d x 15"h, very good original condition Lamp works. Wear to the surface of the metal on the base. No bends or dents to the shade. A few small scratches to the shade. Rewired - newer cord. All swivel/adjustment points are in good working order.
Eero Saarinen Pedestal side table, by Knoll, round white laminate top on a white metal base, Knoll Associates label, original finish, some discoloration to base, 20"dia x 20.5"h, good original condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage or repairs. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
Eero Saarinen Pedestal side tables, pair, by Knoll, round white laminate tops on taupe metal bases, Knoll Associates label, original finish, 16"dia x 20.75"h, very good original condition No chips or cracks. Light surface scratches, scuffs and abrasions. Light wear consistent with age and use over time. Sturdy and structurally sound. Each with Knoll International label. Dated 1970.
Large Harry Bertoia bench, by Knoll, 1950s, ash top over black wrought iron bases, Knoll Associates paper label, 82"w x 18"d x 15.5"h, original finish, good original condition Light to moderate surface scratches, scuffs and abrasions. Sturdy and structurally sound. Wear consistent with age and use. Stains to top. Very small losses to corners. Part of a metal property tag remains at one corner along the edge of the wood top.
Michael and Frances Higgins table clock, by General Electric, fused glass face, metal base, signed with gold screened "General Electric" to front and stamped marks to back, 8.25"w x 6.5"d x 8.75"h, very good original condition No chips or cracks. No repairs. Sturdy and structurally sound. No problems.
Post Modern end tables, pair, designer unknown, inlaid checkerboard pattern, polished metal legs with cut corners that taper to a point, each with one drawer, unsigned, 24.25"w x 18.5"d x 27"h, slight color difference to legs, small holes to legs, very good condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage or repairs. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
C. Jere wall sculpture, heavy brazed metal center with two layers and natural edges surrounded by a starburst of thin wires, heavy, unsigned, 41"dia x 5" deep, very good original condition Sturdy and structurally sound. We did not notice any broken or missing rods. Some slight bends to rods. Heavy. Due to the heavy weight of the center and the jagged quality of the center, the sculpture is a bit difficult to handle and move.
Richard Sonneman Orbiter floor lamp, by Sonneman, chrome, a weighted black metal base supports an arched top holding an adjustable arm with one chrome ball shade, base is 12"dia, overall height: 62"h, arm with shade is 39.5"w, very good condition Light surface scratches, scuffs and abrasions. Sturdy and structurally sound. Light wear consistent with age and use over time. The surface of the base is splotchy. The light works.
Milo Baughman display unit, geometric chromed metal frame with six glass shelves, 42"w x 16"d x 79"h, excellent original condition Tiny chip to two shelves at the corners (not significant and not noticeable). No rust or damage. The chrome is very bright and clean. No dents. No repairs.
Jens Risom wastebaskets, five, by Jens Risom, Inc., walnut, 12"dia x 13"h, four with Jens Risom metal tags, wear to finish, good original condition Moderate surface scratches, scuffs and abrasions. No repairs. Wear consistent with age and use over time. Small veneer chips around the edges of the bottoms. All but one of the original feet are missing. Sturdy and structurally sound.
Sven Ellekaer coffee table, by Linneberg Mobelfabrik, Denmark, walnut with black inserts, three-leg base supports a glass top, signed with red and white Selig metal tag, 40"dia x 16.25"h, very good original condition No chips or cracks. Light wear consistent with age and use over time. Sturdy and structurally sound. Finish shows age.
Augusto Savini Pamplona chairs, four, by Pozzi, rosewood frames, a center back leg is formed by the convergence of the two front legs, polished metal hardware, original off-white leather upholstery, original finish, 23"w x 20"d x 29.5"h, very good original condition No chips or cracks. Sturdy and structurally sound. Light wear to the surface of the leather seats. Two chairs have splotchy dark spots to the back of the backrest rail. Very small nicks and chips to the wood around the round bolts on the frames.
Gio Ponti occasional table, by Fontana Arte, Italy, matte metal base supports original two round glass shelves, original finish, 24"dia x 24"h, very good original condition No chips or cracks. No repairs. Light wear consistent with age and use over time. Sturdy and structurally sound. Some splotchiness and spots to the metal, which would probably benefit from cleaning/polishing.
Karl Springer coffee table, by Karl Springer, Ltd., wood form covered in metal mesh filled in with a black finish, original finish, 47"w x 20"d x 15"h, losses to legs, good original condition No water rings or stains. No chips or cracks. Light to moderate surface scratches, scuffs and abrasions. Sturdy and structurally sound. Some significant losses to the surface of the legs at the floor, including the wire mesh surface. One small chip to top edge.
Danish rosewood desk, maker unknown, two-sided, five drawers with brass pulls, black enameled metal frame, back side features open storage compartments, refinished, unsigned, 59.25"w x 30"d x 29"h, very good condition No chips or cracks. Sturdy and structurally sound. Back side features storage compartments. The drawers work well. Three small water spots to the top. Overall, very nice condition.
Paul McCobb serving or bar cart, by Calvin, square tubular brass frame on castors, one pull-out shelf, two drawers with original brass pulls above a removable serving tray and lower shelf in bleached mahogany, original finish, original travertine marble top, marked with metal tag, 36"w x 19"d x 29.5"h, very good condition No water rings or stains. No chips or cracks. Very light normal wear consistent with age and use over time. Sturdy and structurally sound. All knobs are intact. Nice original condition.
Mid-century globe and stand, in the style of Paul McCobb, square tubular brass frame, original globe by Replogle dates to mid-1970s, original finish, 19.5"dia x 38"h, very good original condition Very light surface scratches, scuffs and abrasions. Light wear consistent with age and use over time. Sturdy and structurally sound. The metal shows and the surface has a somewhat dark patina.
Paul McCobb occasional tables, three, by Winchendon, round walnut tops over black iron legs, refinished, 16.5"dia x 16.75"h, excellent condition No chips or cracks. Refinished. Sturdy and structurally sound. Light wear to the finish of the metal. Slight bend to one leg. One rubber boot is missing.
Paul McCobb Planner Group desk and chair, by Winchendon, maple, rectangular top over tapered legs, five drawers and one pull-out work surface with the original T metal pulls, back is finished, 53"w x 26"d x 29"h, chair: 20"w x 18"d x 31"h, original finish, very good condition No water rings or stains. No chips or cracks. The top has been protected by glass and is in excellent original condition. The drawers and pull-out shelf are clean and work well. Light wear to the finish of the drawer fronts from handling. Scuffs to the legs of the desk and chair. Both are sturdy and structurally sound with signs of normal use over time, including light surface scratches and scuffs.
Charles & Ray Eames LCM lounge chair, by Herman Miller, molded ash plywood seat and back on a polished chrome frame, original finish, rubber and metal boot glides, stamped "LCM", 22"w x 26"d x 27"h, very good original condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage or repairs. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
George Nelson Steelframe coffee table, by Herman Miller, white enameled metal frame supports a top surface of grasscloth covered in translucent plastic, all glides intact, original finish, 34"w x 34"d x 22"h, good original condition No water rings or stains. No chips or cracks. Light to moderate surface scratches, scuffs and abrasions to the white finish of the frame. Sturdy and structurally sound. Very slight bends to a couple legs. Signed with round metal Herman Miller tag.
Andy Warhol`s Charles and Ray Eames DCM, by Herman Miller, ebonized molded plywood seat and back, painted black metal frame, from the Sotheby`s New York Andy Warhol Collection, lot 1192/5, chair was originally one part of a five-piece lot, original finish, signed with Sotheby`s tag, 19.5"w x 20.5"d x 29"h, wear to finish, good condition Sturdy and structurally sound. Substantial wear to the finish. Veneer chips to the top of the backrest. One veneer chip to the edge of the seat. No feet. The shock mounts are original and intact.
George Nelson Steelframe desk, by Herman Miller, white metal frame with three black drawers under a white laminate top, gray-green sides, signed with foil label tag, all feet intact, 42"w x 17"d x 29.5"h, very good original condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage or repairs. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
Curtis Jere Owl sculpture, 1971, handmade brass form with blue and green enameled eyes over a painted wood base, signed and dated on metal tag, 10"w x 9"d x 17"h, very good original condition Light surface scratches and scuffs to the wood base. No repairs. Sturdy and structurally sound. Slight bends to the feathers.
Michael Taylor cabinet, by Baker, cherry, eight drawers with interlocking ring pulls, back is finished, original finish, signed with Baker metal tag, 62"w x 19"d x 32"h, very good original condition No water rings or stains. No chips or cracks. Light to moderate surface scratches, scuffs and abrasions. Light wear consistent with age and use over time. Sturdy and structurally sound. Scuffs and abrasions to the feet. Original finish. The drawers are clean and work well.
Norman Bel Geddes vanity and stool, by Simmons, metal structure with the original black and cream finish, original attached mirror, seat is reupholstered, 50.5"w x 17.5"d x 67.75"h, stool: 22.5"w x 15"d x 18"h, very good condition Light to moderate surface scratches, scuffs and abrasions. No chips or cracks. Sturdy and structurally sound. The drawers are in good working order. Contact paper has been applied to the bottoms of the drawers. The stool has been reupholstered. The mirror shows wear consistent with age but not chips or cracks. The pieces show signs of wear consistent with age and use over time. Some finish loss in places.
Norman Bel Geddes bedroom set, by Simmons, metal structures with the original black and cream finish, cabinet and dresser with original attached mirror, cabinet at left with one door and six drawers: 39"w x 20"d x 45"h, dresser at right with four drawers: 46.5"w x 20"d x 36"h, mirror: 28"w x 33"h, very good original condition, with matching but not shown twin beds (pair), nightstand and occasional chair, headboards: 38"w x 36.5"h, night stand: 14"w x 13"d x 23"h, chair: 19"w x 18"d x 32.5"h, good original condition Light to moderate surface scratches, scuffs and abrasions. Sturdy and structurally sound. The drawers and doors of all pieces are in good working order. Contact paper has been applied to the bottoms of the drawers and compartment in the large dresser. The short dresser has an attached bar but the mirror does not seem to attach to it. The mirror shows wear consistent with age but not chips or cracks. One headboard has hardware for a light mounted to it, but parts are missing; the other headboard has screw holes but no light. The chair seat has been reupholstered. All pieces show signs of wear consistent with age and use over time. Some finish loss in places.
Paavo Tynell hanging light fixture, attribution, by Lightolier, perforated brass shade with glass diffuser, wire spring detail, 15"dia x 20"h, cord has been cut, very good original condition No chips or cracks. Light to moderate surface scratches, scuffs and abrasions. The cord has been cut to the length shown. The egg-shaped metal element is not weighted, and differs slightly in color. Lamp works.
Bradley & Hubbard table lamp, octagonal paneled shade with metal overlay poinsettia design, brass base with conforming incised decoration, base signed, 16"dia x 21"h, very good condition poinsettias painted, nice patina, wear to patina on standard terminal near foot, no cracks to glass
Handel floor lamp base, harp form in bronzed metal, original golden patina, marked, 14"w x 77"h patina with vertigre and numerous stains; wear and scratches consistent with age and handling; a little dirty; unsure if wired for use; impressed logo on base; adjustable head; plastic cord; original chain pull; overall good condition
Arts & Crafts jardiniere and pedestal, original mixed metal set with a hammered copper jardiniere supported by a hammered brass base, with folded edges, original patina, overall: 20.5"w x 20.5"d x 31.5"h, very good condition Literature: A similar example is illustrated by Don Marek in Grand Rapids Art Metal Work, illustration 101, p. 75; a jardiniere and pedestal are shown in situ at the Charles P. Limbert Co. Showroom, originally from the Grand Rapids Furniture Record, February 1911 some touch up to a crease on the jardiniere, original patina on each
Good Handel floor lamp, bronzed metal harp shape with an original copper-colored patina, holding a nice Steuben green glass shade with an applied band of decoration, original felt with cloth label, overall: 14"w x 58"h minor roughness to fitter rim (may have been ground); minor wear; adjustable; original fancy metal switch; applied felt to base with original cloth tag; no mark or signature was detected on the shade; overall very good condition
Handel student lamp base, bronzed metal telescoping two-arm form with adjustable sockets, original patina, unmarked, overall: 22"w x 30"h loss to patina at bottom of a few nicks to edge of foot; wear consistent with age and handling; remnant of plastic cord; original metal switches; no mark or signature was detected; overall good condition
Handel floor lamp base, harp form in bronzed metal, original dark patina, mark is probably hidden by felt on base, 14"w x 56.5"h minor wear and minor scratches consistent with age and handling; unsure if wired for use; impressed logo probably hidden on base; remnants of felt and remnants of a paper label on base; original metal switch; adjustable head; plastic cord; overall very good condition
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972882 item(s)/page