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An antique brooch in yellow & white metal (no hallmarks & not tested), set with a central oval cabochon cut moonstone, measuring approx. 1.8cm x 1cm, surrounded by old mixed cut rubies and old cut diamonds, the overall measurement of the brooch is approx. 3cm x 2.3cm, pin & safety catch fastening, 5.9gm.
Rolex, a ladies bi-metal Rolex Oyster Perpetual automatic wristwatch with original Guarantee dated 20/4/2000, A513854, 76193, dial measurement 24mm, with original tags, spare links, inner & outer boxes, wallet with booklets.Condition reports are offered as a guide only and we highly recommend that you inspect any lot to satisfy yourself as to its condition. Plymouth Auction Rooms do not guarantee the working order or accuracy of any watches sold. Please refer to clause 15 on our terms of business.
Rolex, a ladies mid 1980's bi-metal automatic Rolex Oyster Perpetual Datejust wristwatch, 26mm, bronze diamond dot dial, bi-metal jubilee bracelet ref 62523D, model number 69173, serial number 9224013, comes with original inner & outer boxes, tags, Guarantee Paperwork 160, chronometer 9224013 and booklets.Condition reports are offered as a guide only and we highly recommend that you inspect any lot to satisfy yourself as to its condition. Plymouth Auction Rooms do not guarantee the working order or accuracy of any watches sold. Please refer to clause 15 on our terms of business.
Blue, black, green and cream coloration.Includes certificate of authenticity. Founder and chairman of the Pickwick Club, this gentleman is the elegant and genial hero of Charles Dickens' " The Posthumous Papers of the Pickwick Club," first published in 1837. The Large version of this jug was sold by Lawleys By Post in a limited edition of 2,500 pieces. The Mr. Pickwick jugs were issued with metal spectacles, as was the Glenn Miller Jug.Series: Charles Dickens' Characters; RDICC. Royal Doulton backstamp. Artist: William K. HarperIssued: 1994Dimensions: 7"HEdition Number: 1079 Edition Size: 2500Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
KAWS (American, born 1974)Companion Skeleton (Black) Three screenprints in tan and black, 2008, on card with metal rivets, produced by Medicom Toy and OriginalFake, Tokyo, housed in the original sleevesEach 1435 x 585mm (56 1/2 x 23in)(3)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com In addition to the catalogue entry:- one slightly yellowing- some very minor nicks in places to the sheet edges- minor wear and tear to original sleevesOtherwise, in generally very good condition.
Pot à tabac et porte pipe en porcelaine française, vers 1860-70 A tobacco pot and pipe holder, of legal interest, circa 1860-70French porcelain, decorated likely in Naples, depicting various historical figures, satirising passages around the changes in law-making in Italy, the edge with gilt scrollwork and satirical portraits of historical figures, with a gilt metal chain and mounts, 13.5cm acrossFootnotes:One of the figures can be recognised as the 18th century figure of Bernardo Tanucci, here seated on a stool named La Legge or 'The Law', presiding over a lawsuit of two donkeys (I ciucci) dressed as figures of the law. Tanucci is mostly credited for strengthening the division between State and Church. Governing under the principles of enlightened absolutism, he restricted the jurisdiction of the bishops, eliminated medieval privilege, closed convents and monasteries, and reduced the taxes forwarded to the pontifical Curia.Tanucci's fall from grace came about over an argument with Queen Maria Carolina regarding Freemasonry, of which she was an adherent. Acting on orders from Charles III, Tanucci revived a law from 1751 banning Freemasonry in response to the discovery of a Masonic lodge among the royal regiment. Angered, the Queen expressed to Charles III her opinion that Tanucci was ruining the country through the medium of a letter written by her husband, thus making it look as if it was his idea. Resigned to the Queen's wishes, Ferdinand dismissed Tanucci in October 1776. The appointment of Tanucci's successor, the Marquis of Sambuca, represented the end of Spanish influence in Naples, hitherto virtually a province of that country. Maria Carolina proceeded to alienate large swaths of the nobility by replacing the influence of Spain with that of Austria. Her unpopularity among the nobility was increased by her attempts to curb their prerogative.Others represented are famous figures from Neapolitan literary and public life just before the Risorgimento and they are depicted in a wild ensemble, on the border some figures from artistic life, including satirical figures of what appear to be Giuseppe Garibaldi and Giacinto Gigante, the border with Borbone bees and the Gallic cockerel, all likely symbolising French power under Napoleon, his brother Joseph and brother-in-law Murat.For further information on this lot please visit Bonhams.com
Table Louis XVI en acajou, ornementation de bronze doré, estampille de Etienne Avril, dernier quart du XVIIIe siècleA Louis XVI gilt-metal mounted mahogany occasional table, by Etienne Avril, last quarter 18th centuryThe shaped rectangular top with rounded corners and moulded edge, above channelled trestle supports terminating in splayed legs and brass caps and casters, stamped to one support 'E.AVRIL' and 'JME', 91cm wide, 57cm deep, 73cm high (35 1/2in wide, 22in deep, 28 1/2in high)Footnotes:Etienne Avril, maître ébéniste in 1774.This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Plateau Italien circulaire en marbres divers et pierres dures, centré d'un panneau en micromosaique à sujet des colombes de Pliny, premier quart du XIXe siècleAn Italian specimen marble and hardstone circular top, first quarter 19th centuryWith radiating array of specimen marble panels, including porfido rosso, lapis lazuli, malachita, verde antico, porfido verde, granito verde antico, diaspro di Sicilia, granito rosso antico, cipollino, giallo antico,rosso antico, alabastro e alabastro fiorito, bianco e nero and various types of breccie and centred by a large rectangular fine micromosaic panel depicting the doves of pliny against a black marble ground, within verde antico and white marble outer borders, on an associated gilt metal later stand, 78cm diam. (30 1/2in diam.), the base 43cm high, (16 1/2in high)This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Paire d'appliques au dauphin en bois doré, travail probablement italien, fin XIXe siècleA pair of giltwood two-light wall-lights, probably Italian, late 19th centuryEach with downswept entwined dolphin surmounted by a flaming urn finial, above two scrolling branches issuing tasselled chains, and with gilt-metal turned nozzles, probably replaced , 24cm wide, 59 cm high (9in wide, 23in high). This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Boîte à mouche en porcelaine de Meissen, fin XVIIIe siècleA Meissen patch box, late 18th centuryDecorated with sprays of flowers under a purple scale border in rococo taste picked out with gilt scrollwork, the bombe cover and tapered box set with later gilt metal mount, 3.5cm high,For further information on this lot please visit Bonhams.com
Flacon à parfum figuratif de Meissen décoré postérieurement, la porcelaine vers 1750A Meissen later-decorated figural scent bottle, the porcelain circa 1750Modelled as a man standing beside a tree stump and wearing a yellow hat, a white jacket embellished with indianische Blumen and lilac trousers, holding a dog, its head forming the stopper and connected by a gilt metal chain, the underside painted with a gilt metal star surrounded by a floral garland, 8.8cm high (tiny chips to base)Footnotes:Provenance:Private German Collection of Meissen PorcelainFor further information on this lot please visit Bonhams.com
Grand plat armorié Meissen du service Münnich, vers 1738A Meissen armorial charger from the Münnich service, circa 1738Painted with the arms within the Collar and Badge of the Russian Order of St. Andrew above the motto Obsequio et candore, flanked by oval cartouches and martial trophies all hung with swags and scattered indianische Blumen, the rim moulded with 'Sulkowski-Ozier' basketwork, 29.6cm diam., crossed swords mark in underglaze-blue, (set in a later metal tree-claw mount for hanging)Footnotes:Provenance:Given by Augustus III of Poland and Saxony to Count Burchardt Christoph von Münnich in late 1740;German private collectionGeneral Field Marshall Burchard Christoph Graf von Münnich (1683-1767) entered the service of Augustus the Strong in 1716 and quickly became General Inspector of Polish troops and Commander of the Royal Guard. In 1721, he entered the service of Czar Peter the Great, and under Peter II, became General of the Infantry and was ennobled as Count (Graf) in 1728. Under Czarina Anna Ivanovna, he was appointed Privy Councillor, Minister of War and, in 1732, Field Marshall. He was awarded the Order of St. Andrew in 1734. He was exiled to Siberia by Czarina Elizabeth following the palace coup of 1741, and was rehabilitated only 20 years later by Peter III. He resumed high office and died in 1767 during the reign of Catherine the Great, who commented at his death: 'Even if he wasn't a Son of Russia, he was one of its Fathers.'The service was a gift - along with the Polish Order of the White Eagle - from the Saxon Elector, Friedrich August, in gratitude for Münnich's role in the War of the Polish succession (1733-35/38), which resulted in Friedrich August's election as King (Augustus III) of Poland. In 1734, Münnich led the 135-day siege of Danzig, where Friedrich August's rival, Stanislaw Leszcynsky, had taken shelter. The decision to give Münnich a gift may have been made around this time. The service is first mentioned in 1738, though it seems that it was the elevation of Münnich to First Minister at the end of 1740 that caused the service to finally be delivered. See the detailed discussion of the service by Anette Loesch in U. Pietsch (ed.), Meissen for the Czars (2004), pp. 50-51. Other examples from this service are illustrated by Pietsch (ed.) 2004, pp. 50-55. Other pieces from this rare service offered at auction include a plate at Sotheby's London, 2 December 2003, lot 29; a plate at Stockholms Auktionsverket, 5 October 2007, lot 2821; a plate at Sotheby's London, 12 June 2008, lot 722; and another plate at Christie's London, 12 May 2010, lot 86, and more recently a plate was offered at Bonhams London as part of the collection of Brigitte Britzke, 14 December 2016, lot 90.For further information on this lot please visit Bonhams.com
Bonheur-du-jour Louis XVI en bois citronnier, amarante et filets d'ébène, ornementation de bronze doré, vers 1780, dans le goût de Claude Charles SaunierA Louis XVI ormolu-mounted bois citronnier, amaranth and ebony banded bonheur-du-jour, circa 1780, in the manner of Claude Charles SaunierThe three-quarter galleried white marble top, above two doors centred with oval cameos depicting Antique scenes, revealing a banded and veneered interior, and flanked by gilt-metal brettés panels, the roll-top enclosing three small drawers, one of them with an inkwell compartment, two pigeon holes and further simulated drawers conformingly veneered, the red leather sliding writing surface above a knee-hole with two small drawers, the right one fitted with a hinged strong box with locking device, and a central thin drawer, the panelled sides with red leather lined slides, the back panelled and veneered conformingly, on turned tapering channelled legs headed by brettés, apparently unstamped,82cm wide x 44.5cm deep x 123.5cm high, (32in wide x 17 1/2in deep x 48 1/2in high)Footnotes:This elegant and small bureau de dame, often called bonheur-du-jour is closely related to a distinctive group of furniture produced by leading Parisian ébénistes as Claude-Charles Saunier and Ferdinand Bury. The wide use of bois citronnier and contrasting amaranth banding is a characteristic often favoured by Saunier. These small bureaux were often embellished with Sèvres porcelain plaques or, as in this case, painted biscuit porcelain cameos.This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Paire d'appliques Louis XV en bronze doré et figures en porcelaine de Meissen, vers 1740 et époque postérieureA pair of Louis XV wall lights with Meissen figures, circa 1740 and laterThe figures dating to circa 1740, modelled by J.J. Kaendler, a seated male harlequin playing the bagpipes and his female companion, she playing the hurdy-gurdy, each sitting in a metal arbour with painted tôle leaves studded with small groups of porcelain flowers, two branches with ormolu tooled sconces parting from the semi-circular base of the sconces, the branches surrounded by larger porcelain flowers, 47cm high each, (2)Footnotes:Provenance:Private German Collection of Meissen PorcelainFor further information on this lot please visit Bonhams.com
Three WMF pewter plates, c.1905, each decorated with the head of an Art Nouveau maiden, unmarked, each 31.8cm diameter (3)Condition Report: Dish 1: major dents, tear to the metal above maiden's head, multiple heavy scratches and marks, losses to the flower borders.Dish 2: surface scratches, minor indentations to flower beneath maiden's head, old sticky label, polish residue.Dish 3: very dark patina. Surface marks and scratches, patches (near the rim) of heavy surface wear.See additional images.
A WMF metal jardinière with glass liner, c.1930-1935, of pierced oval frame with fruiting whiplash foliage and with similarly cast twin handles, stamped to underside, approx. 12.7cm high, 31.2cm wide, together with a WMF tray, c.1910, oxidised Britannia metal, formed as an maiden wearing flowing dress among an iris and whiplash stems, with scrolling foliate handle, with Ostrich stamp, OX, and B, approx. 32cm wide, 28cm deep (2)
A Céline Paris navy blue leather shoulder bag, c.1970s, gold hardware, with star ball logo inscribed CELINE PARIS to the magnetic front clasp, opening to reveal a red leather interior with zip pocket, stamped gold lettered logo on flap, with chain link shoulder strap, the bag 24.4 x 18cm, with associated dust bagCondition Report: Some signs of light use by previous owner. The front and reverse of the bag with small marks and scratches to the leather. The metal clasp still functioning. The zip with some rubbing to colour but still functioning. The chain link strap in good condition.
A Céline Paris black leather shoulder bag, c.1970s, gold hardware, with star ball logo inscribed CELINE PARIS to the magnetic front clasp, opening to reveal a red leather interior with zip pocket, stamped gold lettered logo on flap, with chain link shoulder strap, the bag 24.4 x 18cm, with associated dust bagCondition Report: Some signs of light use by previous owner. The front and reverse of the bag with small marks and scratches to the leather. The metal clasp still functioning. The zip with some rubbing to colour but still functioning. The chain link strap in good condition.
A large quantity of camera accessories, to include flashes, lens and mount covers, expired film, camera bags of various sizes and makers, and six metal hard carry cases with interior dividers (lot) Please note that Roseberys do not guarantee the working order of any camera.
A poster for the exhibition 'Vienna 1900: Art, Architecture & Design' at the Museum of Modern Art, New York, July 3rd - October 21st 1986, featuring a printed detail of Otto Wagner's 1903 competition design for the Postal Savings Bank in Vienna, held in a gilt metal and glazed frame, 90cm x 58.3cm (VAT charged on the hammer price)
An Art Nouveau style multicoloured glass bead inset lamp shade with leaf moulded lamp base, 20th century, 40cm high overall, together with a group of objects of vertu, including a multicoloured glass high shoulder vase with squat foot, 27cm high, a Gallé style yellow glass bottle vase with naturalistically modelled copper mount, 17.5cm high, and a modern Czech frosted glass triangular ashtray moulded with faces each side, 6cm high, 11cm wide, together with a contemporary perspex table lamp modelled as three columns supporting a capital, with central metal light fittment, 53.5cm high exc. fittment (5)It is the buyer's responsibility to ensure electrical items are professionally rewired for use.
Relco, a contemporary three light floor lamp, circa 2000, glass, chromed metal, makers signature and numbered 1994/2005 to base, switch box with manufacturer's mark, 201cm highIt is the buyer's responsibility to ensure that electrical items are professionally rewired for use
After a design by Edgar Brandt, a wrought metal table lamp, second half 20th century, decorated with gingko leaves and berries, having two shades bearing signature Daum Nancy, 48cm high It is the buyer’s responsibility to ensure electrical items are professionally rewired for use.
A pair of modern metal table lamps, 20th century, of rectangular tapering form with flaring shoulder, painted in yellow and red stripes and raised on four gilded paw feet, 38cm high exc. fittment (2)It is the buyer’s responsibility to ensure electrical items are professionally rewired for use.
A pair of modern metal table lamps, 20th century, of rectangular tapering form with flaring shoulder, painted in grey and silver stripes and raised on four silver ball feet and rectangular metal base, 40.5cm high exc. fittment (2)It is the buyer’s responsibility to ensure electrical items are professionally rewired for use.
GUCCI A rare minaudière silver-glass beaded framed evening bag. Dating from the 1960s, this piece has an iridescent pearl satin lining and kiss-lock fastening. Two inside side-pockets. It measures 18 cm x 13 cm. The silver metal strap drop is 18 cm. Comes in red Gucci dust bag. Condition Report: Good condition commensurate with age
An original 1930s jacquard butterscotch silk wedding dress with lace trim and covered buttons. Hand smocked detail on sleeves and at waist. Very full skirt. Original matching taffeta full length slip included (some foxing marks from storage on metal hanger) 34-36" bust, 28" waist, shoulder to hem 60" Fits UK Size 10Condition Report: Appears unworn. Good condition
A collection of original Art Nouveau ornate metal buttons to include four silver buttons each with lady within foliate decoration Birmingham 1902, makers JG, and a set of six white metal buttons depicting seated figure and child, and another set of six white metal buttons Condition Report: Good condition
An 18th century style quatrefoil gilt metal mounted domed box, the cover decorated with a serenade within a summer landscape with gilt and puce border, gilded interior, 8.5cm wide, 5.5cm high, faux Sevres marks; An 18th century rectangular Battersea enamel box, decorated with panels of flowering foliage within colourful scroll borders, 6cm wide, 3cm high; etc (3)
Late 20th Century costume jewellery comprising an Aurora Borealis necklace and others, a Warren James silver necklace with white coloured cabochon pendant, a large quantity of earrings to include 4 pairs of gold and yellow metal earrings, total weight 10.2g, a silver pin brooch in the form of a silver swan, silver items, loose semi precious stones and an Oriental tree ornament with semi precious stones. Location:BWR
An early 20th Century Flemish fine bead and sequin evening bag and 2 others, a 1997 Spanish fan presented to The Lady Mayoress, Mrs Shelagh Nichols, now known as Lady Nichols ( Wife of Alderman Richard Nichols, the new Lord Mayor of London in 1997) on 12th November, being a fist edition livery fan by Nicholas Crispin commissioned by The Worshipful Company of Fan Makers together with a late 19th/early 20th Century white metal chain purse, 17.4g, a 1920's turquoise hand-crocheted, bead and sequin head piece and an North African silver coloured and red coral necklace, 159g. Location:BWR
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972882 item(s)/page