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A pair of framed Continental oval portrait plaques German or French, 19th century each painted with the half-length titled portrait of either Marat or The Count Mirabeau, within a scroll-moulded gilt-metal mount, enclosed within a black ebonised carved wood frame each title inscribed on the reverse the plaque 15cm., 5Pin., the frame 31.5cm., 12Gin. some losses to the frames (2)
A 'S'vres-style' blue-ground gilt-metal-mounted vase and pedestal stand late 19th century the vase painted on each side with an oval panel depicting a scantily clad maiden accompanied by Cupid and a putto playing musical instruments, seated on stone steps in parkland, enclosed by an elaborate gilt foliate scrollwork frame and reserved against the dark blue ground, mounted with twin gilt-metal foliate scroll handles, the blue-ground pedestal stand decorated in raised gilding with an arrangement of musical instruments between ribbon and scrollwork borders, mounted on a stepped marble base and surmounted by a gilt wood capital and marble shelf the base inscribed in gilding 'Manufactured expressly for the Berlin Exposition' vase 93cm., 36Kin.; the stand 101cm., 39Nin. marble shelf repaired and loosely fitted to pedestal (2)
A silver-mounted enamel box, maker's mark SS in a cut oval, perhaps for Stern & Sohn, Vienna, circa 1895 circular, the lid painted with Venus and Cupid, the sides and interior unusually painted with nocturnal snow scenes on a translucent red ground, 8cm, 3 1/8 in; and an envelope-shaped Viennese enamel box with gilt-metal mounts painted with pastoral subjects, 9.5cm, 3 3/4 in; (2)
A pair of enamel plaques, signed H. Doublet, France, late 19th/early 20th century rectangular, each painted in opaque and translucent enamels with dramatic renaissance cavalry battle subjects after the manner of Rugendas, 23cm, 9in, in modern giltwood frames; a rectangular plaque painted with Le commencement d'un roman, signed in monogram EC and dated 1897 14.5cm, 5 3/4 in; and another, by G. Leroux, signed, painted with LOsteria della botte, d'apr's VinŽa, 15.5cm, 6 1/8 in, both in gilt-metal frames (4)
Three enamel plaques, French, late 19th century each painted in opaque and translucent enamels, the first, entitled: Le dafi, by T. Leroy, signed, 16.5cm, 6 1/2 in; the second, entitled: Cadet de Gascogne, also by T. Leroy, signed, showing a smiling soldier draped in his flag, 16.5cm, 6 1/2 in; and a smaller example, signed with initials OR, of a troubadour playing the lute, 14.5cm, 5 3/4 in, each in elaborate gilt-metal frame (3)
Three enamel plaques, French, late 19th/early 20th century painted in opaque and translucent enamels, the first oval, painted with an odalisque, signed: T. Leroy, 12cm, 4 3/4 in; a rectangular plaque, signed: Borval, painted with a mediaeval maiden, 12cm, 4 3/4 in, both in elaborate gilt-metal frames; and a rectangular plaque painted with a renaissance lady wearing a feathered hat, 16cm, 6 1/4 in, in giltwood frame (3)
Three egg bonbonni'res the first, English, circa 1760 scroll-chased openwork gold over agate, the white enamel collar inscribed: Rien n'est agrŽable eloignez de vous (sic), later loop, 5.5cm, 2 1/8 in; the second silver-gilt, maker's mark AD a dolphin between in a horizontal lozenge, France, circa 1905 enamelled in translucent scarlet over engine-turning, 5.5cm, 2 1/8 in; the third enamel with silver mounts, Simon GrŸnwald, Vienna, circa 1900 painted with putto on a red ground, 5cm, 2in, each on modern gilt-metal stand (6)
Four Viennese enamel objects of vertu, Austria, late 19th century the first a perfume burner with openwork lid, silver-gilt mounts, painted with pastorals, Ludwig Pollitzer, 11.5cm, 4 1/2 in; an unusual ewer and stand with silver-gilt mounts, painted with mythological subjects on a dark blue ground encrusted with gilded flowers and acanthus, putto handle, 14.5cm, 5 3/4 in; a translucent red-ground urn painted with the Judgement of Paris, silver-gilt mounts, Simon Grunwald, 7.7cm, 3in; and an aubergine-ground ewer with gilt-metal mounts, 12.7cm, 5in (5)
A group of three enamelled objects of vertu, Vienna, late 19th century each painted with 18th century figures reserved on a translucent scarlet ground, the first a cup of shell form supported by a gilt-metal gardener's boy, height 15.2cm, 6in; and two small ewers with gilt-metal mounts, the smaller with associated silver-mounted stand, 11 & 12cm, 4 1/4 & 4 3/4 in; and a shaped bowl, French, circa 1900 with similar ornament on a gilt-metasl stand, diameter 12cm, 4 3/4 in (5)
An agate bowl with silver-gilt mounts, apparently unmarked, late 19th century in renaissance taste, 15cm, 5 7/8 in; a pair of slender gilt-metal vases, probably French, decorated with flower swags in champleve enamels, green onyx bases, 20.3cm, 8in; a brown agate tazza with gilt-metal scrolled stem picked out in black and white enamels, 10.7cm, 4 1/4 in; and an oval banded agate bowl, 14cm, 5 1/2 in (5)
A small enamel nef with silver-gilt mounts, apparently unmarked, Vienna, late 19th century painted with water gods on a flowery ground, incomplete, 21.5cm, 8 1/2 in; a Viennese enamel two-handled vase painted with classical subjects, enamelled gilt-metal mounts, 22.7cm, 9in; a Viennese enamel ewer with gilt-metal mounts and a small vase with associated silver base, each painted with 18th century gallantry, 12cm, 4 3/4 in & 10cm, 4in (4)
A snuff box and a cased pair of scissors, the box unmarked but probably Birmingham, circa 1750 of cartouche form, the lid inset with a panel of aventurine glass within a chased flower and scroll border, 7cm, 2 3/4 in; and a pair of steel scissors, the shanks cut with scrolls and applied with gold nailwork, the tapering gold over metal case stamped with an ovolo pattern, scissors 9cm, 3 1/2 in (2)
Five desk seals, late 19th/early 20th century the smallest gilt-metal, inlaid with pietra dura and inscribed: Karlsbad; a gold-mounted thistle-form glass example, purple enamel guilloche collar with jewelled swags; a tapering crystal seal with cagework silver swag ornament below the figure of a knight; a tapering lobed crystal handle topped by a blue cabochon, with associated silver mount; and the largest, a mottled green/pink hardstone seal with silver-gilt crown and caryatid mounts 7.5cm, 3in - 12cm, 4Nin (5)
A gilt-metal and ivory tankard, South German, late 19th century the cylindrical sleeve carved with a mediaeval stag hunt, a castle visible in the woods behind, gilt-metal scroll, putto and shell handle, the lid and decorative spout cast with strapwork below the bird finial height 29cm, 11Iin
A pair of blue and gilt club-shaped decanters and stoppers and a papier mache stand, each inscribed with gilding with faux bottle labels and chains HOLLANDS and BRANDY, 23cm high, circa 1800; the gilt-metal mounted stand mid 19th century (minor damage and wear)
Four Ridgway relief-moulded jugs: a Pan jug in buff stoneware, height 22cm, unmarked; a Tam O'Shanter jug in buff stoneware, height 25.5cm, impressed 1835 publication mark (metal lid missing, handle riveted); an Eglinton jug in blue stoneware, height 24.9cm, impressed 1840 publication mark (crack); and a 'Sylvan' jug in white stoneware with a Britannia metal lid, overall height 20.6cm, moulded 1849 registration diamond (lid glued) See Henrywood 1/41 1/46, 1/51 and 1/57 for these designs
Four Victorian registered relief-moulded jugs: a T.J. & J. Mayer Paul and Virginia jug with a brown ground (2 July 1850 possibly incorrectly marked), a Beech & Hancock jug with a design of seaweed and coral on a blue ground and a Britannia metal lid (5 July 1861), a William Brownfield 'Union' jug with a blue ground (4 December 1861), and a William Brownfield 'Cashmere' jug with a brown ground (15 March 1867), all marked (three with lids missing, various other faults)
Two Charles Meigh & Son relief-moulded jugs: a Four Seasons jug in white stoneware with a blue ground, height 15.8cm, moulded registration diamond for 25 August 1852 (very small chip on rim of spout); and an Amphitrite jug, also in white stoneware with a blue ground, fitted with a Britannia metal lid by Atkin Brothers of Sheffield, overall height 26.2cm, applied mark with maker's name and registration diamond for 13 June 1856. See Henrywood 1/122 for a larger Four Seasons jug in white, and 1/123 and Colour Plate X for a smaller Amphitrite jug
Four Victorian relief-moulded jugs: a Bacchanalian Dance jug in white stoneware attributed to Charles Meigh, height 17.6cm, unmarked; a white stoneware jug with a design of deer, possibly by Walley, fittted with a Britannia metal lid by T. Booth of Hanley, overall height 16.1cm, unmarked; a Copeland white parian Grapevines jug, height 12.5cm, moulded mark including registration diamond for 4 November1848; and a Copeland white stoneware Uncle Toby and a Smoker jug with the major part of the spout missing but fitted with an apparently contemporary Britannia metal lid, overall height 19.8cm, impressed mark; generally between 1840 and 1850. See Henrywood 1/110 1/133 and 1/129 for three of these designs
Four white stoneware relief-moulded jugs: a Copeland Hop Vine jug with Britannia metal lid, overall height 18.8cm, impressed 'COPELAND' and moulded 1854 registration diamond (hair crack across bottom of handle); a Worthington & Green jug with a design of cherubs picking grapes, height 21.4cm, moulded maker's name mark (restored chips to spout); a James Edwards & Son jug with a naturalistic design of blackberry sprays, height 18.8cm, printed and moulded marks; and a Dudson Wheat Ears jug with a Britannia metal lid, overall height 25.2cm, impressed maker's name and moulded 1861 registration diamond See Henrywood 1/136 for the Copeland Hop Vine jug, and 1/164 for the Dudson Wheat Ears design
Ten small or miniature relief-moulded jugs and two mustard pots: the jugs mostly in parian, including a Mayer Cherubs jug, an Alcock Gipsey jug, an Alcock Grapevine jug, a Babes in the Wood jug, a Minton Lotus jug, a Trailing Ivy design probably from Worcester, and four others; the mustard pots both with Britannia metal lids, one by Minton in the Squirrels and Butterflies design (some small faults)
A quantity of jewellery, including; a circular gold back and front pendant locket, with two neckchains, an oval agate brooch, a bangle decorated with animals, a green paste brooch, necklace and pair of earclips, seven various pendants, two trinket boxes, a ceramic floral brooch, a gilt metal neckchain and a spy glass on a chain.
A gentleman's 9ct gold, rectangular cased wristwatch, import mark Glasgow 1928, with a Swiss jewelled lever movement, the rectangular silvered dial with black Arabic numerals and a ladies 9ct gold octagonal cased wristwatch, by TREBEX, on an expanding gilt metal fronted bracelet.
A gentleman's silver cased openfaced pocket watch, the enamelled dial with black Roman numerals and subsidary seconds and detailed FARRINGDON D, a gentleman's gilt metal cased keyless wind, hunting cased pocket watch and a rectangular gold cased wristwatch detailed 14K.
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986579 item(s)/page